The difference you're seeing is due to da-vinci's tone mapping. Switching "Colour-space"s is just a 3x3 matrix transform. And it will not add a curve to the waveform. Look into what Linear and log encoding are, but mainly look into what image formation is. Hitchhikers guide to digital colour is a great place to start, get to question 13 at-least.
fantastic video. I am a enthusiast but i really have to admit that this whole changing in color spaces… I did not really understand - but i have braw anyways so that is in wide gamut anyways right?
Hey man appreciate that a lot, I agree the whole concept of colour spaces can get very confusing and most people just say, don’t worry about it and grade in DWG and you’re chilling. Regarding raw footage I actually don’t know much about it at all as I’ve never graded it before so can’t really help there I’m sorry :/
can we see an example on a real video? some log footage from a normal camera let’s say canon log or s log 3 and compare there.. i realize now it won’t be any different as long as you’re editing within a log colorspace the logarithmic operations responsible for compressing the highlights will just give them the smoother roll off , and DWG would simply widen the space even more
Yeah exactly that’s right, on a regular video you would just notice clipping happen much faster and you wouldn’t be able to push your highlights and shadows as much, but in dwg you can stretch it to your hearts content 😎
Amazing content. Subscribed!
Thank you bro appreciate it!
The difference you're seeing is due to da-vinci's tone mapping. Switching "Colour-space"s is just a 3x3 matrix transform. And it will not add a curve to the waveform.
Look into what Linear and log encoding are, but mainly look into what image formation is. Hitchhikers guide to digital colour is a great place to start, get to question 13 at-least.
Hey that’s very interesting to hear ok! I’ll take a look man thanks for the comment, always looking to learn new stuff 👍
Driving : the hidden power of cars
Turn of tonemapping on your IDT breh
fantastic video. I am a enthusiast but i really have to admit that this whole changing in color spaces… I did not really understand - but i have braw anyways so that is in wide gamut anyways right?
Hey man appreciate that a lot, I agree the whole concept of colour spaces can get very confusing and most people just say, don’t worry about it and grade in DWG and you’re chilling. Regarding raw footage I actually don’t know much about it at all as I’ve never graded it before so can’t really help there I’m sorry :/
Thanks for the video! Does that mean you place all other nodes between these two CST nodes?
No worries! Yes that’s correct, then all your grading is done in the wide colour space of DWG 👍
And what’s the diferencie of editing between DWG and Arri Color Space?
I’ll make a video soon about it ;)
can we see an example on a real video? some log footage from a normal camera let’s say canon log or s log 3 and compare there..
i realize now it won’t be any different as long as you’re editing within a log colorspace the logarithmic operations responsible for compressing the highlights will just give them the smoother roll off , and DWG would simply widen the space even more
Yeah exactly that’s right, on a regular video you would just notice clipping happen much faster and you wouldn’t be able to push your highlights and shadows as much, but in dwg you can stretch it to your hearts content 😎