Yeah, that light flickering was rather unnerving. Hope the "Chopin Institute" has figured out how to prevent anything like this happening ever again; that's way below the standard of industrialized countries today.
@@ahmetbaturalpmirzabey5141Поляки ивестны своей "любовью" к русским. Они тогда считали что Авдеева не достойна первого места потому что в жюри был один из её учителей. Но она по праву заслужила первое место.
Incredibly beautiful! She has a deep understanding of the music, plays it naturally and every note is musical. There is no distractive show off, just the beauty of the music. Brava!
Her touches are just amazingly beautiful with a wonderful interpretation - all the notes sound purely like jewelry yet she can make powerful sounds too..just magnificent!! I also watched her Chopin Op49 which I also love so much!!
In 2010 fourteen outstanding and experienced pianists clearly perceived what many less competent and sensitive people failed to recognize: a rising pianistic star entirely engrossed in music, celebrating it with love, passion, reverence, perfect concentration, emotional depth and tremendous power, with individuality but without a trace of egocentricism so often seen. That is why the 1st Prize was beyond doubt and discussion in the Jury. After ten years of innumerable standing ovations on five continents and four additional in the same hall during the pandemic it is clear that they were not mistaken. Nor was Maestro Wit clapping his hands with joy and satisfaction after the last chords.
@@ransomcoates546 Yulianna Avdeeva got the highest scores in all 4 stages: I: 92,17; II: 93,58; III: 94,33; Final: 1,47. Scores of all participants are officially published: pl.wikipedia.org/wiki/XVI_Mi%C4%99dzynarodowy_Konkurs_Pianistyczny_im._Fryderyka_Chopina. She won in all 4 stages. From the official data it is also apparent that Martha Argerich has never given 100 points to Trifonov nor to anybody else, but was consequently giving 99 points to Avddeeva in all 3 stages. The only instance of giving 100 points was that of Ph. Entremont, and it was given to Avdeeva in the 2nd stage. Analysis of these data shows that if there was any doubt, it was that of the 2nd prize for Wunder.
I am glad that the judges picked her as the winner, she has the rare ability to turn some one else music into her own, I never thought Chopin could be played like this... her interpretation is out of this world
The ability, rare or not, to turn someone else's music into one's own may be an asset in the jazz repertoire but in classical music, it is not only unnecessary but deleterious. A classical pianist should be turning someone else's music (i.e., the composer's) into everyone's music (i.e., the audience's). Classical music, unlike jazz, lacks the onanistic element.
@@4Topwood I guess Seong Jin Cho the winner of 2015 Chopin Comp doesn't deserve to be called a classical musician at all because Phillipe Entremont gave him a score of 1 out of 10 in the finals. A classical musician should "turn the composer's interpretation into everyone's" right? Leonias Kavakos after winning clasical music competitions apparently should be called a Jazz musician instead because he turned Paganini's score into his by neglecting the original bowing and increasing the speed and dynamics. Everyone can tell you have never been to a music school before Ann Edwards. So don't make false statement about something you've had no education on, you should already saw what It did to America during the pandemic. Go knit or something, or actually go to a conservatory where they teach what Classical and Jazz music is, it may help you realize why Classical Conductors always argue and tell one another off over how classical works should be played, not "turning the composer's interpretation into the audience's" and why Herbie Hancock became one of the greatest Jazz musicians by improvosing his own playing on the spot, not "turning someone's asset into his own".
Outstanding performance!!! I love when an artist "goes for it" and Yulianna did just that... Yulianna's performance was brilliant and the orchestra was exceptional. The video is very well done and the sound quality is perfect. I could listen to this over and over.
"Creeps up on you" -- great description. I was watching some of the really complex parts of the first movement and at first thought, "This sounds like mandatory conservatory technique exercises." Then I listened to her playing longer and appreciated it for what it was--an aggressive articulation of the music, almost "con fuoco"--that brought a lot of intensity and articulation that I don't usually perceive in that piece. Very interesting performance and worthy of listening to again. It's different, but that's part of why I like it. It's hard to distinguish oneself when playing Chopin, but she achieves that here and makes beautiful music in the process. Well done.
So I hear her for the 1st time early this morning before I went to sleep around 2am. 12 hours later after 3pm, I'm saying to myself, "Lawd!! (southern for Lord) look at this sister girl go". After hearing Martha Argerich's latest video performance of this piece, I assumed that I would not be inspired "that much" by another performance, until I asked last night, "Who won this competition in 2010?" He fingers are lIke one with the piano keys, so fit for striking the keys perfectly. Her artistry & her beauty are absolutely amazing!!
Dieses Klarheit, das brillante Phrasieren, diese grandiose Musikalität, das enorme Verständnis für die Komposition und die Stärke, nicht alles mit Geschwindigkeit zu malträtieren, um das Publikum zu beeindrucken und dieser einzigartige touch, machen Yuliana Avdeeva zu einer herausragenden Pianistin.Dieses Konzert habe ich noch nicht so großartig gehört und ich habe es schon hunderte Male von unzähligen Pianisten gehört.
Wow! Takes my breath away. I learned they don't award the prize every five years, which makes winning the competition every more of an accomplishment. I certainly can understand how they could award first prize to this woman. She is inspiring. And what a privilege to have these excellent videos that give viewers the best seat in the house. Yes, it would be wonderful to be in the audience at the end of such a performance, joining the crowd in expressing our appreciation but watching a fine video on a computer with a good sound system is pretty sweet. I needed to subscribe so I can enjoy more Chopin. Thanks!
오케스트라를 지휘하다시피하는 카리스마와 힘, 자신만의 쇼팽 해석에 대한 확고한 믿음과 예술성, 음악에 대한 순수한 열정과 불타지만 차가운 감정, 그 모든걸 쏟아낸 율리아나도 감동이고 그걸 알아보고 바로 1등 상을 준 쇼팽 콩쿨이 괜히 쇼팽 콩쿨이 아니구나라고 다시 한번 느끼네요.. 브라보!!
Not gonna lie she had a few mishaps in the descending passage in the left hand when the lights went out but other than that her concentration was remarkable. It's no wonder why she won first prize.
She played Chopin like a philosopher!she is completely wise like Plato’s logical mind to create music. I think that she is lack of common emotions to audiences to approach her music when she played Chopin, but she is the most sober person.She doesn’t want to excite people, her music has educational meaning. She persuades the core of music.
A GLORIOUS achievement! WONDERfUL playing! As good as it gets. But there are SO MANY today who play at this level. I pray that every one of them may find enough of an audience and critical acclaim to sustain a successful career.
I love Yulianna's performance! The orchestra is professional and the video (scenes and sound quality) is great too! The pianist and orchestra added radiance to each other. Each side made this wonderful. I watched this video several times.
Beleza indescritível, toque firme, andamento claro e emoção dosada! Belíssima interpretação. 17:04 a 18:48 é para mim uma das "páginas" mais belas da criação musical ocidental, uma das melodias mais tocantes que já ouvi, pois Chopin faz o piano cantar com toda sua sensibilidade! Choro sempre...
Юлианна Андреевна не просто играет, она живёт этой музыкой, пропуская её через свою душу! Замечательное звукоизвлечение! Получаешь огромное эстетическое наслаждение от столь прекрасного исполнения!
What a superb performance. Why do we not know of her before ? There are so many brilliant pianists, we are so lucky. All this on a Yamaha grand which sounds as good as a Steinway. Wonderful. Thank you to all involved.
Emocjonalny występ, a ostatnia część zwycięska. Pokazała swoją cudowną, przejmującą interpretacją na czym polegało zwycięstwo Chopina. Ten jego triumf muzyki i życia, które wybrał nad tęsknotą. Bo te jego uczucia ja słyszałam i całą tę jego narrację pełną namiętności, smutku i wreszcie pokonania siebie. Otwarcia się na nowe. To zwycięstwo na końcu było wyrażone tak pięknie, mocno, ale również nie pozbawione nostalgii. Tak odczułam interpretację Pani Julianny. Byłam autentycznie wzruszona.
Even if i still regard Bozhanov a genius and for this reason he had to win the competition without any doubts, rilestening the performances, i can say that this pianist is great. Apparently, she is nothing special but after some minutes her deep and maningful playing comes out. She has a wide range of colours: from subtle pianissimo to a solid fortissimo. And sometimes she can reach what i call "great moments". In my humbl opinion, the great moments are the touchstone between a normal and a great pianist. Avdeeva is a great pianist. From 7:40 to 8:00 is an example.
Bozhanov IS a genius, one of the greatest pianists I've heard in the last 20 years. Yulianna played superbly in the early rounds but this concerto is not her forte, and Bozhanov's was also subpar. The winner of the concerto round was Wunder, and it's one of the most glorious performances of this concerto I've ever encountered, just completely "on" from start to finish.
Desde que la descubrí en un vídeo me fascinó.Tsn femenina y a la vez con mucho temperamento.Chopin,,Chopin,Chopinquiem puede resistirse a tus encantos. ???U además proyectarlos en el piano de ese modo. ? No sabía que eras rusa,pero bien merecida esa medalla.Toda tu performance estuvo increíble,si me perdí de algo lo voy a encontrar .Muchas felicitaciones soy de. Uruguay.PD sigo insistiendo en las traducciones al español,yo soy una persona que ama la música pero no sé inglés ni coreano ni chino ni japonés ni ruso ni alemán en fin.......a los rusos felicitaciones porque fueron los 1os en traducir los conciertos de este muchachito rubio Alexander Foderev
Wikipedia: Yulianna Avdeeva being awarded First Prize at the 2010 Chopin competition. Polish president Bronisław Komorowski stands on the left. Background information Born July 3, 1985 (age 35) Moscow, Soviet Union Genres Classical Instruments Piano Labels Mirare, Deutsche Grammophon Yulianna Andreevna Avdeeva (Russian: Юлиа́нна Андре́евна Авде́ева; born July 3, 1985) is a Russian concert pianist. Avdeeva was born in Moscow. She started piano lessons at the age of five, studied at the Gnessin Special School of Music in Moscow, and graduated from the Zurich University of the Arts. After her graduation, she became assistant to her teacher, Konstantin Scherbakov.[1] Since 2008 Avdeeva has studied at the International Piano Academy Lake Como.[2] In 2010, Avdeeva won First Prize in the 16th International Chopin Piano Competition in 2010. She is the fourth woman to have won this title, after Halina Czerny-Stefańska, Bella Davidovich (ex aequo in 1949) and Martha Argerich (1965).[3]
outstanding, memorable interpretation, i keep hearing it every month as with 956 Schubert with emerson. thank you, yulianna, hope to see you in israel too
Amazing! In a concert you can make mistake as long as you keep the passion. However in a competition, you have to be perfect with full passion and zero mistake. Chopin and Tchaikovsky Competition are the most prestigious and consist of many prodigy pianist around the world.
If this girl's hands shake at any point, it is evidence of the electricity she feels while playing--said electricity which can be felt right through this UA-cam video. She is on fire. While I sometimes criticize lack of old school legato in players, I do NOT criticize this performance for any such thing. I watch her hands and listen to her tone in cantabile passages as well as allegro--in which we sometimes use a non-legato approach--and I hear and see nothing but the most scrupulous efforts at legato playing. She fingers octaves with a lot of silent changes. I'm sorry but I disagree with anybody who criticizes her for lack of legato. Kudos also go to the conductor, who follows her ornamentation spot on. My only question would be about the piano she has chosen in this competition. This could be a case of the presence of a fantastic Yamaha and a mediocre Steinway, but nothing cuts through orchestral textures like a Steinway. Would she "bear down" as much on a great Steinway as she does on this Yamaha? I don't know. As it is, her tone is drop-dead gorgeous. Another huge positive factor is that she is always in touch with every instrument that plays a solo or accompanies her. As for competitions, "winners", and "we all get a prize"--there are many ways to interpret any piece of music, and many ways to be outstanding, but the judges agreed that in this moment, she is better than anyone else. A well-deserved win! Brava, Yuliana!
I have a question. Did she actually play the wrong chord in the opening, or am I hallucinating? I'm not being critical, just want to make sure I'm not hearing things
UN SINNUMERO DE PAISAJES Y EMOCIONES EN ESTE HERMOSO CONCIERTO QUE SON PINTADOS MARAVILLOSAMENTE POR AVDEEVA EN EL LENGUAJE UNIVERSAL DE LA MUSICA EN EL PARA MI MAS COMPLETO INSTRUMENTO QUE NUNCA JAMAS SERA SUPERADO QUE ES EL PIANO
Man, if I was preparing for this, I'd practice with random lights flickering, dogs barking, babies crying, cranky old people kvetching, firecrackers blasting, and gunshots firing!
I wonder which book did she used for this. Upon listening, I noticed on 34:34 that she used C sharp on the sequence (C - B - F - G) but in Shirmer's, its written C - natural (C - natural, B, F, G)
Listening to her performance again, I am convinced that Yuliana is an extraordinary pianist and fully deserved her win. I can see why some felt that her tone was wrong for Chopin. She is probably more suited to Prokofiev than Chopin, but she is so characterful and forthright that, like Argerich, you are completely won over by her strong conviction. Many, including myself, believe that Steinway is the best piano for standard repertoire. Those who choose a Yamaha are making a point and are happy to forego a beautiful tone; just as there must be some who prefer a Honda over a BMW.
The Yamaha CFX is way better than any modern Steinway D. You think its more suitable for standard repertoire cause you grew up listening to Steinways on almost every piano recording. That's the sound you're familiar with. They used to make wonderful pianos and they are still great, but not near the same as their golden aged pianos. Nowadays Steinways are dull in tone, they may fit "better" for orchestra cause they lack tone character, they're extremely neutral pianos. When you put it along with the Yamaha CFX, the Bosendorfer 290, the Fazioli F278 or the Bechstein D282, the Steinway gets completely outshined. Im talking about MODERN ones, that are relying on name. Vintage ones are worth the reputation.
@@Thiago-px9ev Thank you Thiago for your perceptive comments. You are in good company in preferring a Yamaha to a Steinway. Richter famously did that too. Japanese craftmanship is second to none. No other nation lavishes so much care on getting even the tiniest detail exactly right, even if the product is as humble as a bowl of noodles or a piece of paper (origami). A Yamaha piano is consistent and reliable. Its signature bright tone is always there, which can be a liability if a wide tonal palette is desired. For Chopin, a Steinway might seem more appropriate. However, I do wonder why a Pleyel is not offered at the Chopin competitions. It is the authentic instrument for Chopin.
@@JaseBach Gould also liked Yamahas. And the company made a huge improvement with the purchase of Bosendorfer, their CX's series are definitely top notch. But answering your other question, Pleyels are no longer made. The company has closed in 2013 and they now produce a very small number of pianos, under demand. But that's not even the point, the Pleyel that Chopin loved was the Pleyel of Camille Pleyel. Since his death in 1855, the company slowly started to move away from its roots. The Pleyels Chopin loved were straight-strung with no iron plate at all and simple english mechanism. August Wolff, who owned the company after Camille Pleyel, introduced to Pleyel the oblique strung system and wrought iron plate as a response to Steinway's overstrung, thicker strings and cast iron plate(which was invented by Chickering earlier), when things started to change from tone quality(Pleyel, Erard, Henri Herz and overall french and english makers which previously owned the market) to priorize volume. Steinway's massive marketing started to belittle other companies while they declared themselves the truly piano makers. Halls started to get larger and larger, french makers no longer were able to compete with Steinway without changing its way to make pianos in order to achieve more volume, and that's when Pleyel completely started to lose its signature tone. The decline started in late 1880-1890, and they completely embraced the american way of making post-1903. And the Pleyel tone was already gone. That's why modern Pleyels aren't nowhere near Chopin's Pleyels. But there's already a Chopin Competition on Period Pianos started in 2018! Unfortunately, their instruments are poorly restored, lacking ressonance and also very dull in tone. That's not the right way to restore a period piano, and then we get into another problem: the lackness of proper technicians to work with those instruments. I know only 2 names in France, none of them is working with Chopin Institute unfortunately. But the making of the competition is already a good start... Hopefully they will fix that soon.
I just realized, at 13 minutes, the lights in the hall go out during a stressfull piano passage, and Avdeeva doesn't miss a single note. Wow.
at the beginning, like during 4-5th minutes lights faded away a few times. Wonder what happened
Almost as good as Valentina Lisitsa’s exploding Beethoven
Yeah, that light flickering was rather unnerving. Hope the "Chopin Institute" has figured out how to prevent anything like this happening ever again; that's way below the standard of industrialized countries today.
@@ahmetbaturalpmirzabey5141Поляки ивестны своей "любовью" к русским. Они тогда считали что Авдеева не достойна первого места потому что в жюри был один из её учителей. Но она по праву заслужила первое место.
Incredibly beautiful! She has a deep understanding of the music, plays it naturally and every note is musical. There is no distractive show off, just the beauty of the music. Brava!
Przepiękne rosyjskie wykonanie. Żaden Polski pianista tej wspaniałej Rosjance nie dorówna.
still listening to it after all these years...i still think this is the best version:)
Yulianna has so much charisma!
Such a pleasure to watch and to listen to.
❤❤❤❤❤
Her touches are just amazingly beautiful with a wonderful interpretation - all the notes sound purely like jewelry yet she can make powerful sounds too..just magnificent!! I also watched her Chopin Op49 which I also love so much!!
In 2010 fourteen outstanding and experienced pianists clearly perceived what many less competent and sensitive people failed to recognize: a rising pianistic star entirely engrossed in music, celebrating it with love, passion, reverence, perfect concentration, emotional depth and tremendous power, with individuality but without a trace of egocentricism so often seen. That is why the 1st Prize was beyond doubt and discussion in the Jury. After ten years of innumerable standing ovations on five continents and four additional in the same hall during the pandemic it is clear that they were not mistaken. Nor was Maestro Wit clapping his hands with joy and satisfaction after the last chords.
The first prize was hardly beyond doubt. There was high intrigue, with Argerich giving Trifonov 100 points.
@@ransomcoates546 Yulianna Avdeeva got the highest scores in all 4 stages: I: 92,17; II: 93,58; III: 94,33; Final: 1,47. Scores of all participants are officially published: pl.wikipedia.org/wiki/XVI_Mi%C4%99dzynarodowy_Konkurs_Pianistyczny_im._Fryderyka_Chopina. She won in all 4 stages. From the official data it is also apparent that Martha Argerich has never given 100 points to Trifonov nor to anybody else, but was consequently giving 99 points to Avddeeva in all 3 stages. The only instance of giving 100 points was that of Ph. Entremont, and it was given to Avdeeva in the 2nd stage. Analysis of these data shows that if there was any doubt, it was that of the 2nd prize for Wunder.
I am glad that the judges picked her as the winner, she has the rare ability to turn some one else music into her own, I never thought Chopin could be played like this... her interpretation is out of this world
The ability, rare or not, to turn someone else's music into one's own may be an asset in the jazz repertoire but in classical music, it is not only unnecessary but deleterious. A classical pianist should be turning someone else's music (i.e., the composer's) into everyone's music (i.e., the audience's). Classical music, unlike jazz, lacks the onanistic element.
Ann, you're a complete moron @@4Topwood
@@4Topwood I guess Seong Jin Cho the winner of 2015 Chopin Comp doesn't deserve to be called a classical musician at all because Phillipe Entremont gave him a score of 1 out of 10 in the finals. A classical musician should "turn the composer's interpretation into everyone's" right?
Leonias Kavakos after winning clasical music competitions apparently should be called a Jazz musician instead because he turned Paganini's score into his by neglecting the original bowing and increasing the speed and dynamics.
Everyone can tell you have never been to a music school before Ann Edwards. So don't make false statement about something you've had no education on, you should already saw what It did to America during the pandemic. Go knit or something, or actually go to a conservatory where they teach what Classical and Jazz music is, it may help you realize why Classical Conductors always argue and tell one another off over how classical works should be played, not "turning the composer's interpretation into the audience's" and why Herbie Hancock became one of the greatest Jazz musicians by improvosing his own playing on the spot, not "turning someone's asset into his own".
@@4TopwoodWhat a joke. If you know nothing about musical interpretation, stop embarrassing yourself with your big mouth here.
👏@@kiranbernard7214
Outstanding performance!!! I love when an artist "goes for it" and Yulianna did just that... Yulianna's performance was brilliant and the orchestra was exceptional. The video is very well done and the sound quality is perfect. I could listen to this over and over.
What do you mean, "goes for it"?
Better to listen Daniil Trifonov! HE is the best! :)))))))
Hey does the first piano chord sounds off to anyone?
@@idyllwildmontessorischool1162 ye idk why he didn't win
@@LazlosPlane Does it with extreme passion and dedication? Puts everything into it. That's how I would define it.
1st mvmt: 0:04
2nd mvmt: 20:56
3rd mvmt: 30:22
Thank you!
thx
This is a performance that creeps up on you, and you suddenly realise just how good it is. Well complemented by the orchestra, too.
"Creeps up on you" -- great description. I was watching some of the really complex parts of the first movement and at first thought, "This sounds like mandatory conservatory technique exercises." Then I listened to her playing longer and appreciated it for what it was--an aggressive articulation of the music, almost "con fuoco"--that brought a lot of intensity and articulation that I don't usually perceive in that piece. Very interesting performance and worthy of listening to again. It's different, but that's part of why I like it. It's hard to distinguish oneself when playing Chopin, but she achieves that here and makes beautiful music in the process. Well done.
Я не профессионал,но я в восторге
So I hear her for the 1st time early this morning before I went to sleep around 2am. 12 hours later after 3pm, I'm saying to myself, "Lawd!! (southern for Lord) look at this sister girl go". After hearing Martha Argerich's latest video performance of this piece, I assumed that I would not be inspired "that much" by another performance, until I asked last night, "Who won this competition in 2010?" He fingers are lIke one with the piano keys, so fit for striking the keys perfectly. Her artistry & her beauty are absolutely amazing!!
まるで精密機械のような素晴らしいタッチ、それでいて一本しっかり芯の通った演奏。聴き終わった後は、春の暖かい爽やかな風のような心地よさ。素晴らしいです。
I don't like when the video cuts off before hearing the audiences full appreciation for the performance.
Dieses Klarheit, das brillante Phrasieren, diese grandiose Musikalität, das enorme Verständnis für die Komposition und die Stärke, nicht alles mit Geschwindigkeit zu malträtieren, um das Publikum zu beeindrucken und dieser einzigartige touch, machen Yuliana Avdeeva zu einer herausragenden Pianistin.Dieses Konzert habe ich noch nicht so großartig gehört und ich habe es schon hunderte Male von unzähligen Pianisten gehört.
Удивительное сочетание аналитической точности, академической техники и воздушной лёгкости. Музыкальное полотно словно искусное кружево, рождаемое волшебными пальцами, повторить которое, кажется, совершенно невозможно. Браво! Восторг!
I went to see her last week in Melbourne, Australia. Absolutely stunning play.
Che meraviglia! Artista straordinaria! Interpretazione davvero magistrale e soprattutto emozionante!!
Wow! Takes my breath away. I learned they don't award the prize every five years, which makes winning the competition every more of an accomplishment. I certainly can understand how they could award first prize to this woman. She is inspiring. And what a privilege to have these excellent videos that give viewers the best seat in the house. Yes, it would be wonderful to be in the audience at the end of such a performance, joining the crowd in expressing our appreciation but watching a fine video on a computer with a good sound system is pretty sweet. I needed to subscribe so I can enjoy more Chopin. Thanks!
오케스트라를 지휘하다시피하는 카리스마와 힘, 자신만의 쇼팽 해석에 대한 확고한 믿음과 예술성, 음악에 대한 순수한 열정과 불타지만 차가운 감정, 그 모든걸 쏟아낸 율리아나도 감동이고 그걸 알아보고 바로 1등 상을 준 쇼팽 콩쿨이 괜히 쇼팽 콩쿨이 아니구나라고 다시 한번 느끼네요.. 브라보!!
너무감명깊게 듣었습니다~~~
Dies ist ja wohl mit Abstand die gefühlvollste und durchdachteste Interpretation dieses fantastischen Meisterwerks, die ich ja gehört habe! 👍👏 Bravo!!
did anyone notice that the auditorium lights turned off ?!?!!?! she kept playing like nothing happened!!!!
That's what pianists do, you can't get distracted by anything while your playing the piano and getting the emotions right
"Emotions"?? Hardly. Nothing to do with emotions. In fact, emotions are the enemy of a good performance. This is a misconception of dilettantes.
She seems to be perfectly concentrated, no matter what happens around her.
Great genius. Astonishing performance.
Not gonna lie she had a few mishaps in the descending passage in the left hand when the lights went out but other than that her concentration was remarkable. It's no wonder why she won first prize.
Oh, ok got it, thanks.
I'm in love with this Chopin's Piano Concert!
She played Chopin like a philosopher!she is completely wise like Plato’s logical mind to create music. I think that she is lack of common emotions to audiences to approach her music when she played Chopin, but she is the most sober person.She doesn’t want to excite people, her music has educational meaning. She persuades the core of music.
A GLORIOUS achievement! WONDERfUL playing! As good as it gets. But there are SO MANY today who play at this level. I pray that every one of them may find enough of an audience and critical acclaim to sustain a successful career.
I love Yulianna's performance! The orchestra is professional and the video (scenes and sound quality) is great too! The pianist and orchestra added radiance to each other. Each side made this wonderful. I watched this video several times.
The expression is so fluid, she lets the music take her.
13:00 she handled the lights turning off flawlessly
that was absolutely incredible.
Excelente interpretacion de este bellisimo concierto. La orquesta tambien excelente. Ademas la calidad del sonido y la imagen es excepcional.
Beleza indescritível, toque firme, andamento claro e emoção dosada! Belíssima interpretação. 17:04 a 18:48 é para mim uma das "páginas" mais belas da criação musical ocidental, uma das melodias mais tocantes que já ouvi, pois Chopin faz o piano cantar com toda sua sensibilidade! Choro sempre...
13:14 the light turned off! She could still play it greatly, by the way
Sabotage ;)
Outstanding performance & interpretation.
Юлианна Андреевна не просто играет, она живёт этой музыкой, пропуская её через свою душу! Замечательное звукоизвлечение! Получаешь огромное эстетическое наслаждение от столь прекрасного исполнения!
A true Chopin artist. My highest Bravo to Yulianna !
Love they way she plays! Deserved winner!
Best performance of this concerto I've ever heard ... and I've heard a lot of them.
音楽を聴いて心で感じる事が大切だと思う、技巧に走ると、その道の批評家、専門家がバッシングする。彼女の感性が伝わって来ます。素晴らしい。YAMAHA以外のピアノで演奏すれば、もっといいのに、と楽器そのものを批判する態度こそ、おかしくもあります。心に響きました。
そうそう。なぜヤマハを邪険にするのか。それに、ヤマハはピアニッシモが格別なのにな。
リヒテルも認めていた。
Such a commanding and exhilarating performance and her sound palette is flexible and well suited for this music. Brava!!
What a superb performance. Why do we not know of her before ?
There are so many brilliant pianists, we are so lucky. All this on a Yamaha grand which
sounds as good as a Steinway. Wonderful. Thank you to all involved.
You should ask, why do YOU not know her before, not why do we. We all know her since 2010
One of my favorit interpretation of Chopin's concerto. Very powerful, emotional, and unique.
Emocjonalny występ, a ostatnia część zwycięska. Pokazała swoją cudowną, przejmującą interpretacją na czym polegało zwycięstwo Chopina. Ten jego triumf muzyki i życia, które wybrał nad tęsknotą. Bo te jego uczucia ja słyszałam i całą tę jego narrację pełną namiętności, smutku i wreszcie pokonania siebie. Otwarcia się na nowe. To zwycięstwo na końcu było wyrażone tak pięknie, mocno, ale również nie pozbawione nostalgii. Tak odczułam interpretację Pani Julianny. Byłam autentycznie wzruszona.
Understanding and feeling for this op.11 is in top. The soul of Chopin is alive.
Czysta wirtuozeria Chopinowska; brawo!!!
I love the expression from 5:24 here, as if holding back overflowing emotions.
やはり、この演奏は何度聴いても、過去のどんな大巨匠ともヒケを取らない、最高のクオリティーであり、今後のユリアンナ・アヴデーエワさんの円熟に期待したいですね。
What a beautiful soul.
今初めてユリアンナアヴデーエワさんのChopinのconcerto1番の演奏を聞いて感動を通り越しています🙏私が音楽に求める全ての何倍もの永遠の憧れとなって表現されていると思います✴私の言葉でその思いを表すことはできません👏👏👏今から来日公演を聴ける奇跡を信じて💟
0:00 I. Allegro maestoso (E minor)
20:55 II. Romanze - Larghetto (E major)
30:20 III. Rondo - Vivace (E major)
thanks
I just love Yulianna's intelligent interpretations!
Even if i still regard Bozhanov a genius and for this reason he had to win the competition without any doubts, rilestening the performances, i can say that this pianist is great. Apparently, she is nothing special but after some minutes her deep and maningful playing comes out. She has a wide range of colours: from subtle pianissimo to a solid fortissimo. And sometimes she can reach what i call "great moments". In my humbl opinion, the great moments are the touchstone between a normal and a great pianist. Avdeeva is a great pianist. From 7:40 to 8:00 is an example.
Bozhanov IS a genius, one of the greatest pianists I've heard in the last 20 years. Yulianna played superbly in the early rounds but this concerto is not her forte, and Bozhanov's was also subpar. The winner of the concerto round was Wunder, and it's one of the most glorious performances of this concerto I've ever encountered, just completely "on" from start to finish.
@@fredfeinberg3995 Yes, he mezmerized.
Absolutely emotional interpretation!
真矢みきに似てる😆なんと言っても弾いてる姿勢と表情が美しくて品が良い。女性には珍しいス―ツが上品さをさらに引き立ててるし、彼女にとてもよく似合う❤️ヤマハを選んでくれたとこもグッド👍
@@エイトマン-g3w ええやん別に笑
Great pianist. Great piece.
lights went out and she kept on going thats a winner!
very emotional and dynamic.
Yulianna is a fantastic interpreter of Chopin.
Yuki Egami i guess
@@tziranpianist1641 You won't come to regret it.
Keep it at 69 likes guys
Very crisp pleasing performance - well done, Bravo
Finally good quality, so much better than 1st upload of this concerto
Yes, of course
Her playing bears her charisma and is extremely intelligent.
ヤマハがこれほど輝いた時はありませんね、調律完璧彼女によって、世界のヤマハが鳴り響きました。すばらしい演奏でした。
What a truly beautiful soul...Gods spirit shines through her...how could one possibly acquires that expressed beauty in just one lifetime..
Absolument merveilleux, Chopin a son meilleur. Bravo Yulianna.
Very excellent!
若手の演奏が好きになれなくて、長い間コンクールとか新しいピアニストとかチェックしてなかったんですが、昨日彼女を知りまして、一発でファンになりました。やたら速さに訴えたりしない所が好きです。無駄なジェスチャーや顔芸もない。なのにすごく深い表現力がある。こんなピアニストが現代のピアノ界に、ショパンコンクールに必要だったと思います。素晴らしい演奏です。既に巨匠という感じがしてます。ヤマハの音もCFXになって格段に良くなりました（ちょっと狙い過ぎな感じもしますが）。いい感じの所でミスして盛り上がり切らなくなっちゃう所だけちょっと残念です。だからか、弾き終わった所であんまり納得できてなさそうな顔に見えました。ここから先は本人のせいじゃないですが、3楽章の頭、ヴァイオリンの人達が合ってなくて可哀想でした。それと3楽章で特に、高音側2オクターブくらいの音がみるみる下がって来て全然きれいな音じゃなくなってしまっているのも可哀想というか残念というか。最後の音とか、上が全然聞こえてないですよね。あんなに心惹かれる瞬間なのに。ピアノが新しくて弦も新しいでしょうからある程度仕方ないと思いますが、自分の仕事でこうだったら絶望的な気持ちになる所です。まぁいつだって後半は音が下がるものですが。低音側をもうちょっと下げておけばここまで悲惨な音にはならなかったかもしれません。まぁこれは調律師サイドの話です。
いずれにしろ素晴らしいピアニストに出会えてうれしいです。自分もこんな風に弾けたら良かったのに。
四年も前のコメントに失礼します。私も最近、彼女におおっ‼️と思った者です。やたら陶酔顔で弾くピアニストが苦手なのですが、彼女は姿勢も表情も品が良い❤️衣装もス―ツなんてセンスが良すぎる❗演奏も、ねっとり感がなくて爽やかで、嫌みが全く感じられない。良い意味で、女性らしくない堂々とした力強さが心地好いです。
素敵なピアニストが見つかると嬉しいですよね。
Desde que la descubrí en un vídeo me fascinó.Tsn femenina y a la vez con mucho temperamento.Chopin,,Chopin,Chopinquiem puede resistirse a tus encantos. ???U además proyectarlos en el piano de ese modo. ? No sabía que eras rusa,pero bien merecida esa medalla.Toda tu performance estuvo increíble,si me perdí de algo lo voy a encontrar .Muchas felicitaciones soy de. Uruguay.PD sigo insistiendo en las traducciones al español,yo soy una persona que ama la música pero no sé inglés ni coreano ni chino ni japonés ni ruso ni alemán en fin.......a los rusos felicitaciones porque fueron los 1os en traducir los conciertos de este muchachito rubio Alexander Foderev
Wikipedia:
Yulianna Avdeeva being awarded First Prize at the 2010 Chopin competition. Polish president Bronisław Komorowski stands on the left.
Background information
Born July 3, 1985 (age 35)
Moscow, Soviet Union
Genres Classical
Instruments Piano
Labels Mirare, Deutsche Grammophon
Yulianna Andreevna Avdeeva (Russian: Юлиа́нна Андре́евна Авде́ева; born July 3, 1985) is a Russian concert pianist.
Avdeeva was born in Moscow. She started piano lessons at the age of five, studied at the Gnessin Special School of Music in Moscow, and graduated from the Zurich University of the Arts. After her graduation, she became assistant to her teacher, Konstantin Scherbakov.[1] Since 2008 Avdeeva has studied at the International Piano Academy Lake Como.[2] In 2010, Avdeeva won First Prize in the 16th International Chopin Piano Competition in 2010. She is the fourth woman to have won this title, after Halina Czerny-Stefańska, Bella Davidovich (ex aequo in 1949) and Martha Argerich (1965).[3]
Musically and much brilliant! (Chopin´s music is beautiful, as usual!)
Yes, of course.
What an amazing performance!! A true masterpiece!
outstanding, memorable interpretation, i keep hearing it every month as with 956 Schubert with emerson. thank you, yulianna, hope to see you in israel too
הצחקת אותי אחי.
I can't imagine how many times she played it not to make any mistakes.Dedication!
Amazing! In a concert you can make mistake as long as you keep the passion. However in a competition, you have to be perfect with full passion and zero mistake. Chopin and Tchaikovsky Competition are the most prestigious and consist of many prodigy pianist around the world.
Fabulous!breathtaking&thrilling!!
start listen 37min:40sec---------->fragment with left hand is the reason she won 1 Price
every notes is emotional . wonderful , perfect !
才能あふれる方々が必死で望んだショパンコンクール、私にとっては大きな励ましでした。ありがとう。ありがとう。
this video is great!
Segundo movimento é indescritível. Não dá para dizer nada. FANTÁSTICO!!!!!!!!!!!!
놀랍고 아름다운 연주에 푹 잠겨 보는 이 아침이 행복합니다.
If this girl's hands shake at any point, it is evidence of the electricity she feels while playing--said electricity which can be felt right through this UA-cam video. She is on fire. While I sometimes criticize lack of old school legato in players, I do NOT criticize this performance for any such thing. I watch her hands and listen to her tone in cantabile passages as well as allegro--in which we sometimes use a non-legato approach--and I hear and see nothing but the most scrupulous efforts at legato playing. She fingers octaves with a lot of silent changes. I'm sorry but I disagree with anybody who criticizes her for lack of legato. Kudos also go to the conductor, who follows her ornamentation spot on. My only question would be about the piano she has chosen in this competition. This could be a case of the presence of a fantastic Yamaha and a mediocre Steinway, but nothing cuts through orchestral textures like a Steinway. Would she "bear down" as much on a great Steinway as she does on this Yamaha? I don't know. As it is, her tone is drop-dead gorgeous. Another huge positive factor is that she is always in touch with every instrument that plays a solo or accompanies her. As for competitions, "winners", and "we all get a prize"--there are many ways to interpret any piece of music, and many ways to be outstanding, but the judges agreed that in this moment, she is better than anyone else. A well-deserved win! Brava, Yuliana!
I have a question. Did she actually play the wrong chord in the opening, or am I hallucinating? I'm not being critical, just want to make sure I'm not hearing things
Pan Fryderyk Chopin jest dumą Polski! Cały naród jest z niego dumny! 🇵🇱
UN SINNUMERO DE PAISAJES Y EMOCIONES EN ESTE HERMOSO CONCIERTO QUE SON PINTADOS MARAVILLOSAMENTE POR AVDEEVA EN EL LENGUAJE UNIVERSAL DE LA MUSICA EN EL PARA MI MAS COMPLETO INSTRUMENTO QUE NUNCA JAMAS SERA SUPERADO QUE ES EL PIANO
Imagine how tiring that day was.
Die beste Pianisten überhaupt..👍❤️👍
Magically beautiful. She’s a goddess.
13:01 this would mess with me if I was playing XD
XD
She did an amazing job!!! I thought I saw the lights flicker. I was like "What the heck!"
Man, if I was preparing for this, I'd practice with random lights flickering, dogs barking, babies crying, cranky old people kvetching, firecrackers blasting, and gunshots firing!
chopin's ghost
Esta mujer ejerce una técnica maravillosa...! Gracias por permitirnos escucharla y verla.
impeccable performance! Well deserved champion!!
Wonderful!
Fantasie ！She is Master❤️
great performance by a great artist.
spotted
Beautiful!!
Listening to her performance, I feel like looking into a kaleidoscope of sounds.
I wonder which book did she used for this. Upon listening, I noticed on 34:34 that she used C sharp on the sequence (C - B - F - G) but in Shirmer's, its written C - natural (C - natural, B, F, G)
MY DEEPEST RESPECT...ANOTHER PIANIST..💝💝👏👏👏
何て強い演奏でしょう、素晴らしいショパン！
She played the piano not only with her fingers!
An absolutely wonderful and stunning performance!!!!
@rams 🤣
@@wedemeyerrwith heart…
Il suono è parola, concetto, è fusione di intelletto e profondità .
The Best . you can feel it .
Aw man, her face at the end... 'Well, I absolutely freaking nailed that...'
Astonishing perfect performance. Then at 34:00 it just got better.
Great performance!
Está pianista mostra além da competência também induz à quem assiste sua maneira de compartilhar seu sentimento acariciando as teclas do piano
Yulianna Avdeeva
lowe 💗💗💗💗
Listening to her performance again, I am convinced that Yuliana is an extraordinary pianist and fully deserved her win. I can see why some felt that her tone was wrong for Chopin. She is probably more suited to Prokofiev than Chopin, but she is so characterful and forthright that, like Argerich, you are completely won over by her strong conviction. Many, including myself, believe that Steinway is the best piano for standard repertoire. Those who choose a Yamaha are making a point and are happy to forego a beautiful tone; just as there must be some who prefer a Honda over a BMW.
The Yamaha CFX is way better than any modern Steinway D. You think its more suitable for standard repertoire cause you grew up listening to Steinways on almost every piano recording. That's the sound you're familiar with. They used to make wonderful pianos and they are still great, but not near the same as their golden aged pianos. Nowadays Steinways are dull in tone, they may fit "better" for orchestra cause they lack tone character, they're extremely neutral pianos. When you put it along with the Yamaha CFX, the Bosendorfer 290, the Fazioli F278 or the Bechstein D282, the Steinway gets completely outshined. Im talking about MODERN ones, that are relying on name. Vintage ones are worth the reputation.
@@Thiago-px9ev Thank you Thiago for your perceptive comments. You are in good company in preferring a Yamaha to a Steinway. Richter famously did that too. Japanese craftmanship is second to none. No other nation lavishes so much care on getting even the tiniest detail exactly right, even if the product is as humble as a bowl of noodles or a piece of paper (origami). A Yamaha piano is consistent and reliable. Its signature bright tone is always there, which can be a liability if a wide tonal palette is desired. For Chopin, a Steinway might seem more appropriate. However, I do wonder why a Pleyel is not offered at the Chopin competitions. It is the authentic instrument for Chopin.
@@JaseBach Gould also liked Yamahas. And the company made a huge improvement with the purchase of Bosendorfer, their CX's series are definitely top notch. But answering your other question, Pleyels are no longer made. The company has closed in 2013 and they now produce a very small number of pianos, under demand. But that's not even the point, the Pleyel that Chopin loved was the Pleyel of Camille Pleyel. Since his death in 1855, the company slowly started to move away from its roots. The Pleyels Chopin loved were straight-strung with no iron plate at all and simple english mechanism. August Wolff, who owned the company after Camille Pleyel, introduced to Pleyel the oblique strung system and wrought iron plate as a response to Steinway's overstrung, thicker strings and cast iron plate(which was invented by Chickering earlier), when things started to change from tone quality(Pleyel, Erard, Henri Herz and overall french and english makers which previously owned the market) to priorize volume. Steinway's massive marketing started to belittle other companies while they declared themselves the truly piano makers. Halls started to get larger and larger, french makers no longer were able to compete with Steinway without changing its way to make pianos in order to achieve more volume, and that's when Pleyel completely started to lose its signature tone. The decline started in late 1880-1890, and they completely embraced the american way of making post-1903. And the Pleyel tone was already gone. That's why modern Pleyels aren't nowhere near Chopin's Pleyels. But there's already a Chopin Competition on Period Pianos started in 2018! Unfortunately, their instruments are poorly restored, lacking ressonance and also very dull in tone. That's not the right way to restore a period piano, and then we get into another problem: the lackness of proper technicians to work with those instruments. I know only 2 names in France, none of them is working with Chopin Institute unfortunately. But the making of the competition is already a good start... Hopefully they will fix that soon.
Thiago
You have so much knowledge about the piano. Thanks for your info.
The soft melody that begins at 28:36 touches me deeply.
I watched couple of videos on her channel. She's lovely and beautiful apart from being obviously a wonderful pianist.