Thanks again Joy for all your free practice tips, advice, and analytical approach for the self-monitoring learner.. 👍. You turn all those impossible feelings into those of Hope and Joy ! 😉😆👨🏻
Thank you! Joy! Have you ever heard of a violin rosin called Suone? It's from 1915 Era. IT was recommended by Wallace Richey a violin teacher. Supposedly the waxed rosin is less dusty and the tone is less harsh. He also recommended acribell violin strings which he claimed are better than #2 grade gut strings. Thank you for the lesson!😅
Superb. Thanks for showing it from different angles too so we can see the picky and thumb joints bending. I think I'm the right track, but it needs alot more work it. I will do this everyday.
Dear Joy, thank you so much for this nice video! It is very helpful not only to show a movement, but also to explain how it should feel. However, I assume that flexibility is only one part of the magic? I have a relatively flexible right hand, but I can not play fast. I have a very bad timing between left and right hand. It's no problem to play the same note very fast over and over again, but when the note has to change between each stroke, I find it very hard to put the left finger down and then move the bow, to get a nice sound. I'm pretty fast with right hand only or left hand only, but both together - disaster :-) I also have some problem with using too much flexibility, as I'm losing bow control then, and timing becomes even worse. So, if you have flexibility, despite of this you have to know at every moment where your bow is with which momentum, to give it the right direction at the right moment. And as it's very difficult to be flexible on one side and bring some weight on the bow on the oher side, maybe one has also to use the momentum instead of "pressing", and this is also quite challenging. Or, if you want to make a clear start of the note, it needs a little tension and then immediate relaxing, which is also very hard to achieve. Maybe it's a little the same with vibrato: the finger has to be very flexible, but still has press the string down, and when pressed down not sliding back and forth on the string! Very hard to achieve. Btw. bad timing is what I'm struggling most with at the moment - cannot play fast, and the beginning of a new note is not 100% clear... Have a nice day!
Dear Johannes, bad timing ( poor coordination) is a common issue that all violinist have to work hard on. I'll try to make a video about it. Happy music making!
Thanks for the exercises! I like to use a frisbee & basketball to help students get the feel of what I call the “flick.” Since most students are familiar with those, they usually get the feel a little quicker in their wrist, but getting them to practice it has been a challenge. I’ll try these exercises with some students and see how it works. Thanks, Joy!
I will practice this exercise 5 mins per day! Thank you much. My question is that in which cases the initiation of the bow movement would come from fingers?
Thank you for this video. I have been working on Mozart Violin Concerto No. 3. Around measure 68 after the rest, it starts on an A, I’ve been having trouble with that spicatto or brush stroke movement. I can’t seem to control the bounce near the end of the bow... the bow doesn’t bounce in the same place and it makes a scratchy sound. Any tips on making this sound light and clear? Thank you!
Thank you for this! I started learning a few months ago and I noticed that my G and D strings sound crunchy while my E and A string sounds fine. How can I fix it? Your advice is very much welcome~
Joy, thanks so much. So very, very helpful to see the demo on a whole screen and from different angles. You are such a great teacher.
Love your lessons, Joy. (I am learning at age 67)
Wonderful! Thank you also Joseph! I admire your strong will power! All the power to you!
Thanks again Joy for all your free practice tips, advice, and analytical approach for the self-monitoring learner.. 👍.
You turn all those impossible feelings into those of Hope and Joy ! 😉😆👨🏻
Thank you Gary!
Thank you! Joy! Have you ever heard of a violin rosin called Suone? It's from 1915 Era. IT was recommended by Wallace Richey a violin teacher. Supposedly the waxed rosin is less dusty and the tone is less harsh. He also recommended acribell violin strings which he claimed are better than #2 grade gut strings. Thank you for the lesson!😅
Thank you so much Joy for this video!🎻❤
Thank you too
Hello Joy, you really are a wonderfull teacher ! Thank you so much 🥰
Thank you Fantine! 😃 You are so kind!
Good video.
I will work on it.
One minute a day!
Very good! Way to go Debbie!!
Thanks!
Welcome!
Thanks a lot for this tip. You're the best.
Thank you too
The way you teach things look so smooth and easy , 🙏thank you
So nice of you! Thank you also!
Thanks Joy!
You are so welcome!
Thank u so much for this useful lesson ,Great teaching .
You are welcome! Thank you also Jalaja! :)
You are the best teacher, i really love to learn with you, the way you describe lovely😍
Thank you! 😃
Wow, this is what I've been struggling with! Thank you so much 😌 I'm so excited to practice
You're so welcome!
your the best so well explained
I appreciate that! Thank you G!
Very very good 🧚♀️🧚♀️💚🧚♀️🧚♀️
Thank you very much
Thank you
You're welcome :)
Superb. Thanks for showing it from different angles too so we can see the picky and thumb joints bending. I think I'm the right track, but it needs alot more work it. I will do this everyday.
Glad it was helpful! :)
thanx, Joy. your teaching is always most helpful.
You are so welcome!
Dear Joy 😀 that was another great and fun video! Thank you!
Thank you! 😃
Thanks Joy! That was a great lesson!
You're so welcome!
Dear Joy,
thank you so much for this nice video! It is very helpful not only to show a movement, but also to explain how it should feel.
However, I assume that flexibility is only one part of the magic? I have a relatively flexible right hand, but I can not play fast. I have a very bad timing between left and right hand. It's no problem to play the same note very fast over and over again, but when the note has to change between each stroke, I find it very hard to put the left finger down and then move the bow, to get a nice sound. I'm pretty fast with right hand only or left hand only, but both together - disaster :-)
I also have some problem with using too much flexibility, as I'm losing bow control then, and timing becomes even worse. So, if you have flexibility, despite of this you have to know at every moment where your bow is with which momentum, to give it the right direction at the right moment. And as it's very difficult to be flexible on one side and bring some weight on the bow on the oher side, maybe one has also to use the momentum instead of "pressing", and this is also quite challenging. Or, if you want to make a clear start of the note, it needs a little tension and then immediate relaxing, which is also very hard to achieve.
Maybe it's a little the same with vibrato: the finger has to be very flexible, but still has press the string down, and when pressed down not sliding back and forth on the string! Very hard to achieve.
Btw. bad timing is what I'm struggling most with at the moment - cannot play fast, and the beginning of a new note is not 100% clear...
Have a nice day!
Dear Johannes, bad timing ( poor coordination) is a common issue that all violinist have to work hard on. I'll try to make a video about it. Happy music making!
Thanks for the exercises! I like to use a frisbee & basketball to help students get the feel of what I call the “flick.” Since most students are familiar with those, they usually get the feel a little quicker in their wrist, but getting them to practice it has been a challenge. I’ll try these exercises with some students and see how it works. Thanks, Joy!
Thanks for the video great help! Could you do a video on the start of the cadenza for Mendelssohn violin concerto? Thanks.
I'll try Benjamin. Happy violin practising!!
I will practice this exercise 5 mins per day! Thank you much. My question is that in which cases the initiation of the bow movement would come from fingers?
the colle strokes are made from active finger joint movement as well as being initiated by finger joints. Happy violin playing!
ohh and can you please help me with measures 42-48 of the preludio in e major by bach
I'll try Sappclob. Happy violin playing!
@@JoyLeeViolin almost?🥲
Thank you for this video. I have been working on Mozart Violin Concerto No. 3. Around measure 68 after the rest, it starts on an A, I’ve been having trouble with that spicatto or brush stroke movement. I can’t seem to control the bounce near the end of the bow... the bow doesn’t bounce in the same place and it makes a scratchy sound. Any tips on making this sound light and clear? Thank you!
I'll try to make a video. Happy music making Wolfgang! :)
@@JoyLeeViolin, Thank you so much!
Ahhh miss the playing the violin!
Hi Shauna! It's so nice to see you here :) You can just start playing your beautiful violin :) Happy music making Shauna!
Thank you for this! I started learning a few months ago and I noticed that my G and D strings sound crunchy while my E and A string sounds fine. How can I fix it? Your advice is very much welcome~
Dear Saj, check the height of your right elbow and make sure it's high enough to reach lower strings. Happy violin playing!
sauda?
That thubnail 😂❤️❤️👍
:)))
I can't learn anything from you because of how cute you are miss.if you stop being so cute that would be great.