The easiest way to improve your guitar tone is with stickers. Of course vinyl stickers will give you more sustain than paper stickers. And if you want a darker tone, of course you need darker stickers. For a more airy wide open tone, just use hologram stickers, or stickers with butterflies.
I made blind comparison and definately youre wrong. Question is if it is more stratty or not. I mean that many people got uset to stratocaster tones made with regulat bent metal claw. I think SRV never thought about swapping it ;)
That may be true but doesn't explain the result. Because the pattern is consistent and the same across ALL the examples. So much so you could identify which claw is which purely by viewing the graph. With both claws side by side. But swapping positions. It is having a effect
@@neilphillips1350 At best it's so subtle no one could tell the difference purely just by sound! I would challenge anyone to do a double blind test and would guarantee there is no discernable difference! The read out proves it! This is more placebo than fact!
spot. on. Had to dig really deep into those wave forms to see any difference. Frankly, if there was a difference, the standard one sounded better? Not to mention picking dynamic variances could easily make up any of these differences. if he was .1 mm closer to the bridge, or .1 mm deeper on the pick against the string. Seems like a stretch to sell this thing....
@@JungYT And who, exactly, is gonna see your bling, unless you do a Jimi and bite those strings? I'll sell you a back cover for $10, and you can spend the rest on a bracelet with your name on it. LOL
It looks so cool, and it makes things easy. Never mind the tiny bit of sustain. My main Strat is going for a treat. Thanks a lot, Darrell... from Denmark
I certainly thought there was a difference, but it's too small to make me want to change mine. It's taken me 6mths to perfect my set up and I'm not messing with it anymore.
I absolutely agree, the tone comes from the fingers at 99.9%, Just look at Angus Young, and he was playing with a junior SG 1 puckuo and he had removed the tone and volum pots, any way he was playing all open no pedals, nothing...👍
@@charlesmigneault7918 it doesn't. That's a massive myth that way too many people believe. Tone is 99.999% pickups, amp, speakers and a but of your pick attack. Not tone fingers lol
@@caixiuying8901 that's how it works. Want filtertron pickup sound? Just use those damn hands. Do you have big fat humbuckers but want a twangy tele sound? Use those HANDS!!!
To be fair, this claw obviously weighs more. Therefore it's useful in that aspects. Say you wanted to add weight to the body of your guitar for better balance, this would be a fairly simple and subtle way to go about that.
Looks great, sounds the same! If one has to 'look' at the WAV to 'see' the improvement, then we are missing the point of 'Audio' ..are'nt we? Ok, so the point of the video is that it 'must be better' because the printed WAV shows it clearly is ..well...more print. Looks great and must be marginally different in tone, perhaps not better tone though. I mean, if we were to take this point to the ultimate in mods..brass block, claw, nut, we would eventually end up with total Brass bodied guitar... hmm.. im pretty sure what it would have in sustain it would not have in warmth/desirable tone. Good video Darrell as always :) It s sparks comment and thats a win for you :)
One of my favourite vids! Love that you used the tech to verify the sounds, this was very informative. Love to see more like this! Horrifyingly loved the chopped Strat vid!
I couldn't hear any difference in the tone, but then I didn't expect to. Mechanically the only real purpose I could see for this is to combat string rattle which it obviously does by the fact that Darrell couldn't unhook the springs from the claw with the locking mechanism in position. While it did seem to increase the amount of sustain, it is margin of error amounts. This seems like a product for your 'studio' guitar where you are looking to get the very best out of every single part to make it sound and play as good as possible.
You'd be surprised what confirmation bias can achieve. If you bought cause you believe in it, you will hear a difference. Otherwise that would mean your purchase and decision was wrong. Can't have that! That is why only blind tests are kinda reliable.
I love your channel man. You always have answers I'm looking for even if I didn't know I needed the info. Saint Darrell over here doing guitar god's work.
@@goldbug1974 I have when I really take the stock setup for a good pull up. I've had to put a foam block in that the back cover holds in place to keep the springs in place
I've had a spring pop off before, but I attribute this to the much higher string tension because of the lower tuning I was in only ever happened once so I still think its a non-issue
I own a similar patent on a spring claw, Mine is hand filed a polished by hand, no power tools. A big difference in mine, is everywhere the claw can hit the cavity, the edges are pillowtopped and rounded to never catch or dig in. The biggest game changer, is I use a special proprietary bell brass. Used with titanium neck machine screws, and a Triple chambered brass tone block, it creates the sustain of a Fernandez Sustaniac, without the battery. My claw weights 68 Grams and it's like having two toneblocks that vibrate at each other. Simply amazing versatile tones and endlless sustain. Each hand fitted to the guitar, for maximum potential.
Great video! I could see doing this in concert with other upgrades to the nut, bridge, block etc. the collective change would likely lead to a noticeable difference.
I've got two of these. They're great. A bit expensive. But I have no idea about the tone. They probably do help a tiny bit. But what I like is that they LOCK the spring in. So I can get completely crazy and I cannot pop a spring off the claw. .in the past I've had to use plyers. And a vice to bend each "claw" finger to help Lock the spring to it claw.....but I have next to no tention on my Hybrid 9-46 set of strings. Tuned to C standard.. with all 5 Springs in the back. So I can pull the bar. Dive the bar... and bend any string with no deflection on another string
I could definitely hear a difference, although whether you feel those differences are pronounced enough to warrant 60 quid is up to your personal feeling. I heard about 2dB more in the 250Hz area, a slightly longer sustain and a definite sharper attack.
I was actually wondering that the other day. How were you reading my mind? Side note, after having two guitars of my own I'm starting to recognize tonal difference. One having much more bite for rock, while the other is more beautiful for cleans.
Its because you attract certain thoughts based on previous thoughts, and the youtube logarithm is learning to sync with both of those based on previous selections. It is freaky when it gets to this level of sync or as in your case just ahead of you.
I bought this and dig it. It's not a major tone enhancer I didn't expect it to be. It's certainly better looking than the old claw and my strat resonates a bit more with this gorgeous hunk of brass in it and only 60 bucks.
Hey. I have some tone potentiometer knobs if you want to buy them. I have a set that makes the guitar brighter and a set that makes it darker. $1000 for a set of 3.
It's nicely machined...... its a pricey upgrade for a less than $300 strat! More suitable for a higher end guitar..... just my thoughts! Thanks Darrel!
On a side note, if you please would you mind make a comparison using this wave reading to finally demonstrate the difference between a full maple neck vs maple neck and rosewood fretboard?
The trem claw is one of those components that makes a rather subtle, but sometimes significant difference. A parallel could be drawn between this, and the various saddle options for strats. With the strat, I have found that the thin nickel saddles sound best- 9 out of 10 times. To me, unless the one you have actually FLEXES (which is doubtful), the springs are likely more important.
I gave a guitar to a luthier and he left it in his garden workshop. The temperature drop made the brass spring claw snap. This at least looks more durable and would be better part of replacing the sustain block, saddles, Engl hard tailer and nut with all brass. My Strandberg will follow adding all of those upgrades and brass is better. Louder, more detail and better overall fretboard resonance (less or no dead spots). All of that brass jewellery will be interesting to add up in weight compared to the Strandberg's stock weight.
Have to agree I allways wear headphones Darrell on your sound demos and the volume is what a noticed before you even showed the graph def more of a voice on the ringgit very cool. Love these demos DBG keep it up tim from london Ont.
I couldn't tell the difference at first but eventually I noticed that the cheap one sounded more glassy while the expensive one sounded beefier. I personally like the cheaper one better.
If you are going to go this far, then use machined helical springs or perhaps welded metal bellows and float the trem. That should transfer energy well even though the trem isn't bottomed out, especially if we select them for maximum energy storage and peak energy transfer between discontinuous materials in frequency wave transmission. They could also be calibrated to allow adjustment of what force is needed by the player to displace them, making a trem assist or lock just like we use slow and speed knobs for volume and tone, enabling even greater intrinsic fluidity of operation per player. Also, if one wants to lock the trem down to the body, the bellows can be filled with gas or fluid to form an effectively solid bar or cylinder,. This counts aer prior art, though. I don't have a company name to cover things like this yet. Maybe after I build a couple...
My experience was similar. But than I changed the string-saddles into brass, too. That was a dramatic change of the tone. Further on I startet to change Parts into brass - versions on other guitars. Like a webster-saddle and bridge on my 335. Wow! What a difference. In my earts it sounds much better.
Yeah I can hear the difference. In the tone, volume, and sustain as well. I noticed that whenever anybody does such comparison tests it's very important to have "unbiased" headphones, meaning no "great bass headphones" or other initially tweaked headphones, they need to be as transparent as possible.
the schaller claw is better lol and shiny too but actually makes setting up the trem a breeze all u do is turn the 1 screw either left or right and ur sett one thing i hate about the normal claw is having to turn 2 screws one by one in small increments to set a floyd and thats still the case with this one
There's a new design that makes this all obsolete. The Tonevise Treminator. It's a super well engineered trem stabiliser with it's own claw that locks the springs down, and then it can be rapidly changed from dive only to full floating, and you can also adjust the trem position if things aren't in tune as well, all with thumb wheels, so no tools. And you don't need to drill holes in your guitar.
Fun stuff Darrell. It would be good if there were numbers registered for deviations throughout the display. As usual, you did an excellent job stricking notes the same way, even though variances inevitably occur. This is a 'scratch my itch' kind of item. Also, there are many songs that need less sustain for originality. That's why we need 20+ guitars, and one more in the arsenal. 🤪 Thanks!
Would of been nice if you actually tested dive bombs with that trem, that's where it might make a difference, looks like it would do a more solid job of returning after a dive and take away any play, that a standard claw may produce during a a dive.
I use one of those expensive locking claws. Why? Because if its not locked my adhd goes off a deep end with tinkering. I got it against myself lol. It does add sustain, not a giant ammount. It does work as advertised. I like it.
Hey Darrel. A comparison video between the PRS SE Costum 24 and a Schecter C-1 would be really nice. From what I understand Schecter and PRS are two of your favorite brands.
While the Tone Claw is an improvement over the stock one, I would think that the trem block material would show the biggest gain on the tone and sustain. Now, a high-mass trem block with the Tone Claw might be a real winner.
Definitely Both. Along with steel saddles. Is a noticable tonal difference...I play Floyd Rose. Thick brass block. This claw. And original series saddles.. and all 5 Springs. Also sends more solid tone throughout
The differences are so negligible that I could attribute those to other tiny differences in reassembling the guitar and how Darrell strums the guitar. Verdict: Snake oil!
Well, the newly designed expensive one looks nice. The difference is so subtle that it' strictly for aesthetics (if you show off the back end of your guitar often). If you're worried about the springs popping out of the regular claw, by all means do buy this.
A reason I prefer hardtail guitars. My Silhouette hardtail and my newly built hardtail Strat are all I will ever need. I mostly play electric bluegrass and blues/country. I have never found the need for a whammy bar.
I saw a Waah brand brass claw that was tapered to allow for a balance between the thinner strings and the thicker ones. On Aliexpress. Mr. Carl Verhayen has a UA-cam video on how he adjusts a regular claw on an angle to do this. This claw had the angle built in. I would love to see you do a comprehensive review on both, if it gives more stability to the trem as he claims and how the built in one works out. Thanks.
I could hear a slight difference in tone, though it was so small that it would disappear with gain. What I'm curious about is whether it contributes to tuning stability at all. Every little bit you can do to make sure everything returns to the same rest position counts. In theory anyway.
The Tone Claw is a very nice looking piece, however, Leo Fender’s design practice of frugal effectiveness shows up once again as completely up to par at a fraction of the cost.
Thanks for the work, Darrell. My opinion is, if you have to break out waveform analysis to show a difference, that usually means you can't tell the difference by ear. If you can tell the difference between a few milliseconds to one second difference in sustain, then you should spend all of the money yo0u can on these gimmicks. It looks cool. Why should I worry about locking the springs in place? I've never once heard of a spring coming loose in my lifetime.
Say what you will about the AXLabs Tone Claw but I just installed the raw brass version on my guitar and absolutely love it. I can definitely hear better note separation, clarity and better sustain. Ymmv.
Nothing like the Schaller Sure Claw. So practical. BTW: You cannot measure overtones by watching at a waveform envelope. You need a spectrogram. To me they were identical.
Well, I pulled the trigger, ordered one of these and a brass trem block for my paul reed smith se custom 24. Already installed Seymore Duncan hotrodded set. Then I'll get a bone nut. (,prolly should'a done that first!) . We'll see. When the parts get here, I'll see what happens.
I replaced mine because the springs were not always returning to the same spot on the claw which caused tuning issues. No sound difference or sustain but it did fix tuning.
I like it more for the fact its locking the springs in place, especially for string changes and pickup swaps. For $60 bucks I'm going to give it a shot, it comes with 4 springs as well, so if your springs are getting tired or you want to go up a gauge, it becomes more of an upgrade.
so after +1 year, could you tell us your experience please? i'm not looking into it for "tone enhancing" but if it has features relative to tension and spring fine tuning, it may be worth it.
It would also seem likely that how well the head of the screw fits into the hole on the trem claw would influence the sound, i.e. a claw with a good bevel that allow the screw head to be cradled should transfer more sustain and sound.
I'd be happy to see Schaller SureClaw tested - not because I expect it would affect the sound, but to have one Allen key to set springs' tension (instead of fighting with screwdriver and the both screws) seems to be sooo convenient. Plus the SureClaw looks sturdy as hell. I hate those little crappy claws and screws coming out at most strange angles... :)
I usually set my claw at a slight angle, with greter tension on the Bass side. Right or wrong, it's my preference. Not possible with devices like the SureClaw
Hey Darrell, love your videos, very informative! Any thought about videos about hybrid guitars? Like shooting out the new fender acoustitronics vs godin A6? Best strings and amps for these types of guitars! Keep up the great content!
Looks awesome, but Im worried about the metal of the back vibrating up and down. the cheap claw is up off the body and vibration has to go thru the screw connection to the body only
August 2024 comment: I think a tone claw that didn’t rely on those two flimsy screws to connect to the body would make a much bigger difference in sustain. Any news on THAT front?
Hi Darrell, thanks for the interesting video. It seems logical that adding mass will increase sustain. I saw this product, but also saw one from Schaller, the SureClaw. This is interesting because it has a drive that is activated by a hex key that applies tension to the trem springs. It has a large mass bolted directly to the guitar body. I was going to buy the product you reviewed, but decided on the Shaller instead. As for tonal differences, I heard a definite difference in note definition and tonality with the AxClaw. Once you add distortion and other effects, who knows? But this could definitely be a part of a series of small, incremental improvements that add up to a noticeable difference! I'd be interested to hear the same comparison with the Shaller SureClaw, or maybe a shootout between AxClaw and Sure Claw. Have a great day!
This will mess with equilibrium at the floating point. That is if that clamp down plate holds the loops of the rings very firm. Because the most stable way of using a Floyd is to get grease on the inside of the claws and the spring loops so there is no stability issues at equilibrium.
Brass beats metal but just buy a normal brass claw and brass screws. Tone and sustain test this pair against the "CLAW!" Very sharp looking though. Thanks Darrell!
Hey Darrel, The idea, you might think of a "strumming machine (Don't know if it exists)" and having the guitar at the same distance from the strummer, you will always have consistent chords for these tests.
the one that is effective in sustain is the brass one a slight 5%, the nikel one is almost imperceptible and the difference is not much appreciated, adding the Fat brass block with 40% more sustain, I got 45% more sustain with both pieces of brass, I did a test and it was very satisfactory!!
I got a brass solid claw from another manufacturer. It only seems to make a difference when hearing the acoustic not plugged in sound. It sounds a bit more metallic. For the amplified sound, no difference.
Solid peace, even if tone was not improved it is a solid structure that won’t move with vibrato bridge use. How does it differ from Schaller Sure Claw?
My ears could hear very slight difference in tone and volume. So not really sold on tone improvements. That said anything that prevents random movement should enhance tuning stability during whammy bar use. I like the concept of locking the springs, I don’t know if it’s ever been offered before. I’m curious enough to try it for purpose of better tuning stability. Thanks for the tip Darrell👍
Could you guys hear the difference between the two? If so, let me know!
Enjoy :)
I could hear just a tad more sustain with the tone claw, but pretty subtle...
Hi ,that it sell in floyd rose page in axlabs too ,very good
Before watching I'm going to say no. I don't think the springs are going to transfer enough energy to the claw for the added mass to factor in.
I would have liked to have tested what happens on a blended note.
May be placebo but the tone claw sounded audibly brighter / chimey-er
Sounds nice but I think I'll wait for the active tone claw.
😁😁😁
Isn't that just an Evertune?
@@MrNeosantana LOL no
@@toemasmeems *sigh*
There's always one
Haha! Robot Claw (back off, Agnesi)!😅😅
The easiest way to improve your guitar tone is with stickers. Of course vinyl stickers will give you more sustain than paper stickers. And if you want a darker tone, of course you need darker stickers. For a more airy wide open tone, just use hologram stickers, or stickers with butterflies.
I added a foam dinosaur sticker donated by my 3 year old kid. What tonality changes can I expect from that? I put it on the pickguard of my Tele.
You mean I can use the facelift vinyl full cover on my strat and replace my sustainer pedal?
This is basic knowledge.Billie joe Armstrong put this theory into effect through the yrs. it’s also very true with cars
That only works on First Act guitars.
@@caerphoto You can expect the sound quality to scale up quite a bit
The only difference is that it looks cooler.
Who sees it?
Exactly!
@@ricksigurdson2016 but you'll know it isn't there and it might affect the feel :-)
And most of the time you can’t see it because it’s literally hidden in the back of the guitar. Kinda useless!
I made blind comparison and definately youre wrong. Question is if it is more stratty or not. I mean that many people got uset to stratocaster tones made with regulat bent metal claw. I think SRV never thought about swapping it ;)
Even two transients recorded with the same claw will never look exactely the same.
That may be true but doesn't explain the result. Because the pattern is consistent and the same across ALL the examples. So much so you could identify which claw is which purely by viewing the graph. With both claws side by side. But swapping positions.
It is having a effect
@@neilphillips1350 At best it's so subtle no one could tell the difference purely just by sound! I would challenge anyone to do a double blind test and would guarantee there is no discernable difference! The read out proves it! This is more placebo than fact!
Might be the best engineered useless part I’ve ever seen.
spot. on. Had to dig really deep into those wave forms to see any difference. Frankly, if there was a difference, the standard one sounded better? Not to mention picking dynamic variances could easily make up any of these differences. if he was .1 mm closer to the bridge, or .1 mm deeper on the pick against the string. Seems like a stretch to sell this thing....
Now, that's a perfect way of putting it.
@@danherrick2310 And for $60, that's really stretching it.
I completely agree with you🤣👍
That's the best description I've seen
The best idea of this whole replacement is the painters tape idea, keeping the same distance as the stock trem claw.
Excellent observation. Loosing your trem setup is extremely frustrating.
Cheap trem claw looks like one I can build in my garage on a lazy afternoon. Expensive trem claw looks like an engineering masterpiece.
Yet the difference is negligible. What a waste of money.
Yeah, it's like girls. When you strum them with your eyes closed.
For something that is not meant to be seen!!!
I want this for the bling. I don't have a cover on my trem.
@@JungYT And who, exactly, is gonna see your bling, unless you do a Jimi and bite those strings? I'll sell you a back cover for $10, and you can spend the rest on a bracelet with your name on it. LOL
0:30 Yeeeeessss!
It looks so cool, and it makes things easy. Never mind the tiny bit of sustain. My main Strat is going for a treat. Thanks a lot, Darrell... from Denmark
I certainly thought there was a difference, but it's too small to make me want to change mine. It's taken me 6mths to perfect my set up and I'm not messing with it anymore.
6 meths can make you blind. Worse than vodka from Latvia.
The answer is “No”... don’t waste your hard earned money on stuff that don’t matter. Spend it on learning to be a better guitarist!
I absolutely agree, the tone comes from the fingers at 99.9%, Just look at Angus Young, and he was playing with a junior SG 1 puckuo and he had removed the tone and volum pots, any way he was playing all open no pedals, nothing...👍
@@charlesmigneault7918 it doesn't. That's a massive myth that way too many people believe. Tone is 99.999% pickups, amp, speakers and a but of your pick attack. Not tone fingers lol
@@kitten-whisperer Vin makes it sound like your fingers can turn a Strat into an LP lmao
@@caixiuying8901 that's how it works. Want filtertron pickup sound? Just use those damn hands. Do you have big fat humbuckers but want a twangy tele sound? Use those HANDS!!!
To be fair, this claw obviously weighs more. Therefore it's useful in that aspects. Say you wanted to add weight to the body of your guitar for better balance, this would be a fairly simple and subtle way to go about that.
Finally a solution to my trem springs randomly popping off the cleat in the middle of playing!
See, someone actually understands that this thing is useful.
Wow, you must really knock that guitar about!
Looks great, sounds the same! If one has to 'look' at the WAV to 'see' the improvement, then we are missing the point of 'Audio' ..are'nt we? Ok, so the point of the video is that it 'must be better' because the printed WAV shows it clearly is ..well...more print. Looks great and must be marginally different in tone, perhaps not better tone though. I mean, if we were to take this point to the ultimate in mods..brass block, claw, nut, we would eventually end up with total Brass bodied guitar... hmm.. im pretty sure what it would have in sustain it would not have in warmth/desirable tone. Good video Darrell as always :) It s sparks comment and thats a win for you :)
One of my favourite vids!
Love that you used the tech to verify the sounds, this was very informative.
Love to see more like this!
Horrifyingly loved the chopped Strat vid!
You always get what you pay for! Darryl please can we see you playing the intro riff for your channel, it's literally the best on the internet!!
I think that is a royalty free stock piece of music as I have heard it on other channels.
I couldn't hear any difference in the tone, but then I didn't expect to. Mechanically the only real purpose I could see for this is to combat string rattle which it obviously does by the fact that Darrell couldn't unhook the springs from the claw with the locking mechanism in position. While it did seem to increase the amount of sustain, it is margin of error amounts. This seems like a product for your 'studio' guitar where you are looking to get the very best out of every single part to make it sound and play as good as possible.
I think this is the best reason why you'd want these upgrades from what I've seen from anyone posting on here. Good points 👍
There was definitely a difference in tone. The new claw was brighter and fuller, in a studio setting the difference would be huge
@@worhed3722 hard to tell with UA-cam compression but I can believe it.
You'd be better off and spend less money spent simply upgrading your springs.
The one who says "there's is a slight difference ..." still believes in Santa.
Or waiting for the Easter Bunny.
Spoilers
You'd be surprised what confirmation bias can achieve. If you bought cause you believe in it, you will hear a difference. Otherwise that would mean your purchase and decision was wrong. Can't have that! That is why only blind tests are kinda reliable.
There's a HUGE difference
@@worhed3722 Yeah, in your wallet! 😉
Personally I like my strats as light as possible. Low 7 lb- 6’s.
I love your channel man. You always have answers I'm looking for even if I didn't know I needed the info. Saint Darrell over here doing guitar god's work.
The plate that locks the springs in - is that a solution in search of a problem? Do springs pop out spontaneously?
That is the exact same thing I was thinking. I’ve never had a spring come off the back claw.
Double ditto I abuse the living hell out of my Floyd and never even seen one loosen?
@@goldbug1974 I have when I really take the stock setup for a good pull up. I've had to put a foam block in that the back cover holds in place to keep the springs in place
I've had a spring pop off before, but I attribute this to the much higher string tension because of the lower tuning I was in
only ever happened once so I still think its a non-issue
@@caixiuying8901 once when changing springs I damn near sprung my finger off , but that was my fault entirely. oh to be young again 😊
I own a similar patent on a spring claw, Mine is hand filed a polished by hand, no power tools. A big difference in mine, is everywhere the claw can hit the cavity, the edges are pillowtopped and rounded to never catch or dig in. The biggest game changer, is I use a special proprietary bell brass. Used with titanium neck machine screws, and a Triple chambered brass tone block, it creates the sustain of a Fernandez Sustaniac, without the battery. My claw weights 68 Grams and it's like having two toneblocks that vibrate at each other. Simply amazing versatile tones and endlless sustain. Each hand fitted to the guitar, for maximum potential.
Great video! I could see doing this in concert with other upgrades to the nut, bridge, block etc. the collective change would likely lead to a noticeable difference.
I've got two of these. They're great. A bit expensive. But I have no idea about the tone. They probably do help a tiny bit. But what I like is that they LOCK the spring in. So I can get completely crazy and I cannot pop a spring off the claw. .in the past I've had to use plyers. And a vice to bend each "claw" finger to help Lock the spring to it claw.....but I have next to no tention on my Hybrid 9-46 set of strings. Tuned to C standard.. with all 5 Springs in the back. So I can pull the bar. Dive the bar... and bend any string with no deflection on another string
I could definitely hear a difference, although whether you feel those differences are pronounced enough to warrant 60 quid is up to your personal feeling. I heard about 2dB more in the 250Hz area, a slightly longer sustain and a definite sharper attack.
On my crappy cell phone speaker I could hear some slight additional brightness along with what you stated.
The very subtle difference you can hear (if you can hear anything) is easily attributed to variances in performance from take to take.
I was actually wondering that the other day. How were you reading my mind?
Side note, after having two guitars of my own I'm starting to recognize tonal difference. One having much more bite for rock, while the other is more beautiful for cleans.
Because one is a bass guitar and the other a banjo?
Its because you attract certain thoughts based on previous thoughts, and the youtube logarithm is learning to sync with both of those based on previous selections. It is freaky when it gets to this level of sync or as in your case just ahead of you.
That is because The Algorithm is now controlling your thoughts. Never underestimate the power of The Algorithm.
@Brett S I took the tone controls off my guitar, and filled the holes with spliffs. Now how cool is that?
I bought this and dig it. It's not a major tone enhancer I didn't expect it to be. It's certainly better looking than the old claw and my strat resonates a bit more with this gorgeous hunk of brass in it and only 60 bucks.
only?
@Angel-fz8dr yeah it's was pricey, but I could afford it at the time. Total impulse buy. No regrets.
Hehey Darrell was waiting for the tone claw... Good day man... Love your content... A fan from India
It makes me sad that we can't get this stuff easily here. I called up Bajaao about a Wilkinson trem and they quoted 30k as the minimum.
@@Nooboroshi exactly man... It's real sad... 😢
Ordered one!! I spare no expense for my #1 Strat. Also installed the Free-way 10-way switch based on your video of it.
Hey. I have some tone potentiometer knobs if you want to buy them. I have a set that makes the guitar brighter and a set that makes it darker. $1000 for a set of 3.
Next up: How does wearing Chuck Taylor's improve guitar tone through a slightly over driven British amp on a Tuesday?
Definitely less ground hum when wearing Chucks. The old, American made ones. The new ones: Fuhgedaboudit! 😎
I bought one simply because I was creating a strat from scratch, glad I did💁🏿♀️
Is the color MATTE?
I just hear that your guitar sounds great! Your videos are just excellent and professional, and fun.
It's nicely machined...... its a pricey upgrade for a less than $300 strat! More suitable for a higher end guitar..... just my thoughts! Thanks Darrel!
On a side note, if you please
would you mind make a comparison using this wave reading to finally demonstrate the difference between a full maple neck vs maple neck and rosewood fretboard?
I'm pretty sure that's been done already by Warmoth. I think it was them that did video.
The difference is huge, it's crazy
Just got mine, will be installing this holiday season.
The trem claw is one of those components that makes a rather subtle, but sometimes significant difference. A parallel could be drawn between this, and the various saddle options for strats. With the strat, I have found that the thin nickel saddles sound best- 9 out of 10 times. To me, unless the one you have actually FLEXES (which is doubtful), the springs are likely more important.
cool video . need a video on metal pins on a acoustic please Darrell
I gave a guitar to a luthier and he left it in his garden workshop. The temperature drop made the brass spring claw snap. This at least looks more durable and would be better part of replacing the sustain block, saddles, Engl hard tailer and nut with all brass. My Strandberg will follow adding all of those upgrades and brass is better. Louder, more detail and better overall fretboard resonance (less or no dead spots). All of that brass jewellery will be interesting to add up in weight compared to the Strandberg's stock weight.
Have to agree I allways wear headphones Darrell on your sound demos and the volume is what a noticed before you even showed the graph def more of a voice on the ringgit very cool. Love these demos DBG keep it up tim from london Ont.
I like Darrell's content its not boring at the same time its helpful to anyone guitar player
I refuse to block my 95 am std strat trem because it sounds perfect.the way it is. This is extraneous.
I couldn't tell the difference at first but eventually I noticed that the cheap one sounded more glassy while the expensive one sounded beefier. I personally like the cheaper one better.
agreed
If you are going to go this far, then use machined helical springs or perhaps welded metal bellows and float the trem.
That should transfer energy well even though the trem isn't bottomed out, especially if we select them for maximum energy storage and peak energy transfer between discontinuous materials in frequency wave transmission. They could also be calibrated to allow adjustment of what force is needed by the player to displace them, making a trem assist or lock just like we use slow and speed knobs for volume and tone, enabling even greater intrinsic fluidity of operation per player.
Also, if one wants to lock the trem down to the body, the bellows can be filled with gas or fluid to form an effectively solid bar or cylinder,.
This counts aer prior art, though. I don't have a company name to cover things like this yet. Maybe after I build a couple...
My experience was similar. But than I changed the string-saddles into brass, too. That was a dramatic change of the tone. Further on I startet to change Parts into brass - versions on other guitars. Like a webster-saddle and bridge on my 335. Wow! What a difference. In my earts it sounds much better.
Yeah I can hear the difference. In the tone, volume, and sustain as well. I noticed that whenever anybody does such comparison tests it's very important to have "unbiased" headphones, meaning no "great bass headphones" or other initially tweaked headphones, they need to be as transparent as possible.
Seems like the difference in waveforms is so slight it could be chalked up to natural variation in performance.
Even if there is no advantage from the tone claw, it shines like jewelry! I'm sold..... lol
the schaller claw is better lol
and shiny too but actually makes setting up the trem a breeze
all u do is turn the 1 screw either left or right and ur sett one thing i hate about the normal claw is having to turn 2 screws one by one in small increments to set a floyd and thats still the case with this one
the normal ones polish up too
There's a new design that makes this all obsolete. The Tonevise Treminator. It's a super well engineered trem stabiliser with it's own claw that locks the springs down, and then it can be rapidly changed from dive only to full floating, and you can also adjust the trem position if things aren't in tune as well, all with thumb wheels, so no tools. And you don't need to drill holes in your guitar.
Hahahaha... It reminds me of a guy trying to sell a set of 4 neck screws from a 51 Precision bass. The guy was asking for $1000 for the set
Fun stuff Darrell. It would be good if there were numbers registered for deviations throughout the display. As usual, you did an excellent job stricking notes the same way, even though variances inevitably occur. This is a 'scratch my itch' kind of item. Also, there are many songs that need less sustain for originality. That's why we need 20+ guitars, and one more in the arsenal. 🤪 Thanks!
Would of been nice if you actually tested dive bombs with that trem, that's where it might make a difference, looks like it would do a more solid job of returning after a dive and take away any play, that a standard claw may produce during a a dive.
I use one of those expensive locking claws. Why? Because if its not locked my adhd goes off a deep end with tinkering. I got it against myself lol. It does add sustain, not a giant ammount. It does work as advertised. I like it.
Hey Darrel. A comparison video between the PRS SE Costum 24 and a Schecter C-1 would be really nice. From what I understand Schecter and PRS are two of your favorite brands.
While the Tone Claw is an improvement over the stock one, I would think that the trem block material would show the biggest gain on the tone and sustain. Now, a high-mass trem block with the Tone Claw might be a real winner.
Some of us prefer the sound of a.fully floating trem, where the springs are actually part of the response.
@@P_Ezi Correct !!! The tone is the sum of all of the parts !!!
Agreed! I’ve replaced the block in several of my guitars and it always makes a big change in sustain and tone.
Definitely Both. Along with steel saddles. Is a noticable tonal difference...I play Floyd Rose. Thick brass block. This claw. And original series saddles.. and all 5 Springs. Also sends more solid tone throughout
2:13 there seems to be a small spelling error lol
The differences are so negligible that I could attribute those to other tiny differences in reassembling the guitar and how Darrell strums the guitar.
Verdict: Snake oil!
I installed a tremol-no, which comes with a upgraded claw. Made a noticeable difference in the vibration of the body.
wow! i'm sold. for a difference of a nanosecond sustain, i'll definitely buy that expensive heavy $60 claw
I could not hear ANY difference; thanks for sharing this Darrell.
Headphones, increase video quality at 1080p.
Well, the newly designed expensive one looks nice. The difference is so subtle that it' strictly for aesthetics (if you show off the back end of your guitar often). If you're worried about the springs popping out of the regular claw, by all means do buy this.
I concur with many others here. That is a beautifully engineered and machined part that no one really needs. It sure looks good though.
A reason I prefer hardtail guitars. My Silhouette hardtail and my newly built hardtail Strat are all I will ever need. I mostly play electric bluegrass and blues/country. I have never found the need for a whammy bar.
Interesting, this is the first time I have heard anyone talking about this! It should definitely be talked about more often
I beg to differ.
I've never needed an upgrade to my trem claws... how often do springs pop out of properly tensioned systems? Never.
I saw a Waah brand brass claw that was tapered to allow for a balance between the thinner strings and the thicker ones. On Aliexpress. Mr. Carl Verhayen has a UA-cam video on how he adjusts a regular claw on an angle to do this. This claw had the angle built in. I would love to see you do a comprehensive review on both, if it gives more stability to the trem as he claims and how the built in one works out. Thanks.
I could hear a slight difference in tone, though it was so small that it would disappear with gain. What I'm curious about is whether it contributes to tuning stability at all. Every little bit you can do to make sure everything returns to the same rest position counts. In theory anyway.
The Tone Claw is a very nice looking piece, however, Leo Fender’s design practice of frugal effectiveness shows up once again as completely up to par at a fraction of the cost.
I have really good hearing and my ears preferred the sound of the stock tremolo claw
Thanks for the work, Darrell. My opinion is, if you have to break out waveform analysis to show a difference, that usually means you can't tell the difference by ear. If you can tell the difference between a few milliseconds to one second difference in sustain, then you should spend all of the money yo0u can on these gimmicks. It looks cool. Why should I worry about locking the springs in place? I've never once heard of a spring coming loose in my lifetime.
Say what you will about the AXLabs Tone Claw but I just installed the raw brass version on my guitar and absolutely love it. I can definitely hear better note separation, clarity and better sustain. Ymmv.
I feel like this is kind of a solution looking for a problem scenario.
I like my tone claw. Can hardly tell a difference on UA-cam. After I bought one for my PRS, just had to get another for my other guitar (MMJP6).
It almost sounded just a little bit brighter on the tone claw to me, but it could just be placebo. Even if it didn't do anything, it looks awesome!
Nothing like the Schaller Sure Claw. So practical. BTW: You cannot measure overtones by watching at a waveform envelope. You need a spectrogram. To me they were identical.
Well, I pulled the trigger, ordered one of these and a brass trem block for my paul reed smith se custom 24. Already installed Seymore Duncan hotrodded set. Then I'll get a bone nut. (,prolly should'a done that first!) . We'll see. When the parts get here, I'll see what happens.
I replaced mine because the springs were not always returning to the same spot on the claw which caused tuning issues. No sound difference or sustain but it did fix tuning.
Great video as usual. It would be great to see this same video done with the Schaller Sure Claw. I use them and love them.
Hi Darrel. Great reviews, keep it up. Could you review the new Quad Cortex? It's quite intresting equipment.
I like it more for the fact its locking the springs in place, especially for string changes and pickup swaps. For $60 bucks I'm going to give it a shot, it comes with 4 springs as well, so if your springs are getting tired or you want to go up a gauge, it becomes more of an upgrade.
so after +1 year, could you tell us your experience please? i'm not looking into it for "tone enhancing" but if it has features relative to tension and spring fine tuning, it may be worth it.
@@tintecobrizo Yeah I'd love to see a review
It would also seem likely that how well the head of the screw fits into the hole on the trem claw would influence the sound, i.e. a claw with a good bevel that allow the screw head to be cradled should transfer more sustain and sound.
I'd be happy to see Schaller SureClaw tested - not because I expect it would affect the sound, but to have one Allen key to set springs' tension (instead of fighting with screwdriver and the both screws) seems to be sooo convenient. Plus the SureClaw looks sturdy as hell. I hate those little crappy claws and screws coming out at most strange angles... :)
I usually set my claw at a slight angle, with greter tension on the Bass side. Right or wrong, it's my preference. Not possible with devices like the SureClaw
Hey Darrell, love your videos, very informative! Any thought about videos about hybrid guitars? Like shooting out the new fender acoustitronics vs godin A6? Best strings and amps for these types of guitars! Keep up the great content!
Looks awesome, but Im worried about the metal of the back vibrating up and down. the cheap claw is up off the body and vibration has to go thru the screw connection to the body only
August 2024 comment: I think a tone claw that didn’t rely on those two flimsy screws to connect to the body would make a much bigger difference in sustain. Any news on THAT front?
I’m interested in seeing the Schaller Sure Claw. It seems to make adjustments more precise and easier when setting up a floating tremolo.
Hi Darrell, thanks for the interesting video. It seems logical that adding mass will increase sustain. I saw this product, but also saw one from Schaller, the SureClaw. This is interesting because it has a drive that is activated by a hex key that applies tension to the trem springs. It has a large mass bolted directly to the guitar body. I was going to buy the product you reviewed, but decided on the Shaller instead. As for tonal differences, I heard a definite difference in note definition and tonality with the AxClaw. Once you add distortion and other effects, who knows? But this could definitely be a part of a series of small, incremental improvements that add up to a noticeable difference! I'd be interested to hear the same comparison with the Shaller SureClaw, or maybe a shootout between AxClaw and Sure Claw. Have a great day!
This will mess with equilibrium at the floating point. That is if that clamp down plate holds the loops of the rings very firm. Because the most stable way of using a Floyd is to get grease on the inside of the claws and the spring loops so there is no stability issues at equilibrium.
Brass beats metal but just buy a normal brass claw and brass screws. Tone and sustain test this pair against the "CLAW!" Very sharp looking though. Thanks Darrell!
I wonder 💭 how my Sustainiac would change when it trails off .
I always felt the claw needed better design on spring screws
Hey Darrel, The idea, you might think of a "strumming machine (Don't know if it exists)" and having the guitar at the same distance from the strummer, you will always have consistent chords for these tests.
Brilliant.
I would suggest the brass would make the springs vibrate differently, but I always deaden my springs, so I don't see this as valid in that case.
I would really like a side-by-side comparison of the Tone Claw vs the Sure Claw, personally...
the one that is effective in sustain is the brass one a slight 5%, the nikel one is almost imperceptible and the difference is not much appreciated, adding the Fat brass block with 40% more sustain, I got 45% more sustain with both pieces of brass, I did a test and it was very satisfactory!!
I got a brass solid claw from another manufacturer. It only seems to make a difference when hearing the acoustic not plugged in sound. It sounds a bit more metallic. For the amplified sound, no difference.
Love how it looks. Couldn't distinguish if it had any tonal impact.
Darrell could you do a video on the stay tooned trem claw, curious to know if it actually does what they claim?
Solid peace, even if tone was not improved it is a solid structure that won’t move with vibrato bridge use. How does it differ from Schaller Sure Claw?
My ears could hear very slight difference in tone and volume. So not really sold on tone improvements. That said anything that prevents random movement should enhance tuning stability during whammy bar use. I like the concept of locking the springs, I don’t know if it’s ever been offered before. I’m curious enough to try it for purpose of better tuning stability. Thanks for the tip Darrell👍
I have issues detuning to eb on Floyds, spring come off due low tension, definitely I will test this
The only issue this might solve is the “ping” of a spring loop binding in the claw if you’re really dive bombing the whammy bar.
Exactly what I was hoping DB would test. It's a problem on my strat, but maybe smoothing the edges of the claw plus some lube would cure it.
I go for the heavy duty solderless brass trem claws. They work.