You can now click on CC (closed caption) Subtitles for the original German and English translation. Please like and share and comment. Thanks for the support.
Listening carefully to this famous cycle of lieder shows that it prefigures Schumann rather that Schubert, and indeed Schumann used it even in its instrumental music - the great piano Fantasy in C major. 💛🧡❤❤❤🧡💛
This was great and well put together, not to mention the amazing performance of Wunderlich and Schmidt. Wow! And thanks for the translations. I may be performing this soon. At the very least, I would love to perform it sometime.
Please let us know how it went? if you perhaps have a recording, I'd be so excited to hear it. I'm currently preparing to sing it for my Honours recital.
베토벤 6곡 연가곡의 시초 조성이 순환하는방식 첫 곡의 선율 동기를 끝 곡에서 사용하여 작품 전체의 유기성을 강화 Eb-G-Ab-Ab-C-Eb 작품 내의 유기적 관계를 강화하기위해 첫 곡과 끝곡에 공통으로 쓰인 선율동기는 회상과 정리의 느낌을 형성해 낸다 사랑을 다루는 노래지만 전반적으로 깊은 사색을 요구하는 분위기가 지배적임.
The composition indulges one in the emotion Beethoven must of felt when he gives up on love which he always desired. This performance makes it real. I love the beginning of the 6th song - beauty.
Beethoven composed this song cycle for an Austrian prince, who lost his beloved wife. The prince was terribly sad and asked Beethoven to write something for him. Soon after Beethoven published it, the prince died, too.
The original text was written by Aloys Isidor Jeitteles, but it was never published in printing. He was an acquaintance of Beethoven and most likely gave the hand-written text to him personally, quite possibly wrote it on his request. Beethoven made a few changes in the lyrics and even added a verse to suit his own feelings towards Josephine even more. Moreover, the theme under the added verse resembles the favourite Andante piece of Beethoven (Woo 57), which essentially sings "Jo-se-phi-ne". Source: Beethoven's biography by Jan Caeyers
Thank you for this wonderful performance! Anyhow, in the ending song, I think, the singer should avoid dramatizing. He should only make, peacefully, a cool delivery of conclusions. Not diminuendo, not crescendo, but andante tranquillo.
At 12:31, Beethoven gives directions to accelerate, arriving in the five bars at Allegro molto e con brio. The dynamics then vary widely, but generally rising to the ff at 13:30. I don't see now this can be performed andante tranquillo with calm dynamics without violating Beethoven's directions.
Der süße Schmerz - wer konnte den lebendiger als Lebenselement singen als Fritz Wunderlich.
Einmalig. Einfach unübertroffen. Schade, dass es solche Tenöre es in dieser Perfektion nicht mehr gibt.
0:00 - I
2:52 - II
4:36 - III
6:20 - IV
7:11 - V
9:42 - VI
bravo
Great singing of Wunderlich always. He was a master of style and beauty. I am learning this cycle to sing.for recitals
You can now click on CC (closed caption) Subtitles for the original German and English translation. Please like and share and comment. Thanks for the support.
Awesome feature! Thank you.
Wunderlich! Grandioso. Danke für dieses Video.
This is the finest version of the cycle I have ever heard.
The voice is ideal, and the artistry sublime.
Listening carefully to this famous cycle of lieder shows that it prefigures Schumann rather that Schubert, and indeed Schumann used it even in its instrumental music - the great piano Fantasy in C major. 💛🧡❤❤❤🧡💛
Wunderschön!
Monat mai
@@az-dofus5688 Als alle Knospen sprangen
Thank you for uploading this recording with the translation!
When the 6th movement starts it always gives me goosebumps
This was great and well put together, not to mention the amazing performance of Wunderlich and Schmidt. Wow! And thanks for the translations. I may be performing this soon. At the very least, I would love to perform it sometime.
Michael McLain hi Mike ! And so you did it today!
@@Lidia26877 ..............and me toooooooooooooo
Hopefully doing this cycle for my senior recital coming soon!! It's a beautiful set.
I will be singing this within my Master’s recital!
Please let us know how it went? if you perhaps have a recording, I'd be so excited to hear it. I'm currently preparing to sing it for my Honours recital.
Wunderlich, una voz extraordinaria con una interpretación maravillosa. ¡¡¡ bellísimo !!!!
I did not know that Lied. Thanks for your video.
Lo encontre casual y es muy maravilloso, amo a Beethoven y no puedo dejar sin disfrutar lo màs bello.
Vielen Dank! Wunderbar und unerreicht...
Just started working on this, such a helpful video, thanks!
Herrlich
Merci! ❤
2:50 4:34 6:20 7:10 9:40
베토벤 6곡
연가곡의 시초
조성이 순환하는방식
첫 곡의 선율 동기를 끝 곡에서 사용하여 작품 전체의 유기성을 강화
Eb-G-Ab-Ab-C-Eb
작품 내의 유기적 관계를 강화하기위해 첫 곡과 끝곡에 공통으로 쓰인 선율동기는 회상과 정리의 느낌을 형성해 낸다
사랑을 다루는 노래지만 전반적으로 깊은 사색을 요구하는 분위기가 지배적임.
Wunderlich was a Gods gift
Wow, everybody can sing in the comments. Although I am not here because I am singing it soon, I'm here for Music History. RCM anyone?
Fantastico
베토벤 - [먼 곳의 연인에게]
[연가곡의 시초]로 여겨지는 작품으로 [조성이 순환하는 방식]을 사용
[첫 곡의 선율 동기]를 [끝 곡에서 사용]하여 [작품 전체의 유기성]을 강화하였다.
고전주의 - [가곡]
12:10 끝곡 공통선율
ㅋㅋ감사합니다 ㅠㅠ
Wonderfull
The composition indulges one in the emotion Beethoven must of felt when he gives up on love which he always desired. This performance makes it real. I love the beginning of the 6th song - beauty.
Beethoven composed this song cycle for an Austrian prince, who lost his beloved wife. The prince was terribly sad and asked Beethoven to write something for him. Soon after Beethoven published it, the prince died, too.
2:53 4:35 6:22 7:11
Whenever I listen to Wundelich, I feel like seeing clear blue sky without a particle of dust.
We knew and admired him and expected so much from him. Alas he disappeared so young.
A wonderful performance!
I love it!
Great singing!
Grandioso!
最近几天就得练下来❤
4:35
04:36
02:52 (02:58) - 03:24
0:00
12:10
7:10
12:25
Hi! I have a question, the lyrics are so beautiful, is it Beethoven who also wrote the lyrics for the song? Thanks!
Sophia Andrade The text was written by Alois Jeitteles :)
Thanks for your answer!
The original text was written by Aloys Isidor Jeitteles, but it was never published in printing. He was an acquaintance of Beethoven and most likely gave the hand-written text to him personally, quite possibly wrote it on his request. Beethoven made a few changes in the lyrics and even added a verse to suit his own feelings towards Josephine even more. Moreover, the theme under the added verse resembles the favourite Andante piece of Beethoven (Woo 57), which essentially sings "Jo-se-phi-ne". Source: Beethoven's biography by Jan Caeyers
Ist das Fischer Diskau?
Thank you for this wonderful performance!
Anyhow, in the ending song, I think, the singer should avoid dramatizing. He should only make, peacefully, a cool delivery of conclusions. Not diminuendo, not crescendo, but andante tranquillo.
At 12:31, Beethoven gives directions to accelerate, arriving in the five bars at Allegro molto e con brio. The dynamics then vary widely, but generally rising to the ff at 13:30. I don't see now this can be performed andante tranquillo with calm dynamics without violating Beethoven's directions.
10:12
Beautifully sung, but too many unmarked and unnecessary tempo changes.
Quizá sea la mejor de tenor para oratorio y lied que ha existido. Y en el año 1965 D.F.Diskau no era mejor que él
ayo this shit 🔥
Eine Jahrhundertstimme. Viel zu früh verklungen. Welch ein Verlust.
Why doesn't those people keep the theme sign ?
If so, why do you show the music.
It is vulgar.
10:10
2:51
4:36
12:20
2:51
12:15
12:26
12:20
12:12