Ultimate Guide to Kodak Film look using FilmForever in DaVinci Resolve
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- Опубліковано 10 бер 2022
- EDIT: There's a typo at the bottom left corner of the Before/after shots. It's supposed to be Kodak 2383* and not Kodak 2883* :) Make sure to subscribe, and click the bell icon to receive high-quality color-grading assets for free in the future.
What are FilmForever power grades? FilmForever Power Grades is a set of film Emulation Power Grades that are created after deeply studying the Kodak 2383 LUT included in Davinci Resolve. If you want to learn how 2383 Film LUT came to be repurposed as a creative choice by the post-production industry, check out the following links:
► Notice! Colorist Factory is now Colorist Foundry.
Blog Link:
• coloristfoundry.com/kodak-238...
Checkout our math-true emulations:
• coloristfoundry
Film Emulation Plugin (2024)
• coloristfoundry.com/filmverse...
Film Emulation LUT Kit (Camera & other NLEs) (2024)
• coloristfoundry.com/filmcurve...
Instagram (Important)
• / coloristfoundry
What is Colorist Foundry?
• A constant exploration of what's beyond cinematic look made us form Colorist Foundry. UA-cam is our way to simplify our learnings for filmmakers and storytellers.
Softwares Asset Compatibility
• Adobe Premiere Pro
• DaVinci Resolve
Friends, to be honest, I hadn't wanted to buy it, because I hadn't seen an explicit video that explained everything, but right now I saw that it is for me.
that's the thing i was waiting for.
thanks bro ❤️❤️
When are the rest of the videos coming out? This was very helpful in understanding what you guys did exactly within DaVinci.
Very good very nice!
Finally thank you! Can we get more tutorials similar to this? Nice, quick and simple.
A whole series of videos waiting to be released. Will try to launch one video per week :)
Great video
Pls do video abt CST if we have flat profile video shot by 8 bit nikon cameras
Please cover how to work with ACES in this color pipeline!
Great video. what settings do you have in your project under the Color Management tab?
Looks promising!
However, I still curious about the difference between FilmForever and the vanilla Resolve tools. I can use "Kodak 2383" look in the Resolve without any issue. If I need Halation and Grain effect or the frame border, I can also add them manually.
Does the Power Grade add more function that we can't achieve in vanilla Resolve? Or it just makes the workflow smoother and more pleasing?
Hello!
I see you have 3 different tiers for purchase on your website.
Will I have access to everything you mentioned here on this video If I purchase the $99 version?
Thank you!
Hello there great tutorial, what exactly I was looking for, can you show us how footage from Sony (8bit ) will look with these power grades.
You’d have to set the correct input (S-Log2 S-Gamut3.Cine) but also probably use the “De-Band” feature in resolve to counter A7III 8-bit limitations
@@bananasandbass where do i find the de-Band Feature?
Hello! Someone can tell me in which node can isolate skin tones using the drop tool without affect the rest of the image? Thanks for your help.
Guys, quick question : how can i adjust the ratio size of the Film Dust and grain in a 2:1 ratio ( 3840x1920 ). Because that give me black bars on both side :/
How did you do the move at 6:05? Looks like you clicked on Gamma without moving it but the vectorscope moved about a bunch.
Is this compatible with the Red Komodo?
Do you have Mac versions too?
Just bought it. I shot a TV series episode, on RED Komodo and want to apply your Power Grade. Maybe we should keep in touch on this? :)
Sure thing. DMed you on Instagram.
after installing it show missing lut how to fix this
Whats the name of the song?
So the "Kodak 2383" Look is inside the "Tone" Node, right? I understand that you will not show that Node, but it is a very bold statement that you rebuild the Kodak 2383 LUT as a PowerGrade. As a "clean" PowerGrade. I, personally, think that it is NOT possible to recreate that LUT with the native grading tools inside DaVinci Resolve. I´ve seen PowwerGrades that come very close but easily break if you modify some parameters. Or you will break the Node by adding more saturation, shoft Offset or add more contrast.
If you don´t show the PowerGrade... why should anyone buy it? There is a Kodak 2383 LUT for free when you download Resolve. A PowerGrade gives you / me / everyone the option to modifyi it. But modify what? How do you build it? With Lift Gamma Gain, Curves, HSL, Color warper? L*a*b switch? I think the video has to show more information. It is simple "LOOK, Halation and Grain". All 3 things are availbale in the Studio version. Why should I buy this PowerGrade. For some dirty mattes overlay? Or some film grain? Or the "Kodak 2383" as a PowerGrade. I don't believe it unless you are showing me the nodes or telling me the tools you are using to create it. And how many nodes you used. And more important.. show some gradient ramt and "test charts".
1. It’s not inside tone node.
2. You are right, one can’t rebuild it inside the DaVinci. We’ve got the nearest match for it. Planning to put up charts on website.
3. This is just the first video.There’s a whole 20 video series to go in depth with Grain and Halation option along with subtractive Color and 2383 Power Grade rebuild node. We’re planning to release a video per week.
4. If you want to test them out before buying it, fire me an email at coloristfactory@gmail.com, I’ll share a free Power Grade
I'm having massive issues with the LUT when my timeline color space is not Rec.709, which would be desirable to get the most out of my footage.
Are you using Davinci Wide Gamut Color Managed workflow? If so you need to create a CST sandwich and use the luts inside this sandwich.
@@77dris I'm shooting with my FX6, so I want to have my Timeline Color Space in Slog3 Cine, but if I do that the image breaks completely. Can you go into detail how this CST sandwich would be constructed?
Ultimate Colorist Toolkit 2022, Vol. 3 ,add space before 3 and your problem will solve
why i use you power grade get a black screen 😂？
Looks really nice, thanks for the tutorial. I usually work in a colour managed workspace using DaVinci YRGB (Z cam footage using Sony s-gammut3.cine to Arri log3 to rec 709) as this typically gets me the best results with Z Cam footage. I'm trying to understand how to use your Powergrade in this workflow - any advice much appreciated.
I can't read this from my phone.
this doesn't work with Sony footage
I understand the words, but don't comprehend the sentences. Looks good, but to much for me..
you make a killer product, but you tech support is awful. after multiple emails trying to get a download link still not even one response. these are paid plugins so you think there would be some kind of support.
Y'all really need to fix the long ass file naming sequences of how you organize the files!!! Why are you writing a whole damn paragraph to name a folder? I can't even extract it into the root directory of a drive because the naming sequence is too damn long. Also it's just tacky, we know it's a "proprietary time based algorithm luts" because you've gone over it 50 times.