Waves Abbey Road TG12345 Review
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- Опубліковано 13 жов 2014
- Russ takes a look and listen to the new Waves Abbey Road TG12345 plug-in model of a vintage Abbey Road mixing console. He gives a full overview of features and then shows it in action on drums, bass, acoustic guitar, electric guitar and vocals.
See what he thinks and check out the examples before downloading it yourself and giving it a spin.
the best of waves to me, never seen a plug in like this, it can do it all, in a mix, even de-reverb, incredible
This is THE best plugin of all time. It makes the digital sound analog with great compressor and great eq. This is the best! Use this with kramer tape and your sound will sou d amazing.
Thanks for the tip. I just try it and I like the sound.
doesnt sound analog, analog has depth that this plug in does not provide, its still sounds digital 2d. Does its sound good? Yes it does, but dont fool yourself to sound analog.
@@willkingsley6805 dont know why i said that. i have much better plugins now that sound more analog =) , like softube saturation knob. waves Kramer tape. Waves J37
I demoed it since the first day and loved it. Drums, vocals, bass with a little touch of saturation, guitars of all kinds, brass sections and even latin percussion...Amazing eq, lovely dynamics and great saturation, if used wisely . Very versatile, seems to work on everything. Thumbs up!!
Great video. Thanks for all the great and helpful info you guys put out for the community. That said, there was a misunderstanding in this video when discussing the EQ. Russ described the presence frequency selector as choosing the frequency for the Treble band. However, the Treble is a set peaking EQ when boosting or a set shelving EQ when cutting. You can't choose the Treble or Bass frequency. The frequency selector knob chooses the frequency for the Presence band, not the Treble band. Also, the Hold knob doesn't operate the way a typical compressor's hold control does. Instead, what it does is add a constant DC voltage signal to the sidechain of the VCA, which has the result of reducing the amount of gain reduction caused by the processed audio, sort of like raising the threshold. Not at all what you would expect a hold control to do, but this was not a typical console.
You are right, manual specification tell us that the treble knob operate as a Bell filter fixed at 5 kHz when boosting and as a Shelf fixed at 10 kHz when cutting. Thanks for specs about the HOLD knob.
Nice intro on that amazing plugin with a much better sound than the actual Waves tutorial, lol. Keep them coming!
8:55 Little ditty ‘bout Jack and Diane!!! 😁😁😁
I like the sound of this plug in, great for reggae drums and guitar. gets 5 stars
Let’s not forget that it’s an emulation of a solid state desk. It sounds good but I find it easy to distort. The REDDs and the HLS are much more forgiving. I’m feeding it synths that are already saturated and that’s likely part of the problem. I bet it would be great on acoustic guitar or a clean electric.
Oh great thanks, now I have to get it LOL.
Not for Vocals but sounds awesome on instruments,did any one miss waves sound storm sale last week?it was freakin awesome,i bought three plugins for so less n so far the best buy has to be scheps
does the abbey TG mastering chain contain all the same technology/emulations/features? would having both plugins be redundant?
they are different! but similar for sure
great plugin
Ok expert, how about drums in limit mode!!!!!!!!
TUNE THE BASS!
lol if anything else you can learn to count to 5..
Russ, you make some of the most frustrating videos I’ve ever watched.
This video is great, Now I know not to use this plugin
While I love Pro Tools expert, I think this plugin sucks a fat one.