something i am doing with pretty much every colored photo i edit in LR is to completely desaturate it and base edit it as a black and white image to only focus on the contrasts and lightings and such and then once i have a nice black and white image, i ll bring back color one by one to see what color i actually need. found that way easier and simpler than trying to edit a photo with all the colors in
Interesting workflow. The problem is that saturation affects light as well. Ultimately color is light, so when you bring those colors back in it’s going to effect the light in your image as well
Finally I got a video who told from the basics not just telling the colour name which looks good example orange and teal. Many people do this and I am really frustated on them because they never tell how to find that colour combination. Really glad you created this video... Thank you...
If you shoot raw, then it doesn’t matter which color space is set in camera. You are choosing this when you convert the raw and when you view it. You can set that in Lightroom. But the raw itself has to be interpreted first before any color space is applied.
I’m compelled to say I know my color theory yet these types of videos are simply amazing. straightforward and graceful education from someone looking at photography as an artist. subscribed
Thank you so much! It's been almost 5 years since I last really edited a photo and it's something I want to relearn. I went through my old photos and those that I really took time to properly edit are my favorites. I'm looking forward to watching more of your editing tips and guides. Very helpful.
Excellent tutorial, thank you. I totally agree about taking that break when editing. It’s good to be in the flow but I do find I go more extreme the longer the session, so the break gives me a natural pause to dial it back in.
Wow! This was one of the most amazingly effective and concise videos on color theory I've ever seen on UA-cam! Well done, my man - that earned a subscribe from me for sure!
AdobeRGB or sRGB in the camera settings only affects the JPEGs that come from the camera and not the raw data itself. If you are editing raw, you capture the same colour data regardless of which setting you choose.
Regarding colour spaces, it's not the best to shoot and edit in sRGB. It's important to convert your photos to sRGB before exporting and sharing them, but shooting and editing in a wider space can be beneficial if you work on your colours a lot. While sRGB saves you some drive space, it might result in some artifacts and worse quality, especially of transitions between colours. Remember that LR's native working space is ProPhotoRGB (and it cannot be changed), so it might be a good idea to use the same space in PS to limit a number of colour space conversions and only convert it to sRGB at the export phase. I would also recommend painting your wall behind the screen neutral grey if you spend so much time working on colours and can't get them right. That green wall is messing with your brain.
Appreciate the comment, and perhaps you’re right about the colors. I don’t think it will have any significant impact on the end result of a photo however. Regarding the green wall, I actually rarely edit in this setting believe it or not. I only live here in Bali part of the year and prefer editing in another room on my MacBook screen as opposed to the Dell, although it is a great monitor!
Hi Seam, I appreciate your work and the quality of your edits! My name is Fabio, and I’m curious about what monitor you use for photo editing. I’m looking for a good option and would love to hear your recommendation.
What’s up Fabio, thank you for the love brother! I use the Dell Ultrasharp U2720q. The dell monitors are great. If I was more stable with a living location I would definitely invest in the apple monitor, it’s amazing but expensive
@ Thanks for the reply! The Dell Ultrasharp U2720Q looks like a solid choice. I appreciate the recommendation! Yeah, the Apple monitor is definitely amazing, but the price is pretty steep. Maybe one day! Thanks again and keep up the great work!
From my editing experience I feel like analogus or complementary works best with people and dealing with skin tones and wanting to separate your subject from the background . For more abstract work like nature or street photography monochromatic is amazing
Contrast is the most compelling attention getter when composing a photo. What contrasts the most with the tone/color/sharpness/texture/pattern of the background will attract and hold the eye of the viewer. So with respect to color a focal point which contrasts in color with the background will have more ‘magnetic’ and ‘tunnel vision’ creating impact than one which doesn’t contrast strongly. Something to be aware of with the green / orange dynamic very common in cinema is that the ROD cells in the eyes which cover the periphery are only sensitive to greenish wavelengths but are 3000x more sensitive to light than the RGB CONE cells mostly concentrated around the optic nerve in the center 2° of the eye’s FOV. What creates the sensation of ‘tunnel vision’ is the brain filtering out the signal from the RODS when fixated on some object. What using greenish lighting as the background tone does is help trigger that ‘tunnel vision’ dynamic so the contrasting orange content in the frame gets fixated on. The dynamic will occur in landscapes with a lot of brightly illuminated green foliage.
That's a massive work! Thanks a lot! Even after 10+ years of photography and editing I found it very useful. Your pics are stunning! You also make me missing my Sigma 35 1.4 from the times I had Sony A7-3 :'( wish it come to Canon RF soon (or I will switch to Sony a7-4 lol). And yes, we want more editing videos!
Very nice tutorial. Taking breaks is essential, I do it many times. lol. I , like your camera, wonder how you look without the mustache too. In my humble opinion, the fall color photo is a bit more saturated for my taste. I don't think I have ever seen a red that saturated in the midwest! Maybe it happens in Vermont, I don't know.
Glad it’s helped to ease the editing anxiety! It’s all about understanding the theory behind the tools, but also having a deeper feel for the colors. Appreciate the comment Juan 🤙🏼
Hello Sean! Thank You for the video and your effort of interacting is noticed with your subscribers. This was one of the main reasons to drop a comment (will try to make it short, as possible). The other is the indisputable content of this video. Have been learning how important is color theory, I know my way around LR (technically and being humble), do edit at an acceptable level (but), just can't reach the next level, despite of being really committed. It is hard for me to build a consistent method and I take into consideration every sport scenario is different, e.g. surf (beach location) and motor racing (depending on the race track, time of the year and day, etc.). "Where to start", is still a "Dark cloud" over me. Feel that I'm not far from achieving it, but simply not there yet! I shoot mostly sports and looking to achieve a point where I could read the color pallet from a certain location, edit accordingly, build a preset, as I usually have a quick turn around to delivered images. Please let me know a direction to take, as I have complete already a few courses for the last couple of years, either I'm asking the wrong questions :) on the wrong places, or the level that I am leaning on is not available where I live...really don't know! Thank You ahead for taking the time, despite of having a new subscriber, I am looking forward for future videos regarding color theory\ editing. Merry Xmas. Carlos
Such an insightful video! Color theory is often overlooked, but it’s so important for creating visually compelling images. I’ll definitely be using these tips in my future shoots. Thanks for explaining it in such an easy-to-understand way!"
I thought adobeRGB was the best as it had a broader range, so would always use it. This finally solves my colour wonkiness after exporting out of lightroom. Thank you!
This was an exceptionally good video. Thank you! . One thing that I struggle with is black and white photo editing. Sure it’s easy in LR or PS to covert to b&w but it’s only good for jpgs Most printers have no issue printing those jpgs as b&w However, I have a metal printer company I use and they print in cmyk. My struggle is editing b&w in cmyk and have yet to find a tutorial. We ran a test print of my most popular b&w image and it had a green hue to it 😮 Have you considered doing a b&w CMYK tutorial?
Appreciate the subscribe, glad you're digging the edits! I need to dive into capture one a little more, but the principles hold true regardless of the software
Here's a tip to help with color fatigue : get an old lcd screen which is broken and remove the lcd layer leaving the illumination panel behind it. Mount this above your ediring screen and occasionally 'flush' your eyes with pire white light from the panel. This will help you 'teset' your wyes during a color editing session
thanks sean. i just downloaded Lr. Editing to me is daunting. At times I don't know where to start. I'm used to using preset jpegs 😁 But I guess it'll take time & patientce. Great video Sean. Very insightful and concise.
This was super helpful bro …. I do edit using most of these tools but after watching your video I think I need to look more into that mood or story vibe of the picture that you talked about more in the next images I edit let me see … something tells me it’s gonna change the way I edit my pics
Loved your video. I’m only at the beginning of understanding colour now and I haven’t heard anyone explain as well as you do. On a tangent when I looked at that photo with the orange forest it made me think how we photographers skew reality as much as we do sometimes. Should artistic expression trump accuracy of reality? This is the same I guess as makeup making someone look like a different person v enhancing. Should we mask reality ? How far is too much? Does it matter at all?
I mean color is very subjective and our eyes are far from perfect. I agree that there are some murky boundaries with editing, but using reality as a 'baseline' is a bit problematic as the colors we see only exist in our head - in reality it's just photons with different wavelengths. The camera is a bit more objective when it comes to color, but if that doesn't fit with our eyes, then the photo is basically pointless, right? Then you wouldn't be able to capture the atmosphere you were after. I think the real skill is being able to bridge that gap.
100%, color theory for photographers is pretty much the same for video. The process of achieving those colors is different though. A RAW file is typically much easier to work with than video
I don’t know why he’s telling people not to shoot in it. You’re just restricting yourself. Might as well shoot AdobeRGB then export as sRGB from Lightroom for social media. The colour loss is pretty minimal if your just doing it for socials, and then you can just use the AdobeRGB version for portfolio and print.
Do you always use Adobe color as Color Profile? I'm switching from Capture One to Lightroom and trying to replicate some of the presets I've created and I notice that sliders affect colors completely different. It's like lightroom has much more "gain" so to speak.
My Lightroom Masterclass is officially live! Check it out here: seandalt.com/adobe-lightroom-masterclass/
@@seandalt Hey Sean how are you? Picked up your Travel
And Classic Presets, excellent job my friend they are great.
Just a Fuji and stop worrying about colors
This is exactly the video I needed to progress in my photography journey. Everything is gathered in a single video-it’s a game changer.
something i am doing with pretty much every colored photo i edit in LR is to completely desaturate it and base edit it as a black and white image to only focus on the contrasts and lightings and such and then once i have a nice black and white image, i ll bring back color one by one to see what color i actually need. found that way easier and simpler than trying to edit a photo with all the colors in
Interesting workflow. The problem is that saturation affects light as well. Ultimately color is light, so when you bring those colors back in it’s going to effect the light in your image as well
I think workflow when edit photo:
1. Change to BW for adjust contrast, light, shadow.
2. Back to Color for next adjust color
Finally I got a video who told from the basics not just telling the colour name which looks good example orange and teal. Many people do this and I am really frustated on them because they never tell how to find that colour combination. Really glad you created this video... Thank you...
Thank you for watching!
If you shoot raw, then it doesn’t matter which color space is set in camera. You are choosing this when you convert the raw and when you view it. You can set that in Lightroom. But the raw itself has to be interpreted first before any color space is applied.
Correct! This is only relevant for jpegs
8:15 had my jaw on the FLOOR man, what a shot! holy smokes.
Thank you! Truly need to get back out there. Such a beautiful spot
Algorithm on my side today, just what I needed! Beautifully explained G!
You’re a legend Kev, thanks for watching and taking the time to drop a comment brother!
Thank you so much Sean for the very informative and helpful tutorial on color theory and grading! learnt a lot! God bless, good luck and keep grading!
I’m compelled to say I know my color theory yet these types of videos are simply amazing. straightforward and graceful education from someone looking at photography as an artist. subscribed
Appreciate the love man, thank you!
Thank you so much!
It's been almost 5 years since I last really edited a photo and it's something I want to relearn. I went through my old photos and those that I really took time to properly edit are my favorites. I'm looking forward to watching more of your editing tips and guides. Very helpful.
Absolutely, I’m glad you found it useful and I appreciate the comment! Just dive in and start playing around, that’s the best way to relearn.
Excellent tutorial, thank you. I totally agree about taking that break when editing. It’s good to be in the flow but I do find I go more extreme the longer the session, so the break gives me a natural pause to dial it back in.
Wow! This was one of the most amazingly effective and concise videos on color theory I've ever seen on UA-cam! Well done, my man - that earned a subscribe from me for sure!
You’re a legend Josh, thank you for subscribing man!
AdobeRGB or sRGB in the camera settings only affects the JPEGs that come from the camera and not the raw data itself. If you are editing raw, you capture the same colour data regardless of which setting you choose.
Whoa 😮
Yup confirmed it from gpt too lol.
Thank you so much
Incredible images. Thank you for sharing ❤
Thank you!
This is maybe the video I’ve seen that teaches more about such subject. WOW! Amazing and thank you 🙏
The most comprehensive and informative video about editing colors. I needed such a structure end summary so much!
You're a legend, thank you!
I have never seen a better video that explains colour as good as you. Really inspired. +1 subscriber
You’re a legend man, thank you!
Always appreciate and learn from any knowledge you share! Please share more often.
Honestly the best colour theory video I've watched! Super helpful and clear, thank you
You’re a legend Hazz, thank you brother 🤙🏼
Regarding colour spaces, it's not the best to shoot and edit in sRGB. It's important to convert your photos to sRGB before exporting and sharing them, but shooting and editing in a wider space can be beneficial if you work on your colours a lot. While sRGB saves you some drive space, it might result in some artifacts and worse quality, especially of transitions between colours.
Remember that LR's native working space is ProPhotoRGB (and it cannot be changed), so it might be a good idea to use the same space in PS to limit a number of colour space conversions and only convert it to sRGB at the export phase.
I would also recommend painting your wall behind the screen neutral grey if you spend so much time working on colours and can't get them right. That green wall is messing with your brain.
Appreciate the comment, and perhaps you’re right about the colors. I don’t think it will have any significant impact on the end result of a photo however.
Regarding the green wall, I actually rarely edit in this setting believe it or not. I only live here in Bali part of the year and prefer editing in another room on my MacBook screen as opposed to the Dell, although it is a great monitor!
I finally have a better understanding of Color Theory and how I can apply it to photography after watching this video.
Great video mate. Really helpful. Thanks for taking the time to do this type of video
Hi Seam, I appreciate your work and the quality of your edits! My name is Fabio, and I’m curious about what monitor you use for photo editing. I’m looking for a good option and would love to hear your recommendation.
What’s up Fabio, thank you for the love brother! I use the Dell Ultrasharp U2720q. The dell monitors are great. If I was more stable with a living location I would definitely invest in the apple monitor, it’s amazing but expensive
@ Thanks for the reply! The Dell Ultrasharp U2720Q looks like a solid choice. I appreciate the recommendation! Yeah, the Apple monitor is definitely amazing, but the price is pretty steep. Maybe one day! Thanks again and keep up the great work!
From my editing experience I feel like analogus or complementary works best with people and dealing with skin tones and wanting to separate your subject from the background . For more abstract work like nature or street photography monochromatic is amazing
Definitely agree with that, monochromatic gives us a bit more flexibility as we don’t have to account for skin tones
This was such an enjoyable video. Comprehensive yet artfully simplified. And your beautiful photography really held my attention. Thanks!
Man your photos are 🔥😮💨
Much love brother!
Outstanding presentation, thank you.. I really got a better notion of color use and understanding.
Contrast is the most compelling attention getter when composing a photo. What contrasts the most with the tone/color/sharpness/texture/pattern of the background will attract and hold the eye of the viewer. So with respect to color a focal point which contrasts in color with the background will have more ‘magnetic’ and ‘tunnel vision’ creating impact than one which doesn’t contrast strongly.
Something to be aware of with the green / orange dynamic very common in cinema is that the ROD cells in the eyes which cover the periphery are only sensitive to greenish wavelengths but are 3000x more sensitive to light than the RGB CONE cells mostly concentrated around the optic nerve in the center 2° of the eye’s FOV. What creates the sensation of ‘tunnel vision’ is the brain filtering out the signal from the RODS when fixated on some object. What using greenish lighting as the background tone does is help trigger that ‘tunnel vision’ dynamic so the contrasting orange content in the frame gets fixated on. The dynamic will occur in landscapes with a lot of brightly illuminated green foliage.
Thanks for this Masterclass. Subscribed. Keep these types of videos coming. Its a blessing for all noobs like me out there.
Thank you Charly, appreciate the comment and the sub! More to come for sure
That's a massive work! Thanks a lot! Even after 10+ years of photography and editing I found it very useful. Your pics are stunning! You also make me missing my Sigma 35 1.4 from the times I had Sony A7-3 :'( wish it come to Canon RF soon (or I will switch to Sony a7-4 lol).
And yes, we want more editing videos!
What a lovely comment, thank you so much Isa this made my day :) doesn’t Sigma make a 35 art for Canon as well?
Thanks Brother. Sending love from Sri Lanka❤
Thank you🎉 Amazing to learn colors from a master off color grading👍🏼 going to test out tips now:)
Such kind words, appreciate it brother! Thanks for watching and dropping and comment 🤙🏼
Love the shot of the surfer in France, 99% sure that’s Biarritz, have a super similar shot!
It is! Or at least very close to there. Such an epic place
Thank you for sharing! That was a very insightful talk about color theory. You made it easy to understand for us noobs.
Glad you found it useful man, appreciate you taking the time to comment!
This was an amazing video! Thank you!! And would def appreciate more on how to color grade and editing in general :)
Very nice tutorial. Taking breaks is essential, I do it many times. lol. I , like your camera, wonder how you look without the mustache too. In my humble opinion, the fall color photo is a bit more saturated for my taste. I don't think I have ever seen a red that saturated in the midwest! Maybe it happens in Vermont, I don't know.
So helpful. Thank you 🙏 yes please make more!
Thank you. I've always dreaded editing until now. I was "analysis paralysis" with color!
Glad it’s helped to ease the editing anxiety! It’s all about understanding the theory behind the tools, but also having a deeper feel for the colors. Appreciate the comment Juan 🤙🏼
Hello Sean! Thank You for the video and your effort of interacting is noticed with your subscribers. This was one of the main reasons to drop a comment (will try to make it short, as possible). The other is the indisputable content of this video.
Have been learning how important is color theory, I know my way around LR (technically and being humble), do edit at an acceptable level (but), just can't reach the next level, despite of being really committed. It is hard for me to build a consistent method and I take into consideration every sport scenario is different, e.g. surf (beach location) and motor racing (depending on the race track, time of the year and day, etc.).
"Where to start", is still a "Dark cloud" over me. Feel that I'm not far from achieving it, but simply not there yet!
I shoot mostly sports and looking to achieve a point where I could read the color pallet from a certain location, edit accordingly, build a preset, as I usually have a quick turn around to delivered images.
Please let me know a direction to take, as I have complete already a few courses for the last couple of years, either I'm asking the wrong questions :) on the wrong places, or the level that I am leaning on is not available where I live...really don't know!
Thank You ahead for taking the time, despite of having a new subscriber, I am looking forward for future videos regarding color theory\ editing. Merry Xmas. Carlos
Thank you for putting the effort to explain the Basics.
Appreciate all the effort. 💯
Such an interesting Video! I never looked at color that way, thank you!
Such an insightful video! Color theory is often overlooked, but it’s so important for creating visually compelling images. I’ll definitely be using these tips in my future shoots. Thanks for explaining it in such an easy-to-understand way!"
Can you do a tutorial for the masking tools? I’m new to photography and I want to learn!
Color wheels are clutchhh, as well as the temp slider, I've brought out some amazing sunset colors out of pretty de-saturated sky's using temp.
Excellent video! Great delivery and clear demonstrations of color. Subscribed!
Love from India, Thank You!!
This is really helpful! Color is one of the hardest parts of editing that I struggle with.
I thought adobeRGB was the best as it had a broader range, so would always use it. This finally solves my colour wonkiness after exporting out of lightroom. Thank you!
A lot of people get hungup on that, myself included in the beginning. Glad the vid helped you out!
This was an exceptionally good video. Thank you!
.
One thing that I struggle with is black and white photo editing.
Sure it’s easy in LR or PS to covert to b&w but it’s only good for jpgs
Most printers have no issue printing those jpgs as b&w
However, I have a metal printer company I use and they print in cmyk.
My struggle is editing b&w in cmyk and have yet to find a tutorial.
We ran a test print of my most popular b&w image and it had a green hue to it 😮
Have you considered doing a b&w CMYK tutorial?
Yes it would be really helpful to see more color editing videos !
Check sean tucker, he has an old one that explains how it all works and not specific tricks.
Sean the stache is 🔥 Ok now on to the rest of the video .
You have no idea how much this means to me lol. I’m loving the stache
Scrolled down here just to say this! 😊 Of course, great content also and thanks for the video
Impeccable. Love your edits, first time here and subscribed. Am a capture one user though.
Appreciate the subscribe, glad you're digging the edits! I need to dive into capture one a little more, but the principles hold true regardless of the software
0:12, which monitor / tv is best for color correction and color grading.
Anything above sRGB 99% rated display should be fine
Exactly what he said 👆🏼 The Apple Monitor is pretty epic but you don’t need to spend that much. I have a Dell Ultrasharp and it’s great!
@@seandalt can you please tell me the model dell?
Love this advice. Keen to hear about your color class.
Thanks Brendan, still putting the finishing touches on it but will be released very soon :)
This was genuinely so helpful!
You're a legend, thank you!
Love this Sean, so much help thanks a lot! Where are you headed next and have you got any tips for doing travel photography?
You explain it very well. What a useful video 🔥👍🏼❤️
Thank you love ❤️❤️
Man I love so many of these images!
Here's a tip to help with color fatigue : get an old lcd screen which is broken and remove the lcd layer leaving the illumination panel behind it. Mount this above your ediring screen and occasionally 'flush' your eyes with pire white light from the panel. This will help you 'teset' your wyes during a color editing session
thanks sean. i just downloaded Lr. Editing to me is daunting. At times I don't know where to start. I'm used to using preset jpegs 😁
But I guess it'll take time & patientce. Great video Sean. Very insightful and concise.
That’s how we all feel at first! Just dive in, be creative, and have fun. Don’t worry about making it look “correct”. Just follow your intuition
@ appreciate your reply sean ☺️🙏🏻
Great video! It will be nice to get a deeper one with a couple of step by step samples! Thanks!
Will definitely dream up some more editing vids :) appreciate the comment!
Although I’m trapped in the Canon ecosystem; the work I see from Sony cameras make me want to switch. It’s ALWAYS INCREDIBLE. Especially their videos.
Thank you so much for this video it's exactly what I needed :)
Absolutely! I’m glad you found it useful and I appreciate the comment! 🤙🏼
Great introduction to „the break“ !
Haha gotta keep it interesting!
Great video Sean , learned quite a few things
Absolutely Al, thanks for the comment!
Looking forward to seeing more!
You’ve got it! More to come for sure 🤙🏼
Thank for the video and all the information! That stache stole the show, though! 😁
Haha much love, thank you. I’m absolutely loving the stache, here to stay
This was super helpful bro …. I do edit using most of these tools but after watching your video I think I need to look more into that mood or story vibe of the picture that you talked about more in the next images I edit let me see … something tells me it’s gonna change the way I edit my pics
This is a masterclass!
Appreciate the love! Definitely put a lot of hours into this one haha, I’m glad you found it useful 🙏🏼
Loved your video. I’m only at the beginning of understanding colour now and I haven’t heard anyone explain as well as you do.
On a tangent when I looked at that photo with the orange forest it made me think how we photographers skew reality as much as we do sometimes. Should artistic expression trump accuracy of reality? This is the same I guess as makeup making someone look like a different person v enhancing. Should we mask reality ? How far is too much? Does it matter at all?
I mean color is very subjective and our eyes are far from perfect. I agree that there are some murky boundaries with editing, but using reality as a 'baseline' is a bit problematic as the colors we see only exist in our head - in reality it's just photons with different wavelengths. The camera is a bit more objective when it comes to color, but if that doesn't fit with our eyes, then the photo is basically pointless, right? Then you wouldn't be able to capture the atmosphere you were after. I think the real skill is being able to bridge that gap.
Thank you for sharing 🥰
Appreciate the love, thank you!
Awesome sharing this knowledge! Thank you!
Absolutely my man, thank you for the love and the comment!
Great video, very well explained!
Thank you Kat!
This was awesome thank you!
Yeah we do want more in depth colour grading videos
Amazing tips, thank you !
Really helpful video!! Thanks!!
Absolutely! Thank you for the love 🙏🏼
Excellent video! Thanks!
Appreciate the comment my man!
Thank you
Thanks! Man u taught us a lot
how did you make the reflection of the house so clear in the image of the house with the fall trees
Little bit of photoshop. I show how I do it in my upcoming LR course!
Do you have your monitor color profile set to sRGB as well?
Great question, yes I do!
Amazing tips !
Glad it was helpful!
I like to edit in AdobeRGB and then convert to sRGB when uploading to the internet
That’s works as well!
Thank you!
Absolutely my man!
Thank you for reminding me to take a break 😅
I assume it’s a yes but does a lot of this information carry well to video?
Very informative video, great work brother.
100%, color theory for photographers is pretty much the same for video. The process of achieving those colors is different though. A RAW file is typically much easier to work with than video
Great advice 👍🙂
Thanks for the love brother 🤙🏼
Subscribed for the tips and stache
Stache is here to stay 🤙🏼
Love the vid thanks!
Thanks for the love David!
If that is the case, what is the purpose of shooting in AdobeRGB?
Print
I don’t know why he’s telling people not to shoot in it. You’re just restricting yourself. Might as well shoot AdobeRGB then export as sRGB from Lightroom for social media. The colour loss is pretty minimal if your just doing it for socials, and then you can just use the AdobeRGB version for portfolio and print.
Do you always use Adobe color as Color Profile? I'm switching from Capture One to Lightroom and trying to replicate some of the presets I've created and I notice that sliders affect colors completely different. It's like lightroom has much more "gain" so to speak.
May i ask if temp is similar to white balance?
Same thing! White balance contains both temperate (warm and cool) and also tint (green and purple).
Genuine question. How did you made that reflection on the water since raw picture didn't have it 16:54
Duplicated the top, flipped it and blurred it. I show how I do this in my upcoming LR course
Thank you 🙏@@seandalt
amazing vedio will help every one
Ta,
Totally agree with you..
Very informative.
New subscriber here.
Thanks
Do you prefer lightroom classic to lightroom CC
Classic for sure!
lightroom or lightroom classic which is better for sports photography
what is your monitor ?
Dell Ultrasharp!
Perfect advice -- take break 👌 thanks and regards
So so important. Thanks for the comment!