I prefer the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo).
Eu ouço e executo no meu trompete yamaha há mais de 30 anos e não cansei ainda sempre aparece novos elementos e a criatividade tb aula de Improvisação Moderna BobHipJazzHopTrumpet
I prefer the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo).
i was in the audience that day taking my 18 years old girlfriend to her first concert ever - i wasn't much older - i think this was the first song they played - i love Miles saying "this is your night ... your night" - it's almost like he knew what was about to come out of Kenny's sax that particular night - His face at the end of Kenny's solo is just amazing, he surely knew what just happened - it even looks like he's angry because that very last note of Kenny's solo could barely be heard.
@@yourpropheticnews7030 Hi Harry, yeah Miles changed me too. A friend during my last year at high school asked me if i liked Jazz and she decided to give me the Kind Of Blue vinyl from her father's collection. Well you know at that time i was much more a Pink Floyd fan or Rainbow and all the Soul Music standards that were played on the radios. Younger I even used to say jazzmen were playing out of tune and i hated it (obviouly i hadn't listened to "the right" jazz as a newbie ...). And then in So What comes the piano solo just after the amazing Cannonball solo, there is Jimmy Cobb playing that amazing cross stick on the snare while the horns are hitting those 2 chords ... i went "woah ... is this music called Jazz ??? IS THIS JAZZ ??? ... i never was the same after listening to that ... and same thing with the two ballads (Sketches Of Spain + Blue In Green) ... OMG
Garrett’s sax mic was distorted that’s why he walked off stage and came back. So miles put his trump mic close to his sax so he could finish the solo. The show must go on.
If i recall well Kenny walked out the stage several times and to tell the truth at some point, i even felt like he did not want to play, pretending a glitching mic or what ever the problem was. But Miles knew somehow that night was important for Kenny
@@saxmandiggle1573 You can hear the mic distortions a few times at the beginning, whenever he tried to play something slightly louder. It is subtle, but it is enough to destroy the construction of any solo. That's why he stopped and most likely tried to get it fixed. Miles said that because it didn't seem to be a major problem at the beginning of Garrett's solo, so he encouraged him to continue. What follows is one of the most incredible alto sax solos ever.
I’m generally partial to the tenor sax, but KG’s alto solo breaks that rule for me. Beautiful tone, power, rhythm and range. An all time favorite sax solo. No matter how many times I listen it always thrills me with Kenny’s raw emotional playing.
Kenny Garrett is in the same brilliant category as Coletrane,Albright,Grover and all the other greats...Love his smooth tone and delivery...Long live jazz👍🏾👌😎
Miles is the master of the Jedis. The way he looks to kenny is so intimidating, but at the same time, he´s so proud of his level of music... I´ve never seen nothing similar
My brother bought me this video just after it came out.he also introduced me to jazz when I was 12. It prepared me for witnessing and enjoying this most sublime experience. I wish one day everyone could realise what this all means. What it means to put every note and scale and chord etc etc into your own words . Your own expression without writing it out beforehand or reading it. What a beautiful creation we are.
There are great solos. And there is Kenny Garrett's historical solo. Actually, the two videos of Miles Davis playing Human Nature have legendary solos by Mr. Garrett. They are works of art themselves.
the best saxophone solo i know and best kenny i remembet it incredible expression and improvisation big simplicity and respect to the master miles davis
Goes too listen the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo)
The Band found its place among the moments of magic that followed the majesty and mystery of greatness that followed the footprints of the blessed and ordained minister of the music of the unknown. Just think about the musical experiences Miles felt and witnessed. Only the supreme geniuses of humankind carried the weight of such sublimed and critical mass- Di Vinci, Shakespeare, Mozart, Einstein , Dickens, Ellington, Bird, Louis Armstrong, Manhattan Project and Trane. Every night spent with this Band was a delight and an awakening to possibilities never entertained by participants in the audience.
WOW! thank you for uploading this to youtube! I have the Miles in Paris cassette tape and my VCR broke! This is my favorite solo of all time! If you follow Miles Davis music, you know John Coltrane was his side man back in the 1950's. I think Kenny was channeling Coltrane in that furious solo on that particular night in Paris! Cheers!
There's none greater that I have ever listened to in the last sixty years, save Coltrane at his best. I could not stop listening to Miles's group and the fantastic saxophone solo by Kenny and commanding drum work by Ricky on Human Nature. God's creation is great!
I'm also hearing influences from Richard Wagner, not least the famous extended love duet in Act 2 of Tristan and Isolde with its pulsating sequences of desire and mobile harmonics. Miles knew about Wagner and mentions him in one of the interview pieces on that DVD, and I bet Garrett knew of his music too.
Haaaaa now it’s 2 years ago… I hope you’re alright with it.. These Miles’ tunes of this time are often crazy, angry and kind of destructive sometimes.. It’s hard to stay calm with that, you want to shout with Kenny when he banged the thing
I can hear some of the same fluctuations at 0:55-1:10 -. but that's a bit I've always felt was very moving, the "wet" breathy tone and the bending curves make it sound like someone comforting a sad little child. The interaction with Miles' block chords on the organ and Benny's basslines make it such a distinct moment too
@@louise_rose good point, it's like a gentle touch, announcing that a long journey is about to begin. He is clearly very frustrated with the situation and stops a few times. Then a sequence of once in a life time events take place, like when Miles does not get upset at all and moves near Garrett to lend him the trumpet microphone. The image itself is fantastic, as you've already pointed out. But then something absolutely magical takes place: Garrett's solo is a masterpiece. I keep going back to it and it does not cease to amaze me. It is like everything, literally everything is perfectly placed: pitches, phrases, emotions, energy, intensity. Even Garrett's other fantastic solo (another live version from 1990 that is also amazing) is not "that" perfect. I think the frustration with the microphone created a sort of challenging atmosphere and Garrett's focus and intensity got somewhat enlightened/heightened.
@@andradas9688 Yes, I've been watching/listening to this solo, this take and indeed this entire dvd (probably compiled from at least two gigs in Paris: Miles' cpstume varies a bit between the tracks!) for at least fifteen years, it's one of the peak shows he ever committed to tape, at least during his later years. I feel, too, that "I'm not getting finished with it". The perfection of this take of Human Nature doesn't cease to amaze me - it's as riveting as some live performances by Yes, Chet Baker or Jimi Hendrix. And the sense of being on an inner journey is essential to it.
I've been listening to Kenny Garrett play this solo over and over for 20 years, and I'm never sick of it. Gets me EVERY time.
Me about 16 years :)
I prefer the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo).
Me too
i've been listening to this solo for 12 years and still get hyped every sing time.
I listei for 34 years kkkkkk
Eu ouço e executo no meu trompete yamaha há mais de 30 anos e não cansei ainda sempre aparece novos elementos e a criatividade tb aula de Improvisação Moderna
BobHipJazzHopTrumpet
I prefer the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo).
@@jazzgalaxy6455 9:15
@@jazzgalaxy6455 This *is* the Paris version (from early November 1989) - the one from the dvd.
This has to be one of the most spiritual solos I have ever heard, I get the same feeling every time I listen to it.
Old school is old school and Miles was the headmaster.
the greatest sax solo that i ever heard
Luca Zerbini Totally!!! I started playing sax after listening to it....
I said this when I first heard taking a part from pulp fiction Kenny got mid evil!!!!!!!!!!!!!!!!!!
I concur......Kenny has the Con!!!
You should try to listen to Pharoah Sanders too.
Listen to the version on Miles David Live Around the World.
Imagine having MILES DAVIS as your mic stand... very intimidating
Yeah, no pressure there!
Kenny Rogers rulez
still THE BEST Version is from Polish Jazz Jamboree...
Imagine the pressure
😅😅😅
The best goose bumping sax solo ever......Everrrrrrrrrrrrrr.
My students and I love this sax solo 🤘perhaps the most amazing sax solo ever.
Ya te he dado like teacher
otro like más, amazing
Un like muy amazing
otro like amazing
Otro like super amazing💜
i was in the audience that day taking my 18 years old girlfriend to her first concert ever - i wasn't much older - i think this was the first song they played - i love Miles saying "this is your night ... your night" - it's almost like he knew what was about to come out of Kenny's sax that particular night - His face at the end of Kenny's solo is just amazing, he surely knew what just happened - it even looks like he's angry because that very last note of Kenny's solo could barely be heard.
easyguitare crazy! I saw them do this a the JVC festival in Houston and it was just as out of control! I was 18! It changed me
Juan Rivas Paris
@Juan Rivas Hello Juan, yes, that was in Paris
Amazing post, thanks
@@yourpropheticnews7030 Hi Harry, yeah Miles changed me too. A friend during my last year at high school asked me if i liked Jazz and she decided to give me the Kind Of Blue vinyl from her father's collection. Well you know at that time i was much more a Pink Floyd fan or Rainbow and all the Soul Music standards that were played on the radios. Younger I even used to say jazzmen were playing out of tune and i hated it (obviouly i hadn't listened to "the right" jazz as a newbie ...). And then in So What comes the piano solo just after the amazing Cannonball solo, there is Jimmy Cobb playing that amazing cross stick on the snare while the horns are hitting those 2 chords ... i went "woah ... is this music called Jazz ??? IS THIS JAZZ ??? ... i never was the same after listening to that ... and same thing with the two ballads (Sketches Of Spain + Blue In Green) ... OMG
How in the world did Myles chew gum and play that trumpet so brilliantly? And The Sax solo was mind blowing! Awesome Musicians!
You're talking about Miles fucking Davis, a legend.
Miles could do other strange things at the same time, too.
Garrett’s sax mic was distorted that’s why he walked off stage and came back. So miles put his trump mic close to his sax so he could finish the solo. The show must go on.
If i recall well Kenny walked out the stage several times and to tell the truth at some point, i even felt like he did not want to play, pretending a glitching mic or what ever the problem was. But Miles knew somehow that night was important for Kenny
Kenny wasn't feeling it. At 1:49 , even Miles encourages him and croaks out, 'It's your night!' over his mic, it's even subbed in French.
@@saxmandiggle1573 You can hear the mic distortions a few times at the beginning, whenever he tried to play something slightly louder. It is subtle, but it is enough to destroy the construction of any solo. That's why he stopped and most likely tried to get it fixed. Miles said that because it didn't seem to be a major problem at the beginning of Garrett's solo, so he encouraged him to continue. What follows is one of the most incredible alto sax solos ever.
Un solo de légende! Ah si la nature humaine pouvait être de temps en temps aussi vive et pleine de joie vibrante !!!
I’m generally partial to the tenor sax, but KG’s alto solo breaks that rule for me. Beautiful tone, power, rhythm and range. An all time favorite sax solo. No matter how many times I listen it always thrills me with Kenny’s raw emotional playing.
RIP. Genius MILES
That was, and still is - a MILES' tone in JAzz music history....
Mr. Davis is just so cool! The epitome of confidence! That look on his face! He knows what he just unleashed, Mr. Garrett!
This is VERY BLESSING TO THE EARS. ITS LIKE KENNY'S COMING. OUT POF THE JUNGLE OF THE FOREST, I LOVE IT.
Quel prestation d'une autre sphère. Rien à ajouter rien à enlever, juste à écouter, ecouter, écouter...
my all time fave solo on any instrument!!!
Kenny Garrett is in the same brilliant category as Coletrane,Albright,Grover and all the other greats...Love his smooth tone and delivery...Long live jazz👍🏾👌😎
Miles is the master of the Jedis. The way he looks to kenny is so intimidating, but at the same time, he´s so proud of his level of music... I´ve never seen nothing similar
Best sax solo ....very comprehensive and yet complex...he is a god
I think Kenny was channeling some John Coltrane that particular evening in Paris! This is my favorite solo of all time!
no one dares to create sound like this these days
My brother bought me this video just after it came out.he also introduced me to jazz when I was 12. It prepared me for witnessing and enjoying this most sublime experience.
I wish one day everyone could realise what this all means. What it means to put every note and scale and chord etc etc into your own words . Your own expression without writing it out beforehand or reading it. What a beautiful creation we are.
There are great solos. And there is Kenny Garrett's historical solo. Actually, the two videos of Miles Davis playing Human Nature have legendary solos by Mr. Garrett. They are works of art themselves.
KENNY: Exceptionnel,ho mon Dieu, n'oublions pas le batteur et tout les musiciens, bravo.
the best saxophone solo i know and best kenny i remembet it incredible expression and improvisation big simplicity and respect to the master miles davis
A slice of heaven!
Out of my way fellas, I’m about to tear this shit up. Yours Truly, Kenny Garrett.
"my definition is this... my definition of JAzz" ... for everyone!
The Best sax solo ever
Goes too listen the live version in Paris where Miles leaves Kenny "alone" and where we see him raise the "Kenny" sign. Garret's solo is (for me) historic (I watched several versions of the songs live, and it is the most accomplished Paris solo)
You shouls listen to Tomaas, same line up.
Historical moment.
The Band found its place among the moments of magic that followed the majesty and mystery of greatness that followed the footprints of the blessed and ordained minister of the music of the unknown. Just think about the musical experiences Miles felt and witnessed. Only the supreme geniuses of humankind carried the weight of such sublimed and critical mass- Di Vinci, Shakespeare, Mozart, Einstein , Dickens, Ellington, Bird, Louis Armstrong, Manhattan Project and Trane. Every night spent with this Band was a delight and an awakening to possibilities never entertained by participants in the audience.
WOW! thank you for uploading this to youtube! I have the Miles in Paris cassette tape and my VCR broke! This is my favorite solo of all time! If you follow Miles Davis music, you know John Coltrane was his side man back in the 1950's. I think Kenny was channeling Coltrane in that furious solo on that particular night in Paris! Cheers!
There's none greater that I have ever listened to in the last sixty years, save Coltrane at his best. I could not stop listening to Miles's group and the fantastic saxophone solo by Kenny and commanding drum work by Ricky on Human Nature. God's creation is great!
god ? LOL !!! Miles was an atheist like he said in his autobiographie, like Bird, Mingus and Monk.
@@rinahall Most of us are...but this does something to a person inside
Played that solo on guitar, Much Respect for Kenny, I love that solo
Out of sight
GENIUS KENNY¡ Thanks Davis for showed him
miles Davis RIP a very great man to a fellow musician . go the real Kenny g
Wonderful !! i love Kenny Garret !!! merveilleux j'aime beaucoup Kenny Garret!!! Magnifico me encanta Kenny Garret !!
Une légende toujours vivante grâce a la loyauté et l'amour des ses fans
Boy... This is is your night!!!❤️🔥❤️
8:36 Miles' face after being a mic stand for 5 and a half minutes for the most legendary sax solo ever... legendary... XD
no se quien me parte mas la cabeza, Kenny on fire tocando como los dioses o la humildad y profesionalismo de Miles dejando que vuele alto..
Stunning KG solo!!!
This depict accordingly the language of universe, yes sound is the word of creation
FOREVER MILES ❤️
Kenny is awsome!🎷🎺
This is what I call real music
Amazing performance, Miles cracks me up! Love the bass grove with the drums. Sax solo is on that upper room level.
Awesome, awesome, what a gig !!!!!!!!!!
ESTO ES LO MEJOR QUE YO HE ESCUCHADO EN MI VIDA ES SUPER EXPECTACULAR QUE MAQUINA ES KENNY GARRETT
Miles at the and like man this is what we do man, the culture what a solo
Very symbolique moment
UUUhh, total control of Kenny Garret, that's Miles....
thank you sharing, loving it over and over, kisses
parfaite maitrise instrementale. la perfection
The king
My god this is the best sax of all time
Maybe not the single best, but certainly THE defining take of Miles Davis' version of this song (they played it regularly and always tried to vary it)
Thanks for uploading that, its a great moment !
Miles Davis - top of the awesome
Kenny’ s solo has elements of Trane’s solo on “Someday My Prince Will Come”- both are other worldly; finding the niches.
I'm also hearing influences from Richard Wagner, not least the famous extended love duet in Act 2 of Tristan and Isolde with its pulsating sequences of desire and mobile harmonics. Miles knew about Wagner and mentions him in one of the interview pieces on that DVD, and I bet Garrett knew of his music too.
Amazing!!!!
...for me: pure pop music...cause groovy and great... love it
This song is complete Redemption
Il devrait y avoir 20M de vues et pas 234k
Real mythical sound
Miles sooo proud of Kenny Garret. 🤗
What a ride!
Amazing
Ginny Gary Cuts head 7 days a week and twice on Sunday the best solo ever !!
this is so sick
Uns monstres!!! No em canso mai d'escoltar aquesta joia! Chapeau!!!
Out of sight
This is your night!
exelente perfomance de kenny garrett
THAT. MFn. TONE! 😤
Kenny Garrett OMG!
I ABSOLUTELY LOVE MILES DAVIS!!! ❤ SO MEAN LOOKING LIKE MY DADDY PROBABLY WAS SOFT AS COTTON #DETROIT
6:29 wooooooooooooooooo
Historical moment when Miles passes the soul of Bird to Kenny ..
And shuttttt .....
one good gig was Warsaw Jazz Jamboree
EPIC!
Real Music. Solo referred to Joesph Smith. Kenny nailed it.
one word amazinhing for real dude i play the sax for 3 years now and i cant even go as high as kenny men he is good
You still playing?
wonderfull solo at 3.50 min
wooow!
at 6:00, the man got Miles Dancing to the beat??? That´s definitely something....
Kenny G vibing the rookie sound provisions
Marylin Mazur on percussions? A Polish accent... Miles did like to play in Poland...
Darominu - where the hell you are?
SUBLIMELY
ON SENT que miles aime bien
I just crashed my car listening to this
Haaaaa now it’s 2 years ago…
I hope you’re alright with it..
These Miles’ tunes of this time are often crazy, angry and kind of destructive sometimes..
It’s hard to stay calm with that, you want to shout with Kenny when he banged the thing
Bom!🎉
Muito BOM...!
Very GOOD!
prelijepo nice
wonderful:)
thanks marundamarunda:))
🔥🔥🔥
0:39 the master's eye
JAZZ MASTER MILES
1:45 When you do not control the face of so much cocaine
1:56 - one of the proofs Garrett's mic was not working properly.
I can hear some of the same fluctuations at 0:55-1:10 -. but that's a bit I've always felt was very moving, the "wet" breathy tone and the bending curves make it sound like someone comforting a sad little child. The interaction with Miles' block chords on the organ and Benny's basslines make it such a distinct moment too
@@louise_rose good point, it's like a gentle touch, announcing that a long journey is about to begin. He is clearly very frustrated with the situation and stops a few times. Then a sequence of once in a life time events take place, like when Miles does not get upset at all and moves near Garrett to lend him the trumpet microphone. The image itself is fantastic, as you've already pointed out. But then something absolutely magical takes place: Garrett's solo is a masterpiece. I keep going back to it and it does not cease to amaze me. It is like everything, literally everything is perfectly placed: pitches, phrases, emotions, energy, intensity. Even Garrett's other fantastic solo (another live version from 1990 that is also amazing) is not "that" perfect. I think the frustration with the microphone created a sort of challenging atmosphere and Garrett's focus and intensity got somewhat enlightened/heightened.
@@andradas9688 Yes, I've been watching/listening to this solo, this take and indeed this entire dvd (probably compiled from at least two gigs in Paris: Miles' cpstume varies a bit between the tracks!) for at least fifteen years, it's one of the peak shows he ever committed to tape, at least during his later years. I feel, too, that "I'm not getting finished with it". The perfection of this take of Human Nature doesn't cease to amaze me - it's as riveting as some live performances by Yes, Chet Baker or Jimi Hendrix. And the sense of being on an inner journey is essential to it.
Waw!