Do you need 24fps? | Deity Mailbag

What's better, 24 fps or 30fps? How are they different? We answer that film question and many more on this episode of Deity Mailbag!
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Summary:
Deity Microphones produces weekly digital web content to help filmmakers and sound mixers grow in their education. Deity Microphones shares this free web series in hopes that the next generation of filmmakers grows in their video production quality and changes the world.
Deity Microphones produces free educational web content to help filmmakers, vloggers, sound mixers and sound designers grow as creatives and take their production quality (be it independent, TV, or studio) to the next level. Deity Microphones believes that budget should never be a constraint to creativity.
00:00 - Intro
00:14 - How do you know it's time to upgrade your mic to something higher-end?
00:49 - 24fps or 30fps?
01:22 - Why is location sound recorded at 24-bit 48kHz and not 16-bit 44.1kHz?
02:02 - How to color match different cameras
02:38 - How to record choir performances

[@DeityMicrophones]

If you could only shoot one FPS from now on, would you pick 24 or 30?

[@imaginefaiz]

24 FPS

[@URZDJ]

Please release pr2

[@jeffreyhackmedia]

Awesome video guys! I usually shoot my UA-cam videos in 30 fps, but when I'm shooting a narrative, cinematic film it's in 24 fps. This video taught me about the difference between the two so I really appreciated that information!

[@BasicFilmmaker]

The 25fps Europe folks are doing to rage. LOL. :)

[@justafrenchkidtryingtospea9462]

N0

[@pl_797a]

I wish i can get hold of that PR-2....

[@olewismediagroup]

Ayyyyye it looks like the PR2 is not a dead idea after all, at least he plugged it in the last portion of the video, so must still be a go in the very far future.
It’s such a shame though because the Rode Wireless Pro has somewhat filled that void. It jam syncs accurate timecode into the Deity TC-1s which then can be used to jam sync timecode into my BP-TRXs and voila I have a timecode workflow that totally works.
I’ve used the TC-1s and BP-TRXs in conjunction with the Rode Wireless Pro TC and it works perfectly and they stay in sync. I’m not even sure I’ll be willing to get in the market for the PR2s by the time they come out as I’ve invested in the Rode system and it totally works perfectly alongside the TC-1/BP-TRX workflow…AND it’s 32 bit Float internal recording 😮
Only con is you have to manually plug the Rode Receiver into each Deity TC-1 individually (via L-in) and you can’t use the app to sync timecode or it will differ by a few seconds from the rode receiver (clocks off just a tad bit, only a few ticks though) so don’t try to jam sync one tc-1 and then use app to sync all or it’s gonna be off a few seconds from the Rode Receiver, plug them all manually.
Also you HAVE to make sure you change the TC-1s back to L-OUT before you plug them into your cameras or the cameras won’t read the timecode.
I’m still hopeful for the PR2s but not holding my breath as Rode has saved the day in that regard.

[@drew_hewitt]

What is better to release the PR-2 or not to release the PR-2?

[@QuestionMan]

Thanks to the power of watching two of them, I have 1.5 times the information. Thanks! 😆

[@sreekumarb.e1374]

Why are you using lavalier microphone. how to sound catching lavalier mic and why are you mic putting in chest in body. Sound producing body any reason have in chest please create this video

[@bauertothepeople]

30fps is total "crap" since some is real 30fps, some is 29,97, some is called 30 but really 29.97 and hughly confusing. Same for 23.97 and then you have the confusion die DF or NDF. 25 and 50 is straight forward an is what it says and makes life easier for "normal" people :) ... Maybe someday they will standardize it to true 24 and 30. I´d love to see that ... Thanks for the video anyhow!

[@Luuk11]

Please if you are learning about framerates and are european: forget every american video's you've watched! it's 25 fps all the way.
Simply put: our power runs at 50 hz so to get a clean image you need to work in devisions and multiples of that number. Technology is getting better and even if it wasn't 24 is not *that* far off that you may immediatly notice, but still shoot on 25 your director, editor, producer and even your sound with timecode shenenigans, will thank you for choosing 25 fps

[@sotocine99]

25 fps