Micheal Harding’s transparent oxide red has become one of my favorite colours. So much more saturated than burnt sienna and such an incredibly rich colour!
Hey Vicki! I’m thinking about getting some of Michael Harding paints but I have a question, I mix my own black most of the time with Winsor & Newton french ultramarine and burnt umber however MH’s burnt umber is pbr6 and they named actual burnt umber (pbr7) as raw umber I can’t be sure which brown I need to buy for mixing with ultramarine blue. I’m quiet sure vandyke brown is great to neutralize color but I still want to mix my own black due to the fact that I can control my black’s temperature. Which brown should I buy with ultramarine blue to be able to mix perfect black?
Burak Akbas hello, I think burnt umber is the better choice as it’s warmer and therefore more ‘opposite’ to the ultramarine, so it will make a more neutral black than raw umber, which has greenish notes and will create a more green-black.
your videos are so informative. are you sponsored by Michael Harding? would be great if you were and could do more. I have bought colours based on your videos. ( and get some Vandyke Brown tomorrow after seeing this :) ) Many thanks.
wish you shown the transparent colours with just oil medium to show how Transparent they are !!..you wouldnt mix whites with the transparent colours,,its the whole idea of having a transparent colour.
She mixed every color with the previous color! Just a little, but now i don't know what it really looks like! Maybe slow down or spread them apart the next time please
Demonstrating transparent color glaze effects on a gray palette is an exercise in futility and hardly gives us who are interested in MH oils anything good to judge from. In other words, you're shooting yourselves in the feet.
Micheal Harding’s transparent oxide red has become one of my favorite colours. So much more saturated than burnt sienna and such an incredibly rich colour!
your mixing to close and use the white before the color after a wipe....
Où nous pouvons acheter de ces tubes a l huile de la Michael Harding?
Very interesting; I never was used de Michael , but en the theory of coloour it is ilustrative. Thank You.
EXCELLENT STUDY !!! THANKS FOR SHARRING, IT HELPS
very nice cool colour superb
This is wonderful
Well explained, thanks
Hey Vicki! I’m thinking about getting some of Michael Harding paints but I have a question, I mix my own black most of the time with Winsor & Newton french ultramarine and burnt umber however MH’s burnt umber is pbr6 and they named actual burnt umber (pbr7) as raw umber I can’t be sure which brown I need to buy for mixing with ultramarine blue. I’m quiet sure vandyke brown is great to neutralize color but I still want to mix my own black due to the fact that I can control my black’s temperature. Which brown should I buy with ultramarine blue to be able to mix perfect black?
Burak Akbas hello, I think burnt umber is the better choice as it’s warmer and therefore more ‘opposite’ to the ultramarine, so it will make a more neutral black than raw umber, which has greenish notes and will create a more green-black.
Vicki Norman thank you very much! Keep up these good work by the way, I really like your demonstration and comparison videos.
Good work
Thank you
😊😊😊
very nice vedio thanks
your videos are so informative. are you sponsored by Michael Harding? would be great if you were and could do more. I have bought colours based on your videos. ( and get some Vandyke Brown tomorrow after seeing this :) ) Many thanks.
Thank you! :)
thankk you beautiful lady from mexico
wish you shown the transparent colours with just oil medium to show how Transparent they are !!..you wouldnt mix whites with the transparent colours,,its the whole idea of having a transparent colour.
0:54 You mean Titanium Hwhite?
The Wanderer yes, I’m using titanium white number 2, bound with linseed oil
She mixed every color with the previous color! Just a little, but now i don't know what it really looks like! Maybe slow down or spread them apart the next time please
Demonstrating transparent color glaze effects on a gray palette is an exercise in futility and hardly gives us who are interested in MH oils anything good to judge from.
In other words, you're shooting yourselves in the feet.
Mixing colors is the opposite of glazing, where you put one layer of color on top of another.