Thank you. I had a very methodical and practical drum teacher, Dr. Gary Olmstead. Probably the most important thing he showed me was how to take a mass of information, assimilate, and then successfully incorporate that information.
I like the ratamacue, myself. Especially when paired with something else, like a paradiddle. Thanks for the lesson! This is my practice for the next... week at least!
This is some great refreshing stuff for me. Perfect timing in life to have found your channel. 34 years on the kit & 2 back surgeries later, I'll take any knowledge I can. Thank you!🖤🖤🖤🥁🥁👊🤘👊🤘
This is pretty awesome! I am always telling my students to learn their paradiddles and memorize them, because they can be used in solos around the drumset, but I've never heard this one being explained. It's different, because the other examples I've heard were used in traditional grooves using the snare, hi hat etc....This one is more fill iin oriented. THANK YOU!
Garibaldi is the man with these "turning the paradiddle around" type grooves. And thank you, I'm always working on a way to make that kit sound as good as it can.
Cool i subbed love how you start slow then show how it sounds a little faster it really is important to start slow until your comfortable with the groove then adding accents
wwwooonderful teacher! Thousands and thousands of thanks for your contribution, it is unquestionably educational and I am going to start studying them without a doubt, I loved all those incredible grooves, it is worth noting that I am 48 years old and I started playing when I was 14 but you never finish learning music, I see that you are a great scholar with an enviable technique, someday I would love for you to share more with me, I invite you to Costa Rica, you will be very, very welcome, humbly here!!! Blessings! Keep recording much more, bye!
Wow, I just stumbled upon your video and was impressed by how a simple rudiment can translate into a beautiful groove. My favorite was the way he combined the variations at the end to make the paradiddle-diddle 4 bar phrase. The middle tempo is my favorite,
Absolute beginner here. (And cajon, not drums) The tip about having 2 variations so you get a more interesting 4 bar sequence is so helpful. Sounds more musical to me. Thank you!
Mine would be the double paradiddle with a bit of a Bonham / Purdie shuffle to it. RH bell accents on the ride along with the Bass drum on hat hand. Alternatively, accenting the first 2 right hand single strokes with the bell and bass, and the 2nd stroke of the diddle. Musch the same dynamics with the left on snare. Move left and right between hats and ride, keeping the backbeat. Such a versatile pattern for sure. Props on the video, great stuff.
This ! Brian Tichy had a video where he went from a half time shuffle into a double paradiddle groove using a cowbell. Genius! I’ve been messing with different combos going in and out of each groove. The 1/2 time shuffle is my favorite.
@@Chernabog123 I went to jam with some guys yesterday, Singer is an Elvis impersonator. Doing Suspicious minds, I found that the middle broke down into a sweet half time shuffle, and it was groovy A/F lol.
I'm glad you like the rudimental approach. Todays video will feature permutations of the Single Flammed Mill. As far as the Ratamacues... It's a work in progress
I have loved paradiddlediddles all my drumming life, which is some 60 years. Discovered them by accident when trying to play single paradiddles fast. My paradiddlediddles suddenly were there. I used to call them half paradiddles. I loved the way you have turned these into beautiful melodic sequences. Need to study your music more. I have come up with a likeable funk groove using double paradiddles. Right hand on hihats and accent left hand on snare. Give it a go and let me what you think. You probably know this already. Keep up your great work my friend. John Baker Melbourne Australia.
Thank you John. I actually use that double paradiddle in the form of a 6/8 groove all the time. It's been so long as a matter of fact that I have forgotten that it's a doble paradiddle lol Thank's for reminding me.
you mentioned in a previous video you were a drum corp guy, I marched with Drum & Bugle Corps in the 60's. Started and learned drumming with the Rochelle Park cadets and eventually ended up in The Garfield cadets.
Cadets are a great corps, so different in attitude to almost any other. I got a good dose of that tradition in 1993 with Star of Indiana. Tom Hannum was the caption head and there were several past Cadet members and staff of the corp that year.
Great grooves! Paradiddle is my favorite rudiment to use! So many great musical things that you can do with it! I LOVE what you did with it! New Sub here! Thanks!
Hey man from Ned in Spain. So happy to see you back in the groove Gabriel. Hope all is well and thank you for putting together such a fantastic set of patterns and variations that flow nicely and make musical sense. It makes me think of Songo but approached in a different way and can be threaded into different time signatures too. See ya next time.
Great lesson. Start the show with the groove first to draw a larger audience and get them into the pad :). Cut in 30 seconds of the footage at 12:32. Here’s to the old school great stuff again man.
Read some opinions being thrown around about Ginger Baker and how he was/wasnt one of the best to ever play drums in a rock or hard rock band back when he was with Cream. Ill settle that argument with a fact; Ginger Baker was one of the first few drummers who helped hard rock music become what it is today. Him, Mitch Mitchell, John Bonham, Keith Moon, Bill Ward, and several more drummers from the mid to late 60's and on thru til the early to mid 70's were integral parts of their respective bands they played in. Ginger Baker and Mitch Mitchell of the Jimi Hendrix Experience were actually book taught students of, not rock and roll music, but taught to read and play jazz drum set. Those 2 amazing drummers had to learn to play more straightforward and simpler time signatures such as 4/4 time which basically bass drum hits fall on 1 and 3, while snare hits on the "backbeats" or 2 and 4.
You have some really great videos on your channel. Just found you today and subscribed. I know snare tuning has been done to death but I would really appreciate a vid on how you tune yours. The snare response you have when ghosting is fantastic. I know reso and batter choice play a big part so any info on this in a video would be much appreciated!
There is so much to say on this topic, but first, I do have a video about how I tune a snare drum here: ua-cam.com/video/XL7RF9PxuUA/v-deo.html As far as how to play ghost strokes, there is a graph on page 7 of David Garibaldi's book "Future Sounds" that really helped my wrap my hands around stick height and dynamic levels. I also have a course called "Ghost Strokes" on DrumTipTuesday.com The heads I use are very typical. Single ply coated on top with the standard snare side head on bottom. Sometimes I use a top head that has a ring built into the head to get a little more definition because my room is so live
It’s totally cool to put it down for a minute and come back to it later. I haven no plans to take these videos down. You have all the time in the world
Great stuff well explained and demoed./ Thx... Suggestions of grooves from the maybe lesser know funkaspere.... Level 42 "True believers" Bass and drums in tight but subtle variations from drums. Average White Band "Schoolgirl crush" particularly the live version, slip the one to the "a" towards the end. Finally right out of left field, Michael Waldon with the Mahavishnu Orchestra on the opening stanza of "Lilas Dance" from the album "Visions of the Emerald Beyond". Crazy time signature but it is so danceable.. Hmmmm. those were the days... Of course none of this takes away from the Masters of Funk... James Brown, Herbie Hancock, The Meters, TOP, Bootsy Collins, Steve Wonder.... and so many others... and how it melded into Jazz fusion before it became too "technical" Your thoughts would be appreciated Cos I was there (I'm old-er)... Such a privilege..! Cheers from the southern continent.
My thoughts are that I need to take the play list you just provided me with and remind myself of what good funk drumming sounds like. Thank you for such a detailed and thought out contribution to this comment section.
Appreciate your posts, always inspiring. I have been working on playing a bar of two double diddles followed by a single. By changing my lead hand I can move around with more variation.Thanks again.
Next weeks groove is more challenging, designed that way to help me develop the ability to get from the extreme right side of my kit back to the left a little smoother.
Hi, first time here. You showed up in my recommendations. I notice that like Bernard Purdie you place your 'rack' toms larger on the left, smaller on the right. I, like a good few drummers I know, am left handed but play right handed. I have small tom left and large tom right. Is there any advantage to you doing this and why? Very good, clear teaching by the way.
Before I purchased this seven piece drum set, I always used a five piece with one mounted tom and two floor (10, 14, 16). I was never able to get used to putting the 12 in the second mounted tom position as it made the ride feel like it was miles away. With the 8 there, I don't have that problem. I liked the way Dave Weckl and Gary Chester (author of "The New Breed") put a floor tom on the left side of the kit. the 12 was just big enough to use it this way. When I stepped back from my kit I noticed that I created a happy accident where, in addition to having a five piece kit with one mounted and two floor (10 14 16) to the right, I now also have a parallel five piece kit, two mounted and one floor (8 10 12) to the left. The possibilities are endless and I've only just begun.
Lifetime guitar player here. This just reinforces that a great drummer brings out the best in me. Great job.
Thank you Mark, that's very nice of you.
Same here!!
Gabe, you're a Gem. Just got the pdf HANDS and can't thank you enough. You are truly one of a kind .
Thank you so much for making my day.
Gabriel, as an educator, I must admit your lessons are super informative and practical. Thank you very much for putting time and efforts into them.
Thank you. I had a very methodical and practical drum teacher, Dr. Gary Olmstead. Probably the most important thing he showed me was how to take a mass of information, assimilate, and then successfully incorporate that information.
I like the ratamacue, myself. Especially when paired with something else, like a paradiddle. Thanks for the lesson! This is my practice for the next... week at least!
Have a good time with it and thank you for commenting
This is some great refreshing stuff for me. Perfect timing in life to have found your channel. 34 years on the kit & 2 back surgeries later, I'll take any knowledge I can. Thank you!🖤🖤🖤🥁🥁👊🤘👊🤘
Timing is what we do lol. I’m glad you found me.
Great sounding snare!!!
Thanks Gabriel , great lesson . Your drum kit sounds great and your practice pad has a great snap to it ...roll on next tuesday .
Thank you, I can never seem to get the toms just right, it's a process...
This is pretty awesome! I am always telling my students to learn their paradiddles and memorize them, because they can be used in solos around the drumset, but I've never heard this one being explained. It's different, because the other examples I've heard were used in traditional grooves using the snare, hi hat etc....This one is more fill iin oriented. THANK YOU!
I'm glad you enjoy and appreciate it.
I love these "Garibaldi" grooves. That kit sounds fantastic.
Garibaldi is the man with these "turning the paradiddle around" type grooves. And thank you, I'm always working on a way to make that kit sound as good as it can.
@@DrumTipTuesday🎉🎉🎉🎉🎉🎉🎉🎉😂🎉😂🎉🎉😂🎉🎉🎉😂🎉 is a a lot of of fun to watch watch tv and movies and movies and 😂 re r
This lesson knocked me out! 😀👉🏼🥁
I’m glad you enjoyed it
Thank you for paradiddleing my brain real quick before we start
Cool i subbed love how you start slow then show how it sounds a little faster it really is important to start slow until your comfortable with the groove then adding accents
Thanks for the sub! You got that right, slow and steady will win every time.
Excellent tution, excellent sound, excellent groove. Thank you Mr. 3E!
Glad you enjoyed it!
wwwooonderful teacher! Thousands and thousands of thanks for your contribution, it is unquestionably educational and I am going to start studying them without a doubt, I loved all those incredible grooves, it is worth noting that I am 48 years old and I started playing when I was 14 but you never finish learning music, I see that you are a great scholar with an enviable technique, someday I would love for you to share more with me, I invite you to Costa Rica, you will be very, very welcome, humbly here!!! Blessings! Keep recording much more, bye!
Thank you for the encouragement and compliments, you are very kind.
Very nice explanation and execution Sir. Thanks for sharing this.
I'm glad you liked it. Next week I talk about why I set up my drums this way
Beautiful groove! Exactly how I love to develop my grooves effortlessly from rudiments ;)
Keep up this amazing work, love it!
Thanks for sharing!
Thank you for commenting. Keep coming back, I plan to do this for a long time to come
Wow, I just stumbled upon your video and was impressed by how a simple rudiment can translate into a beautiful groove. My favorite was the way he combined the variations at the end to make the paradiddle-diddle 4 bar phrase. The middle tempo is my favorite,
I’m glad you like it. I’m doing my best to be more consistent with the channel. I’ve been getting a lot of positive feedback.
Mmm good, nice groove and the drums are talkin !
That’s the idea, make the drums sing!
Absolute beginner here. (And cajon, not drums) The tip about having 2 variations so you get a more interesting 4 bar sequence is so helpful. Sounds more musical to me. Thank you!
Well done! 👍🏻 Thanx for presenting!
I'm glad you appreciate it.
Very nice and smooth !
Welcome back! Ive been enjoying paradiddle variations orchestrated across limbs, with displaced accents, cheeses, flam, ruffed, etc for years.
Thank you for coming back to see me
Too cool! Thanks for posting!
Merci Mr ,,véritablement utile ,précis et génial..😮❤
Merci d'avoir regardé. La nouvelle vidéo sortira dans environ deux heures
Paradiddle-diddle and double paradiddles have so many options. Especially as double bass shuffles.
Great video and clean hands.
Double paradiddle in the form of a double bass shuffle. hmmm... Do you mind if I use that idea in a video?
Mine would be the double paradiddle with a bit of a Bonham / Purdie shuffle to it. RH bell accents on the ride along with the Bass drum on hat hand. Alternatively, accenting the first 2 right hand single strokes with the bell and bass, and the 2nd stroke of the diddle. Musch the same dynamics with the left on snare. Move left and right between hats and ride, keeping the backbeat. Such a versatile pattern for sure. Props on the video, great stuff.
Thank you for putting so much time and thought into your response. I appreciate you contributing to the comment section.
This ! Brian Tichy had a video where he went from a half time shuffle into a double paradiddle groove using a cowbell. Genius! I’ve been messing with different combos going in and out of each groove. The 1/2 time shuffle is my favorite.
@@Chernabog123 I went to jam with some guys yesterday, Singer is an Elvis impersonator. Doing Suspicious minds, I found that the middle broke down into a sweet half time shuffle, and it was groovy A/F lol.
Great beat and tutorial! Thank you!
I'm glad you liked it
Great Class! Great Class!
Thanks. I'm doing the Double Paradiddle just like this next Tuesday
Mines would be the paradiddle family in general ❤ ... and great lesson 🙏🏾💯
It's a good family to be a part of lol
Thanks for your time and sharing.
I'm a new suscriptor.
Thank you for subscribing. We're glad to have you here.
First time here, glad I made it. Killer grooves I’m totally gonna steal and I love the Purdie setup of your kit. Awesome stuff!
Steal it all. I’ll make more, lol I’m glad you’re here
@@DrumTipTuesday theft of grooves is the highest form of compliment! Really good stuff.
Nice fill, thanks!
You’re welcome, I’m glad you like it
Liked and subbed. Garibaldi feel in this lesson. Thanks!
Thank you for subscribing
This is some killing stuff man! Thanks for sharing!
In the next couple of weeks I'm gonna do one on the Triple Paradiddle.
Just started seeing your videos today and they are great!
Thank you! I hope you'll be back
It’s so nice to see a set drummer well versed in the use of rudiments! Now, just add a couple flams and ratamacues. Next video I guess…..thanks!
I'm glad you like the rudimental approach. Todays video will feature permutations of the Single Flammed Mill. As far as the Ratamacues... It's a work in progress
Fantastic 👍👍👍
Just stumbled across this and I must say, great lesson. Subscribed!
Glad to have you here. Next week I'm gonna do a linear groove that some have been asking for.
Cool stuff ... Thx for sharing ...😊
Thank you. I think next week I'm gonna do the straight up Double Paradiddle
I have loved paradiddlediddles all my drumming life, which is some 60 years. Discovered them by accident when trying to play single paradiddles fast. My paradiddlediddles suddenly were there. I used to call them half paradiddles. I loved the way you have turned these into beautiful melodic sequences. Need to study your music more.
I have come up with a likeable funk groove using double paradiddles. Right hand on hihats and accent left hand on snare.
Give it a go and let me what you think. You probably know this already.
Keep up your great work my friend. John Baker Melbourne Australia.
Thank you John. I actually use that double paradiddle in the form of a 6/8 groove all the time. It's been so long as a matter of fact that I have forgotten that it's a doble paradiddle lol Thank's for reminding me.
Very cool groove
Great 👍🏿
Great lesson. This is also, by happenstance, a linear drum pattern the way you've orchestrated the groove. Nice job.
Thank you, I do tend to fall into a lot of linear these days
My favorite groove is made up of single dragadiddles backed up with double drag taps.
Man ! Mister !!
I've seen a shit load of stuff about paradiddles ... this is fresh cool stuff !!!
And by the way.... you sound greaaaaaaat !
Thank you so much. You’re very kind
Great teacher ❤
Thank you. I’m glad you enjoy the content.
Beautiful!
Love it man!!!
This would make a great intro for a song
I like his playing, his approach and his vibe.😎
Yeah. I love using paradiddles and paradiddlediddles in rhythms.
Thanks.
No problem, I'll keep making more
I'm feeling a bit rebellious... learning this paradiddle groove drum tip on a Saturday! 😮😁
Any day is a great day for a Drum Tip Tuesday lol
you mentioned in a previous video you were a drum corp guy, I marched with Drum & Bugle Corps in the 60's. Started and learned drumming with the Rochelle Park cadets and eventually ended up in The Garfield cadets.
Cadets are a great corps, so different in attitude to almost any other. I got a good dose of that tradition in 1993 with Star of Indiana. Tom Hannum was the caption head and there were several past Cadet members and staff of the corp that year.
Great to see you back
It's good to be back
Great grooves! Paradiddle is my favorite rudiment to use! So many great musical things that you can do with it! I LOVE what you did with it! New Sub here! Thanks!
Welcome to the channel. I’ll keep making grooves out of rudiments for you
Amazing 🎉😊❤
Thank you for the positive vibe
Dope groove. 🔥
Thank you. What it lacks in originality I believe it makes up for with creative implementation.
I searched for Wonderful Tonight drum isolation and this came up in the list.
I understand if you're disappointed by what you found here regauding that search lol However, maybe that is a video I should do hmmm...
Hey man from Ned in Spain. So happy to see you back in the groove Gabriel. Hope all is well and thank you for putting together such a fantastic set of patterns and variations that flow nicely and make musical sense. It makes me think of Songo but approached in a different way and can be threaded into different time signatures too. See ya next time.
Thank you Ned, I'm glad to be back and that you still enjoy the content. See you next week
Nice
Good one
Thanks for the visit
When I'm teaching, my students learn the parrididdle as the first rudiment! All limb seperation technics stem from that when playing kit!
It’s a great place to start. I’m glad you’re teaching it.
very cool, thanks
Good stuff
Thank you. I’m glad you like it
Thanks ❤
You're welcome 😊
Great lesson. Start the show with the groove first to draw a larger audience and get them into the pad :). Cut in 30 seconds of the footage at 12:32. Here’s to the old school great stuff again man.
...old school all day. I even started to get some old outboard audio gear to get me in the mood to mix lol
Nice tutorial
I'm glad you liked it
Read some opinions being thrown around about Ginger Baker and how he was/wasnt one of the best to ever play drums in a rock or hard rock band back when he was with Cream. Ill settle that argument with a fact; Ginger Baker was one of the first few drummers who helped hard rock music become what it is today. Him, Mitch Mitchell, John Bonham, Keith Moon, Bill Ward, and several more drummers from the mid to late 60's and on thru til the early to mid 70's were integral parts of their respective bands they played in. Ginger Baker and Mitch Mitchell of the Jimi Hendrix Experience were actually book taught students of, not rock and roll music, but taught to read and play jazz drum set. Those 2 amazing drummers had to learn to play more straightforward and simpler time signatures such as 4/4 time which basically bass drum hits fall on 1 and 3, while snare hits on the "backbeats" or 2 and 4.
Thank you for taking time out of your day to post a long thought out comment
You have some really great videos on your channel. Just found you today and subscribed. I know snare tuning has been done to death but I would really appreciate a vid on how you tune yours. The snare response you have when ghosting is fantastic. I know reso and batter choice play a big part so any info on this in a video would be much appreciated!
There is so much to say on this topic, but first, I do have a video about how I tune a snare drum here: ua-cam.com/video/XL7RF9PxuUA/v-deo.html As far as how to play ghost strokes, there is a graph on page 7 of David Garibaldi's book "Future Sounds" that really helped my wrap my hands around stick height and dynamic levels. I also have a course called "Ghost Strokes" on DrumTipTuesday.com The heads I use are very typical. Single ply coated on top with the standard snare side head on bottom. Sometimes I use a top head that has a ring built into the head to get a little more definition because my room is so live
@@DrumTipTuesday Many thanks for your fast response and links....
Actually, this is hard to synchronize for me. You make it look so easy. Will keep working at it.
It’s totally cool to put it down for a minute and come back to it later. I haven no plans to take these videos down. You have all the time in the world
@ 👍
@ Newbie, 4 months in. Working at things everyday. Thx for the vid.
The paradidleflamdidlefunk Grove
Great stuff well explained and demoed./ Thx... Suggestions of grooves from the maybe lesser know funkaspere.... Level 42 "True believers" Bass and drums in tight but subtle variations from drums. Average White Band "Schoolgirl crush" particularly the live version, slip the one to the "a" towards the end. Finally right out of left field, Michael Waldon with the Mahavishnu Orchestra on the opening stanza of "Lilas Dance" from the album "Visions of the Emerald Beyond". Crazy time signature but it is so danceable.. Hmmmm. those were the days... Of course none of this takes away from the Masters of Funk... James Brown, Herbie Hancock, The Meters, TOP, Bootsy Collins, Steve Wonder.... and so many others... and how it melded into Jazz fusion before it became too "technical"
Your thoughts would be appreciated Cos I was there (I'm old-er)... Such a privilege..! Cheers from the southern continent.
My thoughts are that I need to take the play list you just provided me with and remind myself of what good funk drumming sounds like. Thank you for such a detailed and thought out contribution to this comment section.
Hi Gabriel, not know if it's a rudament but it's called the funky drummer Iam practising that p dd Grove for shur
Thank You Sir,
I'm glad you liked it.
Very Nice .Thankyou. Listen to a song called - "Hold On" by Dino Danelli.. from 69 .He was a Master ....
Thank you, I'll give it a listen.
@@DrumTipTuesday Its very similar ,in the groove.thanks..
I am also partial to the paradiddle diddle groove..
I can play variations if that all day and not get tired of it
Appreciate your posts, always inspiring. I have been working on playing a bar of two double diddles followed by a single. By changing my lead hand I can move around with more variation.Thanks again.
That's a nice idea. I should post more patterns changing the lead hand. First I have to practice mare changing the lead hand. lol
Love it all, try a flamadiddledile
I feel you, one of those flam paradiddle or flam mills types of rudiments
My favorite is the "Squib Cake" groove.
Thanks for reminding me. I just watched the live version with Santana at the Montreux Jazz festival
Thanks nice groove (once you get it 😅)
Next weeks groove is more challenging, designed that way to help me develop the ability to get from the extreme right side of my kit back to the left a little smoother.
많이 배우고 갑니다ㅐ
감사합니다
도움이 되셨다니 기쁘네요
Great lesson. What sticks are you using in this video?
Vic Firth 5B on kit, M-Dawg corps style stick on the pad
Hey diddle diddle do alittle diddle diddle.. diddle diddle diddle diddle do a dum 4:53 😊
I need that practice pad, what, where, how
It’s by a company called Xymox.
Single stroke paradiddle…..that kinda vibe.
Здравстауйте . Спасибо за очень интересные уроки.
А почему то свободная книга только 10 страниц открывает ?
Люди теряют интерес после десяти страниц
Loved it! Why do you have your smaller mounted tom on the right? I have never seen that. Just curious.
…funny you ask. Next weeks video is all about that.
…funny you should ask. Next weeks video is all about that.
What drum ecercise pad are you using and sticks
The drum pad is the Reserve Max+ by Xymox and the sticks are the M-Dawg by Vic Firth
David Garibaldi 💪🏿
My substitute teacher just gave me a drum lesson
Cool, keep drumming
They're simply Single, Double or Triple Paradiddle's mixed.
Bada Bing - Bada Boom!!!
Often times the simplest solutions are the best
The purdy schuffle
Hi, first time here. You showed up in my recommendations. I notice that like Bernard Purdie you place your 'rack' toms larger on the left, smaller on the right. I, like a good few drummers I know, am left handed but play right handed. I have small tom left and large tom right. Is there any advantage to you doing this and why? Very good, clear teaching by the way.
Before I purchased this seven piece drum set, I always used a five piece with one mounted tom and two floor (10, 14, 16). I was never able to get used to putting the 12 in the second mounted tom position as it made the ride feel like it was miles away. With the 8 there, I don't have that problem. I liked the way Dave Weckl and Gary Chester (author of "The New Breed") put a floor tom on the left side of the kit. the 12 was just big enough to use it this way. When I stepped back from my kit I noticed that I created a happy accident where, in addition to having a five piece kit with one mounted and two floor (10 14 16) to the right, I now also have a parallel five piece kit, two mounted and one floor (8 10 12) to the left. The possibilities are endless and I've only just begun.
Faz sentido tudo isso
Thanks Gabriel. This video is so easy to learn from. I can read it AND clearly see the sticking pattern
You're very welcome. Thank you for watching
oh! Grandfather drumming?
Why do you do inverse pattern toms?
I'm glad you asked, I just did a whole video about it. Here: ua-cam.com/video/ORVx_3UyDKw/v-deo.htmlsi=Wx9uarARL0OMaBOq
Reminds me Mushanga by toto with samba too
Now that you mention it, it kinda does lol
unless your a left handed drummer then every thing is oppsite one for me is on left one for right handed drummer on the right where do you feel one.
The first kick drum is on beat one even if you change the sticking
Inverted paradiddle, David Gerabaldi style 😬
Garibaldi has arguably the best Paradiddle grooves in the business
Don't rule out Mike Clark @@DrumTipTuesday