Building a Live Set From Scratch: Live In The Studio With SURCO
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- Опубліковано 5 жов 2024
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Dude, very very well done. Lot's of folks explain how their gear is wired, but don't explain why they do it, and how if fits with their musical intentions.
Sweet! Glad you enjoyed it! Thanks so much for watching!
How’s that new FX template treating you!? I am excited to hear this set live ❤
I love it! Learning how to play each effect. It won't be this set, but it will be 'a set' :)
Learning so many tricks from you! cheers!
Glad to hear it! Thanks for watching!
Sounding epic Eric. Got to be your most complex rig yet..
Thanks! It actually plays so easily. It goes to show that extra work in the setup and planning makes the complex simpler. Thanks for watching!
1000 thanks for your presentacions , its help a lot !
Great tips as always! Thanks for sharing.
Glad you got something out of it!
Hello, would like to explore that rumble technique on the AR, is there any video where you explains this one? Great sound btw, thanks!
Excellent Info, Thankyou sir
Gland you liked it! Thanks for watching!
Do you have sound packs for the Rytm to share / sell ? I need a kickstart to my live as I'm getting a bit discouraged by the sound design part :/
I don't. Might be a good idea. I just enjoy the sound design process so much that I always assume others do too. THanks for watching!
@@SURCOlive that would be awesome!
yes plz@@SURCOlive
Enjoyed the chat. Funny how you spoke about workflow and Roland boxes. I feel like the workflow on Roland gear is always awful, BUT some how lends its self to techno!? People credit the creation of acid to the awkward sequencer of the tb-303. If you ever get to use the original tr-909, its not an enjoyable experience either! The functionality of stepping a sh101 with a trigger from a drum machine lends its self to hypnotic techno polymeters very easy. I belive that unlike most other styles of music techno isn't so much about getting the ideas from your mind into music, but more a interaction or a dance with some what stiff and strange sounding robotic machines.
Yeah they have had some iconic sounding machines over the years. Not sure how much of the inspiration came from the broken workflows vs the actual sounds they made. I feel like people were always willing to suffer through the workflow because they sounded so good. It's awesome to live in a time when we can have the sounds with more functional workflows. I love sequencing my vintage SH-101 with my OXI One sequencer, or layering vintage 909 samples with drum synths in my Analog Rytm. Such a wealth of creative opportunities available to all of us today. Thanks so much for watching!
I see you went from the DT to the AR. Can you tell me why and what are the main differences between them both?
Thanks and greetings, I love your channel 🫡
All the one shots I was using in my DT for live sets were made in the AR. It is far deeper for sound design and control so it gives a lot more options for live. The ability to layer samples and synths on the same track is very powerful. The biggest thing for the way I play live (improvised not pre planned) is the fact that kits and patterns are independent. I can drop a different kit of sounds over any pattern. With 128 kits and 128 patterns per project, the possibilities are huge. I hope this helps. Thanks for watching!
Hey Surco! Super informative stream. Im trying to use this syntakt and oxi one setup and I cant seem to get trigless trigs to fire any other way but holding them down. Is there anyway to have them function more traditionally where they execute as the sequence runs?
I don’t think it works that way. I was trying to do the same when I happens across the thing I showed in the stream. I think the sequencer would need to have a sequence internally for them to work without pressing them.
Whats weird tho is that the sequence is technically running. So im confused as to why it wouldnt work. The digitone is able to from what i see online. So confusing! Lol
Mind if I ask, what headphones are you using?
They are the Aiaiai TMA-2 Studio Wireless+. I love them!
@@SURCOlive thanks! They look pretty comfortable 😀
Super comfy and wireless with no latency for moving around the studio. I love them
Is it any way to set the DT and the ather boxes using a pad controller to change the key?
The idea is to have all the paters on (C) and then transposing to an other key by triggering the dedicated pad or key on a midi keyboard controller.
There is no easy way that I know of because they can’t be quantize to key that could be transposed. This is the reason I’m sequencing the Syntakt with the OXI One.
@@SURCOlive Thanks! Always enjoy your videos. Having DT and a few other synth, Oxy and syntakt are in my list, not sure which one first.
If sequencing in key and changing keys are important to your workflow, I’d recommend the OXI first. For sounds and voices the Syntakt. Thanks so much for watching.
@@SURCOlive Yes!, coming from guitar and yamaha arrangers back to 90-is changing chords live seems like I'm looking for to much from a sequencer but it's what I miss these days.
Thanks again!
all these elektron people working out the oxi is by very far a better sequencer
It’s pretty amazing, but there are big reasons why I have both. ;)
@@SURCOlive what does the elektron do which the oxi cant and whole lot more?
@@williamwallace6508 as a straight sequencer of other gear the OXI is 100% my favorite. That said, nothing comes close to the Elektrons for easily parameter locking any or all aspects of their internal synths, samplers, fx, etc. by step. Sequencing externally using cc messages is an awkward and handicapped work around, but not anywhere near as powerful. This is why I’m using the OXI to sequence voices which it does better than the Elektrons, but sequencing the Elektrons internally to take advantage of their power there. Thanks for watching!