war without reason does not have a requiem motif shush also this video was made before violence even came out (which because some people don't realize what this implies I will specify, war without reason, do robots dream of eternal sleep, bull of hell, and danse macabre did not exist. the only 3 tracks we knew of violence were an early the world looks white/red, an early hear the siren song call of the dead, which was renamed to hear the siren song call of death, and an early suffering leaves suffering leaves, which we didn't know the actual track name of at the time except for the name of the video it was posted in. so I , prior to the release of violence, made all the guesses I could)
A requiem is supposed to be a song for dedictated to someone who has passed away, this means requiem is a melody that representes the memorial of king minos's death, therefore, it makes no sense that it has anything related to war without reason, you can hear the "Order" leitmotif pretty clearly in "The World looks White" which is probably in relation to the minotaur
I don’t think the “The world looks red” leitmotif is too outlandish of a suggestion. Whilst it’s not 1:1 with Order, it still sounds considerably similar. When we factor in Minos’ connection to this level in particular, it makes even more sense.
@@asim4243it was a gift from #### ######. Minos terrified of it. Probably because he didn't sacrifice the bull and his wife did the funny and give birth to minotaur so he casted it in garden of forking path. Never to be seen again
I believe it would be cool to take motifs of songs we heard in Act I and II to squish them in Violence tracks. Kinda like showing V1's previous murders in previous layers, sort of regret and continuation of the story.
@@RightfullyIncorrectnot regret from the characters side, but realization from YOUR side. That these things you continuously kill were once human beings, good or bad.
I just noticed the flute in the suffering leaves video sounds more like the main riff of Altars of Apostasy (which is similar to the Glory piano's high and low notes) more than the actual Glory piano. Small mistake on my part, I guess my brain just mixed the two things together
im assuming suffering leaves might play in an area before an interaction with gabriel or during such, probably watching his last moments or about to make them or smth idk
I am sorry, minos... I wish he could avenge his people, but he couldnt. Just because he was facing us. A supreme machine. My god why must his story be so sad, I cant hold my tears anymore
Maybe it's just too obvious they are linked so people skip them. They are just "credits songs for act endings". One is just "slower" and sadder version of the other. The fact that they sound similar is shared in the context they are used in. Another defeat of Gabriel. Probably, in Act III we'll hear something close to tracks in two previous ones...
It's very similar but i think it's because they both are in the baroque period style of playing having one note on the bottom and the upper notes paly the melody. Though, they might be related idk.
I know, I just listed it as track #2 because it's listed as such on Hakita's official channel. It seems that it considers spinal staircase as "P-1 Intro", and Chaos to be the first "real" track.
I would argue that a part of Into the Fire (0-1, 0-3) and Unstoppable Force (0-2, 0-4) also appears in War (P-2). More precisely, go to 0:39 in Unstoppable Force and 2:30 in War and you can hear the same ascending guitar. Now, the ascending chords are just a common way of building tension, but what ties these two together is the key change. After 8 bars of ascending guitar in Unstoppable Force, at 0:50, there is a key change and the ascending guitar repeats for another 8 bars with this slight difference. In War, which for the most part is the same BPM as Unstoppable Force (the Sands of Tide leitmotif is a different time signature) after 8 bars of ascending guitar, there isn't a key change but the introduction of another guitar playing the same ascending notes in a different key, on top of the origional guitar, for another 8 bars. This new guitar mimics the feeling of a key change. So yeah, ascending notes are a common technique, but these are the same time signature, the same number of bars (16 total) and the same 'key change' half way through. And if you go to 0:39 and 2:30 in Unstoppable Force and War respectively and get them to play side by side (it might take a few attempts but you'll know because the drum will line up) you can tell it's the same key as well for each of them. I don't know music lingo so this rant might sound stupid but if you understand what I'm trying to get at that's enough for me tbh.
Now that Layer 7 is out (mostly), I'd like to point out a leitmotif in 7-2 and 7-4. The song "Do Robots Dream of Eternal Sleep?" is a slowed down version of (at the 28 second mark) "Hear! The Siren Song Call of Death" (at the minute, 13 second mark). If you speed it up by 1.5x, you can kinda hear it. It is also in the last part of 7-4's "War Without Reason" when you escape the Earthmover.
I think youre right with the death odyssey case and the 6-3 unused song, also i've heard castle vein has a leitmotif at the beginning of tenebre rosso sangue PD: i hadn't notice how well that soundtrack from halo you put into the beggining goes with ultrakill
Oh thank god I was looking for one of these- Also I find it pretty interesting how Violence has been so leitmotif-heavy so far, wonder if that means anything?
@@knatsprayit would make me so happy if P-3 had an idoled Minotaur, I can deal with the boss version just fine and I’d love to see people suffer for refusing to learn what “baiting” is
I’m waiting for a boss to have every leitmotif of all of the layers (most likely satan and his leadership of the 9 rings, thus playing all of their songs)
ok dumb theory here, both of The prime theme's motif were found in a -2 level. So the p-3 theme motif may be somewhere in one of the theme of light up the night.
they were each in the level where the prime boss is first mentioned, p-3 boss isn't mentioned anywhere in violence, probably will in fraud or treachery
some errors: - order is the third theme of P-1, not the second. the first is spinal staircase. - requiem motif does appear in glory, right at the start of it. it's a big reason people keep trying to look for the requiem motif in other places where it isn't, and is one of the many reasons a lot of people wrongfully assume gluttony takes place inside minos's corpse. - war is the fourth theme of p-2, not the third. the first is weihnachten am klavier. not gonna comment on the "possible violence motifs" part of the video because i'd just be beating a dead horse at this point and as far as i know or care there's only two: one that appears first in twlr and then again in war without reason (most notably in phase 5 and 8), and one that first appears in drdoes (being accompanied by gunshot sounds in the combat version) and then again in htsscod
tbf you gotta keep in mind this video was released before violence layer was released and i was kinda schizo looking for any threads i could between what we had in the game at the moment and what was to come, also i named them third and second themes of p2 and p1 because thats just how hakita listed them on his channel, he doesnt consider the intro songs as part of the overall track list thingy. personally i dont really hear requiem in glory, i hear 3 notes that sound like the start of requiem but after that imo it trails off into its own thing. it also probably doesnt help that as hakita said in a dev stream i think, glory was basically comprised of scrapped ideas for the requiem track so its probably bound to sound similar. keep in mind how rushed gluttony layer is, thank god all the act 1 levels are being remade soon lol
@@junerraider requiem motif in glory starts 7 seconds and goes until 20 seconds. upon listening to it again i realize it is edited a bit from requiem but it is still undeniably the requiem motif. most noticeable around 7-9 seconds and 14-16 seconds, and it cuts out the second half of it that's present in requiem and order where it loops the first half and adds some extra bits on top of it.
@@junerraider oh yeah i've also been told by goose (a fan musician) in a discord server that apparently panic betrayer, death odyssey, and danse macabre all share a motif??? i've still never noticed it.
@@junerraider alright sorry to leave a shitload of replies but i think i found the panic betrayer motif. in panic betrayer it starts at 0:43, ends at 1:04, and is present in both the calm and combat versions as the lead synth in the track. in death odyssey it starts at 1:46, ends at 1:59, starts again at 2:11, then ends again at 2:24, and is mainly present in the combat version as the bass guitar in the background, while the calm version has the motif as a piano that is less audible. in danse macabre it starts at 0:16, ends at 0:33, seems to have a few changes done to it, and is mainly present in the combat version as the lead guitar, while the calm version features an extremely quiet harp playing the motif.
My theory with the new violence themes is that all the previously motives are going to come back, but slightly different just to make us feel like we’re going insane
это звучит довольно таки глупо, банально потому что Хакита неоднократно замедлял песни и делал так новые , так что сделать так ему ничего не мешало так же сделать
Plottwist: The Drums were the Leitmotif all along Also how dare you hit us with a "One frame funky text" At the end. I'll still read it. Edit: Nvm, I'm tweakin
Requiem was actually originally made to be the climax part of Glory, but then it failed, so Hakita decided to just constantly change time signatures and make it a different song.
I wonder if people realize that hakita didn't technically make the requiem motif, it was from another song with the same name lmao EDIT: song info in comments That aside, this is an awesome video!
@@kingcyrusrodan6772 The melody's definitely not 1:1 with the ultrakill version, but it has most of the same notes, and hakita said himself that he used it for requiem. It's called Arknights EP - [Requiem], you can hear the motif at 1:18 in the song
Yeah watching this video made me realize that V1 killed the flesh prison and panopticon, minos and sisyphus prime, entire armies, other machines, a metal giraffe with a city on its back and even angels just because it wanted a snack.
This comment will probably get lost but one that I have never seen pointed out is in pandemonium. If you go to 0:24 in pandemonium, it sounds extremely familiar to 1:46 in deep blue. (I can’t explain it much better than that I am not a musician, you just have to look and see for yourself)
The world looks red sounds like actually an order leitmotif, i just needed to speed up to 1.25 the world looks red sondtrack and sounded like order intro, same happends if you slow down order intro to 0.75
1:19 no offense but, thats not the lemotif. The real lemotif is in the electric guitar in Altars of Apostasy, aka right here 1:36 Please tell me I'm not the only one who noticed this, and I can believe this was an honest mistake. Hope this helps for future reference.
One other thing, I’m pretty sure I can hear a connection with suffering leaves suffering leaves (7-3) and altars of apostasy (6-1) correct me if I’m mistaken
i believe that the motif will be in 7-2 because both previous motifs vere from second level of the layer wich may seems at first as stupid to think so but it seems hakita likes these paterns like a new arm in last level of first layer or gabriel on end of each act or prime soul being hidden in last layer of act
![Tenebre Rosso Sangue ✝ BREAKCORE/EDM EDIT [ULTRAKILL]](http://i.ytimg.com/vi/_EUjgJVJVM4/mqdefault.jpg)
war without reason does not have a requiem motif shush
also this video was made before violence even came out (which because some people don't realize what this implies I will specify, war without reason, do robots dream of eternal sleep, bull of hell, and danse macabre did not exist. the only 3 tracks we knew of violence were an early the world looks white/red, an early hear the siren song call of the dead, which was renamed to hear the siren song call of death, and an early suffering leaves suffering leaves, which we didn't know the actual track name of at the time except for the name of the video it was posted in. so I , prior to the release of violence, made all the guesses I could)
Fair enough
Honestly I don't even hear it either 😭
A requiem is supposed to be a song for dedictated to someone who has passed away, this means requiem is a melody that representes the memorial of king minos's death, therefore, it makes no sense that it has anything related to war without reason, you can hear the "Order" leitmotif pretty clearly in "The World looks White" which is probably in relation to the minotaur
Does "do robots dream of eternal sleep" have war leitmotif?
The frick you mean Its so obvious.
I don’t think the “The world looks red” leitmotif is too outlandish of a suggestion.
Whilst it’s not 1:1 with Order, it still sounds considerably similar. When we factor in Minos’ connection to this level in particular, it makes even more sense.
Exactly.
Wait, what connection?
@@9volt65 Minotaur
@@9volt65 the minotaur was a gift to him from hell if I remember correctly
@@asim4243it was a gift from #### ######. Minos terrified of it. Probably because he didn't sacrifice the bull and his wife did the funny and give birth to minotaur so he casted it in garden of forking path. Never to be seen again
Another one that seems like a motif, is a part of Panic Betrayer and Death Odessy
Yes! Im glad im not the only one who noticed that.
It’s less of a leitmotif and more of just a time signature switch up (5/4, which PB also uses and it’s close to the same BPM too)
It is in fact a motif, used in 7-3 "Danse Macabre" as well.
@@cursedheavy8860I guess it’s kind of a like -3 level kinda motif lol
@@kingcalibur413leitmo3f
I believe it would be cool to take motifs of songs we heard in Act I and II to squish them in Violence tracks. Kinda like showing V1's previous murders in previous layers, sort of regret and continuation of the story.
I like that idea but i dont think a robot designed to kill peoppe and drink the blood of its enemies will regret their actions
good news my dude
Yeah so uh...
@@RightfullyIncorrectnot regret from the characters side, but realization from YOUR side. That these things you continuously kill were once human beings, good or bad.
I swear up and down Glory is in War Without Reason
This isn't the point but i saw you use the Screwdriver on a soldier 💀
he had it comin
he railed him
Where
0:25 @@IfTheSunFlew
@@IfTheSunFlew 0:24
you know you have played to much Ultrakill when you understand what is going on at the backgroud
violence bossfight is gonna go so hard
for real
@@junerraideryour god damn right
aged well. really really well.
it was kinda like 🤩
Guess what
I just noticed the flute in the suffering leaves video sounds more like the main riff of Altars of Apostasy (which is similar to the Glory piano's high and low notes) more than the actual Glory piano. Small mistake on my part, I guess my brain just mixed the two things together
It kinda sounds more like a part from the world looks red
Oh wait nvm you right
both World Looks Red/White for sure have a leitmotif of Gabriel's theme in them, you forgot to include that
im assuming suffering leaves might play in an area before an interaction with gabriel or during such, probably watching his last moments or about to make them or smth idk
you didn’t notice do robots dream of elenrtal sleep is a leitmoif of hear the siren song of death
the transition at 2:12 is CRAZY
I am sorry, minos... I wish he could avenge his people, but he couldnt. Just because he was facing us. A supreme machine. My god why must his story be so sad, I cant hold my tears anymore
Two songs that people dont really mention sharing a leitmotif are "Disgrace, Humiliation" and "Silence, Introspection"
Maybe it's just too obvious they are linked so people skip them. They are just "credits songs for act endings". One is just "slower" and sadder version of the other. The fact that they sound similar is shared in the context they are used in. Another defeat of Gabriel. Probably, in Act III we'll hear something close to tracks in two previous ones...
Weirdly enough, I’m pretty sure the start of castle vein also appears as a leitmotif at the start of Tenebre Rosso Sangue
Different key
same i heard it too
It's very similar but i think it's because they both are in the baroque period style of playing having one note on the bottom and the upper notes paly the melody. Though, they might be related idk.
I think it's just coincidence after all Hakita didn't make TRS
Man I really love the Minos leitmotif its so just intriguing to my mind
0:45
One thing to correct, Order is the third song, the first is spinal staircase, then chaos, then order ☝️🤓
I know, I just listed it as track #2 because it's listed as such on Hakita's official channel. It seems that it considers spinal staircase as "P-1 Intro", and Chaos to be the first "real" track.
🤓
Spinal Staircase is a part of Chaos
Imagine if the theme for P-3 or the final boss includes a much more intense version of "the fire is gone"
violence is littered with Gabriel leitmotifs its honestly insane
I would argue that a part of Into the Fire (0-1, 0-3) and Unstoppable Force (0-2, 0-4) also appears in War (P-2). More precisely, go to 0:39 in Unstoppable Force and 2:30 in War and you can hear the same ascending guitar.
Now, the ascending chords are just a common way of building tension, but what ties these two together is the key change. After 8 bars of ascending guitar in Unstoppable Force, at 0:50, there is a key change and the ascending guitar repeats for another 8 bars with this slight difference. In War, which for the most part is the same BPM as Unstoppable Force (the Sands of Tide leitmotif is a different time signature) after 8 bars of ascending guitar, there isn't a key change but the introduction of another guitar playing the same ascending notes in a different key, on top of the origional guitar, for another 8 bars. This new guitar mimics the feeling of a key change.
So yeah, ascending notes are a common technique, but these are the same time signature, the same number of bars (16 total) and the same 'key change' half way through. And if you go to 0:39 and 2:30 in Unstoppable Force and War respectively and get them to play side by side (it might take a few attempts but you'll know because the drum will line up) you can tell it's the same key as well for each of them.
I don't know music lingo so this rant might sound stupid but if you understand what I'm trying to get at that's enough for me tbh.
I'm glad I wasn't the only one who caught this.
I'm so embarassed by how autistic my comment is
@@Wholesome_Dungaree-Wearerno it's good do not be ashamed for being based
@@Wholesome_Dungaree-Wearer Your rant will now be recognised as music lingo in the Ultrakill community
Can't believe there's no mention of how Death Oddysey's kickass riff can be heard in Panic Betrayer first
I like how you can still tell what the gameplay is even though its distorted
the requiem motif plays in "war without reason" too, so its not really minos's, its of humanity i think...
Nah not really its a little bit different.
Hakita confirmed its not a requiem motif
@@Mr_Also fair enough
Uhh
Glory?
i don't know why but the blur effect looks really cool
Now that Layer 7 is out (mostly), I'd like to point out a leitmotif in 7-2 and 7-4. The song "Do Robots Dream of Eternal Sleep?" is a slowed down version of (at the 28 second mark) "Hear! The Siren Song Call of Death" (at the minute, 13 second mark). If you speed it up by 1.5x, you can kinda hear it. It is also in the last part of 7-4's "War Without Reason" when you escape the Earthmover.
Perhaps it’s the leitmotif for the final war?
@@aruce9 that's a good take
I think youre right with the death odyssey case and the 6-3 unused song, also i've heard castle vein has a leitmotif at the beginning of tenebre rosso sangue
PD: i hadn't notice how well that soundtrack from halo you put into the beggining goes with ultrakill
Oh thank god I was looking for one of these-
Also I find it pretty interesting how Violence has been so leitmotif-heavy so far, wonder if that means anything?
It’s the final act, best to go out with a bang
@@LastHamStanding1 yes but its the first layer of act 3
Because P-3 is going to be fucking IMMENSE
@@knatsprayit would make me so happy if P-3 had an idoled Minotaur, I can deal with the boss version just fine and I’d love to see people suffer for refusing to learn what “baiting” is
5:02 I think that it is actually a possible leiftmotif
for altars of apostasy --> 1:31
I LOVE THAT YOU GOT THE ORDER LEITMOTIF IN WORLD LOOKS RED
I’m waiting for a boss to have every leitmotif of all of the layers (most likely satan and his leadership of the 9 rings, thus playing all of their songs)
Would be cool but hakita already said in his discord that satan would be a corny final boss or prime soul
5:20 if you speed it up, the flute has a divine intervention motif instead
i remember hearing a slight requiem leitmotif on suffering leaves suffering leaves
ok dumb theory here, both of The prime theme's motif were found in a -2 level. So the p-3 theme motif may be somewhere in one of the theme of light up the night.
they were each in the level where the prime boss is first mentioned, p-3 boss isn't mentioned anywhere in violence, probably will in fraud or treachery
The last part with the flute reminds me A LOT to Altars of Apostosy (wich has Glory motif). Peak
"what do you see?"
me: "circles"
You know ultrakill weapon design is good when you can tell what weapon is equipped even if the background is blurry noise
You don’t even have to look at the weapon, just looking at what it’s doing is visually clear
You forgot about the Unstoppable Force leitmotif that came before the Sands of Tide one in WAR, too.
To everyone that came here from Pressure: Hello, and welcome. We're glad to have you.
I feel like glory is actually part of the requiem leitmotif when you hear how it descends and then goes to a high note like order and requiem.
Also there's Glory leitmotif in War without reason (maybe there's requiem also)
War without reason has many leitmotifs in there😮
I wasn’t sure it was glory at first until I listened through it again
Yummery
The "Unamed ciolence song" is called "Suffering leaves, suffering leaves" and the crescendo version is called "Dance macabre"
I think there's a motif on castle vein and panic betrayer (1-3 and 2-3) between 0:07 to 0:15 on castle vein and 0:43 to 0:53 on panic betrayer
War without reason has a requiem leitmotif in it.
Also i swear i heard a among us warning noise in the altars of apostasy theme
For 3 months i've seen this i never realise he used screwdrivrr on fodder enemy when it's requiem motif in 2-2
i swear half of layer 7's songs are hakita trolling us with leitmotifs
I feel crazy but I sweeeeear I can hear the last part of Dancer in the Darkness in War, like in the buildup before the Sands of Tide leitmotif.
The 7-3 Layer's song is Officially called Suffering Leaves Suffering Leaves
some errors:
- order is the third theme of P-1, not the second. the first is spinal staircase.
- requiem motif does appear in glory, right at the start of it. it's a big reason people keep trying to look for the requiem motif in other places where it isn't, and is one of the many reasons a lot of people wrongfully assume gluttony takes place inside minos's corpse.
- war is the fourth theme of p-2, not the third. the first is weihnachten am klavier.
not gonna comment on the "possible violence motifs" part of the video because i'd just be beating a dead horse at this point and as far as i know or care there's only two: one that appears first in twlr and then again in war without reason (most notably in phase 5 and 8), and one that first appears in drdoes (being accompanied by gunshot sounds in the combat version) and then again in htsscod
tbf you gotta keep in mind this video was released before violence layer was released and i was kinda schizo looking for any threads i could between what we had in the game at the moment and what was to come, also i named them third and second themes of p2 and p1 because thats just how hakita listed them on his channel, he doesnt consider the intro songs as part of the overall track list thingy. personally i dont really hear requiem in glory, i hear 3 notes that sound like the start of requiem but after that imo it trails off into its own thing. it also probably doesnt help that as hakita said in a dev stream i think, glory was basically comprised of scrapped ideas for the requiem track so its probably bound to sound similar. keep in mind how rushed gluttony layer is, thank god all the act 1 levels are being remade soon lol
@@junerraider requiem motif in glory starts 7 seconds and goes until 20 seconds. upon listening to it again i realize it is edited a bit from requiem but it is still undeniably the requiem motif. most noticeable around 7-9 seconds and 14-16 seconds, and it cuts out the second half of it that's present in requiem and order where it loops the first half and adds some extra bits on top of it.
@@junerraider oh yeah i've also been told by goose (a fan musician) in a discord server that apparently panic betrayer, death odyssey, and danse macabre all share a motif??? i've still never noticed it.
@@junerraider alright sorry to leave a shitload of replies but i think i found the panic betrayer motif.
in panic betrayer it starts at 0:43, ends at 1:04, and is present in both the calm and combat versions as the lead synth in the track.
in death odyssey it starts at 1:46, ends at 1:59, starts again at 2:11, then ends again at 2:24, and is mainly present in the combat version as the bass guitar in the background, while the calm version has the motif as a piano that is less audible.
in danse macabre it starts at 0:16, ends at 0:33, seems to have a few changes done to it, and is mainly present in the combat version as the lead guitar, while the calm version features an extremely quiet harp playing the motif.
wait, it doesnt take place inside of minos' corpse?
7-4 when you exit the earthmover has kind of a lemotif too
But the song didn’t exist at the time
3:36 I heard Divine Intervention and Glory, but no Order.
I even heard the abyss and the serpent
try humming the song and you will see that the tempo is the same and also the notes.
ok@@ChariLogiju
theres also a leitmotif shared between panic betrayer and death odessy
5:17
Its called "Suffering Leaves Suffering Leaves"
My theory with the new violence themes is that all the previously motives are going to come back, but slightly different just to make us feel like we’re going insane
"I'm going to assume Glory was made first and then slowed down into Guts" nah Hakita just made a REALLY slow song and sped it up 66%
это звучит довольно таки глупо, банально потому что Хакита неоднократно замедлял песни и делал так новые , так что сделать так ему ничего не мешало так же сделать
the unnamed violence song, the flute sounds like 6-1 (cresendo)
There’s a part in divine retribution that sound sounds similar to a part in the serpent and the abyss
I find leitmotifs from Glory similar to the final phase of War without Reason.
good video
The world looks red also isnt very afar from the minos leitmotif, as it also makes sense in the minotaur terminal entry, as it was made fore minos
Plottwist: The Drums were the Leitmotif all along
Also how dare you hit us with a "One frame funky text" At the end. I'll still read it.
Edit: Nvm, I'm tweakin
3:40 THOUGHT I WAS THE ONLY CRAZY GUY WHO HEARD IT
Glory also has just a little but noticeable motif of Requiem too. But its just a small part
Requiem was actually originally made to be the climax part of Glory, but then it failed, so Hakita decided to just constantly change time signatures and make it a different song.
I wonder if people realize that hakita didn't technically make the requiem motif, it was from another song with the same name lmao
EDIT: song info in comments
That aside, this is an awesome video!
Which song? I can kind of hear the motif in the song by Avenged Sevenfold, I don’t know if I’m imagining it or not though
clue me in on this too I wanna know
@@kingcyrusrodan6772 The melody's definitely not 1:1 with the ultrakill version, but it has most of the same notes, and hakita said himself that he used it for requiem. It's called Arknights EP - [Requiem], you can hear the motif at 1:18 in the song
@@UrielDripper I replied to the previous guy with the info, so be sure to read that comment :]
@@axyndey alr thx for telling
Missed ones: War without reason 1000THR brain bossfight part in The world looks red, And a similar part in danse macabre and requiem
Castle Vein can also be heard in Tenebre Rosso Sangue
Soy el unico que siente que hay un leitmotif en requiem 0:22 y sands of tide 0:12 🗿? Y tendria sentido ya que de esos mismo se saca para Order y War
you can kinda hear a castle vein leitmotif near the end of altars of apostasy
I honestly never even noticed that there was piano in Altars of Apostasy
you didnt heard the last one was a Altars of Apostasy leitmotif
1:31
4:58
hall of sacreligous remains is literally just castle vein with a fee changes
the UNNAMED VIOLENCE SONG is a leitmotif to the ALTARS OF APOSTASY Guitar solo (second one)
underrated
Yeah watching this video made me realize that V1 killed the flesh prison and panopticon, minos and sisyphus prime, entire armies, other machines, a metal giraffe with a city on its back and even angels just because it wanted a snack.
This comment will probably get lost but one that I have never seen pointed out is in pandemonium. If you go to 0:24 in pandemonium, it sounds extremely familiar to 1:46 in deep blue. (I can’t explain it much better than that I am not a musician, you just have to look and see for yourself)
I heard the end part of the world looks red in war without reason
I think that 7-2 theme is more of a reference to WAR, which would make more sense logically since it's a war zone
The very last one is a bit of a stretch but the rest of them I can definetly see them
The 7-2 death odessy might be correct time signatures but idk about rhythms
The world looks red sounds like actually an order leitmotif, i just needed to speed up to 1.25 the world looks red sondtrack and sounded like order intro, same happends if you slow down order intro to 0.75
the song in 7-3 is called suffering leaves suffering leaves
I kind of hear altars of apostasy in the unnamed violence song
I wonder what the 8-2 leitmotif is gonna be for the P-3 boss
you missed the prime soul leitmotif, aka the leitmotif that requiem and sands of tide share
War Without Reason has a requiem leitmotif on the guitar solo.
i swear to god if i see this damned message one more time i'm going back in time to prevent hakita from creating requiem
1:19 no offense but, thats not the lemotif. The real lemotif is in the electric guitar in Altars of Apostasy, aka right here 1:36
Please tell me I'm not the only one who noticed this, and I can believe this was an honest mistake. Hope this helps for future reference.
The song from 7-3 is called Suffering Leaves Suffering Leaves. Honestly, I think you were hallucinating with that one. I don't hear it.
Am i the only one that just cant hear the sands of tide leitmotif in war? Except for the little bit at the end?
One other thing, I’m pretty sure I can hear a connection with suffering leaves suffering leaves (7-3) and altars of apostasy (6-1) correct me if I’m mistaken
i dont know if anyone else has mentioned it but i think unstoppable force and into the fire share a specific guitar riff, does that count as a motif?
the requiem leitmotif can be found in war without reason
the only small problem is that i like the part way more before the leitmotif in WAR
Requiem leitmotif - best leitmotif in game. Cmm)
glory motif solos tbh
opinion, castle vein motif is V1's theme
i think the flesh prison for p-3 should be the flesh dodecahedron
fleshy purgatory
flesh oubliette
@@emerald6597 what is an oublette
flesh planet
i have also flesh cylinder in mind
i believe that the motif will be in 7-2 because both previous motifs vere from second level of the layer wich may seems at first as stupid to think so but it seems hakita likes these paterns like a new arm in last level of first layer or gabriel on end of each act or prime soul being hidden in last layer of act
we did not get a new arm on the new layer
Nice pfp :3
I feel like the last one isnt glory but altars of apostasy
i know you didn't just use screwdriver on the 6-1 hideous mass.
i think the requiem leitmotif is also in glory (im not sure)
Damnit someone beat me to it
Circles :)
What about the requiem motif in glory?