Your content is truly fantastic. I have been a professional render artist for the past... 17 years now i guess? Something I discovered since moving into this line of work as a freelancer / consultant is the importance of time, specifically how much time I can dedicate to a single clients project ( if you've juggled multiple clients at once, which i'm sure you have, you know how hard this can be) - I recently made the switch away from the tools I was using to UE and i've got to say, a large part in helping me make that decision was your vids! My workflows have never been more efficient and I feel as though I can get a scene looking the way I want far faster than I could using Cycles and even Octane! As one creative to another, thank you SO much for your hard work!
You just made my whole day. I'm genuinely touched, and I'm so glad to hear that my vids have helped you get work done faster! Best of luck to you in your freelance endeavours :)
Oh man, what a timely video William!! Thank you!!! I was just playing with this and you have made it way easier to understand, I love that you can actually stack the camera shakes. As a photographer and cinematographer, this opens up so many possibilities of translating real world techniques into the Unreal Engine workflow. Thank you so much again!!! Time to go Shake!!
I started as a beginner with Wiliam Fauchner and I am sure I will be virtually connected as long as he does tutorials. So great, so good explained!. Thank you so much!
Hi William, I would like to say thank you for your content. I started with Unreal Engine 3 months ago and am thankful for your tutorials. I'm proud of the progress I made during this short period. Watching your tutorials made everything easy; I still have a long path and lots to evolve, something with your videos and dedication I will reach very soon.
best channel on you tube for unreal, couldnt have come at a better time! im rendering a 3 min walkthrough an apartment going up 2 flights of stairs and into each room of the apartment, this will work perfectly!
Nice one! I was used to pick the matinee sequencer (which as you said, do the same), I'll give yours a try. In addition, I would add that : - you can have a control on the shake intensity directly in the sequencer, it allows to use one shake at multiple intensity and avoid instances. - you can also create shake for smaller duration than the entire shot and for really specific purpose, like for an explosion like an explosion or a vehicle passing close to the camera and then combine it with a second shake as you show here. Thanks for the content you provide!
Thanks! Yeah the matinee one has a few other options, but overall it is more or less the same. It will depend on your needs really! Oh it's interesting you can control the intensity directly in Sequencer! Didn't know that, thanks!
You are an awesome teacher, many people like me enjoy the way you're sharing your knowledge and experiences with us. The most valuable people in this world are those who teach others to improve and move forward. A big respect 🙏🏻
About your tutorials, the details, explanation and presentation everything is perfect. And mostly you cut the craps out and just come straight into the point. And you make tutorials which are essential for most of the people who are stepping into the world of unreal. Keep it coming bro.
Oh man....you've become my main master...I am a composer trying to make real a personal project with U5, I am a rookie with this engine but, I am learning a really interesting stuff with ALL your videos. I am a bit stucked with planar reflections on one of my scenes...(artifacts in some frames, some distortion pieces of the planar reflection) so...It will be fantastic to watch a tutorial about this with any landscape, water...a torch ;) All the little things that really matters, the details...I hope to watch it! Thank you!
I want to share my trick for the opposite: BUTTERY SMOOTH rail follow. I find parenting a camera to a CameraRig_Rail, and using Lock Orientation to Rail causes jittery motion on corners. So what I do is create an empty actor and parent it to the rail too. Check Lock Orientation on the rail. On the camera, tick Enable Look At Tracking, and set the empty actor as the Actor to Track. Set Look At Tracking Interp Speed to 0.5 (or whatever smoothing you want). It that doesn't work, I duplicate the rail and attach the empty to the second rail. In sequencer I duplicate the keyframes from the original rail to the second, and then move them back in time a few frames. Uncheck Lock Orientation on both rails. Thanks for your videos, they have helped me more than anyone else's.
The reason why the blueprint changes appearance, is that if the graph is empty, unreal will show a collapsed version the next time you open a blueprint. You can open the graph by clicking on open full editor at the top. If you add a single node to the graph and you close it, it will not collapse, because it's no longer empty
This is so good. Honestly I'm just binging all of your videos right now as I learn my way around Unreal. Huge thanks for making this content for us all out here!
Thanks! I make the videos as long as they need to be. If I have a lot of content to cover, it's going to be longer. But there's no reason to make a video longer if it isn't necessary :)
You're amazing! I can see so many uses for this, even that extreme one at the beginning felt organic, like it would feel on a boat. Or using the subtle ones, then adding a second or third at the right key frames for a heavy step or a bomb dropping in the distance or something. Soooo cool! Thank you again! (And I'm super happy you're getting sponsorships, too! Anything to help support your wonderful work and all you share with us! 😀
This part at 6:47 will help us for our game, just some parts we are trying to get some sort of shaking like an earthquake type or just your normal building shake in some sort of random event.
@@WilliamFaucher I won't be anymore:) I'm using the Blueprint. I love the MRQ but it does have some limitations...I cannot get cloth physics to render properly out of the MRQ. Even with motion blur at 1. But man the quality is insane..that second video you did is great!!
Super useful! Thanks! As a side note - is there any specific benefit with doing camera shake in-engine vs in post (in your video editing software for example)? Like, does it add natural motion blur from the camera movement itself etc...?
Oh yeah don't do that in post. This will add proper motion blur and parallax to your shot in Unreal. Best to get this right in the render. Doing it in post will also force you to crop and lose resolution.
Amazing tutorial William! I have a question though. Is it possible to control the seed of the perlin noise in order to have the exact same shake every time? Or if this is not possible, is it at least possible to bake the camera transformations with the shakes?
3:50 It opens a more streamlined version because the Blueprint is data-only, it doesn't have any scripts or variables. At least that's what it says on the top of the screen :)
and neat bit of this is you can go back to stuff and add the component shake like he shows to older stuff and compare which this makes for even more cool fun....
@@WilliamFaucher I think the first time is to not confuse newer or inexperienced BP users, who are lookign for that EventGraph to edit. If they dont edit anything after opening it, I Guess it will default to the short version assuming that you dont need to write any blueprint code and only need to modify variables.
@@WilliamFaucher When you open the blueprint editor for the first time, unreal is still not sure what you want to do with it. When you close it without adding any nodes to the graph, unreal sees no graph and understands it as data only blueprint. You can still click "Open Full Blueprint Editor" and if any node is added then it will be no more a data only blueprint and show graph when you open it next time.
Fantastic tutorial! It's clear, concise, and straight to the point. I just seriously started diving into Sequencer recently, and I actually animated some camera shake manually, and that was a big NOPE haha. I knew there was a much easier way to do it, probably through a plugin or blueprints, and this tutorial is exactly what I wanted and needed. Got yourself a subscriber. Regarding the blueprint opening/re-opening thing, I believe the simple explanation is that it's because you didn't populate the Event Graph, add any variables, functions, etc. the first time you opened and closed it. Because of that, UE4 figured "Well you didn't touch the Graph Editor (or any of the other tools on the left-hand column) and saw fit to close it, so you probably don't need it for this blueprint," and opens it in a data-only state, which is all that's needed for the purpose of this tutorial.
Thank you very much William for the tutorial, very helpful :) Do you happen to know for. Way to fade the shake effect in an amount? Currently blend in/out times don't seem to make a difference I could have separate camera shakes overlapping to create a blending effect, but wanted to see if you know of an easier way, thank you!
Hey William, thanks for all the helpful videos. Do you know if it's possible to bake the camera shake somehow? I need to export the sequence to other DCC and comp together one element, but it exports without camera shake.
@@WilliamFaucher I can't find a solution to record with the camera shake. I record in take recorder but it records without it, while the shake happens during the recording. Can you please tell what we are doing wrong?
This is a great learning! thanks for the tutorial, Is there a way to bake the camera including blue print values which are applied for the noise ? Is it possible to export the baked camera with additive blueprint values into Maya? Thanks in advance!!
Two questions - is this shake consistent every render, or is it random each time you hit play? And is it possible to bake this shake out to keyframes for export to other software?
The shake is different every time, so all my rendered passes do not match :( what i have found out so far is a baking solution, but since i'm fairly new to unreal i dont fully understand what is described in this sentence: "Set up Level Sequencer asset into your scene. Select him and in details panel select “Autoplay”. Open Take Recorder window and place CineCamera in it. Start recording, press Alt+S or ( simulate ) and let sequence run. At the end, you have that transforms recored wich can be converted Level Sequence Template and you can apply it to your camera." Currently looking for a more step by step instruction on converting the recording and applying it to a camera
Hey William, I would like to say thank you for your content. I wonder that is there any chance to give this shakes a key? Like, get higher or lower in sequencer.
Question: Have you managed to blend 2 camera shakes together in sequencer? I am trying to imitate the effect of a camera shaking more while moving, then settling down once static (makes sense right?) but it doesn't seem UE4 has the same blending functionality that animations have in the sequencer, any ideas? Love what you do and the way you do it :) Thank you so much
Hey William - great tutorials mate!!. Love the photogrammetry tips too. I'm a film and TVC Director who delves into cinematic previz for pitch, and UE5 has been a revelation. The camera-shake method works well - but do you know if a shake layer can be baked in or locked for repeat passes. I've been mixing Lumen and Pathtracer renders for some projects as I feel they have different strengths. IE Lumen has better atmospheric global light and haze, and path tracer seems better for metals and glass - on vehicles etc. But I've found that the camera-shake blueprint seems to vary every render - even though the settings are unchanged. Any tips on how to render two or three passes with exacting camera shake?
Hi William, for some reason when I create Camera Shake Base BP the only option in the details is Camera Shake and then Single Instance, I don't see the Camera Shake Pattern section that you have in your video. Im using 4.26. Any ideas why I might not get that option please? Thank you so much for your tutorials, they're amazing!
![Demystifying the Skylight [Unreal Engine 4 & 5]](http://i.ytimg.com/vi/BGoaPyfZlYg/mqdefault.jpg)
The first 1,000 people to use this link will get a 1 month free trial of Skillshare: skl.sh/williamfaucher09211
Yup! Needed this. But after recently discovering your channel i’ve honestly needed all your vids. 🤙🏼
Jeez I'm honored man, I'm a huge, huge fan of your work and content! Totally flattered you left a comment!
@@WilliamFaucher ❤️❤️❤️
coming from a C4D/Redshift background I'm super thankful for all your content Will!
I'm with you on this one, William's channel is GOD TIER.
@pwnisher you better subscribe to that channel
Soo happy you are getting sponsors. Keep it up man 💪❤️
Thank you! It's nice for sure!
Yup, good news for us all!
Your content is truly fantastic. I have been a professional render artist for the past... 17 years now i guess? Something I discovered since moving into this line of work as a freelancer / consultant is the importance of time, specifically how much time I can dedicate to a single clients project ( if you've juggled multiple clients at once, which i'm sure you have, you know how hard this can be) - I recently made the switch away from the tools I was using to UE and i've got to say, a large part in helping me make that decision was your vids! My workflows have never been more efficient and I feel as though I can get a scene looking the way I want far faster than I could using Cycles and even Octane! As one creative to another, thank you SO much for your hard work!
You just made my whole day. I'm genuinely touched, and I'm so glad to hear that my vids have helped you get work done faster! Best of luck to you in your freelance endeavours :)
Thanks William for being such a great teacher - clear and easy to follow and helping me build my knowledge and skills!
this video gets better the more you come back to it . the world needs another dozen Williams
Oh man, what a timely video William!! Thank you!!! I was just playing with this and you have made it way easier to understand, I love that you can actually stack the camera shakes. As a photographer and cinematographer, this opens up so many possibilities of translating real world techniques into the Unreal Engine workflow. Thank you so much again!!! Time to go Shake!!
Thanks Solomon! It really is nice to have, and I love the procedural nature of it. Enjoy!
Thanks!
Thanks so much Solomon! I appreciate it!
Dude, you're the best! I watch all your videos! I learned how to work in the program thanks to you
honestly you and unreal sensei are immense, you've made this software so much fun and easy to learn for me
Only channel where I like the video before even watching it. Thanks for sharing your knowledge.
Thanks so much!
I started as a beginner with Wiliam Fauchner and I am sure I will be virtually connected as long as he does tutorials. So great, so good explained!. Thank you so much!
I wish all the unreal engine gurus on UA-cam had half your teaching skills. Great tutorial; awesome pacing; thanks a bunch!
Hi William, I would like to say thank you for your content. I started with Unreal Engine 3 months ago and am thankful for your tutorials. I'm proud of the progress I made during this short period. Watching your tutorials made everything easy; I still have a long path and lots to evolve, something with your videos and dedication I will reach very soon.
love your videos dude, You helped me a lot in that Movie Render Queue videos.. thank you so much.
Thanks for watching!
This channel is pure gold.
Thank you!
Hey, thanks for all the effort you put into your Videos. It helps soo much!
I never subscribed to you, because you are always in my feed. Thanks for helping us. (Subbed now btw)
Thanks so much! And welcome to the community :)
best channel on you tube for unreal, couldnt have come at a better time! im rendering a 3 min walkthrough an apartment going up 2 flights of stairs and into each room of the apartment, this will work perfectly!
Thank you. Very simple tutorial from one hand, but very useful from another.
miss your video so much ,and yet another exciting tutorial ! thanks !
Thanks so much! More to come!
Nice one!
I was used to pick the matinee sequencer (which as you said, do the same), I'll give yours a try.
In addition, I would add that :
- you can have a control on the shake intensity directly in the sequencer, it allows to use one shake at multiple intensity and avoid instances.
- you can also create shake for smaller duration than the entire shot and for really specific purpose, like for an explosion like an explosion or a vehicle passing close to the camera and then combine it with a second shake as you show here.
Thanks for the content you provide!
Thanks!
Yeah the matinee one has a few other options, but overall it is more or less the same. It will depend on your needs really!
Oh it's interesting you can control the intensity directly in Sequencer! Didn't know that, thanks!
Here we go again! Time for quality tutorials/tips and tricks. Thanks alot, William. 💯👍
Thanks for watching!
You are an awesome teacher, many people like me enjoy the way you're sharing your knowledge and experiences with us. The most valuable people in this world are those who teach others to improve and move forward. A big respect 🙏🏻
About your tutorials, the details, explanation and presentation everything is perfect. And mostly you cut the craps out and just come straight into the point. And you make tutorials which are essential for most of the people who are stepping into the world of unreal. Keep it coming bro.
Thanks so much! That's the plan! ;)
Really helpful. Thank you. You've really got this concise, but thorough tutorial thing down.
Missed your tutorials 💖
More coming, I'm not gone! (yet)
@@WilliamFaucher and we are waiting 💖
I just discovered your channel and you helped me a lot! Thank you, man! You're the best!
Thanks so much! And welcome!
Wow I actually just needed this exact tutorial when you released it! Thanks a lot.
Thanks a ton. I had no idea about the new CameraShakeBase. Excellent
Oh man....you've become my main master...I am a composer trying to make real a personal project with U5, I am a rookie with this engine but, I am learning a really interesting stuff with ALL your videos.
I am a bit stucked with planar reflections on one of my scenes...(artifacts in some frames, some distortion pieces of the planar reflection) so...It will be fantastic to watch a tutorial about this with any landscape, water...a torch ;) All the little things that really matters, the details...I hope to watch it!
Thank you!
Your are our best Unreal dude ever thanks for all your videos !
I want to share my trick for the opposite: BUTTERY SMOOTH rail follow.
I find parenting a camera to a CameraRig_Rail, and using Lock Orientation to Rail causes jittery motion on corners.
So what I do is create an empty actor and parent it to the rail too. Check Lock Orientation on the rail. On the camera, tick Enable Look At Tracking, and set the empty actor as the Actor to Track. Set Look At Tracking Interp Speed to 0.5 (or whatever smoothing you want).
It that doesn't work, I duplicate the rail and attach the empty to the second rail. In sequencer I duplicate the keyframes from the original rail to the second, and then move them back in time a few frames. Uncheck Lock Orientation on both rails.
Thanks for your videos, they have helped me more than anyone else's.
The reason why the blueprint changes appearance, is that if the graph is empty, unreal will show a collapsed version the next time you open a blueprint. You can open the graph by clicking on open full editor at the top. If you add a single node to the graph and you close it, it will not collapse, because it's no longer empty
much needed tutorial!! Thanks @William Faucher for this amazing content..
Exactly what I was looking for, very clear and informative, thank you!
Amazing tutorial, this was really helpful. You got a sub, I will look your older videos while waiting for more new ones.
Thanks so much, and welcome to the community!
Fantastic video William!
Good timing too as I can use this in my project!
Thank you! Hope it helps!
Thank you for sharing your wisdom!!
Cheers!
Great tutorial!! I LOVE how you get straight to it and cut out anything extra 💯💯 👏🏽👏🏽👏🏽
Great tutorial William, I’ll definitely be using this, thank you. I saw there’s a camera shake option in ue5 on the cinematic toolbar.
this is even more simple then i thought, ty ^^
This is so good. Honestly I'm just binging all of your videos right now as I learn my way around Unreal. Huge thanks for making this content for us all out here!
Best YT channel for me!
really helpful, and is better like this (separate from the other), 'cuz people like when tutorials are 10 mins. (the other 29 mins is great as well)
Thanks! I make the videos as long as they need to be. If I have a lot of content to cover, it's going to be longer. But there's no reason to make a video longer if it isn't necessary :)
You're amazing! I can see so many uses for this, even that extreme one at the beginning felt organic, like it would feel on a boat. Or using the subtle ones, then adding a second or third at the right key frames for a heavy step or a bomb dropping in the distance or something. Soooo cool! Thank you again! (And I'm super happy you're getting sponsorships, too! Anything to help support your wonderful work and all you share with us! 😀
Love your tutorials! Thanks for making Unreal so enjoyable to pick up and create with.
great tutor, thanks William 👍
This part at 6:47 will help us for our game, just some parts we are trying to get some sort of shaking like an earthquake type or just your normal building shake in some sort of random event.
Thanks for your work, great tutorial!
Another amazing tutorial. Small details can chance any video to feel much more natural. Thanks!
Love your tips men ! Thanx a lot very helpful and clear.
amazing! Thank you so much! What a wonderful tutorial
I am looking for this kind of shake control for actors. How can I add noise to the curve? Thank you for the instruction!
Thanks for this William! I always add the camera shake in Resolve but needed this for the "Better Light Than Never" Challenge.👍💡
Interesting that you add it in post usually!
@@WilliamFaucher Well, I probably won't be anymore after using the in engine shake..way nicer. Thanks again.
@@WilliamFaucher I won't be anymore:) I'm using the Blueprint. I love the MRQ but it does have some limitations...I cannot get cloth physics to render properly out of the MRQ. Even with motion blur at 1. But man the quality is insane..that second video you did is great!!
Could you do a sequencer tuturiol ? I’d love to see your take on how you approach everything
Great content William! Learning a lot! Keep'em coming! 👍👍
thx.. really helpful tricks to direct the shake
Another excellent and straight to the point tutorial. Thanks
Super useful! Thanks! As a side note - is there any specific benefit with doing camera shake in-engine vs in post (in your video editing software for example)? Like, does it add natural motion blur from the camera movement itself etc...?
Oh yeah don't do that in post. This will add proper motion blur and parallax to your shot in Unreal. Best to get this right in the render. Doing it in post will also force you to crop and lose resolution.
@@WilliamFaucher Thanks!
your my favourite person to learn from!
cheers.
Amazing tutorial William! I have a question though. Is it possible to control the seed of the perlin noise in order to have the exact same shake every time? Or if this is not possible, is it at least possible to bake the camera transformations with the shakes?
Thanks for this one, I used it in completely other way but the explanation was helpful anyways!
3:50
It opens a more streamlined version because the Blueprint is data-only, it doesn't have any scripts or variables.
At least that's what it says on the top of the screen :)
Haha yeah I'm just not sure why closing it and opening it again changes it!
@@WilliamFaucher I think it just updates it according to how it was last used.
Great tutorial btw, love your stuff!
and neat bit of this is you can go back to stuff and add the component shake like he shows to older stuff and compare which this makes for even more cool fun....
@@WilliamFaucher I think the first time is to not confuse newer or inexperienced BP users, who are lookign for that EventGraph to edit.
If they dont edit anything after opening it, I Guess it will default to the short version assuming that you dont need to write any blueprint code and only need to modify variables.
@@WilliamFaucher When you open the blueprint editor for the first time, unreal is still not sure what you want to do with it. When you close it without adding any nodes to the graph, unreal sees no graph and understands it as data only blueprint. You can still click "Open Full Blueprint Editor" and if any node is added then it will be no more a data only blueprint and show graph when you open it next time.
Fantastic tutorial! It's clear, concise, and straight to the point. I just seriously started diving into Sequencer recently, and I actually animated some camera shake manually, and that was a big NOPE haha. I knew there was a much easier way to do it, probably through a plugin or blueprints, and this tutorial is exactly what I wanted and needed. Got yourself a subscriber.
Regarding the blueprint opening/re-opening thing, I believe the simple explanation is that it's because you didn't populate the Event Graph, add any variables, functions, etc. the first time you opened and closed it. Because of that, UE4 figured "Well you didn't touch the Graph Editor (or any of the other tools on the left-hand column) and saw fit to close it, so you probably don't need it for this blueprint," and opens it in a data-only state, which is all that's needed for the purpose of this tutorial.
Your tutorials are so easy to follow. Thank you!
Thank you very much William for the tutorial, very helpful :)
Do you happen to know for. Way to fade the shake effect in an amount? Currently blend in/out times don't seem to make a difference
I could have separate camera shakes overlapping to create a blending effect, but wanted to see if you know of an easier way, thank you!
Hey William, thanks for all the helpful videos. Do you know if it's possible to bake the camera shake somehow? I need to export the sequence to other DCC and comp together one element, but it exports without camera shake.
Your best bet would be with take recorder!
@@WilliamFaucher thanks! The idea is to record the existing animated camera with the shake to new animation?
@@WilliamFaucher I can't find a solution to record with the camera shake. I record in take recorder but it records without it, while the shake happens during the recording. Can you please tell what we are doing wrong?
Thank you for the detailed explanation!
Thanks as always William ! Great info
Thank you so much, William!
Excellent tutorial!!!
thanks so much like always !
muchas gracias de verdad, nadie cuenta las cosas como tú
The pleasure is mine!
This is a great learning! thanks for the tutorial, Is there a way to bake the camera including blue print values which are applied for the noise ? Is it possible to export the baked camera with additive blueprint values into Maya? Thanks in advance!!
Two questions - is this shake consistent every render, or is it random each time you hit play? And is it possible to bake this shake out to keyframes for export to other software?
The shake is different every time, so all my rendered passes do not match :( what i have found out so far is a baking solution, but since i'm fairly new to unreal i dont fully understand what is described in this sentence:
"Set up Level Sequencer asset into your scene. Select him and in details panel select “Autoplay”.
Open Take Recorder window and place CineCamera in it. Start recording, press Alt+S or ( simulate ) and let sequence run. At the end, you have that transforms recored wich can be converted Level Sequence Template and you can apply it to your camera."
Currently looking for a more step by step instruction on converting the recording and applying it to a camera
Great bonus tip! Smart
Hey William, I would like to say thank you for your content. I wonder that is there any chance to give this shakes a key? Like, get higher or lower in sequencer.
Thanks! Very useful video! I just wanted to start looking for how this can be implemented! Thanks to!))
Question: Have you managed to blend 2 camera shakes together in sequencer? I am trying to imitate the effect of a camera shaking more while moving, then settling down once static (makes sense right?) but it doesn't seem UE4 has the same blending functionality that animations have in the sequencer, any ideas? Love what you do and the way you do it :) Thank you so much
Great stuff as usual! Thanks Will, very inspirational and motivational!
Very Nice as always!
Thank you very much for this...was waiting for this
Great educational content!😊
Great tip, will have to try it out!
Hey William - great tutorials mate!!. Love the photogrammetry tips too. I'm a film and TVC Director who delves into cinematic previz for pitch, and UE5 has been a revelation. The camera-shake method works well - but do you know if a shake layer can be baked in or locked for repeat passes. I've been mixing Lumen and Pathtracer renders for some projects as I feel they have different strengths. IE Lumen has better atmospheric global light and haze, and path tracer seems better for metals and glass - on vehicles etc. But I've found that the camera-shake blueprint seems to vary every render - even though the settings are unchanged. Any tips on how to render two or three passes with exacting camera shake?
Thanks for the tip on double camera shakes, its subtle but really make a difference
Cheers! Happy to help!
Works great. Thank you!
Thank you William!
Amazing exactly what I was waiting for.
This was amazing and so simple to follow! Thank you so much
Thank you! 👍
You're welcome!
Very useful. Thanks for the help 🤝
Great work!!
Thank you!
great tutorial as always, and i really enjoy your videos. many thanks
Anazing tutorial once more. Just keep them coming. I love your work.
Thank you William 🙏
wondering if there is a way to bake the camera shake into the time line, so that we can get the same result when it's rendered next time?
Hi William, for some reason when I create Camera Shake Base BP the only option in the details is Camera Shake and then Single Instance, I don't see the Camera Shake Pattern section that you have in your video. Im using 4.26. Any ideas why I might not get that option please? Thank you so much for your tutorials, they're amazing!
You can use the Matinee Shake in 4.26, they are more or less the same!
@@WilliamFaucher ok thanks William!
Thank You, William.
Great! but i have question. Can i animate parameters of shake actor?