Graduale: Christus factus est
Вставка
- Опубліковано 29 сер 2024
- gp070 The aim of the Graduale project is to record all of the chants contained in the current Graduale Romanum / Graduale Triplex - see gregoriana.sk/g... for description.
If you would like to encourage me to continue this work, please comment, like, subscribe... or follow me: / gradualeproject
Look for the chant in Graduale Romanum (1974), p. 148 (Dominica in Palmis).
Listen to my recordings:
open.spotify.c...
/ marek-klein
#Graduale1974DominicainPalmis #Graduale1961FeriaQuintaInCenaDomini #Graduale1974FeriaQuintaInCenaDomini
#Graduale1974perAnnum26
#HebdomadaSancta
Thank you
Merci beaucoup pour ces enregistrements !! C'est très rare d'entendre le grégorien chanté avec les répercutions mais c'est un bon travail !
Thank you!
Amen
素敵です👏🏻
Ave Maria
Amen 💖📿
Sanctum Sabbatum Anno Domini 2024
One of my favorite - page 148
Tenebrae- Laudes: of Maundy Thursday: Christus factus est pro nobis obédiens usque ad mortem.
of Good Friday: Christus factus est pro nobis obédiens usque ad mortem, mortem autem crucis.
Holy Saturday: Christus factus est pro nobis obédiens usque ad mortem, mortem autem crucis: propter quod et Deus exaltávit illum, et dedit illi nomen quod est super omne nomen.
These videos are really useful, but I must ask - are multiple (double, triple, of the same word or syllable) neumes sung each separately for didactic reasons, or should it really be sung like this? I've seen a number of videos with latin chants and I'm confused.
Thank you for your comment - I can understand your confusion. As Dom Eugene Cardine explained in his book Gregorian Semiology (1972), there is a prove in the ancient manuscripts (like the one from which the red neumes are taken), that the repercussion is the right way of interpretation. There are, however, still people who believe the opposite.
@@GradualeProject Oh I see this book was also translated into my first language. Thank you very much.
Regards,
Mateusz
I have listened to versions with and without repecussions. In general I prefer chant with repercussions. The pneumas in red are very clear: they indicate the exact number of notes but not the intervals, and the repercussions are clearly showed by all pneunatic families I know. I think that evem the hispano-visigothic notation, one of the most perfect and rich, contain clearly indicatedvthe repercussions.
The neumas in the Grd Teiplex are those of Saint Gallen, I think.
In the Graduale Triplex there are Neumes from St. Gallen and Laon Manuscripts. In my videos only St. Gallen Neumes appear.
en que modo esta?
This is in the fifth mode. It is indicated with the roman numeral above the initial Letter C.
et qui nous dit que ces "repercussions" sont authentiques?
There is a very nice explanation in Eugene Cardine's Work - Gregorian Semiology.