Symphony No 4 - Carl Nielsen // Danish National Symphony Orchestra with Fabio Luisi (Live)
Вставка
- Опубліковано 27 бер 2020
- #CarlNielsen #Luisi #DNSO
Danish National Symphony Orchestra with chief conductor Fabio Luisi
Symphony No 4
By Carl Nielsen
Conducted by Fabio Luisi
Danish National Symphony Orchestra/DR SymfoniOrkestret
Recorded live at DR Koncerthuset, Copenhagen, Denmark
All rights reserved
Watch more concerts with Danish National Symphony Orchestra/DR SymfoniOrkestret here:
www.dr.dk/drtv/saeson/dr2-kla...
Get tickets:
drkoncerthuset.dk/kalender/?f...
"Music is life, and like it, inextinguishable.... In case all the world was devastated…then nature would still begin to breed new life again, begin to push forward again…. These forces, which are ‘inextinguishable,’ I have tried to represent.” - Carl Nielsen
This is also part of the teachings of avatar, Meher Baba
Nelson is the most pugnacious and optimistic symphonist since Beethoven. His music is forthright, and invigorating, as a breadth of fresh forest air.
Imaging going to this beautiful koncerthall, enjoying this fantastic orchestra. I was there 3 days ago hearing exactly this fantastic music. You are feeling high when leaving the concert hall
Absolutely love Fabio Luisi's smile at the end; completely feeling the music and the sound-power of a beautiful symphony. So wonderful!
Love this! Their cycle of Nielsen symphonies is my favorite classical recording of 2023 and the best set of Nielsen symphonies I've heard.
The timpani playing is superb at the very end! BRAVO
Carl Nielsen you were gods gift to symphonic music
To me the most underrated composer. Always inspired and intelligent.
Yes, I often ponder that Carl Neilsen filled that European void between Bohemian music and Russian music.
I have a lifelong love for this symphony along with the competing 3rd. It turns my heart into a Dionysian dancer, floods my eyes with tears and carries me away every time. This, against the wanton and suicidal rape of life on Earth. 😢
Agreed! The rape of life on earth is a grievous sin and those responsible will not escape th punishment of the earth's creator!!!!!
A marvelous performance of one of the finest of all 20th century works. This orchestra plays Nielsen like no other.
“I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.”
― Leonard Bernstein
Very beautiful! Long live Carl Nielsen and Danish culture!
Thank you for this!!! I have heard Nielsen 4 only once in live performance and it was incredible...This video shows how powerful and beautiful Nielsen's masterpiece can be!
Bello! Grazie!
Superb! BRAVO from San Agustinillo!
Det er en blanding af danske teksturer og atmosfære. Så meget unikt og vidunderligt.
Truly wonderful performance. And who better than DN to show the energy and nuances of Nielsen? Bravo!
mhhh. splendid!
This symphony is called "The Inextinguishable", but some of the presenters at the classical radio station in Houston with which I was employed called it "The Indistinguishable". There was a Nielsen revival taking place at that time in the recording industry, and we used to play Nielsen's orchestral works quite regularly in the 1970s at KLEF-FM in Houston.
Feel the same about Beethoven. BRAHMS . MOZART. SIBELIUS. WAGNER. HARDON. ETC. IM SERIOUSLY SERIOUS. LOL MERCY.
The blond clarinet player is a energetic showman to the max... you can tell his passion for the music!
素晴らしかったです。
Det er så fantastisk! Jeg elsker det
This video is a great advertisement for the Nielsen festival next April.
Fantastic performance. Well done !
Tuyệt!
3:20 Boom, simplesmente uma obra prima.
My 💘
The greatest symphonist of the 20th century?
Clarinet!!!
Nielsen was a very Germanic, Romantic composer. In him, the reaction to Romanticism had begun to set in, but it was only a beginning. When he abandoned Romanticism completely in the Sixth Symphony, the results were frightful.
9:34 woooooow
😇✨✨Thanks1000 ✨💐🙏💫
Reminds me of Barbirolli's late nineteen fifties recording with the Halle Orchestra. 0riginally on the Pye label, I last saw it as a reissue in EMI's "Phoenixa" series.
Many years ago the genial conductor, Sergiu Celibidache, has conducted the Danish Symphony Orchestra for many years.
32:35 for the timpani duel!
this performance find i very good. better impossible.....
32:50
10:13 LOL
I don't understand not only why Nielsen 4 isn't A-list standard rep but also a major touring piece for orchestras - and not just the Danish ones.
I don´t, either. I was taught classical music pretty thoroughly, but had never heard of him. Glad I at least dicovered him now, this symphony is marvelous!
Det er nu lidt specielt at lytte til "Det uudslukkelige" her midt i coronakrisen...men hvor spiller I godt !!
Eller i Putin-tiden. Men Nielsen ruler! 👍👍👍
17:34
Brilliant ... S U B L I M E ...!!!
Stor musik fremført af sublimt orkester!
I've said this before that the DNSO is great but the frame around the screen and the LOGO are dumb and damn distracting. They should disappear.
Beethoven 3. Brahms 1. Tchaikovsky 4. Mahler 6. Sibelius 5. Nielsen 4.
Shall never tire of them, and I pity those who will never know them.
Tchaikovsky 4th 👌
why anyone would go for T chaikovsky 4 rather than 5 or 6 is beyond me. Or Mahler 6 over 2 or 9, or even 5...
@@paranoidlawyer How lucky you are to have so many mysteries to discover as you grow older.
@@1977ajax I mean, I agree with your Brahms and Sibelius picks, so it makes your other choices all the more baffling - they seem a little contrarian. Then again, I'm not such a huge fan of Tchaikovsky to begin with, so I'm not overly precious about that one. Mahler 6 on the other hand... really? Over no.9?
Sorry, but 32:52
Это ужасно, сейчас симфонический оркестр делает на много лучшие вещи!
Ты пьяный писал этот комментарий, животное? Как вообще его понимать в принципе?
Да я тоже не поймал о чем речь
I'm sorry but the ending is way too slow.
wheres the melody?
"The hymn-like “melody of life” which the clarinets first introduce early in the piece will eventually have its life-affirming apotheosis at the end, but there is much to struggle with first. A climax in A brings about the close of the exposition, and maybe a vision of the future, but we soon find ourselves tossed around aimlessly among fragments of musical DNA, with aggressive assertions of D from the violas. As the temperature rises, they eventually hit upon E, unleashing a torrential climax, almost like lava entering the sea. Fragments of the life melody are heard, but cannot succeed, and we are becalmed in C major for a time. The opening tumult returns, and the first “movement” ends in E with partial success.... The third movement begins with the sense of a colossal fugue - but soon turns out to be a great elegy. The emotions subside and there are episodes of chamber music, interrupted by a rude rhythmic figure from the winds. This soon becomes the movement’s true fugue, and embodies the most “constructive” spell of music in the symphony, climaxing in a great peroration in E, but - note - without as yet the vital melody.... A nervous oboe is overwhelmed by a furious, mercurial string passage, redolent of Leonora No.3, as if living creatures suddenly swarm in an unheralded Cambrian explosion. Cut off at a cliff’s edge, the music roars into the final movement, one of Nielsen’s three great swaggering triple time movements perhaps inspired by the Eroica’s opening chapter. There is thrill and glory here - and Nielsen says so - but the rock is not done yet. In the form of two opposing sets of timpani, the elements seek to disrupt. In their final onslaught, the drum notes tellingly combine to construct the chord of D. The defiant shrieks from wind and strings are on the note B - dominant of E - and they eventually triumph, ripping the drums out by the roots. The onrush takes the music quickly to its final E major triumph. Even the timps are converted." - - Jonathan Small 2016
Very well written! Is this from a biography of Nielsen?
Too fast!
Many parts were for certain, added to which the tempo was inconsistent. Many astounding moments too though.
What a disappointment. The endlessly moving giant TV crane utterly spoiled the first concert for me. How the live audience in Copenhagen puts up with it is something I don't understand. What you don't realise, watching this, is the all the sweeping camera work is at the expense of the paying audience, with a huge black monster crane constantly sweeping low over the heads of the right stalls listeners and actually looming between those sitting in the first box on the right and the orchestra. It astonishes me that the conductor and the musicians haven't put their collective feet down and said NO. After the first concert (of the six) I went to the box office and pleaded to have my seats changed so that I didn't have this dreadful, unmusical distraction again. But even seated on the oppositive side of the concert hall, you see the constantly moving black TV crane. Even in the quiet ending section of the Helios overture, the crane was moving into its next position. Incredible. Seems to me "capturing live concerts on video" should not be at the expensive of ruining the experience for those who are actually in the hall. The video crane was only ONE of four or five other cameras, one of which, on stage, was constantly moving in and out of my line of sight. Someone at Danish Radio needs to pop over to the Barbican in London to see how a single mounted camera either side of the back of the stage (going up and down, no camera operator, but you hardly notice it) works. Again, forgive the rant, but do we at home watching these videos really need to get the impression we are floating around the hall? I was also really astonished - not happily - by the jazz music coming through the speakers in the foyers before and after the six concerts. It seems to me the Danish Radio Symphony is in some regards not a serious classical music organisation at the moment. There is a disconnect - a festival devoted to Nielsen, where else in the world would that occur - and the trashing of traditional concert hall values.
27:10
16:23
17:49