EASIEST PATTERN EVER I should have known 20 years ago!
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- Опубліковано 29 тра 2024
- In today's guitar lesson, we learn the easiest pattern ever! This one is so simple that it's actually very easy to overlook. I should have learned this 20 years ago, because it makes playing beautiful solos and arpeggios MUCH easier than you would expect. It's very easy to memorize and play through! Many will find this easier to play than a scale. Enjoy learning this simple guitar pattern that will forever change the way you play guitar!
The BEST course on this subject I can recommend is by Daniel Seriff. It's GREAT!
Mastering Diagonal Arpeggios: shorturl.at/AT237
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Download the Easiest Pattern Ever PDF tab or Guitar Pro file: rb.gy/if4r1
00:00 - 00:32 - Intro
00:33 - 05:10 - Pattern explanation and Maj 7
05:11 - 06:33 - Dom 7
06:34 - 08:22 - Min 7
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"Shut up and play your guitar"- Frank Zappa during audition with a prospect
Lotta fret buzz on that low E.
I n n noticed
Little bzzzz in the A too😂
lol… needs a little relief in the neck… roll back the truss rod tension just a little. Or just turn up the amp😉
All these patterns are simply means to achieve an end: hitting the chord tones. Then there's the issue of which note to hit and in what context. What these discussions always seem to lack is that transition between chords. I sorta assume the authors just leave it to the audience how to figure it out because, let's face it, just playing a pattern over a chord is fragmented if not kinda lame. So my strategy is a bit more simple: target your note (root or 3rd, sometimes 5th) and practice on how to get there from the previous chord. There are natural ways to get from a note of one chord to a note in the next chord to make the sound melodic. Then expand my vocabulary of those paths. For example, in your example of Amaj7 arpeggio, going from 7th to root sounds good because of that chromatic effect. Check. I'll use it. But suppose you want to target 3rd. Going from 5th to 3rd sounds just too abrupt, then I'll add the 4th (and even b5) in between. You may say yeah but you're using the major/minor scale. That's why I don't particularly just follow any pattern. That's not to say arpeggio isn't good. I especially like using the dim7 (or even dominant 7) arpeggio as the tension to go to (some note of) another chord.
I wish someone out there who's had so much experience with soloing would, for example, take a solo over a chord progression and explain to us the ideas behind it as the artist goes from one chord to another (or even stay in the same chord). Why does he choose this over (whatever)? That sort of thing. That analysis is probably more valuable than any other patterns or tricks or what have you out there.
Make a video for us.
I know it can be annoying sometimes when people criticize the creators but I do agree with their point. Theres a million videos about patterns and scales but they all just say the same thing and dont put it into context. It WOULD help to take a song and show the context of how this all relates.
Good knowledge. The chord charts being upside down and backwards may be a problem for some people.
A7 - using the leading tone G# actually kinda blew my mind.
Thanks!
Wow…. That string buzz would realy get on my nerves! Great lesson though.
Yes, with all of the humidity affecting the guitar, it's time to turn the truss rod! :). Thanks for watching!
Someone needs a setup
That really really sounds beautiful. many thanks my friend.
Fantastic lesson 🔥🎸 Muchas gracias
😵💫! Amazing lesson ! 🇧🇷 👏👏thank you a lot for the education
Great video thank you!!!!
I'm going to test this!
Thanks so much! Hope your playing goes well!
Excellent lesson.
Amazing lesson !!! Looking forward for more videos like this.
Thanks so much! I really appreciate the feedback and you watching!
Thank you for sharing your tips..Absolutely awesome ❤❤❤
Thank you for watching! I'm happy to share any tips like this that I can! :)
Great lesson Paul. I like simple and I know this will help boost my melodic sound to new heights 👍🏼
Thank you! I like simple as well and this really was a simple pattern I overlooked for way too long! Hope it helps! :)
Very nice lesson! Thank you so much !
Thank you very much! I appreciate you watching and giving me feedback. :)
Very well presented and extremely valuable lesson !!!
Thanks so much! I really appreciate you watching!
Great lesson, Paul!
Thanks Jedi Master Daniel!! :)
Nice arpeggio lesson & insights.
Thanks so much! I really appreciate you watching and I hope it's helpful!
Absolutely love your lesson Paul … will look out for more … make it look so easy and simple
Thank you! Looking forward to releasing more soon! :)
Subscribed !
@@stricknine8623 Thank you! Hope you enjoy future content!
Cool lesson!!!! I love that guitar. Color is gorgeous!
Thanks so much! I love the color too! :)
Beautiful guitar, can't stop staring! Great lesson too!
Thanks! I love the guitar. :) I appreciate you watching and hope the lesson was helpful!
Awesome Paul thank you sounds great very helpful God bless
Thank you very much! I appreciate you watching the video! :)
Simple and helpful...
Thanks a lot 🙇🏻♂️
Thank you very much! So glad it was a help!
Great content. keep these coming. Awesome work.
Thanks so much! I really appreciate you watching and commenting! :)
Very helpful & well explained! Thanks so much for sharing.
Thanks so much for watching. I appreciate it!
@@PaulWarrenMusic
It was not my goal to make the fret buzz the number one comment... Nobody notice it unless someone say it 😞
Your video is interresting in the way you articulate on the fretboard the different patern scales in one mouvement. Thank you
@@jsebsteelguitar No problem! I'm glad it was mentioned. :) Thanks so much for your kind words regarding the video material!
Very good explanation Thank you
Thank you so much for watching! Glad it was helpful!
This is awesome, so simple and useful for lots of things!
I appreciate it! Simplicity works for me and I'm glad this is helpful. :)
Thank you! for resuscitating my arpeggio practice!
Thank you so much for watching! Hope it was helpful!
Nice little trick. Thanks.
Thank you! Hope it helps! :)
Beautiful Paul thank you blessed be
Thanks so much for watching! It’s greatly appreciated!
Great lesson, thanks man, subscribed
Thank you so much! I appreciate the sub very much!
Great lesson Mr.paul
Thank you so much for watching!
Very nice. This helps me and I'm sure many others😊
Awesome! Thanks for watching and I'm so happy it's a help!
Thank you for this lesson. The building blocks of arpeggios 😀
Thank you for checking it out! I appreciate it!
Cool idea.
Hello Paul, thanks for sharing your knowledge. As you mention, I would like you to create a video about how to target notes and approach them in a I IV V blues progression. Have a good one, thanks again.
Really explained well, thanks
Thanks so much! I appreciate you taking the time to check it out!
I always refer to that first pattern as the Doug Aldrich pattern. It really helps you learn the 7-1-3-5 notes of the key quickly in multiple places on the fretboard.
Nice! I agree. It really is helpful to identify the notes faster than a scale etc for me. Thanks for watching!
Great lesson!
Thanks so much for watching! Hope it helps! :)
Thank you so much. Excellent.
Thanks so much! I really appreciate you watching it!
Great lesson for a practicing beginner like myself, thank you so much
Thank you! So glad this was helpful!
Excellent Transmission
Thanks! I appreciate you watching and hope it was helpful!
Great info!
Thank you and I really appreciate you watching!
Brilliant channel and presentations
Thank you so much! I really appreciate you watching!
Great lessons
Thank you! I appreciate you watching!
Great video, spoken clear and precise, very calm, so I could understand and absorb what you were saying, unlike most of the American fast and furious videos with lots of hand gestures, well done young man.
Been playing for years, but sometimes feel stuck - your videos are amazing - a huge help with that. Thank you!
Thank you! I appreciate the feedback and for watching. I'm glad you've found the videos helpful. Keep on rockin'! :)
Great lesson Paul😎😎😎
Thank you! I appreciate you checking it out and hope you find it helpful!
Thanks, Paul!
That's handy. 👍 👌
Awesome! Glad you enjoyed it and thank you for watching!
1st time the lesson has actually been helpful thanks
Thank you! I appreciate you watching and I'm glad it was helpful!
Superb lesson. Just found your channel and I’m impressed by your clear and thorough explanations. Thank you. New subscriber ….
Thank you!! I really appreciate that and I hope you find more of my videos to be helpful. Thanks for the sub!
Thank you for another tool for the phrasing toolbox!
Of course! Thank you for watching and I hope it helps!
Nice work!
Very appreciated!! Thanks!!
Nice one! Amazing how we often overcomplicate our playing or don't look outside the box for the simple things lol... great video buddy!
Thank you so much! So much of what slows us down in learning is just overcomplicating simple things. I still do it all the time and have to call myself on it! :)
I want that guitar!! 🤩Gorgeous colour.
Thanks!! I love the color as well and am so happy Musicman was able to paint this one! :)
That guitar looks amazing.. Love the inlays and finish 🔥🔥
Thank you! I love it too! :) I review it here in case you want to see more of it. :) ua-cam.com/video/V6rnXzvpRpo/v-deo.html
But it is buzzing.
@@polyeder2000Yes thirth fret low-E string buzzing. Some others too.
It needs settings.
W0W! Thank you!
Great content
Thank you so much! I appreciate you watching!
Thank you for showing the tab structure the best way, from the veliewpoinr of the guiatrist.
Thanks! I appreciate you watching!
Thanks!
Thank you so much! That's very kind of you!!
Wow, it works!
GREAT STUFF
Thank you! I appreciate you watching!
Just discovered your channel. Great lesson and very well explained and awesome diagrams. How did yo get that shimmery sounds when you play your guitar it sounded so beautiful.
I'm glad you found the channel and appreciate the diagrams. Those take loads of time to create, for sure. :) The tone I was using a Mesa Lonestar model with some tape delays and reverb. I can't take credit for it, as I just downloaded it from the Neural cloud into my Quad Cortex. :). Thank you for watching!
Very smart and simple 👍, I know those arpeggios, but never in those patterns, smart, and I love the three octaves, WOw 😮 9:02
Thanks for checking it out! I'm glad it was helpful! :)
excellent
Thank you!!
Very useful
Thanks very much! I appreciate you watching!
I'm in. Thanks!
Awesome! Thanks for watching!
Right video at the perfect time for me
Excellent! I appreciate you watching!
Whoah! Thank you! Subbed!!!!
Thank you for the sub and for watching!
Your sound is out of this Galaxy. Sounds like a new genre .. Is that what you hear in your head before you start playing?
Great lesson Paul! I was wondering as I was watching this is do these arpeggios only work over 7th chords or can you use these patterns over a straight major, minor chord progression for example a C - F - G - Am progression?
Damn that guitar is beautiful !! Nice video man
Thank you!! I appreciate you watching and yes, I love the guitar too! :)
nice set up
Thank you! :)
Thank you Mr. Warren, been playing in different bands and genres for 62 years, but never thought or known of these straight forward patterns. At last, I feel as though I’ve got something new to play. Regards. Vic - Hampshire England
Thank you for watching and sharing your experiences. It's true, so many patterns, shapes and approaches are things we never run across for a long time. I'm glad you found this interesting and I hope it helps you play in yet another way! :)
Great
Thanks so much for watching. Hope it's helpful for you!
Thanks...I have been stuck in the pentatonic for along while and Thanks for the explanation .it helps me when I first get started on something new. 👍👍
Thank you! I appreciate you watching and I'm glad it's something new for you. I'm considering using the major scale and pentatonic with it in the next video. Should have made this video a touch longer and shown that part of using them. :)
I agree with you, and I think it took me more than 20 years to figure out it, which I did, but only when I started considering an exhaustive approach to scales and arpeggios. The key insight is to start on the 7th instead of staring on the tonic - then things fall into place. Once you get the patterns, you can start on any of the notes. Another way to get this is by playing the usual ascending A minor pentatonic starting with the index finger on the G on the 6th string, 3rd fret, then drop the 4th of the scale (the D), and you have the A minor 7 arpeggio. From there you can get the major 7, dominant 7, minor 7♭5, diminished, major 6th, etc. (I'll bet Django used your major 7 trick, playing the whole thing with fingers 1 and 2.)
It's very easy to overlook simple patterns when books and charts show us six string scales etc. There are so many patterns I should have known a looooooong time ago but just missed out somehow. :). Thanks for watching!
I had heard that arpeggio in the Michael Angelo Batio song "Speed Kills" some years ago and I always wondered why more people didn't use it.
Very cool! I'll have to rewatch that video! I remember it, but not that particular arpeggio. Thanks for watching!
6:28 is just good practice 👍 very good point
Thanks! I appreciate you watching very much!!
Nice idea, thanks. I keep blazing away on blues licks when i need to slow it down and be more melodic sometimes.
Thank you! It's always difficult to slow down and take our time. We guitarists seem to be programmed to play all the notes...all the time. :)
Also everyone can lower the last note of 4 so it will be g#ac#d# - it can sound great on a chord B7 or F#m. Any others changes can help too)))
Glad i found this
I'm glad you found it too! Thanks for watching!
I'm imagining how I would work these into a solo. Would you link them together and think of the second arpeggio as being the fourth fifth 7th and 9th of the original A key?
I enjoy your demeanor so much! UA-cam is so often soiled with shouty abrasive talking, it's so refreshing to see someone treating their viewers like grownups!
Thanks so much for your kind words! I'm glad you enjoyed it. :)
@PaulWarrenMusic 🥰
And on a different note, I literally found out about this pattern when learning a Marty Friedman solo last month!
This flew clear over my head, but that's a really cool guitar.
Sorry if this was confusing! Regarding the guitar, thank you! I love it! :)
Thank you very much 😊, great lesson but signed in did not receive tab for lesson ....
Thank you!! I'm sorry you didn't get the tab. You should have received an email with a link to download the files. If you don't get that email, let me know and I'll get the tab to you. :)
Love the JP signature Majesty! It's great that they make them in "Hi-Vis" colours, too! Very safety conscious, can potentially prevent on stage accidents and incidents, no more clumsy bassists bumping into you during the lead break!😂😂😂👍
Ha ha! I've been using this Majesty like crazy since I got it. If you haven't seen it already, I did a review of it. :) ua-cam.com/video/V6rnXzvpRpo/v-deo.html
@@PaulWarrenMusic I can see why you'd want to play the strings off that thing! They're a work of art! 👍
WOW! where did you got that majesty?? some special edition or something? Good vid by the way, new sub here :)
Thanks so much! I appreciate you watching and subscribing! Yes, it's a one-off Majesty in Lambo Pearl that EB/MM made for me. I love it! I review it here if you want to see more of it: ua-cam.com/video/V6rnXzvpRpo/v-deo.html
Great, but would be nice to hear yoiu play it using that fancy QC and a nice backing track. So we use this over any A major chord in any key?
Yes, you can use the A Major 7 over the A chord in a major key. You can also use the A Dom 7 over the A chord for a bluesy sound or if the A chord is the 5 chord in the key (Key of D for example). I thought of putting in a little bit of improvising, but I was trying to fit as much teaching info in there as possible because so many people want the lessons as short as possible. But yes, I think I probably will include more of that in future videos. :) Thanks for watching!
Nuno Bettencourt was rocking these patterns hard 30+ years ago. Listen to the opening of Mutha Don't wanna go to school today from the first extreme album. I've been using this stuff ever since hearing him do it way back then. So efficient and versatile.
I just re-listened to Mutha, he's only using a one octave version in that tune. There must be one where he does it over 3 octaves, or maybe that was just an innovation I built upon his 1 octave version. Maybe Vai does somethinf similar in Eugene's trick bag from crossroads. I find it super handy for pentatonic fragments shredded over 3 octaves too.
Ahh. I think it was Michael Angelo Batio doing the 3 octave run on his ancient hotlicks tape form the late 1980s. Yep. That's it. Dig it up.
I think it makes more sense to say pattern-based scale rather than scale-based pattern. Very cool pattern, though! Thank you for sharing!
Good point! Thanks for watching!
Subscribed
Thank you! I appreciate you watching!
Good job ole buddy! LAD
Hey Lynn! Good to hear from ya!
HARMONICALY SMART. can u play, I Found The Lilly in My Valley , Bryan Haynes and put the chord charts in upper corner for my Birthday May 19th? Thank You 👍
Hi, I am curious what effects you’re playing through ?
Great lesson. Thanks. So, you covered the 1 chord, the 5 chord and the dominant seventh...what arpeggio would you play over the 4 chord in the blues?
Thinking of the 4 chordarpeggio as an A arpeggio, as you did with the E chord arpeggio..."you can play the A dominant seventh arpeggio over the E chord."
Yes, I think when I mentioned the 5 chord in the key of A, which is E, I probably confused some. The 5 chord is the dominant and that's why I mentioned the E, but then I moved it back to the A to simply show how all these shapes are played from the same root note. So in an A Major blues, you would play the dominant 7 shape from the A(1), the D(4) and the E(5). I wish I hadn't mentioned that E at all as I do think that's a bit confusing. :). I hope my clarification here is helpful. Thank you for watching!
Thanks Paul...still confused...so in the blues if I want to play an arpeggio over the 4 chord, do I start the arpeggio shape on the D note or the A note, ditto for the 5 chord, do I start the arpeggio on the E note or the A note...actually,, start is probably not the best word because we'd be "starting" for the Amaj7 arpeggio on the G#, etc.
In the video, you "started" the E arpeggio on the A note, which I thought was cool and saved brain waves @@PaulWarrenMusic
@@blindponyband Sorry I'm still confusing you. But yes, for an A7, start it with the root on the A. For the D, or 4 chord, start it with the root on the D. Then for the E, you would do the same thing and start with the Dom7 root on the E. That E arpeggio I played in the video was only to show what the Dom7 sounds like. I shouldn't have played it there really, because it has led to some confusion. I should have kept everything on the A. So when I played the Dom7 arpeggio and you see the pattern on the graphic, that is always Adom7 that I'm playing. You will need to move that shape to each Dom7 chord you want to play. So this shape here: ua-cam.com/video/QSDcEWwi1aY/v-deo.htmlsi=E_efpj97CkmmANZO&t=347
got a new sub for your clarity! also, i was today years old when i found out that zelda OOT deku tree soundtrack uses an arrangement dominant 7 chords.
Thank you! I appreciate the sub and the feedback very much!
I recently just discovered the first pattern (major7) because I wonder why I saw that pattern In so many solos and riffs, like the solo in poison was the cure, John Petrucci's solo in Erised and the chorus riff in 22 faces by Periphery
Amazing Video
Excellent! I'll have to check out those examples. Thank you very much for watching! :)
Love that sound how did you get it
Thanks! It’s a Mesa amp model in my Quad Cortex. I just can’t remember which one specifically. I’ll have to check it later and see.
Thanks for the lesson Paul! Could i clarify something please, and please, excuse my ignorance! So if i'm playing over a 1/4/5 progression in the key of A, i use the Maj7 pattern for 1 & 4, and then for the 5 chord i use the Dom7 pattern?
And if i'm playing same 1/4/5 over an A minor progression, do i use the Min7 pattern for 1 & 4, and the Dom7 again for the 5 ?
Appreciate your time mate, thank you :)
You're very welcome and thanks very much for watching! Yes, as you've described it, they would work very well! Happy jammin'! :)
Thanks Paul!
@@PaulWarrenMusic
lol was thinking the same thing. the application on the vid was quite blury. was about to ask and found your comment😅