Once again I have learned a great deal from a short lesson because Adam explains so well. Excellent teacher and his classes are fun and entertaining. I could not recommend highly enough. Mil gracias maestro desde Granada en Andalucia.
Hi Adam, hi everybody, this (www.newlearningvision.com/lessons.php) is the page Adam is referring to in this video. I have bought quite a few of the courses offered there and haven't regretted it NOT A SECOND, highly recommendable stuff. But I can't find the fandango lessons you're talking about, Adam. And I would certainly be very interested in learning fandango. Thanks for your work, Adam, as a teacher you're certainly one of a kind. Looking forward to the new version of your site.
Hi Adam! Hope your doing well!! I would like to know what is the name the right technic you are using at 4:45? Thank you! Hope to see more contents, very easy to listen and understand!
Hello...Im just curious why you are using a 2 finger (i a )rasqueado instead of ( i m ) . Is this the traditional way? Im only about six months into flamenco guitar, I practice a couple of hours a day and I love this Palo. Thank you for creating the lesson..Im probably gonna try your fandangos lesson :-).
The i and a fingers are more separate and more equal in length, that’s why I like using them instead of i and m. But it’s a personal choice. There are other player who do it also. Cheers
I really can follow your instruction; as opposed to another tutorial( whom I won't mention); he is just too busy and fails connect ME to Flamenco! Thanks.
I see that quite often guitarists fix the capo at the 2nd fret.(F#). Is there a reason for that? Which one? Again an interesting lesson but as a real beginner I'd like to find basic lessons to start with. How can I do that? I am 73 yo and not a computer freak ...
Putting the capo in flamenco especially is about adjusting the key to what the singer wants that day…(it can vary from day to day), it also brings out a certain timber and color out of the guitar. For very beginner lessons you can check out my online lessons at Learnavel.com Thank you
@@adamdelmonteguitarist Thank you for your quick answer. I know about the use of capo, My question was about the place at which (some) guitarists put it. Why at the second fret (F#)? Does it make playing easier because of a lower action? This isx the impression I have with my quite cheap "Guitarra flamenca ...
madeofsoil We are currently working on updating and renewing our NewLearningVision.com website so that it will work with tablets and be flash-free. It’s taken us a while but we’re getting close to the end now. Definitely before December 2020! Thanks for your support and patience!
I'm sorry, I can't understand. (Using # to denote the beat on which the accent falls) at first you say that a flamenco would tell you the count is 1-2-3# 1-2#-3 1-2-3# 1-2#-3, but then you say a better way to understand the count is 12# 1-2-3# 4-5-6# 7-8# 9-10# 11-12#. However, these two ways of counting are not compatible: not only are there four accents in the first way of counting and five in the second, the accented beats in the first are 3 5 9 11, whereas they are 3 6 8 10 12 in the second.
@@adamdelmonteguitarist Thanks. But that raises the question: are both ways of accenting certain beats correct? Doesn't it have to be one or the other?
Adam,
Man! That negra with the clavijas looks real cool. Este es Gabriel.
I always enjoyed your playing .
Once again I have learned a great deal from a short lesson because Adam explains so well.
Excellent teacher and his classes are fun and entertaining.
I could not recommend highly enough.
Mil gracias maestro desde Granada en Andalucia.
The best teacher.. Thank you and take care.. :)
I have learned so much already from you! Your lessons are very clear and your own playing exceptionally crips and clean. Gracias from Amsterdam
Very cool, Muchacho! Gracias a lot!
Great lesson
Very good teacher this man
Hi Adam, hi everybody,
this (www.newlearningvision.com/lessons.php) is the page Adam is referring to in this video. I have bought quite a few of the courses offered there and haven't regretted it NOT A SECOND, highly recommendable stuff.
But I can't find the fandango lessons you're talking about, Adam. And I would certainly be very interested in learning fandango.
Thanks for your work, Adam, as a teacher you're certainly one of a kind.
Looking forward to the new version of your site.
Hi Manfred, I don’t remember if we have Fandangos de Huelva... we should. Send and email to staff@ newlearningvision.com and ask. Thanks!!!
Thx Adam!
Awesome video my friend ! Big Like!👍👍👍👍👍👍👍
Hi Adam! Hope your doing well!! I would like to know what is the name the right technic you are using at 4:45? Thank you! Hope to see more contents, very easy to listen and understand!
Thank you,Best wishes from NY
Hello...Im just curious why you are using a 2 finger (i a )rasqueado instead of ( i m ) . Is this the traditional way? Im only about six months into flamenco guitar, I practice a couple of hours a day and I love this Palo. Thank you for creating the lesson..Im probably gonna try your fandangos lesson :-).
The i and a fingers are more separate and more equal in length, that’s why I like using them instead of i and m. But it’s a personal choice. There are other player who do it also. Cheers
I really can follow your instruction; as opposed to another tutorial( whom I won't mention); he is just too busy and fails connect ME to Flamenco! Thanks.
I see that quite often guitarists fix the capo at the 2nd fret.(F#). Is there a reason for that? Which one? Again an interesting lesson but as a real beginner I'd like to find basic lessons to start with. How can I do that? I am 73 yo and not a computer freak ...
Putting the capo in flamenco especially is about adjusting the key to what the singer wants that day…(it can vary from day to day), it also brings out a certain timber and color out of the guitar. For very beginner lessons you can check out my online lessons at Learnavel.com
Thank you
@@adamdelmonteguitarist Thank you for your quick answer. I know about the use of capo, My question was about the place at which (some) guitarists put it. Why at the second fret (F#)? Does it make playing easier because of a lower action? This isx the impression I have with my quite cheap "Guitarra flamenca ...
@@jessicarombach1445 , F# is the most vibrant key in music, conducive to flamenco. You then play shapes in E as open tuning but now it’s F#.
Any chance you'll convert you NewVisionLearning video lessons so that they don't require Flash which won't be supported after December 2020?
madeofsoil We are currently working on updating and renewing our NewLearningVision.com website so that it will work with tablets and be flash-free. It’s taken us a while but we’re getting close to the end now. Definitely before December 2020!
Thanks for your support and patience!
@@adamdelmonteguitarist Thank you so much, and for the wonderful lessons!
@@madeofsoil You're welcome, and thank you!
I'm sorry, I can't understand. (Using # to denote the beat on which the accent falls) at first you say that a flamenco would tell you the count is 1-2-3# 1-2#-3 1-2-3# 1-2#-3, but then you say a better way to understand the count is 12# 1-2-3# 4-5-6# 7-8# 9-10# 11-12#. However, these two ways of counting are not compatible: not only are there four accents in the first way of counting and five in the second, the accented beats in the first are 3 5 9 11, whereas they are 3 6 8 10 12 in the second.
The 2 ways of counting are completely different from each other and shouldn’t be mixed.
@@adamdelmonteguitarist Thanks. But that raises the question: are both ways of accenting certain beats correct? Doesn't it have to be one or the other?
I WANT TO SET UP YOUR GUITAR SO BAD. Your BTM E buzz!!!!!!!!!!!! Please get that fixed, great playing. :)