The artistic justifies itself. The aesthetic and imagination has its own rules, on its own terms, even if it's like Hobbit lore, 'an obscure matter,' as Gandalf says. Tolkien understood this from the ancients, if not his influences in English.
The fact that, by her magic alone, the forest she lived in thrived and began to die when she left shows just how pwerful she is. Its not a direct power of force. Its something more, something greater. She doesnt need to fight, and thats power.
I do find the idea of Sauron inciting what is effectively a worker's revolution in Hollin hilarious, if only because it lends a new angle to the whole fanon association of the Feanoreans with red. The Noldorin worker must seize the means of naval transportation! :p
🕊️🥥'Strange Sindar hiding in caves distributing cursed swords is no basis for a system of government. Supreme executive power derives from a mandate from the Brotherhood of Jewelsmiths, not some farcical Telerin ceremony!'🥥🕊️
@@GirlNextGondor "The Naugrim were right to dethrone such blood sucking parasites, who would deny Quendi the right to their beloved mother tongue and withhold the fruits of artistry from the proletariat, hiding them away in those dank holes. Reactionary cowards may have struck down the freedom-loving champions of Nogrod, but we shan't forget our martyred comrades! Cuio i querë anann! Cuio i Celebrimbor anann!" - Probably someone a bit too excited by it all
"We have fought the long defeat." That is undoubtedly one of the most hard-hitting lines ever written. It just... says so much. It captures "the Doom of the Elves" completely. It was always their lot to vanish from Middle Earth, by one path or another. I'm very glad Galadriel did so by sailing west rather than "fading" - for her to fade would have been tragic. And the fact that it took her all those thousands of years to be ready to accept her Doom says something about the power of her soul.
She's one of the characters that Tolkien went back and forth about the most. She's my favorite character but her history is a mesh of different ideas and iterations
I wish we could have gotten more insight into the relationship between Luthien and Galadriel. There is a dynamic there that is fascinating for me to imagine. Melian's daughter and her pupil. Would there be a form of sisterly competition between them? Whas it Mean Girls style? Did she tell Luthien "Eww why you slumming with a mortal?"
Jokes aside it would be very thematically appropriate for Galadriel to warn Luthien off mortal marriage the same way Finrod seems to have opposed Aegnor and Andreth getting together. Later Finrod helps Andreth's grandnephew in his quest to marry an elf, and Ages later Galadriel not only allows but encourages her granddaughter's betrothal to Aragorn.
Doubt Galadriel viewed humans like that. Her brother Finrod discovered them and befriended them. She was just as friendly with dwarves as her brother was too.
For me, Galadriel is a link to the awe inspiring, "Elder days before the fall of mighty kings in Nargothrond and Gondolin," of song. A link, stronger by far, than even older beings, like Bombadil or Treebeard. She also exemplifies that ineffable mystery at the heart of the legendarium, far more than any other character (in The Lord of the Rings, at least). Great analysis, as always, Lexi.
I think Tolkien wrote base Galadriel for the books. And as we know back in his time he received tons of letters, there might have been many questions about Galadriel that made him think and rethink about the character to the point even not long before his passing he was still writing about her.
I have always had a fascination with her, and I think Cate Blanchett did a marvelous job playing Galadriel in the movies. I won't insult her by comparing her to the psychopath in RoP...
There is definitely a lot more to Galadriel's character and story than we get to see in LotR (book or movie). I felt like a lot of those interesting elements that could have been explored were either overlooked or over-simplified.
When I heard the Peej movies were being made at all, literally my _first_ thought was "I hope they get Cate Blanchett to play Galadriel." This is partly because I think she has a stately kind of beauty that suits the character extremely well (and, as a minor appearance-related point, she apparently always wanted to have pointy Elven ears!), and partly because she has, or can command, an unusually deep voice, something Galadriel is noted as having; but also she's just such a talented actress. I can't think of many people who could convincingly play both an immortal Elven queen capable of striving magically with a demonic demigod who's literally more ancient _than the world_ , and also a bored suburban housewife who decides to become a polyamorous bank robber in slightly less than an afternoon (I'd forgotten that _Bandits_ came out the same year as _Fellowship_ until I looked it up just now). Reworking a line from an episode of _Modern Family_ (if anyone still remembers that show), I'm of the opinion that Cate Blanchett could play Batman and it would be the right choice. Some months later, I overheard someone say they thought she was not a good choice for the role 🤨 because she "wasn't pretty enough" 🤬. I very nearly had my own Gimli-in-Edoras moment just then.
Tolkien published an important paragraph about Galadriel in _The Road Goes Ever On_ (1967), which includes: "At the overthrow of Morgoth at the end of the First Age a ban was set upon her return, and she had replied proudly that she had no wish to do so. She passed over the mountains of Eredluin with her husband Celeborn (one of the Sindar) and went to Eregion." ((Yes, in the first sentence "to do so" lacks an antecedent.))
As usual Sam explains it the best 🙂 I love that beautiful, simple, paradoxical description he gives to Faramir. She seems emblematic of Tolkien's sense of receiving the story and characters as 'given things' that he then needs to find out about.
I was getting that impression too as I researched! I always think it's really neat when an event or character's significance 'in-universe' parallels their significance to the author and the author's creative process/experience. The tension between her unplanned 'appearance' and Tolkien's later, more consciously-undertaken work building up a rational framework around her is part of what makes her frustrating but also compelling.
I think the statement that Celeborn and Galadriel were the Lord and Lady of the Elves of Eriador could still mean they were subordinate to Gil-Galad as High King. My interpretation of what Galadriel said to Frodo after she turned down the One Ring was that she could have gone back long ago but chose to stay for various reasons, some good, some bad. When she rejected the One (which I think was a near thing), she finally realized that when the War of the Ring was over, it would be time for her to return to Valinor. The multiple and often conflicting story lines for Galadriel truly do allow for an extraordinarily wide variety of head canon.
“And it will afford me some comfort as I wander to think that you pulled down your own house when you destroyed mine. And now, what ship will bear you back across so wide a sea?' [Saruman] mocked. 'It will be a grey ship, and full of ghosts.' He laughed, but his voice was cracked and hideous.” I always found this line interesting because Saruman is directly referencing Galadriel’s song “I sang of leaves …” implying that she’s had these misgivings about her ability to go home to Valinor or for a long time, and that at least the (formerly) Wise are aware of her plight
22:07 okay so the ship literally dumped everyone except Gandalf off at Eressea and dropped him off at Alqualonde before Cirdan turned around and went back one last time to wait for Sam and Celeborn? Except Elrond who was born in middle-Earth and never took part in the Kingslaying? and we know her brother Finrod eventually got to go back to Valinor once his short stay in the halls of Mandos was over after dying in the pit of Tol-in-Gaurhoth because the Silmarillion explicitly states he's hanging out with his dad Finarfin. This is maddening!!!! Honestly exile on a small island within site of your estranged family and friends has to be a punishment worse than exile in middle-Earth right?
Thanks Lexi! That was one of my favorites! This is what happens when you are editing your work and realize that you have personified a Silmaril, in all its beauty, peril, and power. I find Galadriel to be a great counterpoint to Luthien. Luthien is best when she's on the go. Luthien goes on Twilight adventures with her betrothed and follows him to hell. She then puts the Devil to sleep, steals one of his Quest Items, and makes the gods weep so that she can have a life with her true love. Galadriel is all about defense. She is the Third Age scion of Melian, who guards a warded magical land in defiance of the current Dark Lord. Self imposed or not, Galadriel's continued vigilance and her endorsement of the union of Aragorn and Arwen, fulfills the plan of Eru that the Firstborn equip the Secondborn to inherit Arda, ere the Firstborn leave for their Home.
Excellent way to look at it! Both very powerful but in different, complementary ways. I'd even extend that lens to comparing Arwen and Eowyn. Obviously Eowyn takes a more active direct role, but Arwen is at least as influential, but in a different way.
I think you make a great point and I imagine that, had Luthien not chosen a mortal life, she would have become a great leader of the second and third ages. I think Sauron would have really feared her.
A mortal arrives in Faerie bearing a terrible gift. The gift of choice. Who are you Galadriel? No more wishing and wondering the Elf Queen must decide.
@@GirlNextGondor But shed hairs usually aren't from dying follicles, they're from follicles' natural growth cycle - that's why if left alone hair will usually extrude to a certain length and stop - each hair cuts off, falls out, then restarts. Moreover, wait... how does hair even _happen_ then? It's a big ol' extrusion the connected skeletons of dead cells. (I'm clearly taking this line of reasoning *much* too far. XD)
Galadriel in part represents Tolkien's evolving view of women, as with many men of his generation, as the 20th Century progressed. She was his only major female character to be present across the entire history of Middle Earth, so she became a channel for his ideas or as a means of correcting mistakes it seems he felt he had made with LOTR, such as its relative lack of women. Tolkien's world up until he had children and even after that, until the success of LOTR, was a boy's club. He was happily married, but he and his friends in academia were all men and his wife may have been the only adult woman he truly knew. The final version of Galadriel, where Tolkien puts her on the level with Feanor in might and states that the history of the Eldar is the history of Galadriel, Feanor and Luthien is unsurprising to me, coming as it did in the early 1970s, after Tolkien had raised his female children, observed the feminist movement and spent decades interacting with female fans.
As far as LOTR goes, I always assumed she was not brought up because Lorien is a hidden kingdom, spoken of only in whispers and legends. It's not like Rivendell which is basically a free hotel for travellers; they generally shoot you if you cross the border. Also one of the Three Rings is hidden there. Frodo is sternly rebuked by Aragorn when he mentions it and her outside of Lorien.
Damn. You just made me realise that Galadriel recreated Doriath. Or rather, it was a lesser shadow of Doriath because time can't progress so long as the elves are in Middle Earth.
@@jacobvardyif you think about it, Galadriel and Thranduil both tried to recreate the glory of Doriath in their respective realms. You could make a case for either of them being more successful in this endeavor, but likely the two of them were present in Doriath at the same time (Thrandy may have been just a kid though when Galadriel showed up) and knew about the impact it had on the rest of the Sindar in Middle Earth
When the Second Age entered, there was no other main character who could be described as the ringleader among those who participated in the Noldor's rebellion. Therefore, the fact that a personal ban was placed on Galadriel by the Valar and that this ban was removed in return for Sauron's contribution to the expulsion process (his behavior that could be described as a test, such as helping Frodo and rejecting the One Ring) brings the story to a more coherent level. Subjecting such a test of repentance against rebellion in the desired place of someone (motivated to leave Valinor) to remain in Middle-earth seems to have been part of his purification process. I think that Nenya's change in her character had a big impact on Galadriel's rejection of the One Ring. If Galadriel had never possessed Nenya, she would have been more susceptible to being lured and corrupted by the force, in line with her motivation (one of the main traits of her character) for her departure from Valinor.
"When the Second Age entered, there was no other ... ringleader among ... the Noldor's rebellion" -- not true, or not necessarily anyway! Maglor's disembodied stubble was presumably still floating around
Some of the confusion even within Tolkien's mind about Galadriel is due to the fact that she was introduced so late in the development of the mythology. He never seems to have settled on a keynote for her personality. Tolkien was a Catholic who always felt a particular spiritual affinity for the Virgin Mary. Varda (Elbereth) has some Marian qualities, but she is too high and remote to feature very prominently in the stories of the Third Age. Third Age Galadriel assumes the Marian role, or at least I think she does. Compare the high spiritual place given to her in LOTR to the lesser spiritual place given to Elrond, who one would think was at least as 'high' as Galadriel in terms of ancestry and political importance. Yet this would seem to conflict with Galadriel's role in the rebellion of the Noldor, which was developed later. At times Tolkien seems to have wanted Galadriel to be the Virgin Mary, but at other times he seems to have wanted her to be Queen Elizabeth I, the proud warrior queen who rebelled against the church. I don't think he ever succeeded in integrating these two sides of his vision into one wholly realized character. Oh, and I think that quote of Sam's about Galadriel is dreadful, the worst of the icky-sticky sentimental pseudo-yokel talk which Tolkien was wont to stick In poor Sam's mouth. Good presentation, though, as always.
She was there - in the story - the whole time. Tolkien just hadn't discovered her yet. I think it's a clear example of a writer's story taking on a life of its own.
@@KipIngram Agree 100%. That’s what makes her so fascinating and mysterious. Love leaving Galadriel some of that mystery. Also since Tolkien might have considered himself a “sub-creator” to his work, a character taking on life of her own (even if contradictory or becoming an enigma) makes sense. Tapping into a greater inspiration, seems to be a large part of Tolkien’s works. And authors often find when they write that sometimes the characters and story take on life of their own in directions unexpected. But love the idea of Tolkien “discovering Galadriel,” as he writes. To me, she is not meant to be put in box…or have every mystery tied up neatly and solved. She is certainly is unforgettable! No matter the age of the reader who meets her! So I like leaving a little breath of fresh air, wonder and mystery in the world.
You know I just now thought of the reality that the Ringbearers, Gimli and Legolas all sailed West but where did they eventually end up? Did they make it to Valinor or when they got to Tol Eressea Gandalf kicked them all off the boat while he got to finish the journey?
I like to see Galadriel as playing the very long game: gradually building allies and trust, learning the most important lore and skills available under Melian, and finally acquiring a domain through diplomacy when one presented itself, but largely waiting on the sidelines for the few greater powers to burn themselves out before really asserting herself. It worked: all her patience and effort brought all the power she could want right to her, but by that time, she knew better than to accept it. I like to think that what she really wanted was to prove that she could have done it, that she was at least the equal of any of the mighty lords that had gone before her, all the more so because she was too wise to actually claim that power. Moreover, I like to think that she proved that what my daughter has called Galadriel’s “girl s__t” approach is as or more effective than any warlord’s path to power.
Galadriel was not in the line of succession especially since her father was in Aman, there were more viable claimants to any throne in Beleriend. Since there is a patriarchal and royal attitude to family blood lines, ie only Aragon could be crowned king of Gondor; Galadriel would probably not be capable of gaining a realm through inheritance. I think she did it this way because she had no other choice. There was no time to assert her claim on any throne; with the constant wars with Morgoth; the great rulers of Fingolfin, Feanor (and his sons), Fingon, Gil Galad, and etc. She was not in line to receive any power, and would she even want that? To inherit a kingdom in the middle of a war with a valar? She is proud, confident, and originally in the beginning headstrong and foolish; but I don't think she was that foolish or arrogant. She saw what Feanor did and tried to learn from his lesson. The only time she could assert her authority was when the other great elves had vanished, and there were the silvan and sindar who needed guidance. She was able to use her charm, power, and wisdom and took over the disorganized elven Sindar and Silvan survivors. Lothlorien was never as great as when Lindon was in its glory, or the Elven realms of Beleriend, but it was one of the last elven realms in Middle Earth and with all that glory and power it entailed. She saw what war and power had brought her family and was never in the position to take it. If she had the opportunity to rule a realm early on, I think she would have taken it; but she most likely would have ended up dead just like her family and the other Noldor. She was doomed, but she escaped that doom by not getting any power herself until the ban was lifted, and she was still banned because she still desired power. I agree she was cunning, but only after learning from the mistakes of others; she was lucky in that she was never in a position to take power in the first age.
Fascinating figure. Tolkien till the end of his life changed her role in elder days and shifted her role and influence in rebellion along side her idea about what she want and did she get some kind of permission to leave Valinor.
You have a very engaging narration voice and I absolutely adore the depth and detail you bring for Galadriel's various quasincarnations. She has been in my top 3 favorite LOtR characters since long before the movies. Look forward to your future works!
Hey GNG, thanks, that was great stuff. I think many are fascinated by the lady of the golden wood. I think in her creation Tolkien intended mystery and long history, to entice the reader, but he like us all became fascinated by her glittering allure. He had to know more and like a fan boy writing his own fiction gave many different characters,justifications and histories too her in that “fan fiction.” As ever your insights are well constructed, succinctly expressed and like the two trees illuminating. I would just like to point out in case you are unaware a fine, piece by other hands and minds inspired by this enigmatic elf. There is a song Galadriel by a seventies British Rock band Barclay James Harvest. There are unsurprisingly many versions of this, the original album version being probably the best. Thank you for what you do.
I’ll be 60 this year. First read LOTR when I was 12, back in the Blessed Realm. So to speak. Galadriel was immediately my favorite and has remained so ever since. Anything and everything more I can find out about her is always welcome, so thank you.
It is always interesting to see how Tolkien's thoughts on characters and plot points (or 'history') changed over time. It gives hope to me as an aspiring writer to see that he (a genius) struggled to figure things out and to see that some of his ideas were worse than others etc. However, I think there is also something to the work being 'solidified' by publication. In more mystical terms I might even say there is something incarnational about it. Even if the author continues to niggle and tweak and rethink, the published work has, in a certain sense, moved beyond the ethereal realm of the author's thoughts. It has, perhaps, gone from being a monologue in the author's mind, with himself, to being a conversation with other minds. I don't wish to undermine the primary authority of the author's mind over his creation, but I suspect Tolkien would in some sense agree, that a creation, in order to ever achieve the reality the creator desires, must take on it's own life, and in some sense, become distinct from the mind of the creator. PS. perhaps this will be a controversial opinion, but I think Galadriel has some of the worst portrayals in adaptions. I've always hated the over-the-top nonsense that Jackson did with her.
Ooh, I like that perspective! - and I think Tolkien had some sense of that too, which is contributed to his spending so much time making sure all the details of his invented setting worked together believably, and why he considered the published text 'sacred' in a way even if he later wished he could change parts of it to fit his later conceptions. Aspects of the Jackson-Blanchett Galadriel worked for me in FotR, but in the Hobbit her portrayal started to veer into 'silly,' imo. I also really wish Jacksonian-Lorien was, y'know, a GOLDEN wood 😅
The way Tolkien writes is the way he wants readers to view his works: as a re-telling of stories written by the people who experienced it themselves. Therefore, it only makes sense that different accounts would paint a different pictures of events and especially the people who participated in them. Galadriel always stood out strongly for me, the way a beautiful woman you see but briefly stands out. You begin to make up stories about her, what she likes, what makes her furrow her brow, what she delights in doing, and maybe even what adventures you might embark upon together. Tolkien himself doesn't seem immune to this kind of speculative reverie, and the way different characters talk about Galadriel reflects this. She is their idealized symbol of all that is beautiful and good remaining in Middle Earth, that which they are willing to fight and sacrifice for.
Nah Guinevere cheated with Lancelot, she's more Morgan Le Fay for her mysterious witch of the woods appearance. And Arthur is the the archetype of the King
@@squaeman_2644 that depends highly on which version of the myth. I only mean that she is a lofty queen who chivalrous knights try to win the favor of.
This is the most interesting and insightful post I've seen about LOTR, not only from you but from the host of youtubers with LOTR channels. Galadriel captures the essence of the entire legendarium better than any other character, and I think all the ambiguity and mystery around her is a major reason for that. Well done.
On the question of why, if Galadriel was the ruler of Eregion, would she allow Annatar to remain there, and for Celebrimbor to do a coup against her, I think it reminds me a lot of her brother in Nargothrond. Finrod is the King of Nargothrond, and yet the Feanorians are also there, and when Finrod leaves with Beren to fulfill his oath, they do a similar coup to gather power. It makes Celebrimbor a really interesting figure because he denounces his own father in this attempt, but then does the same thing to Galadriel in Eregion if we take that story line.
IIRC Celebrimbor's lineage was still somewhat in doubt when the 'coup' story was written, but that would just make it another case of Tolkien accidentally writing himself into thematic depth 😅made particularly poignant by Sauron's involvement in each case; Celebrimbor forcing Galadriel out of her first founded city and into the Hidden Kingdom that will endure longer whereas Finrod's expulsion drove him *back* to his old fortress; Celebrimbor's torment at Sauron's hands acting as a sort of referred payback for his father's treachery (and his continued silence about the location of the 3 in the face of said torment mirroring the fidelity of Finrod &co)... Sauron stripping Finrod of his disguise and Galadriel (possibly) doing the same to Sauron.... it's all very crunchy and savory, no less so for likely being accidental!
Absolutely agree.The Feanorians the Promethean "spirits of fire"were enormously powerful with elvish "magic".Corrupted as they were I think their powers of "seduction"inthe sense of ,just like their father and grandfather before being able to manipulate large groups of people-in other words either with her there Eregion was ripe and ready for their corruption by The Deceiver.
I'd advise checking the artist links 😂most of them have multiple Tolkien-themed pieces in their portfolios and that way you don't have to wait around for me to put them into a video!
Galadriel is the quintessential example of women being beyond the comprehension of men. Even her creator couldn’t figure her out! 🤣 In seriousness though, I think Galadriel is not only an example of how Tolkien explored his own world, but also how over time he started to get more…sentimental for lack of a better word, like how Bill survives but all the ponies in The Hobbit die. Similarly he started turning Galadriel into this paragon, and I suspect it was partially his own Marian devotion at the back of that. But who knows. Galadriel is complicated lol.
On the one hand, the Galadriel leveraging Celebrimbor's crush on her + patronizing attitude towards the Galathrim in Lorien is typical of a powerful woman depicted in medieval texts, even in favourable terms (Brynhild from the Saga of the Völsungs comes to mind). On the other hand, it makes sense that a prideful Ñoldo like Galadriel would've had this attitude in her youth. Still, i can't help but stick with the version of the legendarium where Galadriel and Celeborn only served as advisors and protectors of Lorien, never seeking to just take over it when the opportunity comes. Maybe a reconciliation is that she grew out of her patronizing concern for Lorien and stuck only to defending, not lording over elves she perceived as less wise
It's funny. I sometimes think we can take this TOO seriously, and there are people who do, but Tolkien treated it like it's " Real " history, and asks us to do the same. His writing, Besides it's wonderful amalgamation of existing mythology, also gives us an insight into the mind of a truly brilliant artist/scholar. 🤘😁🖖🇨🇦
True indeed.Remember what Tolkien said about those who criticised those of us who loved history and myth true 😢 or false -there are those who just rin but also those who do so througha longing for beauty and truth.
Celegorm, Aredhel, and Artanis all having a like-button-smashing contest, Celegorm accidentally winning when he falls to last place, loses his temper, and starts smashing things in earnest....
Great video - I think Galadriel gives us a great window to understand why many Elves stay in Middle Earth, and choose to stay for as long as they possibly can when they can freely travel to Valinor.
I think the evolution of Galadriel's personality over the Ages is one of the best parts of the whole story, even though there's not a whole lot of it in literal writing. But it's totally clear that she evolved from a "nobility hungry" (I don't quite want to say "power hungry") young woman into a lady of high wisdom. It's a fantastic journey. Even though I'm not at all 100% happy with Amazon's "Rings of Power," I do think it's shown that young and feisty side of Galadriel quite well.
It was not my first journey into the tangly fens of 'History of Galadriel and Celeborn'... but certainly one of the more memorable ones 😬 Glad you enjoyed it!
is she not the last of the Children of Iluvatar left in middle-Earth who was alive during the time when the Two Trees were the only source of light in the world aside from Stars? Maybe Glorfindel though I don't know if it is expressly stated he was born before the First Age and I don't know if Cirdan was Sindarin or not.
Thank you, relaxing and informative as always. I've been seeing a meme that admires Tolkien's world-building while bashing other writers for adding information much later. The author of the meme must know very little about Tolkien. If I've learnt anything from your channel, it's that Tolkien just couldn't stop fiddling with his lore.
My main complaint with ROP Galadriel is that she's so damn short lol Give that actor a box to stand on or something. Elf tower lady ought to be tall af
I would say Galadriel not wanting to go back to Valinor and She not being allowed to, are not nessesary two different things. it might be more like two sides of the same coin
Agreed! There seem to be 3 possibilities (all suggested at one point or another in the various writings): 1) she was allowed, but chose not to return 2) she wanted to but wasn't allowed 3) she was told she wasn't allowed (or wouldn't be allowed if she refused the chance offered after the war of wrath) and said she didn't care because she didn't want to come back anyway 😂
@@MusikCassette No, it is exactly that simple. It is also important to note that Galadriel could have returned. By the 3rd Age they had all been granted the ability to return. She was choosing to remain, and it is likely she would have chosen to have remain as long as possible. The destruction of the One Ring and the failing of hers is the only reason she sent back.
Wow. Thank you for all the great work! I love your essays and all the exploration of Tolkien's different thoughts throughout the evolution of his writing. This is so well researched. 👍
As I age (I am now in my 40s), I realize that not every aspect of a story needs a backstory. In fact, learning the backstory of some characters removes the magical element, the aura of mystery around them, it reduces them to mondain people. For me, the best version of Galadriel is in the 1978 Lord of the Rings movie.
One way to get more insight into Galadriel is from "The Stairway to Heaven" by Led Zeppelin, and to consider both "The Faerie Queen" and Morganan the Fey. Tolkien found himself involved with these themes because of his connection to the land, so his writings on it were as various and nebulous as the histories of that Great Lady herself among historical peoples.
Seriously, this question has vexed me more than any other as I try to reconcile whats written in LOTR with everything else. I prefer the versions where she was more corrupted in the beginning. It seems like makes her arc more powerful and justifies her personal Ban thats made such a big deal of. I also like the idea of the elves of Eregion rebelling because we need more elven coups, not less.
Unless we're to believe the behavior pf ther sons of Feanor in Nargothrond was a completely unique and freakish example of elven political intrigue. I think it makes sense that more of the Noldor would be arrogant enough to try their hand at seizing power, especially Noldor obsessed with shady craftsmanship.@@GirlNextGondor
I guess when someone is 8,372 years old, they have time to try out different strategies and personas, adapt, and mature. It isn't surprising that there are many versions of Galadriel, if one takes only small snapshots of time to try to define a life long-lived. Unlike Christopher Tolkien, who sees these "severe inconsistencies" as problems, maybe we should look upon those inconsistencies as actually being full of hope, in that they show that one can remake themselves and redeem themselves if they reflect on their lessons learned and, from those mistakes, attain wisdom, understanding, and compassion.
Note that the Elessar tale seems to predate 'Concerning'. It has Finrod for Finarfin, which CT changed to avoid confusion. Celebrimbor is the Celebrimbor of Gondolin variant, rather than the Celebrimbor of Feanorean, descent as he is made in the mid 1960's revision to LotR. (Reconciliation mode): 'diminish and go into the West', alternatively could imply 'fade' and then her fea goes into the West. It is also interesting to note that in the various 'ageing' schemes, Tolkien is consistent in asserting Galadriel to be 'young' ('20' in 'growth-years') at the time of the darkening of Valinor and subsequent Exile. The later 'growth-rates' to maturity (1 : 1, 3 : 1 and even the 12 : 1) make some of 'philosophical rather than historical' writing about her in Shibboleth incongruent.
All good points! My big takeaway from the aging schemes was that as Tolkien made rebellion-era Galadriel young enough to, eg, allow her to have Celebrian in the early Second Age, Celeborn got comparatively older, leaving us with an early-20s-equivalent Galadriel falling for a 40something Celeborn as one possible scenario (that is, if I'm remembering it right). I can't help but think of this when I read Galadriel's assertion (often disputed by readers) that Celeborn is wise. Maybe she just initially mistook his greater *maturity* for wisdom, and the impression stuck 😂
@@GirlNextGondor In that particular variant, Galadriel was '28' when she married Celeborn, who was '45'. In that variant Celeborn was a generation up from her. In the (later) variant where he is a grandson of Elmo (rather than son), while Tolkien does not give an age, I would suspect Celeborn would be the equivalent of not more than 35 (still older, as making the husband older than the wife is another consistent theme).
Glad to see you back Lexi Bros Krynn here (this is my new Tolkien channel/handle), really enjoyed this video. I think that this video is important to remember that Galadriel is crucial as the 'meeting with the goddess' in Campbellian mytho-psychological analysis and that Tolkien leant into this the trouble becomes trying as you said to ingrain her in the previous lore. Personally, I like the idea of her being at Alqualonde, but I think I lean towards her being blood-stained and repentant, so that what we see is what Feanor could have been. That is to say, she was almost as great as him or Fingolfin, but the difference between her and Feanor is that she does achieve redemption, but that it is something that takes up the whole of her life (as it should). So that her character becomes one of the most complex and important in the Legendarium. Much as say Obi-Wan Kenobi is in SW, where he is a character repenting for having been a poor father, and failed his adoptive son, only to then repent of having given up on the boy he loved so much after said boy is restored to the Light. My point is that, in some ways the best way to appreciate her arc is to read all of the early drafts of Galadriel, from the First & Second Ages and to then read the Lord of the Rings. Anyways, really looking forward to your next video, and if ever you want to discuss Sauron, Galadriel or the History of Numenor there's always an open invitation (be it in livestream or podcast form) and do hope you update your channel soon with another video. Yours, Tolkien Lore & Red Book are my favourites for this sort of deep-dive.
If you like Lexi's content, you will like Steven's (of The Red Book), though both these Silmarili of the Tolkien UA-cam community have not been producing much content.😢
@@Enerdhil Am quite familier with both, Steven's a friend and Lexi and I have done a stream together X) and yes they and TolkienLore are the three Silmarils of the Fellowship of us Tolkien-tubers.
@@TheBrothersArda Exactly. I think you and your brother are amazing but I have no background in classical mythology, so whenever you guys make a reference to mythology, I have no idea what you are talking about. Still, I DO get a lot from the Tolkien content you guys upload on UA-cam. I think it is important for me to know about ancient mythology to get a better understanding of what Tolkien was trying to do for his own beloved country, but I am way too old to delve into such a time-demanding subject. If you guys decided to start a content series called Mythology 101 or Mythology for Dummies, I would definitely watch the very one and take notes.😁👍
@@Enerdhil Hmm, we've been talking about doing a folklore series maybe a Mythologie/Folklore series is in order I'll pitch the idea to Dan thanks for the suggestion my friend!
Very interesting video, too me her contradictory and mysterious past is very present in the different ways that fans seem to interpret her story. In one fanfiction I’ve read she is very close to Feanor until the Kinslaying after which she decides to go to Beleriand to subtly oppose him. In another fanfiction she and Celeborn meet and fall in love in Valinor, and she is very strongly opposed to Feanor from the get go. Anyhow the varied ways in which her story and character was interpreted always confused me, until this video, so thank you for that.
Thank you for this. 🙏 It helps clarify some confusion for me regarding Galadriel. And yes am quite aware that Tolkien could be full of contradictions and riddles as Gandalf the Gray! I need to dig into Tolkien’s other works as well as return to the Silmarillion. Am also aware that he wrote different versions of Galadriel and Celeborn’s story arcs. I always felt that Galadriel was multifaceted in the third age and that you couldn’t pin her down to one thing. That line from Sam is perfect. There is something even about 3rd age Galadriel that is elemental, a bit fey and wild but then she has all these other qualities as well. I have come to understand that she was proud…and had this “pride issue” or “ambition issue” from the first age. And I was going to ask you about that but it is answered in part here. I still kind of struggle with this a bit…and also with how different people might interpret being prideful proud or brash as though seem to be the words associated with some version of her arc. Maybe because she really is such a powerful presence in LOTR even if her “pride” bounded her from the start…my imagination would still conceive of even a prideful Galadriel to be a force to be reckoned with (even if her pride took her astray) That she would yet be respected and have a commanding presence even if she was wrong. I’ve tried to wrap my mind around some of the choices made in ROP…and I know there are others like you who have read unfinished Tales and point to that to say the show is “right on” and is helping to balance those character contradictions. What I wonder is if Tolkien ever changed his mind about Galadriel’s intuition when it came to not trusting Sauron. Even for all her flaws I would argue that intuition is not necessarily always gifted to the “perfect person.” And that I imagined that some of that would be innate to her character. Some have said that the ROP show is focusing more on these themes of pride and redemption and temptation (and even if out of order or switched around) that this is closer to keeping to Tolkien’s intended type of themes. I could see that. But having Galadriel to be fooled by “writing a pride theme for her in-line with other contradictory character arcs” was not something I expected. Especially not at such a crucial time. And yes I know material was limited. I suppose my other questions would have been if experience and time and even the birth of a daughter and being a mother was not enough in Tolkien’s mind to temper haha that pride? Or at least make it less brash?? That she could still be proud and stubborn but…not a stubbornness of youth? Somehow I almost feel as though Tolkien’s story took on a life of its own…he has certainly referenced that in its creation even with all his knowledge and planning and maybe Galadriel no longer fit inside of a box and that’s why he couldn’t leave it alone and couldn’t decide and kept correcting it. I think that Sam definitely said it best and maybe it should have been left to Sam where there is no pinning down or caging this character into an angelic saint or a youthful rash rebel who needs to learn her place to become wise…over thousands of years…to leave her as multifaceted…I almost prefer to go back to the mystery as Sam experiences it. And leave Galadriel her secrets…
Apologies for some of the run on sentences and grammar errors. Cannot seem to edit this without completely deleting the whole piece. I do think that those blanks in Galadriel’s story left room for creative license. And Tolkien’s different arcs show “being proud” as a part of her character. Though funnily Aragorn is also described as stern and proud but there his “proudness” seems to be deemed worthy as a “king of men.” Interesting how one word can carry different perceptions in context. It’s the ambition surrounding Galadriel’s desires…I understand that others did feel it was clever referencing her “learning and growing arc with pride.” But just for my personal taste found it rather sad to have Galadriel be played the fool by Sauron to reflect this “lesson.” I don’t know. Sort of like saying she can’t have intuition until she learns her lesson? Rather than having those seeds of intuition be a part of her already. I just preferred the idea of her intuition staying intact…rather than trying to “correct” Tolkien’s “contradictions.” Because after all as said above not “even the wisest can see all ends!”
It is highly significant that she gives 3 strands of hair to Gimli, It is not only an act of reconciliation with someone from the race of the dwares, it is also highly significant because she refused to give strands of her hair to her cousin Feanor who wanted them to help him create the Silmarils. Her mother's name was Earwen, a member of the Teleri or if you will the Solisimpi. As a feminist, I think it's important to name her mother. This is a wonderfully detailed documentary on the different attempts Tolkien made to give Galadriel an engaging back story. I find that giving her a redemptive arc is much more consistent with his legendarium. She grows from wanting to wield power over others to using power to empower others. I have also read that his characterization of Galadriel was inspired by none other than Mother Mary. I think it would be interesting to contrast Galadriel's character with that of Eowyn.
I think Ëowyn and Faramir's love story gives us a glimpse of the possible love story between Galadriel and Celeborn. I think Galadriel's character was fundamentally transformed by her love for Celeborn as Ëowyn's was for Faramir. That is why I hate the Amazon version of her.
minute 5:59 you mentioned galadriel was made out in the composition in the Lord of the RIngs. but she already appeared in the hobbit? I could be wrong. Sorry
Maybe a product of me moving too quickly between in-universe timelines and the order in which Tolkien wrote things? To the best of my knowledge, when "The Hobbit" was composed (20s and 30s) Tolkien had not come up with the character of Galadriel and only started writing about that character in the 40s as he drafted LotR. After he finished LotR, he retconned Galadriel into the story of 'The Hobbit' by making her part of the group that drove Sauron out of Dol Guldur, something that is only referenced in the novel.
Galadriel: A character you cant fully understand or know, but your happy you got to meet.. Even if it was only for a little while.. Wont lie i like the mystery about her. And i also love gandalfs complement to her at the white council. Considering her feelings of longing for valinor, and the elves state of diminishing from arda... It was very sweet thing he said. Very kind. (im basing this on movies, feel free to correct me if my info's off about the council thing)
Absolutely beautiful as always.I rather like the 😢fact that we have different "traditions" with her.Such is history.I like and prefer the middle tradition where she has an impact that is enormous but not too ridiculous.The last tradition for me where she remains "unstained" by the fall of the Noldor is "obviously" a later-probably the latest account from some time late in the fourth age when myth had become far mpre a part of the lore where the memory of Galadriel had become far more infused with other legends.Hence her purity and almost goddess like stature.For me this last Galadriel looses all the character traits which make her s-o interesting-her desire to rule her own realm and refusal to return into the west The last portrait of her also robs her actions with Frodo and the Ring of any real moral choice.The second account I postulate is the one closest to the truth as😮 it were.Thank you again Girl from Gondor for many hours of delight in my favourite world.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Maybe the true Galadriel is the one Tolkien made up along the way.
This guy gets it 🤣
**wipes tear from eye**
Such poetry - such prose. I salute thee.
Well there goes my idea for a response video to this one! You good sir are a sage worthy of Gandalf himself.
The artistic justifies itself. The aesthetic and imagination has its own rules, on its own terms, even if it's like Hobbit lore, 'an obscure matter,' as Gandalf says.
Tolkien understood this from the ancients, if not his influences in English.
The fact that, by her magic alone, the forest she lived in thrived and began to die when she left shows just how pwerful she is. Its not a direct power of force. Its something more, something greater. She doesnt need to fight, and thats power.
Ooooh. Well said.
I do find the idea of Sauron inciting what is effectively a worker's revolution in Hollin hilarious, if only because it lends a new angle to the whole fanon association of the Feanoreans with red.
The Noldorin worker must seize the means of naval transportation! :p
🕊️🥥'Strange Sindar hiding in caves distributing cursed swords is no basis for a system of government. Supreme executive power derives from a mandate from the Brotherhood of Jewelsmiths, not some farcical Telerin ceremony!'🥥🕊️
@@GirlNextGondor "The Naugrim were right to dethrone such blood sucking parasites, who would deny Quendi the right to their beloved mother tongue and withhold the fruits of artistry from the proletariat, hiding them away in those dank holes. Reactionary cowards may have struck down the freedom-loving champions of Nogrod, but we shan't forget our martyred comrades! Cuio i querë anann! Cuio i Celebrimbor anann!"
- Probably someone a bit too excited by it all
@@GirlNextGondor “You can’t become King just because some cave-dwelling tart throws a sword at you.” 😂😂😂
"We have fought the long defeat." That is undoubtedly one of the most hard-hitting lines ever written. It just... says so much. It captures "the Doom of the Elves" completely. It was always their lot to vanish from Middle Earth, by one path or another. I'm very glad Galadriel did so by sailing west rather than "fading" - for her to fade would have been tragic. And the fact that it took her all those thousands of years to be ready to accept her Doom says something about the power of her soul.
She's one of the characters that Tolkien went back and forth about the most. She's my favorite character but her history is a mesh of different ideas and iterations
I wish we could have gotten more insight into the relationship between Luthien and Galadriel. There is a dynamic there that is fascinating for me to imagine. Melian's daughter and her pupil. Would there be a form of sisterly competition between them? Whas it Mean Girls style? Did she tell Luthien "Eww why you slumming with a mortal?"
Jokes aside it would be very thematically appropriate for Galadriel to warn Luthien off mortal marriage the same way Finrod seems to have opposed Aegnor and Andreth getting together. Later Finrod helps Andreth's grandnephew in his quest to marry an elf, and Ages later Galadriel not only allows but encourages her granddaughter's betrothal to Aragorn.
Doubt Galadriel viewed humans like that. Her brother Finrod discovered them and befriended them. She was just as friendly with dwarves as her brother was too.
atrabeth finrod ah andreth is so fckin awesome
For me, Galadriel is a link to the awe inspiring, "Elder days before the fall of mighty kings in Nargothrond and Gondolin," of song. A link, stronger by far, than even older beings, like Bombadil or Treebeard.
She also exemplifies that ineffable mystery at the heart of the legendarium, far more than any other character (in The Lord of the Rings, at least).
Great analysis, as always, Lexi.
I think Tolkien wrote base Galadriel for the books.
And as we know back in his time he received tons of letters, there might have been many questions about Galadriel that made him think and rethink about the character to the point even not long before his passing he was still writing about her.
I have always had a fascination with her, and I think Cate Blanchett did a marvelous job playing Galadriel in the movies. I won't insult her by comparing her to the psychopath in RoP...
There is definitely a lot more to Galadriel's character and story than we get to see in LotR (book or movie). I felt like a lot of those interesting elements that could have been explored were either overlooked or over-simplified.
RoP, the faster we bury that into pink soil, and forget about it... the better.
@@aserta "Pink soil"??
@@aserta Pink... how much feldspar are you talking about there? Something like the red clays of Oklahoma?
When I heard the Peej movies were being made at all, literally my _first_ thought was "I hope they get Cate Blanchett to play Galadriel." This is partly because I think she has a stately kind of beauty that suits the character extremely well (and, as a minor appearance-related point, she apparently always wanted to have pointy Elven ears!), and partly because she has, or can command, an unusually deep voice, something Galadriel is noted as having; but also she's just such a talented actress. I can't think of many people who could convincingly play both an immortal Elven queen capable of striving magically with a demonic demigod who's literally more ancient _than the world_ , and also a bored suburban housewife who decides to become a polyamorous bank robber in slightly less than an afternoon (I'd forgotten that _Bandits_ came out the same year as _Fellowship_ until I looked it up just now). Reworking a line from an episode of _Modern Family_ (if anyone still remembers that show), I'm of the opinion that Cate Blanchett could play Batman and it would be the right choice.
Some months later, I overheard someone say they thought she was not a good choice for the role 🤨 because she "wasn't pretty enough" 🤬. I very nearly had my own Gimli-in-Edoras moment just then.
Tolkien published an important paragraph about Galadriel in _The Road Goes Ever On_ (1967), which includes: "At the overthrow of Morgoth at the end of the First Age a ban was set upon her return, and she had replied proudly that she had no wish to do so. She passed over the mountains of Eredluin with her husband Celeborn (one of the Sindar) and went to Eregion."
((Yes, in the first sentence "to do so" lacks an antecedent.))
As usual Sam explains it the best 🙂 I love that beautiful, simple, paradoxical description he gives to Faramir. She seems emblematic of Tolkien's sense of receiving the story and characters as 'given things' that he then needs to find out about.
I was getting that impression too as I researched! I always think it's really neat when an event or character's significance 'in-universe' parallels their significance to the author and the author's creative process/experience. The tension between her unplanned 'appearance' and Tolkien's later, more consciously-undertaken work building up a rational framework around her is part of what makes her frustrating but also compelling.
I think the statement that Celeborn and Galadriel were the Lord and Lady of the Elves of Eriador could still mean they were subordinate to Gil-Galad as High King.
My interpretation of what Galadriel said to Frodo after she turned down the One Ring was that she could have gone back long ago but chose to stay for various reasons, some good, some bad. When she rejected the One (which I think was a near thing), she finally realized that when the War of the Ring was over, it would be time for her to return to Valinor.
The multiple and often conflicting story lines for Galadriel truly do allow for an extraordinarily wide variety of head canon.
“And it will afford me some comfort as I wander to think that you pulled down your own house when you destroyed mine. And now, what ship will bear you back across so wide a sea?' [Saruman] mocked. 'It will be a grey ship, and full of ghosts.' He laughed, but his voice was cracked and hideous.”
I always found this line interesting because Saruman is directly referencing Galadriel’s song “I sang of leaves …” implying that she’s had these misgivings about her ability to go home to Valinor or for a long time, and that at least the (formerly) Wise are aware of her plight
Another banger. My favorite part was the complete and total absence of any reference to The Show That Must Not be Named.
Thank God for Writers' Guild strikes. 👍
Hallelujah for both!
This is my new fav Tolkien nerd channel.
3:31 the look on Celeborn's face lol
I watch quite a few lore youtubers and you are, by far, the most motivational towards my writing. Thank you so much!
Hey thanks! “Extra canonical Galadriel factoids” is my new prog-rock band name now 😂
😂
22:07 okay so the ship literally dumped everyone except Gandalf off at Eressea and dropped him off at Alqualonde before Cirdan turned around and went back one last time to wait for Sam and Celeborn? Except Elrond who was born in middle-Earth and never took part in the Kingslaying? and we know her brother Finrod eventually got to go back to Valinor once his short stay in the halls of Mandos was over after dying in the pit of Tol-in-Gaurhoth because the Silmarillion explicitly states he's hanging out with his dad Finarfin. This is maddening!!!! Honestly exile on a small island within site of your estranged family and friends has to be a punishment worse than exile in middle-Earth right?
Thanks Lexi! That was one of my favorites! This is what happens when you are editing your work and realize that you have personified a Silmaril, in all its beauty, peril, and power. I find Galadriel to be a great counterpoint to Luthien. Luthien is best when she's on the go. Luthien goes on Twilight adventures with her betrothed and follows him to hell. She then puts the Devil to sleep, steals one of his Quest Items, and makes the gods weep so that she can have a life with her true love. Galadriel is all about defense. She is the Third Age scion of Melian, who guards a warded magical land in defiance of the current Dark Lord. Self imposed or not, Galadriel's continued vigilance and her endorsement of the union of Aragorn and Arwen, fulfills the plan of Eru that the Firstborn equip the Secondborn to inherit Arda, ere the Firstborn leave for their Home.
Excellent way to look at it! Both very powerful but in different, complementary ways. I'd even extend that lens to comparing Arwen and Eowyn. Obviously Eowyn takes a more active direct role, but Arwen is at least as influential, but in a different way.
I think you make a great point and I imagine that, had Luthien not chosen a mortal life, she would have become a great leader of the second and third ages. I think Sauron would have really feared her.
A mortal arrives in Faerie bearing a terrible gift. The gift of choice. Who are you Galadriel? No more wishing and wondering the Elf Queen must decide.
This resonates. Wow!
I have to wonder why Feanor didn’t just get some hair from Galadriel’s hairbrush rather than face repeated rejection.
Nothing dies in Valinor... not even hair follicles 😂shedding is unheard-of in the Blessed Realm
@@GirlNextGondor But shed hairs usually aren't from dying follicles, they're from follicles' natural growth cycle - that's why if left alone hair will usually extrude to a certain length and stop - each hair cuts off, falls out, then restarts. Moreover, wait... how does hair even _happen_ then? It's a big ol' extrusion the connected skeletons of dead cells. (I'm clearly taking this line of reasoning *much* too far. XD)
@@GirlNextGondor You mean, even my dog wouldn't shed there?
This man is asking the real questions
Because pride. Taking hair like that is creepy.
Galadriel in part represents Tolkien's evolving view of women, as with many men of his generation, as the 20th Century progressed. She was his only major female character to be present across the entire history of Middle Earth, so she became a channel for his ideas or as a means of correcting mistakes it seems he felt he had made with LOTR, such as its relative lack of women.
Tolkien's world up until he had children and even after that, until the success of LOTR, was a boy's club. He was happily married, but he and his friends in academia were all men and his wife may have been the only adult woman he truly knew.
The final version of Galadriel, where Tolkien puts her on the level with Feanor in might and states that the history of the Eldar is the history of Galadriel, Feanor and Luthien is unsurprising to me, coming as it did in the early 1970s, after Tolkien had raised his female children, observed the feminist movement and spent decades interacting with female fans.
As far as LOTR goes, I always assumed she was not brought up because Lorien is a hidden kingdom, spoken of only in whispers and legends. It's not like Rivendell which is basically a free hotel for travellers; they generally shoot you if you cross the border. Also one of the Three Rings is hidden there. Frodo is sternly rebuked by Aragorn when he mentions it and her outside of Lorien.
Damn. You just made me realise that Galadriel recreated Doriath. Or rather, it was a lesser shadow of Doriath because time can't progress so long as the elves are in Middle Earth.
@@jacobvardyif you think about it, Galadriel and Thranduil both tried to recreate the glory of Doriath in their respective realms. You could make a case for either of them being more successful in this endeavor, but likely the two of them were present in Doriath at the same time (Thrandy may have been just a kid though when Galadriel showed up) and knew about the impact it had on the rest of the Sindar in Middle Earth
When the Second Age entered, there was no other main character who could be described as the ringleader among those who participated in the Noldor's rebellion. Therefore, the fact that a personal ban was placed on Galadriel by the Valar and that this ban was removed in return for Sauron's contribution to the expulsion process (his behavior that could be described as a test, such as helping Frodo and rejecting the One Ring) brings the story to a more coherent level. Subjecting such a test of repentance against rebellion in the desired place of someone (motivated to leave Valinor) to remain in Middle-earth seems to have been part of his purification process.
I think that Nenya's change in her character had a big impact on Galadriel's rejection of the One Ring. If Galadriel had never possessed Nenya, she would have been more susceptible to being lured and corrupted by the force, in line with her motivation (one of the main traits of her character) for her departure from Valinor.
"When the Second Age entered, there was no other ... ringleader among ... the Noldor's rebellion" -- not true, or not necessarily anyway! Maglor's disembodied stubble was presumably still floating around
@@gabrielblanchard3921 Whether Maglor survives is speculation, but Galadriel is certain. It is better to think in this context.
You just made my lazy Saturday night even better. Thank youuuu!
Some of the confusion even within Tolkien's mind about Galadriel is due to the fact that she was introduced so late in the development of the mythology. He never seems to have settled on a keynote for her personality. Tolkien was a Catholic who always felt a particular spiritual affinity for the Virgin Mary. Varda (Elbereth) has some Marian qualities, but she is too high and remote to feature very prominently in the stories of the Third Age. Third Age Galadriel assumes the Marian role, or at least I think she does. Compare the high spiritual place given to her in LOTR to the lesser spiritual place given to Elrond, who one would think was at least as 'high' as Galadriel in terms of ancestry and political importance. Yet this would seem to conflict with Galadriel's role in the rebellion of the Noldor, which was developed later. At times Tolkien seems to have wanted Galadriel to be the Virgin Mary, but at other times he seems to have wanted her to be Queen Elizabeth I, the proud warrior queen who rebelled against the church. I don't think he ever succeeded in integrating these two sides of his vision into one wholly realized character. Oh, and I think that quote of Sam's about Galadriel is dreadful, the worst of the icky-sticky sentimental pseudo-yokel talk which Tolkien was wont to stick In poor Sam's mouth. Good presentation, though, as always.
She was there - in the story - the whole time. Tolkien just hadn't discovered her yet. I think it's a clear example of a writer's story taking on a life of its own.
@@KipIngram Agree 100%. That’s what makes her so fascinating and mysterious. Love leaving Galadriel some of that mystery. Also since Tolkien might have considered himself a “sub-creator” to his work, a character taking on life of her own (even if contradictory or becoming an enigma) makes sense. Tapping into a greater inspiration, seems to be a large part of Tolkien’s works. And authors often find when they write that sometimes the characters and story take on life of their own in directions unexpected. But love the idea of Tolkien “discovering Galadriel,” as he writes. To me, she is not meant to be put in box…or have every mystery tied up neatly and solved. She is certainly is unforgettable! No matter the age of the reader who meets her! So I like leaving a little breath of fresh air, wonder and mystery in the world.
0:21 I already have something in my eyes, Lexi.
Already this video breathtakingly beautiful.
Thank you, Lexi
Confusing backstory aside, no one expresses Elven regret like Galadriel 😥
You know I just now thought of the reality that the Ringbearers, Gimli and Legolas all sailed West but where did they eventually end up? Did they make it to Valinor or when they got to Tol Eressea Gandalf kicked them all off the boat while he got to finish the journey?
I like to see Galadriel as playing the very long game: gradually building allies and trust, learning the most important lore and skills available under Melian, and finally acquiring a domain through diplomacy when one presented itself, but largely waiting on the sidelines for the few greater powers to burn themselves out before really asserting herself. It worked: all her patience and effort brought all the power she could want right to her, but by that time, she knew better than to accept it. I like to think that what she really wanted was to prove that she could have done it, that she was at least the equal of any of the mighty lords that had gone before her, all the more so because she was too wise to actually claim that power. Moreover, I like to think that she proved that what my daughter has called Galadriel’s “girl s__t” approach is as or more effective than any warlord’s path to power.
Galadriel was not in the line of succession especially since her father was in Aman, there were more viable claimants to any throne in Beleriend. Since there is a patriarchal and royal attitude to family blood lines, ie only Aragon could be crowned king of Gondor; Galadriel would probably not be capable of gaining a realm through inheritance. I think she did it this way because she had no other choice. There was no time to assert her claim on any throne; with the constant wars with Morgoth; the great rulers of Fingolfin, Feanor (and his sons), Fingon, Gil Galad, and etc. She was not in line to receive any power, and would she even want that? To inherit a kingdom in the middle of a war with a valar? She is proud, confident, and originally in the beginning headstrong and foolish; but I don't think she was that foolish or arrogant. She saw what Feanor did and tried to learn from his lesson. The only time she could assert her authority was when the other great elves had vanished, and there were the silvan and sindar who needed guidance. She was able to use her charm, power, and wisdom and took over the disorganized elven Sindar and Silvan survivors. Lothlorien was never as great as when Lindon was in its glory, or the Elven realms of Beleriend, but it was one of the last elven realms in Middle Earth and with all that glory and power it entailed. She saw what war and power had brought her family and was never in the position to take it. If she had the opportunity to rule a realm early on, I think she would have taken it; but she most likely would have ended up dead just like her family and the other Noldor. She was doomed, but she escaped that doom by not getting any power herself until the ban was lifted, and she was still banned because she still desired power. I agree she was cunning, but only after learning from the mistakes of others; she was lucky in that she was never in a position to take power in the first age.
Muddle Wait, I love your take.
Fascinating figure. Tolkien till the end of his life changed her role in elder days and shifted her role and influence in rebellion along side her idea about what she want and did she get some kind of permission to leave Valinor.
You have a very engaging narration voice and I absolutely adore the depth and detail you bring for Galadriel's various quasincarnations. She has been in my top 3 favorite LOtR characters since long before the movies. Look forward to your future works!
Wow - - thank you!! Glad you enjoyed it!
Fascinating! I never did such a deep dive on Galadriel, well done.
Galadriel in the Shire would be like Galadrielzilla😂
Will the real Galadriel please stand up.
Hey GNG, thanks, that was great stuff. I think many are fascinated by the lady of the golden wood. I think in her creation Tolkien intended mystery and long history, to entice the reader, but he like us all became fascinated by her glittering allure. He had to know more and like a fan boy writing his own fiction gave many different characters,justifications and histories too her in that “fan fiction.” As ever your insights are well constructed, succinctly expressed and like the two trees illuminating. I would just like to point out in case you are unaware a fine, piece by other hands and minds inspired by this enigmatic elf. There is a song Galadriel by a seventies British Rock band Barclay James Harvest. There are unsurprisingly many versions of this, the original album version being probably the best. Thank you for what you do.
I’ll be 60 this year. First read LOTR when I was 12, back in the Blessed Realm. So to speak. Galadriel was immediately my favorite and has remained so ever since. Anything and everything more I can find out about her is always welcome, so thank you.
Thank you, Lexi! Great video!
Would the real Galadriel please stand up.
🎶im the elf lady, yes im the elf lady...🎶🤬dammit, ya got me! Well played friend..
Fantastic video. Thank you for all your hard work for your videos!
Thanks, Lexi!
Thank you for another insightful look into the Legendarium. Any day that I can view a Lexi video is a good one!
So glad you enjoyed it!
It is always interesting to see how Tolkien's thoughts on characters and plot points (or 'history') changed over time. It gives hope to me as an aspiring writer to see that he (a genius) struggled to figure things out and to see that some of his ideas were worse than others etc.
However, I think there is also something to the work being 'solidified' by publication. In more mystical terms I might even say there is something incarnational about it. Even if the author continues to niggle and tweak and rethink, the published work has, in a certain sense, moved beyond the ethereal realm of the author's thoughts. It has, perhaps, gone from being a monologue in the author's mind, with himself, to being a conversation with other minds.
I don't wish to undermine the primary authority of the author's mind over his creation, but I suspect Tolkien would in some sense agree, that a creation, in order to ever achieve the reality the creator desires, must take on it's own life, and in some sense, become distinct from the mind of the creator.
PS. perhaps this will be a controversial opinion, but I think Galadriel has some of the worst portrayals in adaptions. I've always hated the over-the-top nonsense that Jackson did with her.
Ooh, I like that perspective! - and I think Tolkien had some sense of that too, which is contributed to his spending so much time making sure all the details of his invented setting worked together believably, and why he considered the published text 'sacred' in a way even if he later wished he could change parts of it to fit his later conceptions.
Aspects of the Jackson-Blanchett Galadriel worked for me in FotR, but in the Hobbit her portrayal started to veer into 'silly,' imo. I also really wish Jacksonian-Lorien was, y'know, a GOLDEN wood 😅
I like your take on creation. I think Tolkien would've agreed.👍
The way Tolkien writes is the way he wants readers to view his works: as a re-telling of stories written by the people who experienced it themselves. Therefore, it only makes sense that different accounts would paint a different pictures of events and especially the people who participated in them. Galadriel always stood out strongly for me, the way a beautiful woman you see but briefly stands out. You begin to make up stories about her, what she likes, what makes her furrow her brow, what she delights in doing, and maybe even what adventures you might embark upon together. Tolkien himself doesn't seem immune to this kind of speculative reverie, and the way different characters talk about Galadriel reflects this. She is their idealized symbol of all that is beautiful and good remaining in Middle Earth, that which they are willing to fight and sacrifice for.
If Aragorn is the Arthur archetype, Galadriel is one part Guinevere and one part Morgan Le Fay.
Ah, Morgan... Another mighty, mysterious female character that has no shortage of contradictory stories attached to her.
Nah Guinevere cheated with Lancelot, she's more Morgan Le Fay for her mysterious witch of the woods appearance. And Arthur is the the archetype of the King
@@squaeman_2644 that depends highly on which version of the myth. I only mean that she is a lofty queen who chivalrous knights try to win the favor of.
Galadriel is like Morgan le Fay except she doesn't get to sail back and forth from the magic fairy island in the West 😭
Lexi! You are blessing us! I hope you're faring well
Thank you lexi . Pleasure as always
This is the most interesting and insightful post I've seen about LOTR, not only from you but from the host of youtubers with LOTR channels. Galadriel captures the essence of the entire legendarium better than any other character, and I think all the ambiguity and mystery around her is a major reason for that. Well done.
On the question of why, if Galadriel was the ruler of Eregion, would she allow Annatar to remain there, and for Celebrimbor to do a coup against her, I think it reminds me a lot of her brother in Nargothrond. Finrod is the King of Nargothrond, and yet the Feanorians are also there, and when Finrod leaves with Beren to fulfill his oath, they do a similar coup to gather power. It makes Celebrimbor a really interesting figure because he denounces his own father in this attempt, but then does the same thing to Galadriel in Eregion if we take that story line.
IIRC Celebrimbor's lineage was still somewhat in doubt when the 'coup' story was written, but that would just make it another case of Tolkien accidentally writing himself into thematic depth 😅made particularly poignant by Sauron's involvement in each case; Celebrimbor forcing Galadriel out of her first founded city and into the Hidden Kingdom that will endure longer whereas Finrod's expulsion drove him *back* to his old fortress; Celebrimbor's torment at Sauron's hands acting as a sort of referred payback for his father's treachery (and his continued silence about the location of the 3 in the face of said torment mirroring the fidelity of Finrod &co)... Sauron stripping Finrod of his disguise and Galadriel (possibly) doing the same to Sauron.... it's all very crunchy and savory, no less so for likely being accidental!
Absolutely agree.The Feanorians the Promethean "spirits of fire"were enormously powerful with elvish "magic".Corrupted as they were I think their powers of "seduction"inthe sense of ,just like their father and grandfather before being able to manipulate large groups of people-in other words either with her there Eregion was ripe and ready for their corruption by The Deceiver.
Hey mi lady I missed you and your voice ^^ good to see your vids again
Lovely essay about this mysterious and beautiful character. Thanks for sharing this with we fellow Tolkien lovers.
Thank you, glad you enjoyed it!
The art you show, it is superior to any other shows art I’ve seen yet. Very good! Show me more at once!
I'd advise checking the artist links 😂most of them have multiple Tolkien-themed pieces in their portfolios and that way you don't have to wait around for me to put them into a video!
Galadriel is the quintessential example of women being beyond the comprehension of men. Even her creator couldn’t figure her out! 🤣 In seriousness though, I think Galadriel is not only an example of how Tolkien explored his own world, but also how over time he started to get more…sentimental for lack of a better word, like how Bill survives but all the ponies in The Hobbit die. Similarly he started turning Galadriel into this paragon, and I suspect it was partially his own Marian devotion at the back of that. But who knows. Galadriel is complicated lol.
I hope everything is going well for you and your family.
Love this “even her own creator couldn’t figure her out!” Yes! That’s the trick with stories when they start to take a life of their own!
On the one hand, the Galadriel leveraging Celebrimbor's crush on her + patronizing attitude towards the Galathrim in Lorien is typical of a powerful woman depicted in medieval texts, even in favourable terms (Brynhild from the Saga of the Völsungs comes to mind). On the other hand, it makes sense that a prideful Ñoldo like Galadriel would've had this attitude in her youth. Still, i can't help but stick with the version of the legendarium where Galadriel and Celeborn only served as advisors and protectors of Lorien, never seeking to just take over it when the opportunity comes. Maybe a reconciliation is that she grew out of her patronizing concern for Lorien and stuck only to defending, not lording over elves she perceived as less wise
keep on keeping on
Another great video, I like your takes on the characters, always interesting and thought provoking
Mon Dieu! Mon amour! Réveillez-vous! Un autre video de GirlNextGondor!
Wach auf, Baby!
this is the best video on this topic out there, tbh
Great video!
another great story by a master story teller👍👍
Do you mean Tolkien or Lexi?😅
Lexi@@Enerdhil
Thanks!
Thank you so much! 🥰 This really helps! I'm so glad you're enjoying my videos!
excellent video
It's funny. I sometimes think we can take this TOO seriously, and there are people who do, but Tolkien treated it like it's " Real " history, and asks us to do the same. His writing, Besides it's wonderful amalgamation of existing mythology, also gives us an insight into the mind of a truly brilliant artist/scholar. 🤘😁🖖🇨🇦
True indeed.Remember what Tolkien said about those who criticised those of us who loved history and myth true 😢 or false -there are those who just rin but also those who do so througha longing for beauty and truth.
Hit that like? No, I shall as one of Amazon disposition bind up my hair as a crown when taking part in athletic feats and smash that like button!
Celegorm, Aredhel, and Artanis all having a like-button-smashing contest, Celegorm accidentally winning when he falls to last place, loses his temper, and starts smashing things in earnest....
Hahaha oh my gosh you're the best!
This was really good. Thank you for the great content, best wishes to you and yours.
Thank you! So glad you enjoyed it 😁
@@GirlNextGondor you're most welcome.
Great video - I think Galadriel gives us a great window to understand why many Elves stay in Middle Earth, and choose to stay for as long as they possibly can when they can freely travel to Valinor.
I think the evolution of Galadriel's personality over the Ages is one of the best parts of the whole story, even though there's not a whole lot of it in literal writing. But it's totally clear that she evolved from a "nobility hungry" (I don't quite want to say "power hungry") young woman into a lady of high wisdom. It's a fantastic journey. Even though I'm not at all 100% happy with Amazon's "Rings of Power," I do think it's shown that young and feisty side of Galadriel quite well.
Loved this! A wonderful summary of scattered information. Not easy to do 💕
It was not my first journey into the tangly fens of 'History of Galadriel and Celeborn'... but certainly one of the more memorable ones 😬
Glad you enjoyed it!
is she not the last of the Children of Iluvatar left in middle-Earth who was alive during the time when the Two Trees were the only source of light in the world aside from Stars? Maybe Glorfindel though I don't know if it is expressly stated he was born before the First Age and I don't know if Cirdan was Sindarin or not.
Thank you, relaxing and informative as always. I've been seeing a meme that admires Tolkien's world-building while bashing other writers for adding information much later. The author of the meme must know very little about Tolkien. If I've learnt anything from your channel, it's that Tolkien just couldn't stop fiddling with his lore.
Fantastic, as always.
Great video keep up the good work
Thank you..
This is another great video, thank you for bringing up so many interesting lesser known points.
My main complaint with ROP Galadriel is that she's so damn short lol
Give that actor a box to stand on or something. Elf tower lady ought to be tall af
Elves in general should seem timeless or ageless because they’re immortal. In RoP they look like 20 year olds.
I would say Galadriel not wanting to go back to Valinor and She not being allowed to, are not nessesary two different things. it might be more like two sides of the same coin
Agreed! There seem to be 3 possibilities (all suggested at one point or another in the various writings):
1) she was allowed, but chose not to return
2) she wanted to but wasn't allowed
3) she was told she wasn't allowed (or wouldn't be allowed if she refused the chance offered after the war of wrath) and said she didn't care because she didn't want to come back anyway 😂
I disagree. They are entirely different things. Choosing not to return to Valinor is her choice, being banned is not.
@@johnfelger9134 in Galladriels case, that might be to simplistic.
@@MusikCassette No, it is exactly that simple. It is also important to note that Galadriel could have returned. By the 3rd Age they had all been granted the ability to return. She was choosing to remain, and it is likely she would have chosen to have remain as long as possible. The destruction of the One Ring and the failing of hers is the only reason she sent back.
You might be on to something.🤔
Wow. Thank you for all the great work! I love your essays and all the exploration of Tolkien's different thoughts throughout the evolution of his writing.
This is so well researched. 👍
As I age (I am now in my 40s), I realize that not every aspect of a story needs a backstory. In fact, learning the backstory of some characters removes the magical element, the aura of mystery around them, it reduces them to mondain people.
For me, the best version of Galadriel is in the 1978 Lord of the Rings movie.
New vid hype!
🙌
oh snap *looks at watch* its squad time!
🤣
You make something I love more loveable - thank you xx
None of that explains why Galadriel looks like a drown, green glowing banshee from time to time 🤣
She gets it from her mother's side of the family 😂
Well, the Elessar is green.🤔
One way to get more insight into Galadriel is from "The Stairway to Heaven" by Led Zeppelin, and to consider both "The Faerie Queen" and Morganan the Fey. Tolkien found himself involved with these themes because of his connection to the land, so his writings on it were as various and nebulous as the histories of that Great Lady herself among historical peoples.
Seriously, this question has vexed me more than any other as I try to reconcile whats written in LOTR with everything else. I prefer the versions where she was more corrupted in the beginning. It seems like makes her arc more powerful and justifies her personal Ban thats made such a big deal of. I also like the idea of the elves of Eregion rebelling because we need more elven coups, not less.
Yes please to further Elven coups, and to Troubled Past Gally 😁
Unless we're to believe the behavior pf ther sons of Feanor in Nargothrond was a completely unique and freakish example of elven political intrigue. I think it makes sense that more of the Noldor would be arrogant enough to try their hand at seizing power, especially Noldor obsessed with shady
craftsmanship.@@GirlNextGondor
I guess when someone is 8,372 years old, they have time to try out different strategies and personas, adapt, and mature. It isn't surprising that there are many versions of Galadriel, if one takes only small snapshots of time to try to define a life long-lived.
Unlike Christopher Tolkien, who sees these "severe inconsistencies" as problems, maybe we should look upon those inconsistencies as actually being full of hope, in that they show that one can remake themselves and redeem themselves if they reflect on their lessons learned and, from those mistakes, attain wisdom, understanding, and compassion.
Note that the Elessar tale seems to predate 'Concerning'. It has Finrod for Finarfin, which CT changed to avoid confusion. Celebrimbor is the Celebrimbor of Gondolin variant, rather than the Celebrimbor of Feanorean, descent as he is made in the mid 1960's revision to LotR.
(Reconciliation mode): 'diminish and go into the West', alternatively could imply 'fade' and then her fea goes into the West.
It is also interesting to note that in the various 'ageing' schemes, Tolkien is consistent in asserting Galadriel to be 'young' ('20' in 'growth-years') at the time of the darkening of Valinor and subsequent Exile. The later 'growth-rates' to maturity (1 : 1, 3 : 1 and even the 12 : 1) make some of 'philosophical rather than historical' writing about her in Shibboleth incongruent.
All good points!
My big takeaway from the aging schemes was that as Tolkien made rebellion-era Galadriel young enough to, eg, allow her to have Celebrian in the early Second Age, Celeborn got comparatively older, leaving us with an early-20s-equivalent Galadriel falling for a 40something Celeborn as one possible scenario (that is, if I'm remembering it right).
I can't help but think of this when I read Galadriel's assertion (often disputed by readers) that Celeborn is wise. Maybe she just initially mistook his greater *maturity* for wisdom, and the impression stuck 😂
@@GirlNextGondor In that particular variant, Galadriel was '28' when she married Celeborn, who was '45'. In that variant Celeborn was a generation up from her. In the (later) variant where he is a grandson of Elmo (rather than son), while Tolkien does not give an age, I would suspect Celeborn would be the equivalent of not more than 35 (still older, as making the husband older than the wife is another consistent theme).
Come on now, we all know Gimli melted Galadriel's heart.
25:00 yeah, slippery
What about the time she said there was a tempest in her?
Glad to see you back Lexi Bros Krynn here (this is my new Tolkien channel/handle), really enjoyed this video. I think that this video is important to remember that Galadriel is crucial as the 'meeting with the goddess' in Campbellian mytho-psychological analysis and that Tolkien leant into this the trouble becomes trying as you said to ingrain her in the previous lore.
Personally, I like the idea of her being at Alqualonde, but I think I lean towards her being blood-stained and repentant, so that what we see is what Feanor could have been. That is to say, she was almost as great as him or Fingolfin, but the difference between her and Feanor is that she does achieve redemption, but that it is something that takes up the whole of her life (as it should). So that her character becomes one of the most complex and important in the Legendarium. Much as say Obi-Wan Kenobi is in SW, where he is a character repenting for having been a poor father, and failed his adoptive son, only to then repent of having given up on the boy he loved so much after said boy is restored to the Light.
My point is that, in some ways the best way to appreciate her arc is to read all of the early drafts of Galadriel, from the First & Second Ages and to then read the Lord of the Rings.
Anyways, really looking forward to your next video, and if ever you want to discuss Sauron, Galadriel or the History of Numenor there's always an open invitation (be it in livestream or podcast form) and do hope you update your channel soon with another video. Yours, Tolkien Lore & Red Book are my favourites for this sort of deep-dive.
If you like Lexi's content, you will like Steven's (of The Red Book), though both these Silmarili of the Tolkien UA-cam community have not been producing much content.😢
@@Enerdhil Am quite familier with both, Steven's a friend and Lexi and I have done a stream together X) and yes they and TolkienLore are the three Silmarils of the Fellowship of us Tolkien-tubers.
@@TheBrothersArda
Exactly. I think you and your brother are amazing but I have no background in classical mythology, so whenever you guys make a reference to mythology, I have no idea what you are talking about. Still, I DO get a lot from the Tolkien content you guys upload on UA-cam. I think it is important for me to know about ancient mythology to get a better understanding of what Tolkien was trying to do for his own beloved country, but I am way too old to delve into such a time-demanding subject.
If you guys decided to start a content series called Mythology 101 or Mythology for Dummies, I would definitely watch the very one and take notes.😁👍
@@Enerdhil Hmm, we've been talking about doing a folklore series maybe a Mythologie/Folklore series is in order I'll pitch the idea to Dan thanks for the suggestion my friend!
@@TheBrothersArda
In any case, I will keep watching your wonderful Tolkien lore videos. Thanks for your hard work and dedication.😁👍
Very interesting video, too me her contradictory and mysterious past is very present in the different ways that fans seem to interpret her story.
In one fanfiction I’ve read she is very close to Feanor until the Kinslaying after which she decides to go to Beleriand to subtly oppose him.
In another fanfiction she and Celeborn meet and fall in love in Valinor, and she is very strongly opposed to Feanor from the get go.
Anyhow the varied ways in which her story and character was interpreted always confused me, until this video, so thank you for that.
Nice work th!thanks
Thank you for this. 🙏 It helps clarify some confusion for me regarding Galadriel. And yes am quite aware that Tolkien could be full of contradictions and riddles as Gandalf the Gray!
I need to dig into Tolkien’s other works as well as return to the Silmarillion. Am also aware that he wrote different versions of Galadriel and Celeborn’s story arcs. I always felt that Galadriel was multifaceted in the third age and that you couldn’t pin her down to one thing. That line from Sam is perfect. There is something even about 3rd age Galadriel that is elemental, a bit fey and wild but then she has all these other qualities as well. I have come to understand that she was proud…and had this “pride issue” or “ambition issue” from the first age. And I was going to ask you about that but it is answered in part here. I still kind of struggle with this a bit…and also with how different people might interpret being prideful proud or brash as though seem to be the words associated with some version of her arc. Maybe because she really is such a powerful presence in LOTR even if her “pride” bounded her from the start…my imagination would still conceive of even a prideful Galadriel to be a force to be reckoned with (even if her pride took her astray) That she would yet be respected and have a commanding presence even if she was wrong. I’ve tried to wrap my mind around some of the choices made in ROP…and I know there are others like you who have read unfinished Tales and point to that to say the show is “right on” and is helping to balance those character contradictions. What I wonder is if Tolkien ever changed his mind about Galadriel’s intuition when it came to not trusting Sauron. Even for all her flaws I would argue that intuition is not necessarily always gifted to the “perfect person.” And that I imagined that some of that would be innate to her character.
Some have said that the ROP show is focusing more on these themes of pride and redemption and temptation (and even if out of order or switched around) that this is closer to keeping to Tolkien’s intended type of themes. I could see that. But having Galadriel to be fooled by “writing a pride theme for her in-line with other contradictory character arcs” was not something I expected. Especially not at such a crucial time. And yes I know material was limited. I suppose my other questions would have been if experience and time and even the birth of a daughter and being a mother was not enough in Tolkien’s mind to temper haha that pride? Or at least make it less brash?? That she could still be proud and stubborn but…not a stubbornness of youth? Somehow I almost feel as though Tolkien’s story took on a life of its own…he has certainly referenced that in its creation even with all his knowledge and planning and maybe Galadriel no longer fit inside of a box and that’s why he couldn’t leave it alone and couldn’t decide and kept correcting it. I think that Sam definitely said it best and maybe it should have been left to Sam where there is no pinning down or caging this character into an angelic saint or a youthful rash rebel who needs to learn her place to become wise…over thousands of years…to leave her as multifaceted…I almost prefer to go back to the mystery as Sam experiences it. And leave Galadriel her secrets…
Apologies for some of the run on sentences and grammar errors. Cannot seem to edit this without completely deleting the whole piece. I do think that those blanks in Galadriel’s story left room for creative license. And Tolkien’s different arcs show “being proud” as a part of her character. Though funnily Aragorn is also described as stern and proud but there his “proudness” seems to be deemed worthy as a “king of men.” Interesting how one word can carry different perceptions in context. It’s the ambition surrounding Galadriel’s desires…I understand that others did feel it was clever referencing her “learning and growing arc with pride.” But just for my personal taste found it rather sad to have Galadriel be played the fool by Sauron to reflect this “lesson.” I don’t know. Sort of like saying she can’t have intuition until she learns her lesson? Rather than having those seeds of intuition be a part of her already. I just preferred the idea of her intuition staying intact…rather than trying to “correct” Tolkien’s “contradictions.” Because after all as said above not “even the wisest can see all ends!”
It is highly significant that she gives 3 strands of hair to Gimli, It is not only an act of reconciliation with someone from the race of the dwares, it is also highly significant because she refused to give strands of her hair to her cousin Feanor who wanted them to help him create the Silmarils. Her mother's name was Earwen, a member of the Teleri or if you will the Solisimpi. As a feminist, I think it's important to name her mother. This is a wonderfully detailed documentary on the different attempts Tolkien made to give Galadriel an engaging back story. I find that giving her a redemptive arc is much more consistent with his legendarium. She grows from wanting to wield power over others to using power to empower others. I have also read that his characterization of Galadriel was inspired by none other than Mother Mary. I think it would be interesting to contrast Galadriel's character with that of Eowyn.
I think Ëowyn and Faramir's love story gives us a glimpse of the possible love story between Galadriel and Celeborn. I think Galadriel's character was fundamentally transformed by her love for Celeborn as Ëowyn's was for Faramir. That is why I hate the Amazon version of her.
minute 5:59 you mentioned galadriel was made out in the composition in the Lord of the RIngs. but she already appeared in the hobbit? I could be wrong. Sorry
Maybe a product of me moving too quickly between in-universe timelines and the order in which Tolkien wrote things? To the best of my knowledge, when "The Hobbit" was composed (20s and 30s) Tolkien had not come up with the character of Galadriel and only started writing about that character in the 40s as he drafted LotR. After he finished LotR, he retconned Galadriel into the story of 'The Hobbit' by making her part of the group that drove Sauron out of Dol Guldur, something that is only referenced in the novel.
Galadriel:
A character you cant fully understand or know, but your happy you got to meet.. Even if it was only for a little while..
Wont lie i like the mystery about her. And i also love gandalfs complement to her at the white council. Considering her feelings of longing for valinor, and the elves state of diminishing from arda... It was very sweet thing he said. Very kind.
(im basing this on movies, feel free to correct me if my info's off about the council thing)
If I ever get a daughter, there will be.
Absolutely beautiful as always.I rather like the 😢fact that we have different "traditions" with her.Such is history.I like and prefer the middle tradition where she has an impact that is enormous but not too ridiculous.The last tradition for me where she remains "unstained" by the fall of the Noldor is "obviously" a later-probably the latest account from some time late in the fourth age when myth had become far mpre a part of the lore where the memory of Galadriel had become far more infused with other legends.Hence her purity and almost goddess like stature.For me this last Galadriel looses all the character traits which make her s-o interesting-her desire to rule her own realm and refusal to return into the west The last portrait of her also robs her actions with Frodo and the Ring of any real moral choice.The second account I postulate is the one closest to the truth as😮 it were.Thank you again Girl from Gondor for many hours of delight in my favourite world.
Aiya Earandil Elenion Ancalima!