Yeah, that light flickering was rather unnerving. Hope the "Chopin Institute" has figured out how to prevent anything like this happening ever again; that's way below the standard of industrialized countries today.
Incredibly beautiful! She has a deep understanding of the music, plays it naturally and every note is musical. There is no distractive show off, just the beauty of the music. Brava!
Her touches are just amazingly beautiful with a wonderful interpretation - all the notes sound purely like jewelry yet she can make powerful sounds too..just magnificent!! I also watched her Chopin Op49 which I also love so much!!
In 2010 fourteen outstanding and experienced pianists clearly perceived what many less competent and sensitive people failed to recognize: a rising pianistic star entirely engrossed in music, celebrating it with love, passion, reverence, perfect concentration, emotional depth and tremendous power, with individuality but without a trace of egocentricism so often seen. That is why the 1st Prize was beyond doubt and discussion in the Jury. After ten years of innumerable standing ovations on five continents and four additional in the same hall during the pandemic it is clear that they were not mistaken. Nor was Maestro Wit clapping his hands with joy and satisfaction after the last chords.
@@ransomcoates546 Yulianna Avdeeva got the highest scores in all 4 stages: I: 92,17; II: 93,58; III: 94,33; Final: 1,47. Scores of all participants are officially published: pl.wikipedia.org/wiki/XVI_Mi%C4%99dzynarodowy_Konkurs_Pianistyczny_im._Fryderyka_Chopina. She won in all 4 stages. From the official data it is also apparent that Martha Argerich has never given 100 points to Trifonov nor to anybody else, but was consequently giving 99 points to Avddeeva in all 3 stages. The only instance of giving 100 points was that of Ph. Entremont, and it was given to Avdeeva in the 2nd stage. Analysis of these data shows that if there was any doubt, it was that of the 2nd prize for Wunder.
I am glad that the judges picked her as the winner, she has the rare ability to turn some one else music into her own, I never thought Chopin could be played like this... her interpretation is out of this world
The ability, rare or not, to turn someone else's music into one's own may be an asset in the jazz repertoire but in classical music, it is not only unnecessary but deleterious. A classical pianist should be turning someone else's music (i.e., the composer's) into everyone's music (i.e., the audience's). Classical music, unlike jazz, lacks the onanistic element.
@@4Topwood I guess Seong Jin Cho the winner of 2015 Chopin Comp doesn't deserve to be called a classical musician at all because Phillipe Entremont gave him a score of 1 out of 10 in the finals. A classical musician should "turn the composer's interpretation into everyone's" right? Leonias Kavakos after winning clasical music competitions apparently should be called a Jazz musician instead because he turned Paganini's score into his by neglecting the original bowing and increasing the speed and dynamics. Everyone can tell you have never been to a music school before Ann Edwards. So don't make false statement about something you've had no education on, you should already saw what It did to America during the pandemic. Go knit or something, or actually go to a conservatory where they teach what Classical and Jazz music is, it may help you realize why Classical Conductors always argue and tell one another off over how classical works should be played, not "turning the composer's interpretation into the audience's" and why Herbie Hancock became one of the greatest Jazz musicians by improvosing his own playing on the spot, not "turning someone's asset into his own".
So I hear her for the 1st time early this morning before I went to sleep around 2am. 12 hours later after 3pm, I'm saying to myself, "Lawd!! (southern for Lord) look at this sister girl go". After hearing Martha Argerich's latest video performance of this piece, I assumed that I would not be inspired "that much" by another performance, until I asked last night, "Who won this competition in 2010?" He fingers are lIke one with the piano keys, so fit for striking the keys perfectly. Her artistry & her beauty are absolutely amazing!!
"Creeps up on you" -- great description. I was watching some of the really complex parts of the first movement and at first thought, "This sounds like mandatory conservatory technique exercises." Then I listened to her playing longer and appreciated it for what it was--an aggressive articulation of the music, almost "con fuoco"--that brought a lot of intensity and articulation that I don't usually perceive in that piece. Very interesting performance and worthy of listening to again. It's different, but that's part of why I like it. It's hard to distinguish oneself when playing Chopin, but she achieves that here and makes beautiful music in the process. Well done.
Outstanding performance!!! I love when an artist "goes for it" and Yulianna did just that... Yulianna's performance was brilliant and the orchestra was exceptional. The video is very well done and the sound quality is perfect. I could listen to this over and over.
오케스트라를 지휘하다시피하는 카리스마와 힘, 자신만의 쇼팽 해석에 대한 확고한 믿음과 예술성, 음악에 대한 순수한 열정과 불타지만 차가운 감정, 그 모든걸 쏟아낸 율리아나도 감동이고 그걸 알아보고 바로 1등 상을 준 쇼팽 콩쿨이 괜히 쇼팽 콩쿨이 아니구나라고 다시 한번 느끼네요.. 브라보!!
Not gonna lie she had a few mishaps in the descending passage in the left hand when the lights went out but other than that her concentration was remarkable. It's no wonder why she won first prize.
She played Chopin like a philosopher!she is completely wise like Plato’s logical mind to create music. I think that she is lack of common emotions to audiences to approach her music when she played Chopin, but she is the most sober person.She doesn’t want to excite people, her music has educational meaning. She persuades the core of music.
Wow! Takes my breath away. I learned they don't award the prize every five years, which makes winning the competition every more of an accomplishment. I certainly can understand how they could award first prize to this woman. She is inspiring. And what a privilege to have these excellent videos that give viewers the best seat in the house. Yes, it would be wonderful to be in the audience at the end of such a performance, joining the crowd in expressing our appreciation but watching a fine video on a computer with a good sound system is pretty sweet. I needed to subscribe so I can enjoy more Chopin. Thanks!
A GLORIOUS achievement! WONDERfUL playing! As good as it gets. But there are SO MANY today who play at this level. I pray that every one of them may find enough of an audience and critical acclaim to sustain a successful career.
Beleza indescritível, toque firme, andamento claro e emoção dosada! Belíssima interpretação. 17:04 a 18:48 é para mim uma das "páginas" mais belas da criação musical ocidental, uma das melodias mais tocantes que já ouvi, pois Chopin faz o piano cantar com toda sua sensibilidade! Choro sempre...
I love Yulianna's performance! The orchestra is professional and the video (scenes and sound quality) is great too! The pianist and orchestra added radiance to each other. Each side made this wonderful. I watched this video several times.
@@johnnym6700 ah, it depends on views! and klicks? I thought it is a question of competence and knowledge. Tyler Swift has Billions of klicks ?????? You send really out a message of deep sense.
Юлианна Андреевна не просто играет, она живёт этой музыкой, пропуская её через свою душу! Замечательное звукоизвлечение! Получаешь огромное эстетическое наслаждение от столь прекрасного исполнения!
What a superb performance. Why do we not know of her before ? There are so many brilliant pianists, we are so lucky. All this on a Yamaha grand which sounds as good as a Steinway. Wonderful. Thank you to all involved.
Wikipedia: Yulianna Avdeeva being awarded First Prize at the 2010 Chopin competition. Polish president Bronisław Komorowski stands on the left. Background information Born July 3, 1985 (age 35) Moscow, Soviet Union Genres Classical Instruments Piano Labels Mirare, Deutsche Grammophon Yulianna Andreevna Avdeeva (Russian: Юлиа́нна Андре́евна Авде́ева; born July 3, 1985) is a Russian concert pianist. Avdeeva was born in Moscow. She started piano lessons at the age of five, studied at the Gnessin Special School of Music in Moscow, and graduated from the Zurich University of the Arts. After her graduation, she became assistant to her teacher, Konstantin Scherbakov.[1] Since 2008 Avdeeva has studied at the International Piano Academy Lake Como.[2] In 2010, Avdeeva won First Prize in the 16th International Chopin Piano Competition in 2010. She is the fourth woman to have won this title, after Halina Czerny-Stefańska, Bella Davidovich (ex aequo in 1949) and Martha Argerich (1965).[3]
Even if i still regard Bozhanov a genius and for this reason he had to win the competition without any doubts, rilestening the performances, i can say that this pianist is great. Apparently, she is nothing special but after some minutes her deep and maningful playing comes out. She has a wide range of colours: from subtle pianissimo to a solid fortissimo. And sometimes she can reach what i call "great moments". In my humbl opinion, the great moments are the touchstone between a normal and a great pianist. Avdeeva is a great pianist. From 7:40 to 8:00 is an example.
Bozhanov IS a genius, one of the greatest pianists I've heard in the last 20 years. Yulianna played superbly in the early rounds but this concerto is not her forte, and Bozhanov's was also subpar. The winner of the concerto round was Wunder, and it's one of the most glorious performances of this concerto I've ever encountered, just completely "on" from start to finish.
Emocjonalny występ, a ostatnia część zwycięska. Pokazała swoją cudowną, przejmującą interpretacją na czym polegało zwycięstwo Chopina. Ten jego triumf muzyki i życia, które wybrał nad tęsknotą. Bo te jego uczucia ja słyszałam i całą tę jego narrację pełną namiętności, smutku i wreszcie pokonania siebie. Otwarcia się na nowe. To zwycięstwo na końcu było wyrażone tak pięknie, mocno, ale również nie pozbawione nostalgii. Tak odczułam interpretację Pani Julianny. Byłam autentycznie wzruszona.
I wonder which book did she used for this. Upon listening, I noticed on 34:34 that she used C sharp on the sequence (C - B - F - G) but in Shirmer's, its written C - natural (C - natural, B, F, G)
Desde que la descubrí en un vídeo me fascinó.Tsn femenina y a la vez con mucho temperamento.Chopin,,Chopin,Chopinquiem puede resistirse a tus encantos. ???U además proyectarlos en el piano de ese modo. ? No sabía que eras rusa,pero bien merecida esa medalla.Toda tu performance estuvo increíble,si me perdí de algo lo voy a encontrar .Muchas felicitaciones soy de. Uruguay.PD sigo insistiendo en las traducciones al español,yo soy una persona que ama la música pero no sé inglés ni coreano ni chino ni japonés ni ruso ni alemán en fin.......a los rusos felicitaciones porque fueron los 1os en traducir los conciertos de este muchachito rubio Alexander Foderev
UN SINNUMERO DE PAISAJES Y EMOCIONES EN ESTE HERMOSO CONCIERTO QUE SON PINTADOS MARAVILLOSAMENTE POR AVDEEVA EN EL LENGUAJE UNIVERSAL DE LA MUSICA EN EL PARA MI MAS COMPLETO INSTRUMENTO QUE NUNCA JAMAS SERA SUPERADO QUE ES EL PIANO
Amazing! In a concert you can make mistake as long as you keep the passion. However in a competition, you have to be perfect with full passion and zero mistake. Chopin and Tchaikovsky Competition are the most prestigious and consist of many prodigy pianist around the world.
outstanding, memorable interpretation, i keep hearing it every month as with 956 Schubert with emerson. thank you, yulianna, hope to see you in israel too
If this girl's hands shake at any point, it is evidence of the electricity she feels while playing--said electricity which can be felt right through this UA-cam video. She is on fire. While I sometimes criticize lack of old school legato in players, I do NOT criticize this performance for any such thing. I watch her hands and listen to her tone in cantabile passages as well as allegro--in which we sometimes use a non-legato approach--and I hear and see nothing but the most scrupulous efforts at legato playing. She fingers octaves with a lot of silent changes. I'm sorry but I disagree with anybody who criticizes her for lack of legato. Kudos also go to the conductor, who follows her ornamentation spot on. My only question would be about the piano she has chosen in this competition. This could be a case of the presence of a fantastic Yamaha and a mediocre Steinway, but nothing cuts through orchestral textures like a Steinway. Would she "bear down" as much on a great Steinway as she does on this Yamaha? I don't know. As it is, her tone is drop-dead gorgeous. Another huge positive factor is that she is always in touch with every instrument that plays a solo or accompanies her. As for competitions, "winners", and "we all get a prize"--there are many ways to interpret any piece of music, and many ways to be outstanding, but the judges agreed that in this moment, she is better than anyone else. A well-deserved win! Brava, Yuliana!
I have a question. Did she actually play the wrong chord in the opening, or am I hallucinating? I'm not being critical, just want to make sure I'm not hearing things
Man, if I was preparing for this, I'd practice with random lights flickering, dogs barking, babies crying, cranky old people kvetching, firecrackers blasting, and gunshots firing!
If you listen to the 3rd stage recordings of Wunder and Avdeeva, in my opinion it is nearly impossible to say who played „better“ because it are just 2 very different ways of interpretation and each one has its right to exist. the delicacy how Wunder is painting the different colors in the 3rd movement is not lesser than Avdeevas sophistication of articulation or her polyphonic sculpturing. maybe it would be worth considering (@Chopin Institute) a shared 1st prize for such difficult situations in the future as it‘s already common practice in 2nd prize section, because if both of them are TOP in my opinion it’s unavoidable to pass injustice in the final outcome.
In such disputable cases, some secondary measures should decide. Like accuracy (yes, this is the most superior contest at the end of the day), or public reception. Despite Wuder being superior in these two, Avdeeva seems to markup her probable preparation deficiencies by unusual, straight out of score interpretations like overprolonged rubatos and tempo collapses for instance. This markups are visible throughout all her stages, it bothered me personally a lot - awkward in key passages, overly progressive interpretations decoupled from Chopin's era and background. Again, Wunder seemed to really take a tough lesson to approach Chopin properly - his renditions in turn, whether it's mazurka, polonaise or etude, sound coherent and thought over. For me it's a scandal that Wunder missed 1st prize. Some opinions argued that he exaggerated and theatralized. This is untrue in my opinion, this guy unleashed real love and passion for Chopin.
Ingolf powinien był otrzymać 1 nagrodę. Nie gorszy muzycznie, za to dużo lepiej technicznie. Przeszkadzało mi jednak sporo błędów technicznych w grze Awdiejevy, choć muzycznie równie pięknie, choć inaczej niż Ingolf.
I just realized, at 13 minutes, the lights in the hall go out during a stressfull piano passage, and Avdeeva doesn't miss a single note. Wow.
at the beginning, like during 4-5th minutes lights faded away a few times. Wonder what happened
Almost as good as Valentina Lisitsa’s exploding Beethoven
Yeah, that light flickering was rather unnerving. Hope the "Chopin Institute" has figured out how to prevent anything like this happening ever again; that's way below the standard of industrialized countries today.
Incredibly beautiful! She has a deep understanding of the music, plays it naturally and every note is musical. There is no distractive show off, just the beauty of the music. Brava!
Przepiękne rosyjskie wykonanie. Żaden Polski pianista tej wspaniałej Rosjance nie dorówna.
still listening to it after all these years...i still think this is the best version:)
Her touches are just amazingly beautiful with a wonderful interpretation - all the notes sound purely like jewelry yet she can make powerful sounds too..just magnificent!! I also watched her Chopin Op49 which I also love so much!!
Yulianna has so much charisma!
Such a pleasure to watch and to listen to.
❤❤❤❤❤
In 2010 fourteen outstanding and experienced pianists clearly perceived what many less competent and sensitive people failed to recognize: a rising pianistic star entirely engrossed in music, celebrating it with love, passion, reverence, perfect concentration, emotional depth and tremendous power, with individuality but without a trace of egocentricism so often seen. That is why the 1st Prize was beyond doubt and discussion in the Jury. After ten years of innumerable standing ovations on five continents and four additional in the same hall during the pandemic it is clear that they were not mistaken. Nor was Maestro Wit clapping his hands with joy and satisfaction after the last chords.
The first prize was hardly beyond doubt. There was high intrigue, with Argerich giving Trifonov 100 points.
@@ransomcoates546 Yulianna Avdeeva got the highest scores in all 4 stages: I: 92,17; II: 93,58; III: 94,33; Final: 1,47. Scores of all participants are officially published: pl.wikipedia.org/wiki/XVI_Mi%C4%99dzynarodowy_Konkurs_Pianistyczny_im._Fryderyka_Chopina. She won in all 4 stages. From the official data it is also apparent that Martha Argerich has never given 100 points to Trifonov nor to anybody else, but was consequently giving 99 points to Avddeeva in all 3 stages. The only instance of giving 100 points was that of Ph. Entremont, and it was given to Avdeeva in the 2nd stage. Analysis of these data shows that if there was any doubt, it was that of the 2nd prize for Wunder.
I am glad that the judges picked her as the winner, she has the rare ability to turn some one else music into her own, I never thought Chopin could be played like this... her interpretation is out of this world
The ability, rare or not, to turn someone else's music into one's own may be an asset in the jazz repertoire but in classical music, it is not only unnecessary but deleterious. A classical pianist should be turning someone else's music (i.e., the composer's) into everyone's music (i.e., the audience's). Classical music, unlike jazz, lacks the onanistic element.
Ann, you're a complete moron @@4Topwood
@@4Topwood I guess Seong Jin Cho the winner of 2015 Chopin Comp doesn't deserve to be called a classical musician at all because Phillipe Entremont gave him a score of 1 out of 10 in the finals. A classical musician should "turn the composer's interpretation into everyone's" right?
Leonias Kavakos after winning clasical music competitions apparently should be called a Jazz musician instead because he turned Paganini's score into his by neglecting the original bowing and increasing the speed and dynamics.
Everyone can tell you have never been to a music school before Ann Edwards. So don't make false statement about something you've had no education on, you should already saw what It did to America during the pandemic. Go knit or something, or actually go to a conservatory where they teach what Classical and Jazz music is, it may help you realize why Classical Conductors always argue and tell one another off over how classical works should be played, not "turning the composer's interpretation into the audience's" and why Herbie Hancock became one of the greatest Jazz musicians by improvosing his own playing on the spot, not "turning someone's asset into his own".
@@4TopwoodWhat a joke. If you know nothing about musical interpretation, stop embarrassing yourself with your big mouth here.
👏@@kiranbernard7214
1st mvmt: 0:04
2nd mvmt: 20:56
3rd mvmt: 30:22
Thank you!
thx
So I hear her for the 1st time early this morning before I went to sleep around 2am. 12 hours later after 3pm, I'm saying to myself, "Lawd!! (southern for Lord) look at this sister girl go". After hearing Martha Argerich's latest video performance of this piece, I assumed that I would not be inspired "that much" by another performance, until I asked last night, "Who won this competition in 2010?" He fingers are lIke one with the piano keys, so fit for striking the keys perfectly. Her artistry & her beauty are absolutely amazing!!
まるで精密機械のような素晴らしいタッチ、それでいて一本しっかり芯の通った演奏。聴き終わった後は、春の暖かい爽やかな風のような心地よさ。素晴らしいです。
This is a performance that creeps up on you, and you suddenly realise just how good it is. Well complemented by the orchestra, too.
"Creeps up on you" -- great description. I was watching some of the really complex parts of the first movement and at first thought, "This sounds like mandatory conservatory technique exercises." Then I listened to her playing longer and appreciated it for what it was--an aggressive articulation of the music, almost "con fuoco"--that brought a lot of intensity and articulation that I don't usually perceive in that piece. Very interesting performance and worthy of listening to again. It's different, but that's part of why I like it. It's hard to distinguish oneself when playing Chopin, but she achieves that here and makes beautiful music in the process. Well done.
Я не профессионал,но я в восторге
Outstanding performance!!! I love when an artist "goes for it" and Yulianna did just that... Yulianna's performance was brilliant and the orchestra was exceptional. The video is very well done and the sound quality is perfect. I could listen to this over and over.
What do you mean, "goes for it"?
Better to listen Daniil Trifonov! HE is the best! :)))))))
Hey does the first piano chord sounds off to anyone?
@@idyllwildmontessorischool1162 ye idk why he didn't win
@@LazlosPlane Does it with extreme passion and dedication? Puts everything into it. That's how I would define it.
오케스트라를 지휘하다시피하는 카리스마와 힘, 자신만의 쇼팽 해석에 대한 확고한 믿음과 예술성, 음악에 대한 순수한 열정과 불타지만 차가운 감정, 그 모든걸 쏟아낸 율리아나도 감동이고 그걸 알아보고 바로 1등 상을 준 쇼팽 콩쿨이 괜히 쇼팽 콩쿨이 아니구나라고 다시 한번 느끼네요.. 브라보!!
너무감명깊게 듣었습니다~~~
I don't like when the video cuts off before hearing the audiences full appreciation for the performance.
Удивительное сочетание аналитической точности, академической техники и воздушной лёгкости. Музыкальное полотно словно искусное кружево, рождаемое волшебными пальцами, повторить которое, кажется, совершенно невозможно. Браво! Восторг!
I went to see her last week in Melbourne, Australia. Absolutely stunning play.
Excelente interpretacion de este bellisimo concierto. La orquesta tambien excelente. Ademas la calidad del sonido y la imagen es excepcional.
did anyone notice that the auditorium lights turned off ?!?!!?! she kept playing like nothing happened!!!!
That's what pianists do, you can't get distracted by anything while your playing the piano and getting the emotions right
"Emotions"?? Hardly. Nothing to do with emotions. In fact, emotions are the enemy of a good performance. This is a misconception of dilettantes.
She seems to be perfectly concentrated, no matter what happens around her.
Great genius. Astonishing performance.
Not gonna lie she had a few mishaps in the descending passage in the left hand when the lights went out but other than that her concentration was remarkable. It's no wonder why she won first prize.
Oh, ok got it, thanks.
I'm in love with this Chopin's Piano Concert!
She played Chopin like a philosopher!she is completely wise like Plato’s logical mind to create music. I think that she is lack of common emotions to audiences to approach her music when she played Chopin, but she is the most sober person.She doesn’t want to excite people, her music has educational meaning. She persuades the core of music.
Che meraviglia! Artista straordinaria! Interpretazione davvero magistrale e soprattutto emozionante!!
13:14 the light turned off! She could still play it greatly, by the way
Sabotage ;)
Dies ist ja wohl mit Abstand die gefühlvollste und durchdachteste Interpretation dieses fantastischen Meisterwerks, die ich ja gehört habe! 👍👏 Bravo!!
Die beste Pianisten überhaupt..👍❤️👍
What a beautiful soul.
The expression is so fluid, she lets the music take her.
Wow! Takes my breath away. I learned they don't award the prize every five years, which makes winning the competition every more of an accomplishment. I certainly can understand how they could award first prize to this woman. She is inspiring. And what a privilege to have these excellent videos that give viewers the best seat in the house. Yes, it would be wonderful to be in the audience at the end of such a performance, joining the crowd in expressing our appreciation but watching a fine video on a computer with a good sound system is pretty sweet. I needed to subscribe so I can enjoy more Chopin. Thanks!
A GLORIOUS achievement! WONDERfUL playing! As good as it gets. But there are SO MANY today who play at this level. I pray that every one of them may find enough of an audience and critical acclaim to sustain a successful career.
Beleza indescritível, toque firme, andamento claro e emoção dosada! Belíssima interpretação. 17:04 a 18:48 é para mim uma das "páginas" mais belas da criação musical ocidental, uma das melodias mais tocantes que já ouvi, pois Chopin faz o piano cantar com toda sua sensibilidade! Choro sempre...
A true Chopin artist. My highest Bravo to Yulianna !
13:00 she handled the lights turning off flawlessly
that was absolutely incredible.
やはり、この演奏は何度聴いても、過去のどんな大巨匠ともヒケを取らない、最高のクオリティーであり、今後のユリアンナ・アヴデーエワさんの円熟に期待したいですね。
Love they way she plays! Deserved winner!
Best performance of this concerto I've ever heard ... and I've heard a lot of them.
I love Yulianna's performance! The orchestra is professional and the video (scenes and sound quality) is great too! The pianist and orchestra added radiance to each other. Each side made this wonderful. I watched this video several times.
By far the best rendition I´ve ever heard. Amazingly stunning! Bravissima, Yuliana !!!
Oh come on. And why does there have to be a best?
Olga Scheps 13M views still the best in 2024....Nikolay was far superior in this competition!
@@johnnym6700 ah, it depends on views! and klicks?
I thought it is a question of competence and knowledge.
Tyler Swift has Billions of klicks ??????
You send really out a message of deep sense.
@@arthurenzo3075 Not many classical music videos have that many views.
I love the expression from 5:24 here, as if holding back overflowing emotions.
音楽を聴いて心で感じる事が大切だと思う、技巧に走ると、その道の批評家、専門家がバッシングする。彼女の感性が伝わって来ます。素晴らしい。YAMAHA以外のピアノで演奏すれば、もっといいのに、と楽器そのものを批判する態度こそ、おかしくもあります。心に響きました。
そうそう。なぜヤマハを邪険にするのか。それに、ヤマハはピアニッシモが格別なのにな。
リヒテルも認めていた。
Outstanding performance & interpretation.
Юлианна Андреевна не просто играет, она живёт этой музыкой, пропуская её через свою душу! Замечательное звукоизвлечение! Получаешь огромное эстетическое наслаждение от столь прекрасного исполнения!
今初めてユリアンナアヴデーエワさんのChopinのconcerto1番の演奏を聞いて感動を通り越しています🙏私が音楽に求める全ての何倍もの永遠の憧れとなって表現されていると思います✴私の言葉でその思いを表すことはできません👏👏👏今から来日公演を聴ける奇跡を信じて💟
What a superb performance. Why do we not know of her before ?
There are so many brilliant pianists, we are so lucky. All this on a Yamaha grand which
sounds as good as a Steinway. Wonderful. Thank you to all involved.
You should ask, why do YOU not know her before, not why do we. We all know her since 2010
start listen 37min:40sec---------->fragment with left hand is the reason she won 1 Price
真矢みきに似てる😆なんと言っても弾いてる姿勢と表情が美しくて品が良い。女性には珍しいス―ツが上品さをさらに引き立ててるし、彼女にとてもよく似合う❤️ヤマハを選んでくれたとこもグッド👍
@@エイトマン-g3w ええやん別に笑
Wikipedia:
Yulianna Avdeeva being awarded First Prize at the 2010 Chopin competition. Polish president Bronisław Komorowski stands on the left.
Background information
Born July 3, 1985 (age 35)
Moscow, Soviet Union
Genres Classical
Instruments Piano
Labels Mirare, Deutsche Grammophon
Yulianna Andreevna Avdeeva (Russian: Юлиа́нна Андре́евна Авде́ева; born July 3, 1985) is a Russian concert pianist.
Avdeeva was born in Moscow. She started piano lessons at the age of five, studied at the Gnessin Special School of Music in Moscow, and graduated from the Zurich University of the Arts. After her graduation, she became assistant to her teacher, Konstantin Scherbakov.[1] Since 2008 Avdeeva has studied at the International Piano Academy Lake Como.[2] In 2010, Avdeeva won First Prize in the 16th International Chopin Piano Competition in 2010. She is the fourth woman to have won this title, after Halina Czerny-Stefańska, Bella Davidovich (ex aequo in 1949) and Martha Argerich (1965).[3]
Understanding and feeling for this op.11 is in top. The soul of Chopin is alive.
Even if i still regard Bozhanov a genius and for this reason he had to win the competition without any doubts, rilestening the performances, i can say that this pianist is great. Apparently, she is nothing special but after some minutes her deep and maningful playing comes out. She has a wide range of colours: from subtle pianissimo to a solid fortissimo. And sometimes she can reach what i call "great moments". In my humbl opinion, the great moments are the touchstone between a normal and a great pianist. Avdeeva is a great pianist. From 7:40 to 8:00 is an example.
Bozhanov IS a genius, one of the greatest pianists I've heard in the last 20 years. Yulianna played superbly in the early rounds but this concerto is not her forte, and Bozhanov's was also subpar. The winner of the concerto round was Wunder, and it's one of the most glorious performances of this concerto I've ever encountered, just completely "on" from start to finish.
@@fredfeinberg3995 Yes, he mezmerized.
very emotional and dynamic.
Yulianna is a fantastic interpreter of Chopin.
Yuki Egami i guess
@@tziranpianist1641 You won't come to regret it.
Keep it at 69 likes guys
What a truly beautiful soul...Gods spirit shines through her...how could one possibly acquires that expressed beauty in just one lifetime..
Her playing bears her charisma and is extremely intelligent.
One of my favorit interpretation of Chopin's concerto. Very powerful, emotional, and unique.
Emocjonalny występ, a ostatnia część zwycięska. Pokazała swoją cudowną, przejmującą interpretacją na czym polegało zwycięstwo Chopina. Ten jego triumf muzyki i życia, które wybrał nad tęsknotą. Bo te jego uczucia ja słyszałam i całą tę jego narrację pełną namiętności, smutku i wreszcie pokonania siebie. Otwarcia się na nowe. To zwycięstwo na końcu było wyrażone tak pięknie, mocno, ale również nie pozbawione nostalgii. Tak odczułam interpretację Pani Julianny. Byłam autentycznie wzruszona.
Absolutely emotional interpretation!
Such a commanding and exhilarating performance and her sound palette is flexible and well suited for this music. Brava!!
才能あふれる方々が必死で望んだショパンコンクール、私にとっては大きな励ましでした。ありがとう。ありがとう。
I wonder which book did she used for this. Upon listening, I noticed on 34:34 that she used C sharp on the sequence (C - B - F - G) but in Shirmer's, its written C - natural (C - natural, B, F, G)
0:00 I. Allegro maestoso (E minor)
20:55 II. Romanze - Larghetto (E major)
30:20 III. Rondo - Vivace (E major)
thanks
lights went out and she kept on going thats a winner!
What an amazing performance!! A true masterpiece!
every notes is emotional . wonderful , perfect !
놀랍고 아름다운 연주에 푹 잠겨 보는 이 아침이 행복합니다.
Great pianist. Great piece.
若手の演奏が好きになれなくて、長い間コンクールとか新しいピアニストとかチェックしてなかったんですが、昨日彼女を知りまして、一発でファンになりました。やたら速さに訴えたりしない所が好きです。無駄なジェスチャーや顔芸もない。なのにすごく深い表現力がある。こんなピアニストが現代のピアノ界に、ショパンコンクールに必要だったと思います。素晴らしい演奏です。既に巨匠という感じがしてます。ヤマハの音もCFXになって格段に良くなりました（ちょっと狙い過ぎな感じもしますが）。いい感じの所でミスして盛り上がり切らなくなっちゃう所だけちょっと残念です。だからか、弾き終わった所であんまり納得できてなさそうな顔に見えました。ここから先は本人のせいじゃないですが、3楽章の頭、ヴァイオリンの人達が合ってなくて可哀想でした。それと3楽章で特に、高音側2オクターブくらいの音がみるみる下がって来て全然きれいな音じゃなくなってしまっているのも可哀想というか残念というか。最後の音とか、上が全然聞こえてないですよね。あんなに心惹かれる瞬間なのに。ピアノが新しくて弦も新しいでしょうからある程度仕方ないと思いますが、自分の仕事でこうだったら絶望的な気持ちになる所です。まぁいつだって後半は音が下がるものですが。低音側をもうちょっと下げておけばここまで悲惨な音にはならなかったかもしれません。まぁこれは調律師サイドの話です。
いずれにしろ素晴らしいピアニストに出会えてうれしいです。自分もこんな風に弾けたら良かったのに。
四年も前のコメントに失礼します。私も最近、彼女におおっ‼️と思った者です。やたら陶酔顔で弾くピアニストが苦手なのですが、彼女は姿勢も表情も品が良い❤️衣装もス―ツなんてセンスが良すぎる❗演奏も、ねっとり感がなくて爽やかで、嫌みが全く感じられない。良い意味で、女性らしくない堂々とした力強さが心地好いです。
素敵なピアニストが見つかると嬉しいですよね。
Desde que la descubrí en un vídeo me fascinó.Tsn femenina y a la vez con mucho temperamento.Chopin,,Chopin,Chopinquiem puede resistirse a tus encantos. ???U además proyectarlos en el piano de ese modo. ? No sabía que eras rusa,pero bien merecida esa medalla.Toda tu performance estuvo increíble,si me perdí de algo lo voy a encontrar .Muchas felicitaciones soy de. Uruguay.PD sigo insistiendo en las traducciones al español,yo soy una persona que ama la música pero no sé inglés ni coreano ni chino ni japonés ni ruso ni alemán en fin.......a los rusos felicitaciones porque fueron los 1os en traducir los conciertos de este muchachito rubio Alexander Foderev
Magically beautiful. She’s a goddess.
Segundo movimento é indescritível. Não dá para dizer nada. FANTÁSTICO!!!!!!!!!!!!
I just love Yulianna's intelligent interpretations!
Absolument merveilleux, Chopin a son meilleur. Bravo Yulianna.
UN SINNUMERO DE PAISAJES Y EMOCIONES EN ESTE HERMOSO CONCIERTO QUE SON PINTADOS MARAVILLOSAMENTE POR AVDEEVA EN EL LENGUAJE UNIVERSAL DE LA MUSICA EN EL PARA MI MAS COMPLETO INSTRUMENTO QUE NUNCA JAMAS SERA SUPERADO QUE ES EL PIANO
Fabulous!breathtaking&thrilling!!
Czysta wirtuozeria Chopinowska; brawo!!!
I can't imagine how many times she played it not to make any mistakes.Dedication!
Amazing! In a concert you can make mistake as long as you keep the passion. However in a competition, you have to be perfect with full passion and zero mistake. Chopin and Tchaikovsky Competition are the most prestigious and consist of many prodigy pianist around the world.
ヤマハがこれほど輝いた時はありませんね、調律完璧彼女によって、世界のヤマハが鳴り響きました。すばらしい演奏でした。
Wonderful!
great performance by a great artist.
spotted
Very crisp pleasing performance - well done, Bravo
Beautiful!!
Está pianista mostra além da competência também induz à quem assiste sua maneira de compartilhar seu sentimento acariciando as teclas do piano
outstanding, memorable interpretation, i keep hearing it every month as with 956 Schubert with emerson. thank you, yulianna, hope to see you in israel too
הצחקת אותי אחי.
The Best . you can feel it .
Listening to her performance, I feel like looking into a kaleidoscope of sounds.
Musically and much brilliant! (Chopin´s music is beautiful, as usual!)
Yes, of course.
Fantasie ！She is Master❤️
Finally good quality, so much better than 1st upload of this concerto
Yes, of course
I watched couple of videos on her channel. She's lovely and beautiful apart from being obviously a wonderful pianist.
impeccable performance! Well deserved champion!!
何て強い演奏でしょう、素晴らしいショパン！
If this girl's hands shake at any point, it is evidence of the electricity she feels while playing--said electricity which can be felt right through this UA-cam video. She is on fire. While I sometimes criticize lack of old school legato in players, I do NOT criticize this performance for any such thing. I watch her hands and listen to her tone in cantabile passages as well as allegro--in which we sometimes use a non-legato approach--and I hear and see nothing but the most scrupulous efforts at legato playing. She fingers octaves with a lot of silent changes. I'm sorry but I disagree with anybody who criticizes her for lack of legato. Kudos also go to the conductor, who follows her ornamentation spot on. My only question would be about the piano she has chosen in this competition. This could be a case of the presence of a fantastic Yamaha and a mediocre Steinway, but nothing cuts through orchestral textures like a Steinway. Would she "bear down" as much on a great Steinway as she does on this Yamaha? I don't know. As it is, her tone is drop-dead gorgeous. Another huge positive factor is that she is always in touch with every instrument that plays a solo or accompanies her. As for competitions, "winners", and "we all get a prize"--there are many ways to interpret any piece of music, and many ways to be outstanding, but the judges agreed that in this moment, she is better than anyone else. A well-deserved win! Brava, Yuliana!
I have a question. Did she actually play the wrong chord in the opening, or am I hallucinating? I'm not being critical, just want to make sure I'm not hearing things
this video is great!
13:01 this would mess with me if I was playing XD
XD
She did an amazing job!!! I thought I saw the lights flicker. I was like "What the heck!"
Man, if I was preparing for this, I'd practice with random lights flickering, dogs barking, babies crying, cranky old people kvetching, firecrackers blasting, and gunshots firing!
chopin's ghost
Imagine how tiring that day was.
If you listen to the 3rd stage recordings of Wunder and Avdeeva, in my opinion it is nearly impossible to say who played „better“ because it are just 2 very different ways of interpretation and each one has its right to exist. the delicacy how Wunder is painting the different colors in the 3rd movement is not lesser than Avdeevas sophistication of articulation or her polyphonic sculpturing. maybe it would be worth considering (@Chopin Institute) a shared 1st prize for such difficult situations in the future as it‘s already common practice in 2nd prize section, because if both of them are TOP in my opinion it’s unavoidable to pass injustice in the final outcome.
In such disputable cases, some secondary measures should decide. Like accuracy (yes, this is the most superior contest at the end of the day), or public reception. Despite Wuder being superior in these two, Avdeeva seems to markup her probable preparation deficiencies by unusual, straight out of score interpretations like overprolonged rubatos and tempo collapses for instance. This markups are visible throughout all her stages, it bothered me personally a lot - awkward in key passages, overly progressive interpretations decoupled from Chopin's era and background. Again, Wunder seemed to really take a tough lesson to approach Chopin properly - his renditions in turn, whether it's mazurka, polonaise or etude, sound coherent and thought over.
For me it's a scandal that Wunder missed 1st prize. Some opinions argued that he exaggerated and theatralized. This is untrue in my opinion, this guy unleashed real love and passion for Chopin.
Ingolf powinien był otrzymać 1 nagrodę. Nie gorszy muzycznie, za to dużo lepiej technicznie. Przeszkadzało mi jednak sporo błędów technicznych w grze Awdiejevy, choć muzycznie równie pięknie, choć inaczej niż Ingolf.
Pan Fryderyk Chopin jest dumą Polski! Cały naród jest z niego dumny! 🇵🇱
Astonishing perfect performance. Then at 34:00 it just got better.
Most beautifully played romance
I prefer Yundi from 2000. His rubato is more poignant..
Especially in the romance.
Yulianna Avdeeva
lowe 💗💗💗💗
Esta mujer ejerce una técnica maravillosa...! Gracias por permitirnos escucharla y verla.
wonderful..
Great performance!
Na minha opinião, a mais bela apresentação desta obra das que eu conheço.
nao tem video, mas a do krystian zimerman é definitivamente a melhor, ve ela depois, ta no spotify (foi mal pela resposta 3 anos dps)
MY DEEPEST RESPECT...ANOTHER PIANIST..💝💝👏👏👏
The soft melody that begins at 28:36 touches me deeply.
Bravo, bravo, superbe!