How did you figure out all this information about her style? Observations or interviews? I’m trying to get better and observational analysis and could appreciate tips
Research, interviews and observation. I usually watch a film(s) (and make some notes on my observations as I go). Then read or listen to interviews from the creators of the work and try to find common links between the films.
@@InDepthCine interesting. What’s the best way to make observations and how? Like what’s the simplest way to read a the language on the go? And do you ever worry about being wrong?
@@gabrielidusogie9189 It’s kind of like writing a report in school or something like that. Note a couple of broad, general things that stick out to you and then look for patterns and then find specific examples of said patterns.
Could you please talk about financial lifes of cinematographers like how much they make anually on average. I know this topic is sensitive to some but this may also be motivational to others who’s being desperate on this filmmaking path they choose, thank you.
im not sure if IDC is going to cover this subject in the way youre hoping, but if this is helpful to you at all, this is my first full year working in the industry full time, and this year I'm looking set to clear $35k. I'm 24, live in Houston where cost of living is relatively low compared to other cities with a lot of production, and am fortunate enough to still live with my parents and don't have many expenses so most of that went into savings. About 50-60% of what I did this year were pa gigs at an average rate of roughly $15/hour, 20-30% 1st and 2nd AC gigs (which I'm hoping will take the place of most of those PA gigs in 2022) at a typical day rate of between $400-$650, and the last 10-20% of my "work" was DP work on super small/no budget stuff that usually didn't pay anything, and if it did it usually ended up paying less than what I would have made PA'ing because I would use most of my rate to rent better equipment for the shoot.
Depends lots on how much you work and for who you work. I’ve worked for about 100 a day on projects I’m really passionate about and upwards of 3k on commercial work. However, this changes lots depending on how long the shoot is…
Not watched the video yet but sometimes in the USA when DOPs from other countries come over they aren't allowed to operate as they might not be part of the the USA unions?
@@ianblackburn2645 I know from a zoom video we had with belgian DOP Benoit Debie, that on Harmony Korine's films he shot (Beach Bum and Spring Breakers), he had to insist heavily to shoot himself. To manage with the unions rules, production hired a camera B operator (even though they only had one camera so the guy was basically paid to sit on set).
I love Milanote, best ad. I love the schematic folio and the possibilities of sharing with my cinema bro, great platform thanks for show this "preproduction" tips. However, great job also for the video and your style u are a lighthouse about the sharing this cinematic content. Great content creator and info. GG
he's a cinematographer, therefore he does in-depth analysis of cinematography. there is a channel called 'this guy edits' where he talks about editing. its best when people who are experts stick to talking about what theyre experts in
You could make a video on Bradford Young. He is a DP that loves to talk about his craft in the different ways he works with light for different scens. I became more interested in cinemaphotography after watching him on cooke optics tv videos on youtube. He does a really job on describing what goes into making the craft of being a DP..
Love the artworks and the merch, this is pretty new no? side note: would it be possible to have tees or other stuff with only the front artwork printed, love the drawing but not a big fan of the "In Depth Cine" big font on the back 😬
Great work work as usual! I’m grateful you showcased this cinematographer because I realised how much of what I’m looking in an image is coming from her work! I’m going to deep dive into her work thanks to you!
"Back with film, once the negative was printed there wasn't much you could do to alter the exposure" - well that's like saying there isn't much you can do to change the exposure in digital once you've exported it out to a DCP and sent it to the cinemas, it's a total non-sequitur. The printing itself is the step at which you can alter the exposure, therefore it's obviously not possible to do it afterwards.
What other cinematographers should I make a video on?
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Janusz Kaminski? Greg Tolland?
Dion Beebe and Rudolph Matte
Tommy Maddox?
Adam Arkapaw, Rob Hardy, Markus Förderer
Harris Savides
How did you figure out all this information about her style? Observations or interviews? I’m trying to get better and observational analysis and could appreciate tips
Research, interviews and observation. I usually watch a film(s) (and make some notes on my observations as I go). Then read or listen to interviews from the creators of the work and try to find common links between the films.
@@InDepthCine interesting. What’s the best way to make observations and how? Like what’s the simplest way to read a the language on the go? And do you ever worry about being wrong?
@@gabrielidusogie9189 It’s kind of like writing a report in school or something like that. Note a couple of broad, general things that stick out to you and then look for patterns and then find specific examples of said patterns.
Read trade publications like American Cinematographer !
This is such a great dive into such an interesting cinematographer
Most definitely! I could incorporate this style in to my music videos !
Could you please talk about financial lifes of cinematographers like how much they make anually on average. I know this topic is sensitive to some but this may also be motivational to others who’s being desperate on this filmmaking path they choose, thank you.
im not sure if IDC is going to cover this subject in the way youre hoping, but if this is helpful to you at all, this is my first full year working in the industry full time, and this year I'm looking set to clear $35k. I'm 24, live in Houston where cost of living is relatively low compared to other cities with a lot of production, and am fortunate enough to still live with my parents and don't have many expenses so most of that went into savings. About 50-60% of what I did this year were pa gigs at an average rate of roughly $15/hour, 20-30% 1st and 2nd AC gigs (which I'm hoping will take the place of most of those PA gigs in 2022) at a typical day rate of between $400-$650, and the last 10-20% of my "work" was DP work on super small/no budget stuff that usually didn't pay anything, and if it did it usually ended up paying less than what I would have made PA'ing because I would use most of my rate to rent better equipment for the shoot.
Depends lots on how much you work and for who you work. I’ve worked for about 100 a day on projects I’m really passionate about and upwards of 3k on commercial work. However, this changes lots depending on how long the shoot is…
Me encanta este canal! tiene un contenido de muy buena calidad, he aprendido bastante. Gracias.
Why do Crew unions prohibit DoPs from doing the operating, I've never heard of this before?
I believe it's because you take the work from someone else. But don't quote me on this, it's just a guess
Not watched the video yet but sometimes in the USA when DOPs from other countries come over they aren't allowed to operate as they might not be part of the the USA unions?
I would like to know too
@@ianblackburn2645 unions are simply gate keepers to the industry. Pretty sad stuff
@@ianblackburn2645 I know from a zoom video we had with belgian DOP Benoit Debie, that on Harmony Korine's films he shot (Beach Bum and Spring Breakers), he had to insist heavily to shoot himself. To manage with the unions rules, production hired a camera B operator (even though they only had one camera so the guy was basically paid to sit on set).
Please talk about wong kar wai movies!
Do Sean Price Williams next please!!
DPs can`t operate the camera themselves in the US bc of the unions? I'm a bit confused
I've been waiting for this one! Thank you! Natasha Braier is one of the best in the world right now!
Please Talk about Camera perspectives.
I love Milanote, best ad.
I love the schematic folio and the possibilities of sharing with my cinema bro, great platform thanks for show this "preproduction" tips.
However, great job also for the video and your style u are a lighthouse about the sharing this cinematic content.
Great content creator and info.
GG
I can never get enough of this page
Same ! It’s inspirational! Are you a cinematographer?
Wow! great content💙
don't dig her
Love the video!
Have you thought of doing the same with editors?
I would love to hear the different editing styles out there! :)
he's a cinematographer, therefore he does in-depth analysis of cinematography. there is a channel called 'this guy edits' where he talks about editing. its best when people who are experts stick to talking about what theyre experts in
Been waiting on this! Thanks!
This is brilliant and so helpful! I thoroughly enjoyed this, thanks for sharing!
You should list cinematographer summaries and resumes in the descriptions.
Thank you! I am following her now on IG. Great video!
You could make a video on Bradford Young. He is a DP that loves to talk about his craft in the different ways he works with light for different scens. I became more interested in cinemaphotography after watching him on cooke optics tv videos on youtube. He does a really job on describing what goes into making the craft of being a DP..
Love the artworks and the merch, this is pretty new no?
side note: would it be possible to have tees or other stuff with only the front artwork printed, love the drawing but not a big fan of the "In Depth Cine" big font on the back 😬
Very well presented information, graphics and structure of the video, man. Great stuff as always.
Great work work as usual! I’m grateful you showcased this cinematographer because I realised how much of what I’m looking in an image is coming from her work! I’m going to deep dive into her work thanks to you!
The Neon Demon. What a mind fuck. Great work.
Hi, could you please put a list of films used in this video to the description?
I found Natasha Brair most interesting work is Dans le ville du Sylvie de Jose Luis Guerin.
Fascinating, thanks very much!
"Back with film, once the negative was printed there wasn't much you could do to alter the exposure" - well that's like saying there isn't much you can do to change the exposure in digital once you've exported it out to a DCP and sent it to the cinemas, it's a total non-sequitur. The printing itself is the step at which you can alter the exposure, therefore it's obviously not possible to do it afterwards.
Aguante Argentina locooooo! Es una genia está mujer
You make amazing contents! I have been following and enjoying each informative clip you post on this channel!.👏👏👏👏
100%
These videos are great! They make me want to get into film making
Robert Richardson
Do Bill Pope next!!
my absolute queen
One of the goats
💯💯
Well done :) thank you