One Pencil Drawing, Two Different Inking Styles!
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- Опубліковано 3 жов 2019
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The two styles almost evoke different effects, the left one a more gritty realistic style that you might see in a horror type story while the right is the opposite, very interesting
That's exactly what I was thinking, the right one looks like it's from a graphic novel of some sort
I absolutely admire drawings with hyper detail, but when it comes to comics I think “less is more” is the way to go. But you’ve demonstrated that they both can make for awesome artwork.
I really like Neal Adams’ style. The mix of the bold blacks and the crosshatching is really appealing, at least to me.
I'm doing Inktober for the first time after starting drawing seriously about 2 months ago and I'm learning so much. I just began using solid blacks in my illustrations and I've gotta say I really like it. The contrast makes the drawing look better than it is, in my opinion.
YOU STAY,
I GO,
NO FOLLOWING.
Dude, no need to bring tears to my eyes
I spent 26 years of my life drawing traditionally and I've recently within the past 4 months switch to digital and I would say this a video still applies to the digital Realm I just like to use a combination of the two extremes you're doing there
Hey Mark Crilley. I just wanted to say that I've been watching your videos since I was in Junior High. Last spring I graduated with my Mechanical Engineering degree and I'm still enjoying your videos You've taught me so much about drawing and making comics. I just want to say a big thank you to YOU. Keep doing what you're doing!!
I think the detailed drawing is better, but color the giant in that picture in bold black. Bold black with lots of detail around it looks great to me.
I like areas of great detail combined with big bold spaces
They should make another iron giant awesome inking drawing keep up the good work
If you image the illustrations being taken with different cameras, the one on the left would be set up where the shadows reveal detail and the foreground also reveals detail, artificially flattening the piece and moving the tones closer towards grey. The one on the right would be like if the contrast was cranked up and the gamma correction could only bring out some details in the foreground. Even then the whites are blown out. It’s a cool effect. Useful for if you want to hide details in the shadows or if you want to reveal them.
When creating a piece of art, the stuff you do without a tool in your hand could also be regarded as work. At least in my case. In fact, I oftentimes get my best ideas when I've laid down the pencil and I'm having a break while just looking at what I've created thus far. Especially in my "ideation phase" where I don't worry about details at all, but only focus on developing a cool setup/scene :)
When I draw a minimalistic piece of art, a voice in the back of my mind (usually doing a Clint Eastwood imitation, says, "Ya gonna finish that picture, or am I gonna have to come over there and make ya?"
Yeah! Finish the drawing. Like a real man would.
@@adeadgirl13 Eastwood's voice simply is one of the most intimidating voices I ever heard. Nothing to do with gender.
Have you seen Olivia Kemp's work? I used to think that I put a lot of details into my art, then I saw hers. She is an amazing artist, who seems also to be in the extreme detail club.
@@equesdeventusoccasus Sorry if my comment seemed sexist. I didn't mean it literally. I guess patriarchal misogyny is deeply ingrained in our language. Will check out Olivia Kemp.
@@equesdeventusoccasus Checked her profile and oof! This type of drawing intimidates me. Dan Beardshaw here on UA-cam does a similar style and that too from imagination. Just blows my mind!
@@adeadgirl13 I stand in awe every time I see her work.
I like both styles of inking. I'll keep them in mind when I do my own illustrations.
Loved this video!
Awesome as usual, Mark! Thanks for all the tips! 💖
I liked both styles for different reasons. Great job.
I love all your how to... Videos!
In this case it could be about the message of the story you want to tell.
12:53 That's not Neal Adams, it's Lee Weeks he's damn incredible.
This book is Batman: Elmer Fudd.
That's what I was going to say. But a good person to refer to using bold black inks
You beat me to it! Haha
This is my first time doing Inktober and this video really helps. Thanks, Mark!
Amazing video, been a long time fan and I really love both art styles 👌
Awesome!!!
Hi Mark, I usually do both in the same illustration, the very darkest area I do solid blacks, slowly transitioning with multiple layers of cross-hatching towards less and lees layers.
Damn what a coincidence, I was just about to look up inking techniques
Yesss... what a coincidence... that this happend... in October...
@@alexism9656 Well of course he would make a video about it in October, but still, seeing "5 seconds ago" when I was just about to search for techniques is still quite the coincidence
Great video! This is a genius idea. I plan on doing some studies myself.
I think the one on the right would've been more appealing if it had more white. The filling in style really takes advantage of lighting effects to make images look very 3d and almost jagged. Filling in the entire robot makes him look a bit flat.
I have your Mastering Manga book by the way! It's superb!
Iron giant?
So very cool!!!😊❤👍
Awesome
Hello very good draw job congratulações
I just mix the two, although I am more latter than the first one. Although I gettuing more lose, paintly and less strict black areas with age.
I guess I really don't like having not having transiction areas.
The best use of black is definitely from Mike Mignola, but a couple of artist that i really like that put a lot of black but not nearly as much as Mignola, are Greg Capullo and Patrick Gleason, two of my favorite Batman artists.
best use of black: Alberto Breccia, Eduardo Risso, Frank Miller
NIIIIIIICE!
I like second style 👍
I love your styles in drawing and the fact that you got your books published can you tell me how you got your book published if you did I would be extremely greatful and I will thank you with a bit of money for your help
👍
Happy inktober! I found your anime book on amazon. Im asking for it for christmas. the reviews said you had a youtube channel, so I checked it out! I didnt know *YOU* made those relism/relisric sketches? Great job! *doesVirtual high five* ✋
Awesome video. Why do you constantly adjust your grip the drawing utensil?
Hey Mark, I'm halfway confused about the lighting in these pieces- shouldn't the robot be casting a shadow towards the viewer? Maybe not.
Maybe you could make a video on how to light a scene? Or the most dramatic way to light a scene? Maybe that could be part of your Inktober?
Anyways, great video as always...
Another great video! Thanks. I do have a little question, what do you think about anthropomorphic characters or furriers like in the movie zootopia, I really need to learn how to draw characters like that for my own comic ... Any tips!?
At 15:06 the giant has put on a fetching sweatshirt x
@markcrilley -my only complaint about digital art is that it looks "too clean"
@ markcrilley a few viewiers have said that green is not a creative color why it why not this is an open question to all people by the why new to your channel thanks for the tips an effort too🙃🤙🤙🤙
Wowowowowowowow Excellent ArtWork💚
#nurulart
Hi
❤❤❤
.....Suuuuuuupeeeeermaaaaaan...........!
Take a look at Jae Lee's style... loving his current work.
Bold Areas of Black.
Can anyone tell me what the difference is between anime and manga??
I thought this was about to be a different video...
I need help when I draw anime I’m great at everything but my major struggle is drawing hair whether its female or male
I used both styles in my recent inktober post
The second one i used to emphasize an object behind the foreground
Mark you’ve helped me so mutch for my comic but now that I’m in the end I don’t know how to make a sad death (potentially cry) my main character makes a heroic sacrifice at the end but I want to make it impactful as possible so could u please help? I’m kinda stuck I want to make it really sad anyways thanks for everything also just bought Brady’s ghost I’m so excited
Im no artist, and not really good at giving tips. BUT! In this anime I saw the the other day theres a crying scene where a character spends 20 seconds sobbing and its a really powerful moment. Fire Force Episode 9- at 3 minutes in is the scene where it recaps the previous episode. It's a good anime so if you dont want spoilers just watch it all the way through. I believe a similar image is pictured in the manga but its not as visceral as seeing it animated.
MrMeasaftw ok thanks!
@@thelostlegendnoe4502 Also I feel like the saddness of the situation comes often way more from the situation and circumstances, rather than the art
Look at hunter x hunter, one of the saddest scenes take place in pitch black
Or look at some sad one piece moments, the one piece art is NOT very good for sad drawings, but I still cried like a bitch
Serafin Schaller wait I’ll explain the scene, a portal was opened to another world the red orcs who live there keep attacking the earth so the main character puts together a team to go to the other world and save they’re world it’s a long journey to get there full of obstacles they get there the portal can’t be closed from earth but can it from the other earth? After a fight with the red orcs the main character kills the red orc leader he says he is team has to go to earth he stays he explodes the portal then a little tear comes out of his eye ( he has never cried he is a tough guy) so I don’t know how to make that dramatic
I feel that one of the first thing to make your readers cry is to have a character they would attach to. Sometimes, even with no tragic issue for the hero but a "sad ending" you kinda don't want it to be over, because you're attached to the character, so his death in the end would be even more painful. I might be a bit of an asshole, but if I'm not attached to the character, I won't give a damn if he dies.
Also it comes from fellings to feelings. I'll explain : if your hero is though, and we know it, we won't expect him to lose control. We need to feel that it's a hard choice, and that making it is shaking him somewhere from the bottom of his heart. His face when that tear fall (that could be just a close look on his mouth and the tear dropping), what he did/said before, his attitude. At the end, the reader might be "Tell me he survives, tell me he survives" or "Wow, that guy is so cool", but as long as you like it, that's what matter.
That's my point of view, I'm no scenarist or whatever, but if that helped you it makes me happy. And if it doesn't I'm happy anyway.
The One on the left reminded me of AOT
TheGuyNoah 30 same
Who wacthing this until end..
DAMN HE LOOKIN THICC
Left
😙😘
How old is crilley?
I forgot.
Memi TO he’s 53
The boy and robot reminds me of Lost In Space
I think Frank Miller, deranged as the man might have become in his late years, deserves a mention among those comic artists Mark was talking about as his stark use of B&W-based contrast ever since he broke out with his independent work on Sin City during the 90's might have been almost as influential as Mike Mignola's among comic fans everywhere (even though he was mostly aping old Argentinian masters of the 50's and 60's no matter how much he denies it). Frank undeniably took some weird stylistic choices with his artwork compared to his earlier, more grounded work, particularly when it comes to anatomy (which IMHO took a turn for the worse) but those early Sin City pages are arguably a thing of beauty; they just POP!
And on 12:53 that's not Neal Adams, it's Lee Weeks which is truly a criminally underrated talent!
3M subs, 8,7k views.
If you subscribe to his channel, you instantly die, or what?
9th comment :)
20th Like!