Most Drummers Don't Do This... But YOU Should!
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- Опубліковано 29 лип 2022
- There is one MASSIVE difference between the pros and the amateurs when it comes to their approach to learning grooves, fills, and everything in-between. So let's figure out what it is, and then I'll show you how to make sure you approach everything like a PRO! - Mike J
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People might think they want crazy chop videos, but this kind of video is gold.
After 15 years of drumming I’m taking things back to basics and trying to ‘perfect’ them as much as a I can, so this is a awesome video for that
“And it has that kwingggg!” Haha love this lesson Mike!
I like the conceptual lessons, its not giving us fish, its teaching us TO fish.
Becoming a fisherman is far more valuable. Thanx Mike.
- Vic.
I can’t learn from memory, no matter how many times I learn a fill no matter how simple it’s soon gone so my only option is to take fundamental ideas and apply various concepts to them then practice, practice, practice until the ideas become instinct (like learning how to read or write). For me these kind of lessons are absolutely vital to my ability to progress. I very much hope you do continue to release lessons like this because they help me a great deal.
In a similar vein of playing with "care" I would add playing with conviction, having a deep heartfelt feeling & connection to what one is playing. For example I've seen this topic in some Eric Moore video's where people are amazed with the intensity/power/feeling that he's playing with, which in essence comes down to that EM is playing with 100% conviction. The question then arises how does one playing with conviction? There could be many interpretations to this questions but one way to explain simply & precisely I would say that one has to commit to communicating a feeling in the moment and BELIEVE in what one is playing 100%, one could playing literally anything ("basically anything," basic quarter notes etc) and make it sound a certain way dictated by the feeling of what one is attempting to communicate. It could be urgency, intensity, power, "chill-ness", funkiness etc. Those feelings can be felt by the listener and what separates many drummers, b/c those feelings is what ultimately creates the emotional connection to music, which I'd say is one of the most important, possibly "the" most important aspect to music. How else could music be as powerful to make people feel the entire spectrum of human emotion. Another pertinent point I'd add is a quote from Jojo Mayer (from the Guitar Center Pleasure Control video) Jojo states "I do not think that complexity is prohibited of getting over to a larger audience, I think what is prohibitive is you don't counterbalance a cerebral statement with an emotional one, I think that's very important, once you have a serious concern for communicating a feeling, then it doesn't really matter so much what it is that you do, as long as you're able to express yourself, I think that's very important, because drumming to me is a communication instrument."
Conceptual learning just takes you (us) so much further...................much more valuable than killer blast beats!!!
As a teacher myself Mike really breaks this down so well. Most students don’t think of the possibilities of changing the feel or lope to a simple groove making it their own and in turn the musicality that is available to us
Every now and again it pays to be put in my place. Huge gratitude to you from me tiny grasshopper!
I loved the spice you dropped in the intro. Give the groove some care! Great lesson Mike!
I know this is 7 months old now but I really dig it. I'm relatively new to your channel, I think I found it about a month ago. I think the conceptual stuff is the ticket when it comes to learning something that will actually make you a better musician. It's like that saying, give a dude a fish and he'll eat for the day, teach'em how to fish and he'll eat for the rest of his life.
Great lesson. I think this is the difference when you listen to a pro, the care and commitment. I’ve seen Steve Gadd play ‘simple’ beats but he was totally committed and it sounds amazing
Love it Mike. Keeping it simple but can apply to everything. You really illustrate how to simply “sound better”.
I'm not a drummer but I do sample them.
What you're explaining is, for me, why I would select one piece of drumming to use over another.
One of the best lessons on drumming I’ve ever seen. So simple, so much information. Perfect.
I’m doing this but with open hand and it’s hard. Even though I’ve been drumming for 18 plus on going years. There’s always room to tighten things up and being open handed and doing ghost notes with my right instead of my left is a little trickier. Always trying to unlock those doors. Don’t ever give up cause the reward is so worth it.
Love this video and a more conceptual approach. While I’m awed by Mike’s ability to flawlessly execute and explain complicated fills, I never try to break them down myself. Not practical for the cover stuff I play or what I want to do on a kit.
From the moment I first found you on UA-cam over a decade ago, until today, you are still the best educator I've ever found on UA-cam period.
Are you kidding me? That was the best lesson I've ever had in years!!! Thank you sir I'm still a band nerd at 44 that being said... The way you explained and gave examples of the lesson blew me away!!! This method would of help me understand way better when I was starting out. Hope to see more!!!
Yes like the conceptual.....do like big dynamic changes in a quiet passage....mad jazzman!
This resonates so much. I'm a percussionist and I started playing on the kit around 2015 and man it's been a journey. Videos like this really do help in making you feel more comfortable on the kit. It's also amazing how you can deconstruct the concepts you want to teach as well as the manner you present it. You're an amazing teacher. Thank you for this
Yes Mike, please more conceptual stuff, because it is not always about how cool we are as drummers when we do the chops. It's also about to appreciate all these awesome things drums are able to do when we care, and when are ready for it. It is logical that there should be a harmonic relationship between the musician and the instrument, but this is often neglected because it needs care and and additional energy. Lessons like this remember us why we are doing this in the first place. That is, because we love our instrument, we love these sweet sounds it is capable to do, because we love music, life, ourselves, and the people we are making music for. Mike, thank you so much for remembering us.
This is exactly what I think I would need to get to a next level thing. I can play stuff but I don't feel like I'm progressing.
One of my favourite lessons, Mike! “CARE” is so important
details , details. the sweetness is in the details. sing what you play . its a nice melody.
Mike - 66 year old self taught gigging bar and cover band drummer here - first video I’ve seen of you - really great - I particularly like the obvious enjoyment you get when playing - really great stuff - I look forward to more - Andy
For me, this type of lesson helps me to learn more than learning 'a lick' (which I also enjoy when you teach it). You have a rare gift for teaching and communicating. Thank you.
You say you've been teaching since you were 17 years old, and I'm sure that implies you're up there in years, but man that doesn't mean much because you look pretty young. Keep doing whatever you're doing to stay looking young!
My feedback? No, I don't like it .... I LOVE it! ❤ Playing simple things with authority gets you way further than noodling the most complicated groove in a fearful way.
Coming from a family of drummers,I like it. My nephew Garrett Roberson came out and did one of your clinics! He said it was awesome! Keep doing what you're doing, love it!
You are very good teacher and player. Thank you from Greece.
These types of lessons are great. Concepts fuel individual creativity, not just lick regurgitation. Keep ‘‘em coming!
Hahah as soon as you played that last fill I was like "Yep that's the one!"
I've left drumming about 10 years ago due to work. But once and then I find myself watching drumming videos. This is surely one of my top videos and really makes me wanna pick up the sticks ... in fact I will order some right now.
Great way to get my Saturday started! GOAT teacher!
I'll always watch, enjoy and learn from everything you put out.
Mike, absolutely, give us more conceptual lessons. I think this type of lesson goes a lot further to helping me improve not only what I'm playing, but how I play it.
What you just taught makes all the sence in the DRUM WORLD...glad I clicked on your site! Thank's for your Great and Interesting Input!
Todd
Great video. Keep these coming!!!
You are playing with soul and feel! I'm a hard rock/Heavy Metal guy, but I don't play blast beats at all. They have no inner feel to me? I love the point your making, and totally agree with you. Thanks for the video!
yes - conceptual , perspective lessons - hella good
Great lesson. Love this conceptual approach. And the you cut to the old video - hysterical. Fun and inspiring Mike.
Material like this is difficult to find; it sets you apart from other teachers.
Great sentiment. Zoom in and focus on the micro elements. Jeff Porcaro was a master at this concept.
Also, 'We care a lot' by Faith No More, great song. I'm going there next after all this talk of 'care!' 😁
Love the conceptual stuff!!!
This here!!! This is it!!! It is ALL about our approach and thinking towards our craft!!! Thank you for this lesson!!!!
Love the lesson❤️
LOVE THIS!!! Please keep it up.
As a beginner I hit the drums, sometimes it sounds like I'm playing drums but this is what I need to know to make it sound like music. Totally the best drum lesson I've seen on UA-cam. Thank you.
Loved this!!!
LOVE IT , more please !!!!!
Another great drum lesson !!!🔥
Thanks Mike! Continued success and "Happy Drumming!"
Love it so much! Thanks for the lesson!!
That was great Mike! Thanks
Always enjoy your enthusiasm. And getting into your thought process… well, I had to go sit down at the drums. Hadn’t practiced in weeks. Just played for three hours. Thanks Mike.
Coming up on four years of playing and dynamics and accents are my focus at present. It’s challenging. For me anyways.
Your concept presentation was great!
Excellent drumming, instruction and demonstration. Oh, great sounding cymbals, too! ✊🏼🥁
Love this!
Awesome video! More like this!
One of the best videos I've seen you do. Super inspired to get to the kit!
This is great, Mike! More like these would be greatly appreciated! 🙏
Awesome Mike Thankyou ,so easy to listen and understand the concept
Great work 🤘
Great lesson! More of these please!
LOVE the conceptual lessons! More of these, please. Also, I've been following 'that idiot' since he started these videos, and I think we're all the better for it, lol. More power to ya!
LOVE this lesson
fantastick lesson!!
Whatever you are willing to share is great... thanks
Awesome Mike !! This concept makes the drums come alive !!❤
Thank you
This is great! Very useful 😎
We want more conceptual stuff!!!!!!!!!!!! that lesson was great1
Love this type of lesson. Thanks !
Great lesson mike , keep inspiring. Love this :)
Instant like and subscription! Thank you for your caring approach!
Fantastic ideas & so joyous. Thank you
Thank you so much for this Mike!
Keep ‘‘em coming!!!
Great lesson Mike.
YES! Thanks for this video, great stuff
Great lesson Mike thanks
Great lesson. 👍
Conceptual lessons are amazing! A useful one could be teaching students how to recognise and address their own shortcomings. I always think the worst practice session is where everything sounds awesome!!
Awesome lesson! And I say that as member of your site.
Love the conceptual lessons
Keep bringing these ideas I've been trying to share stuff like this with other drummers that I know and this is an amazing video that I will pass around
Beautiful love your style of teaching
Loved this kind of vid. The conceptual stuff is perfect. Need more of this 100%
Love this lesson, and love these kinds of lessons! Heck yes!
This is great, Mike. There’s a well developed vocabulary for teaching how a fill or a part is played. Yet, the “why” is often entirely ignored. We need to speak in conceptual terms to help frame our decision-making processes. We don’t have the luxury of melody, harmony, scales, modes, etc. to frame the choices we make.
There are plenty of videos talking about how to play certain grooves or x drummer’s fancy lick. Where are the videos talking about “why” it makes sense 95% of the time to play a ride cymbal during the chorus to a song? Is it space? Energy? Vibe? Tension and release? We need concepts to anchor our decisions. Thanks for this video and all that you do. Cheers.
Absolutely brilliant!
Great lesson. Really enjoyed the conceptual vibe. Keep ‘em coming 👍
I absolutely love that appoach, it is extremely helpful - thanks a lot!!
I like the conceptual stuff!
Love your teaching style and the grooves are very nice.
Mike, this is great! Love the conceptual lessons that change how we approach practicing and honing this craft.
Loving that new format! makes the whole thing actually precise and versatile. you're not teaching one groove or fill, you're teaching a new way to approach everything we already -thought we- knew! great content as always :)
You definitely feed the inspiration.. thank you🙏
love this!
I love you Mike!!
Great lesson bro thankyou