Thank you. I had a very methodical and practical drum teacher, Dr. Gary Olmstead. Probably the most important thing he showed me was how to take a mass of information, assimilate, and then successfully incorporate that information.
This is some great refreshing stuff for me. Perfect timing in life to have found your channel. 34 years on the kit & 2 back surgeries later, I'll take any knowledge I can. Thank you!🖤🖤🖤🥁🥁👊🤘👊🤘
So glad I stuck with the the video to the end. Sometimes with the real beginner stuff, I tend to get impatient, but this video takes you to the advanced level of exactly how to apply the rhudiment to a funky drumset groove that kicks a**. We are all told to apply the rhudiment to different surfaces and mix it up, but it is rare to find qualified instructional videos on exactly to do that. With some specific patterns on specific surfaces like this, it demonstrates a few ways to funk it up that include an open hihat and closed, the toms, and some beautiful ghost strokes, (NON ACCENTED). Whispers, is what my first instructor called them, as opposed to accented notes, he called shouts. This dynamic is what makes a lot of drummers sound basic, at first, untill you notice there is actually more being played to explain the funk you feel, but only subconsiously hear. Thank you for a great video!
Wow, I just stumbled upon your video and was impressed by how a simple rudiment can translate into a beautiful groove. My favorite was the way he combined the variations at the end to make the paradiddle-diddle 4 bar phrase. The middle tempo is my favorite,
This is pretty awesome! I am always telling my students to learn their paradiddles and memorize them, because they can be used in solos around the drumset, but I've never heard this one being explained. It's different, because the other examples I've heard were used in traditional grooves using the snare, hi hat etc....This one is more fill iin oriented. THANK YOU!
wwwooonderful teacher! Thousands and thousands of thanks for your contribution, it is unquestionably educational and I am going to start studying them without a doubt, I loved all those incredible grooves, it is worth noting that I am 48 years old and I started playing when I was 14 but you never finish learning music, I see that you are a great scholar with an enviable technique, someday I would love for you to share more with me, I invite you to Costa Rica, you will be very, very welcome, humbly here!!! Blessings! Keep recording much more, bye!
Cool i subbed love how you start slow then show how it sounds a little faster it really is important to start slow until your comfortable with the groove then adding accents
I like the ratamacue, myself. Especially when paired with something else, like a paradiddle. Thanks for the lesson! This is my practice for the next... week at least!
From Venezuela 🇻🇪 I don't understand English much but yes I understand the exercises on the staff I also teach classes just like you music the universal language EXCELLENT your master work GOD bless you in CHRIST JESUS
Complimenti sei molto pratico e semplice da capire. Sai trasmettere con disinvoltura rendendo lezioni semplici e saggezza. Mi chiamo francesco suono e apprendo la batteria per passione da 5 anni ho 62 anni, e mi sono esibito spesse volte con musicisti esperti , su alcuni palchi e ho ricevuto molte soddisfazioni. Ciao e buona lezione per tutti noi appassionati di musica. Ha dimenticavo ascolto musica da più 50 anni da piccolo vive in me' musica musica e musica
Caio Francesco! Grazie per le tue gentili parole e per aver condiviso la tua storia con me. Sono felice che ti piacciano i video e che torni a trovarmi di tanto in tanto.
Mine would be the double paradiddle with a bit of a Bonham / Purdie shuffle to it. RH bell accents on the ride along with the Bass drum on hat hand. Alternatively, accenting the first 2 right hand single strokes with the bell and bass, and the 2nd stroke of the diddle. Musch the same dynamics with the left on snare. Move left and right between hats and ride, keeping the backbeat. Such a versatile pattern for sure. Props on the video, great stuff.
This ! Brian Tichy had a video where he went from a half time shuffle into a double paradiddle groove using a cowbell. Genius! I’ve been messing with different combos going in and out of each groove. The 1/2 time shuffle is my favorite.
@@Chernabog123 I went to jam with some guys yesterday, Singer is an Elvis impersonator. Doing Suspicious minds, I found that the middle broke down into a sweet half time shuffle, and it was groovy A/F lol.
Absolute beginner here. (And cajon, not drums) The tip about having 2 variations so you get a more interesting 4 bar sequence is so helpful. Sounds more musical to me. Thank you!
Garibaldi is the man with these "turning the paradiddle around" type grooves. And thank you, I'm always working on a way to make that kit sound as good as it can.
Hey man from Ned in Spain. So happy to see you back in the groove Gabriel. Hope all is well and thank you for putting together such a fantastic set of patterns and variations that flow nicely and make musical sense. It makes me think of Songo but approached in a different way and can be threaded into different time signatures too. See ya next time.
Great grooves! Paradiddle is my favorite rudiment to use! So many great musical things that you can do with it! I LOVE what you did with it! New Sub here! Thanks!
I have loved paradiddlediddles all my drumming life, which is some 60 years. Discovered them by accident when trying to play single paradiddles fast. My paradiddlediddles suddenly were there. I used to call them half paradiddles. I loved the way you have turned these into beautiful melodic sequences. Need to study your music more. I have come up with a likeable funk groove using double paradiddles. Right hand on hihats and accent left hand on snare. Give it a go and let me what you think. You probably know this already. Keep up your great work my friend. John Baker Melbourne Australia.
Thank you John. I actually use that double paradiddle in the form of a 6/8 groove all the time. It's been so long as a matter of fact that I have forgotten that it's a doble paradiddle lol Thank's for reminding me.
I'm glad you like the rudimental approach. Todays video will feature permutations of the Single Flammed Mill. As far as the Ratamacues... It's a work in progress
Likewise to the comment below! It's not challenging chop-wise for an old dude like me but the mental effort is very therapeutic--not to mention that these grooves sound wonderful. Merci de Montreal!
@@DrumTipTuesday Just using a practice kit -- as is de rigueur in an apartment--but the therapeutic effects are still tangible. Thank YOU. PS. Your touch is magical.
you mentioned in a previous video you were a drum corp guy, I marched with Drum & Bugle Corps in the 60's. Started and learned drumming with the Rochelle Park cadets and eventually ended up in The Garfield cadets.
Cadets are a great corps, so different in attitude to almost any other. I got a good dose of that tradition in 1993 with Star of Indiana. Tom Hannum was the caption head and there were several past Cadet members and staff of the corp that year.
It’s totally cool to put it down for a minute and come back to it later. I haven no plans to take these videos down. You have all the time in the world
Appreciate your posts, always inspiring. I have been working on playing a bar of two double diddles followed by a single. By changing my lead hand I can move around with more variation.Thanks again.
You have some really great videos on your channel. Just found you today and subscribed. I know snare tuning has been done to death but I would really appreciate a vid on how you tune yours. The snare response you have when ghosting is fantastic. I know reso and batter choice play a big part so any info on this in a video would be much appreciated!
There is so much to say on this topic, but first, I do have a video about how I tune a snare drum here: ua-cam.com/video/XL7RF9PxuUA/v-deo.html As far as how to play ghost strokes, there is a graph on page 7 of David Garibaldi's book "Future Sounds" that really helped my wrap my hands around stick height and dynamic levels. I also have a course called "Ghost Strokes" on DrumTipTuesday.com The heads I use are very typical. Single ply coated on top with the standard snare side head on bottom. Sometimes I use a top head that has a ring built into the head to get a little more definition because my room is so live
Next weeks groove is more challenging, designed that way to help me develop the ability to get from the extreme right side of my kit back to the left a little smoother.
Great lesson. Start the show with the groove first to draw a larger audience and get them into the pad :). Cut in 30 seconds of the footage at 12:32. Here’s to the old school great stuff again man.
Read some opinions being thrown around about Ginger Baker and how he was/wasnt one of the best to ever play drums in a rock or hard rock band back when he was with Cream. Ill settle that argument with a fact; Ginger Baker was one of the first few drummers who helped hard rock music become what it is today. Him, Mitch Mitchell, John Bonham, Keith Moon, Bill Ward, and several more drummers from the mid to late 60's and on thru til the early to mid 70's were integral parts of their respective bands they played in. Ginger Baker and Mitch Mitchell of the Jimi Hendrix Experience were actually book taught students of, not rock and roll music, but taught to read and play jazz drum set. Those 2 amazing drummers had to learn to play more straightforward and simpler time signatures such as 4/4 time which basically bass drum hits fall on 1 and 3, while snare hits on the "backbeats" or 2 and 4.
Lifetime guitar player here. This just reinforces that a great drummer brings out the best in me. Great job.
Thank you Mark, that's very nice of you.
Same here!!
Gabriel, as an educator, I must admit your lessons are super informative and practical. Thank you very much for putting time and efforts into them.
Thank you. I had a very methodical and practical drum teacher, Dr. Gary Olmstead. Probably the most important thing he showed me was how to take a mass of information, assimilate, and then successfully incorporate that information.
And as a drummer I really enjoy your teaching style
Yup needed to see this video. The paradiddle from slow and simple to a slick build up of how to get creative with it. Great delivery.
Glad you enjoyed it!
This is some great refreshing stuff for me. Perfect timing in life to have found your channel. 34 years on the kit & 2 back surgeries later, I'll take any knowledge I can. Thank you!🖤🖤🖤🥁🥁👊🤘👊🤘
Timing is what we do lol. I’m glad you found me.
Gabe, you're a Gem. Just got the pdf HANDS and can't thank you enough. You are truly one of a kind .
Thank you so much for making my day.
as always I use your tips in my drumming, because they are very practical and modern techniques I think so👌🤘THX a million🙏
Glad you like them!
Maestro. BRAVO.
Thank you! I appreciate you.
Beautiful groove! Exactly how I love to develop my grooves effortlessly from rudiments ;)
Keep up this amazing work, love it!
Thanks for sharing!
Thank you for commenting. Keep coming back, I plan to do this for a long time to come
Great sounding snare!!!
I've never been much for playing rudiments on the drum set, but I am going to be learning this!
So this will be my favorite
I'm glad you’re going to give it a shot, I hope you enjoy it.
Welcome back! Ive been enjoying paradiddle variations orchestrated across limbs, with displaced accents, cheeses, flam, ruffed, etc for years.
Thank you for coming back to see me
So glad I stuck with the the video to the end. Sometimes with the real beginner stuff, I tend to get impatient, but this video takes you to the advanced level of exactly how to apply the rhudiment to a funky drumset groove that kicks a**. We are all told to apply the rhudiment to different surfaces and mix it up, but it is rare to find qualified instructional videos on exactly to do that. With some specific patterns on specific surfaces like this, it demonstrates a few ways to funk it up that include an open hihat and closed, the toms, and some beautiful ghost strokes, (NON ACCENTED). Whispers, is what my first instructor called them, as opposed to accented notes, he called shouts. This dynamic is what makes a lot of drummers sound basic, at first, untill you notice there is actually more being played to explain the funk you feel, but only subconsiously hear. Thank you for a great video!
Thank you for your contribution to this thread. I’m glad you enjoy watching the old rudiments style being applied to the drums.
Excellent tution, excellent sound, excellent groove. Thank you Mr. 3E!
Glad you enjoyed it!
Wow, I just stumbled upon your video and was impressed by how a simple rudiment can translate into a beautiful groove. My favorite was the way he combined the variations at the end to make the paradiddle-diddle 4 bar phrase. The middle tempo is my favorite,
I’m glad you like it. I’m doing my best to be more consistent with the channel. I’ve been getting a lot of positive feedback.
Thanks Gabriel , great lesson . Your drum kit sounds great and your practice pad has a great snap to it ...roll on next tuesday .
Thank you, I can never seem to get the toms just right, it's a process...
This will keep me busy. I wish I learned this when I was younger. Thank you for this.
There is never a bad time to learn more paradiddle combinations. Thank you for watching.
From a long time guitarist who can slap out a straight beat I enjoyed it.
This is pretty awesome! I am always telling my students to learn their paradiddles and memorize them, because they can be used in solos around the drumset, but I've never heard this one being explained. It's different, because the other examples I've heard were used in traditional grooves using the snare, hi hat etc....This one is more fill iin oriented. THANK YOU!
I'm glad you enjoy and appreciate it.
Thank you for paradiddleing my brain real quick before we start
Great Class! Great Class!
Thanks. I'm doing the Double Paradiddle just like this next Tuesday
Love that groove and the variation! I’m going to start this tomorrow!
I’m glad you like it! Have fun with it
This lesson knocked me out! 😀👉🏼🥁
I’m glad you enjoyed it
Very nice explanation and execution Sir. Thanks for sharing this.
I'm glad you liked it. Next week I talk about why I set up my drums this way
Well done! 👍🏻 Thanx for presenting!
I'm glad you appreciate it.
wwwooonderful teacher! Thousands and thousands of thanks for your contribution, it is unquestionably educational and I am going to start studying them without a doubt, I loved all those incredible grooves, it is worth noting that I am 48 years old and I started playing when I was 14 but you never finish learning music, I see that you are a great scholar with an enviable technique, someday I would love for you to share more with me, I invite you to Costa Rica, you will be very, very welcome, humbly here!!! Blessings! Keep recording much more, bye!
Thank you for the encouragement and compliments, you are very kind.
Cool i subbed love how you start slow then show how it sounds a little faster it really is important to start slow until your comfortable with the groove then adding accents
Thanks for the sub! You got that right, slow and steady will win every time.
Very nice and smooth !
Great beat and tutorial! Thank you!
I'm glad you liked it
Great lesson 🙌Great teacher 🙌🙌
Thank you! 😃 I'm glad you enjoyed it
Paradiddle-diddle and double paradiddles have so many options. Especially as double bass shuffles.
Great video and clean hands.
Double paradiddle in the form of a double bass shuffle. hmmm... Do you mind if I use that idea in a video?
First time here, glad I made it. Killer grooves I’m totally gonna steal and I love the Purdie setup of your kit. Awesome stuff!
Steal it all. I’ll make more, lol I’m glad you’re here
@@DrumTipTuesday theft of grooves is the highest form of compliment! Really good stuff.
Just started seeing your videos today and they are great!
Thank you! I hope you'll be back
Too cool! Thanks for posting!
I like the ratamacue, myself. Especially when paired with something else, like a paradiddle. Thanks for the lesson! This is my practice for the next... week at least!
Have a good time with it and thank you for commenting
This is some killing stuff man! Thanks for sharing!
In the next couple of weeks I'm gonna do one on the Triple Paradiddle.
Merci Mr ,,véritablement utile ,précis et génial..😮❤
Merci d'avoir regardé. La nouvelle vidéo sortira dans environ deux heures
Nice fill, thanks!
You’re welcome, I’m glad you like it
Am no musician but it is very pleasant to my ears.
Thank you. I appreciate you checking it out.
From Venezuela 🇻🇪
I don't understand English much
but
yes I understand the exercises on the staff
I also teach classes just like you
music the universal language
EXCELLENT your master work
GOD bless you in CHRIST JESUS
Thank you for your kind words. I wish you well in your teaching.
Fantastic 👍👍👍
Mmm good, nice groove and the drums are talkin !
That’s the idea, make the drums sing!
Mines would be the paradiddle family in general ❤ ... and great lesson 🙏🏾💯
It's a good family to be a part of lol
Complimenti sei molto pratico e semplice da capire. Sai trasmettere con disinvoltura rendendo lezioni semplici e saggezza. Mi chiamo francesco suono e apprendo la batteria per passione da 5 anni ho 62 anni, e mi sono esibito spesse volte con musicisti esperti , su alcuni palchi e ho ricevuto molte soddisfazioni. Ciao e buona lezione per tutti noi appassionati di musica. Ha dimenticavo ascolto musica da più 50 anni da piccolo vive in me' musica musica e musica
Caio Francesco! Grazie per le tue gentili parole e per aver condiviso la tua storia con me. Sono felice che ti piacciano i video e che torni a trovarmi di tanto in tanto.
I like his playing, his approach and his vibe.😎
Great 👍🏿
Great teacher ❤
Thank you. I’m glad you enjoy the content.
Cool stuff ... Thx for sharing ...😊
Thank you. I think next week I'm gonna do the straight up Double Paradiddle
Man ! Mister !!
I've seen a shit load of stuff about paradiddles ... this is fresh cool stuff !!!
And by the way.... you sound greaaaaaaat !
Thank you so much. You’re very kind
Just stumbled across this and I must say, great lesson. Subscribed!
Glad to have you here. Next week I'm gonna do a linear groove that some have been asking for.
Mine would be the double paradiddle with a bit of a Bonham / Purdie shuffle to it. RH bell accents on the ride along with the Bass drum on hat hand. Alternatively, accenting the first 2 right hand single strokes with the bell and bass, and the 2nd stroke of the diddle. Musch the same dynamics with the left on snare. Move left and right between hats and ride, keeping the backbeat. Such a versatile pattern for sure. Props on the video, great stuff.
Thank you for putting so much time and thought into your response. I appreciate you contributing to the comment section.
This ! Brian Tichy had a video where he went from a half time shuffle into a double paradiddle groove using a cowbell. Genius! I’ve been messing with different combos going in and out of each groove. The 1/2 time shuffle is my favorite.
@@Chernabog123 I went to jam with some guys yesterday, Singer is an Elvis impersonator. Doing Suspicious minds, I found that the middle broke down into a sweet half time shuffle, and it was groovy A/F lol.
Absolute beginner here. (And cajon, not drums) The tip about having 2 variations so you get a more interesting 4 bar sequence is so helpful. Sounds more musical to me. Thank you!
I love these "Garibaldi" grooves. That kit sounds fantastic.
Garibaldi is the man with these "turning the paradiddle around" type grooves. And thank you, I'm always working on a way to make that kit sound as good as it can.
@@DrumTipTuesday🎉🎉🎉🎉🎉🎉🎉🎉😂🎉😂🎉🎉😂🎉🎉🎉😂🎉 is a a lot of of fun to watch watch tv and movies and movies and 😂 re r
Top👌👍👍
Thank you very much
Thanks for your time and sharing.
I'm a new suscriptor.
Thank you for subscribing. We're glad to have you here.
Liked and subbed. Garibaldi feel in this lesson. Thanks!
Thank you for subscribing
Thanks ❤
You're welcome 😊
Hey man from Ned in Spain. So happy to see you back in the groove Gabriel. Hope all is well and thank you for putting together such a fantastic set of patterns and variations that flow nicely and make musical sense. It makes me think of Songo but approached in a different way and can be threaded into different time signatures too. See ya next time.
Thank you Ned, I'm glad to be back and that you still enjoy the content. See you next week
Beautiful!
Amazing 🎉😊❤
Thank you for the positive vibe
Good one
Thanks for the visit
Great to see you back
It's good to be back
Nice!
Great grooves! Paradiddle is my favorite rudiment to use! So many great musical things that you can do with it! I LOVE what you did with it! New Sub here! Thanks!
Welcome to the channel. I’ll keep making grooves out of rudiments for you
Very cool groove
Dope groove. 🔥
Thank you. What it lacks in originality I believe it makes up for with creative implementation.
Great lesson. This is also, by happenstance, a linear drum pattern the way you've orchestrated the groove. Nice job.
Thank you, I do tend to fall into a lot of linear these days
This would make a great intro for a song
I have loved paradiddlediddles all my drumming life, which is some 60 years. Discovered them by accident when trying to play single paradiddles fast. My paradiddlediddles suddenly were there. I used to call them half paradiddles. I loved the way you have turned these into beautiful melodic sequences. Need to study your music more.
I have come up with a likeable funk groove using double paradiddles. Right hand on hihats and accent left hand on snare.
Give it a go and let me what you think. You probably know this already.
Keep up your great work my friend. John Baker Melbourne Australia.
Thank you John. I actually use that double paradiddle in the form of a 6/8 groove all the time. It's been so long as a matter of fact that I have forgotten that it's a doble paradiddle lol Thank's for reminding me.
Love it man!!!
It’s so nice to see a set drummer well versed in the use of rudiments! Now, just add a couple flams and ratamacues. Next video I guess…..thanks!
I'm glad you like the rudimental approach. Todays video will feature permutations of the Single Flammed Mill. As far as the Ratamacues... It's a work in progress
Good stuff
Thank you. I’m glad you like it
My favorite groove is made up of single dragadiddles backed up with double drag taps.
Nice tutorial
I'm glad you liked it
Likewise to the comment below! It's not challenging chop-wise for an old dude like me but the mental effort is very therapeutic--not to mention that these grooves sound wonderful. Merci de Montreal!
Thank you for your kind words. I'm glad you're finding value in and joy in your drumming.
@@DrumTipTuesday Just using a practice kit -- as is de rigueur in an apartment--but the therapeutic effects are still tangible. Thank YOU. PS. Your touch is magical.
you mentioned in a previous video you were a drum corp guy, I marched with Drum & Bugle Corps in the 60's. Started and learned drumming with the Rochelle Park cadets and eventually ended up in The Garfield cadets.
Cadets are a great corps, so different in attitude to almost any other. I got a good dose of that tradition in 1993 with Star of Indiana. Tom Hannum was the caption head and there were several past Cadet members and staff of the corp that year.
Thank God paradiddleing is lawful!
Yeah. I love using paradiddles and paradiddlediddles in rhythms.
Thanks.
No problem, I'll keep making more
Starting on my weak side is why I am starting over completely without skipping the weak side exercises this time.
That's the way to do it!
Nice
Thank You Sir,
I'm glad you liked it.
Actually, this is hard to synchronize for me. You make it look so easy. Will keep working at it.
It’s totally cool to put it down for a minute and come back to it later. I haven no plans to take these videos down. You have all the time in the world
@ 👍
@ Newbie, 4 months in. Working at things everyday. Thx for the vid.
I WILL PAY 4 A PERSONAL INSTRUCTION ON THIS
TOO COMPLICATED 4 ME
@@JamesMegna-t6w cool, I will be in touch, but right now I have to go eat with the family. Thank you for your interest.
When I'm teaching, my students learn the parrididdle as the first rudiment! All limb seperation technics stem from that when playing kit!
It’s a great place to start. I’m glad you’re teaching it.
very cool, thanks
Appreciate your posts, always inspiring. I have been working on playing a bar of two double diddles followed by a single. By changing my lead hand I can move around with more variation.Thanks again.
That's a nice idea. I should post more patterns changing the lead hand. First I have to practice mare changing the lead hand. lol
Thanks Gabriel. This video is so easy to learn from. I can read it AND clearly see the sticking pattern
You're very welcome. Thank you for watching
David Garibaldi 💪🏿
I'm feeling a bit rebellious... learning this paradiddle groove drum tip on a Saturday! 😮😁
Any day is a great day for a Drum Tip Tuesday lol
You have some really great videos on your channel. Just found you today and subscribed. I know snare tuning has been done to death but I would really appreciate a vid on how you tune yours. The snare response you have when ghosting is fantastic. I know reso and batter choice play a big part so any info on this in a video would be much appreciated!
There is so much to say on this topic, but first, I do have a video about how I tune a snare drum here: ua-cam.com/video/XL7RF9PxuUA/v-deo.html As far as how to play ghost strokes, there is a graph on page 7 of David Garibaldi's book "Future Sounds" that really helped my wrap my hands around stick height and dynamic levels. I also have a course called "Ghost Strokes" on DrumTipTuesday.com The heads I use are very typical. Single ply coated on top with the standard snare side head on bottom. Sometimes I use a top head that has a ring built into the head to get a little more definition because my room is so live
@@DrumTipTuesday Many thanks for your fast response and links....
Thanks nice groove (once you get it 😅)
Next weeks groove is more challenging, designed that way to help me develop the ability to get from the extreme right side of my kit back to the left a little smoother.
Love it all, try a flamadiddledile
I feel you, one of those flam paradiddle or flam mills types of rudiments
I searched for Wonderful Tonight drum isolation and this came up in the list.
I understand if you're disappointed by what you found here regauding that search lol However, maybe that is a video I should do hmmm...
I am also partial to the paradiddle diddle groove..
I can play variations if that all day and not get tired of it
Faz sentido tudo isso
Great lesson. Start the show with the groove first to draw a larger audience and get them into the pad :). Cut in 30 seconds of the footage at 12:32. Here’s to the old school great stuff again man.
...old school all day. I even started to get some old outboard audio gear to get me in the mood to mix lol
The paradidleflamdidlefunk Grove
Hi Gabriel, not know if it's a rudament but it's called the funky drummer Iam practising that p dd Grove for shur
My favorite is the "Squib Cake" groove.
Thanks for reminding me. I just watched the live version with Santana at the Montreux Jazz festival
🔥
I need that practice pad, what, where, how
It’s by a company called Xymox.
Read some opinions being thrown around about Ginger Baker and how he was/wasnt one of the best to ever play drums in a rock or hard rock band back when he was with Cream. Ill settle that argument with a fact; Ginger Baker was one of the first few drummers who helped hard rock music become what it is today. Him, Mitch Mitchell, John Bonham, Keith Moon, Bill Ward, and several more drummers from the mid to late 60's and on thru til the early to mid 70's were integral parts of their respective bands they played in. Ginger Baker and Mitch Mitchell of the Jimi Hendrix Experience were actually book taught students of, not rock and roll music, but taught to read and play jazz drum set. Those 2 amazing drummers had to learn to play more straightforward and simpler time signatures such as 4/4 time which basically bass drum hits fall on 1 and 3, while snare hits on the "backbeats" or 2 and 4.
Thank you for taking time out of your day to post a long thought out comment