Nice snippet of training. Next week, I hope to get “certified” on that dLive 5000 surface at AES. Nice desk with easy to understand layout. Volunteers there learning have a good platform to get into audio with. Samantha P. Was there last year but A&H don’t seem to have a floor exhibit this year.
Thank you! Do you use serial compression live? If so, how do you set the two compressors' settings? I use serial compression in the studio, but I've had issues with feedback and bleed in live situations.
Sometimes using two compressors in a row (serial compression) can be helpful because each compressor with different settings (attack/release, knee & ratio) can "grab" the signal lightly and within each compressor's "sweet spot" without going overboard on each. The downside is that you can overdo it and run into feedback or high noise floor issues. Just remember when you're doing that, less is more, and your ratios are actually MULTIPLYING rather than adding together.
Nice snippet of training. Next week, I hope to get “certified” on that dLive 5000 surface at AES. Nice desk with easy to understand layout. Volunteers there learning have a good platform to get into audio with. Samantha P. Was there last year but A&H don’t seem to have a floor exhibit this year.
I use compression to more or less take the edge off of the song/preacher. Couldn't do without it.
Oh for sure, especially for the more dynamic style of preaching. It's definitely a must need!
Histogram seams like cheating! lol Great video James! Love the content! Also TEAM! That's great!
Nice beard🙂 and of course great video. Cheers from Poland. God bless
Haha thank you! For both compliments, I'm glad to hear it. Cheers to you from Kansas City!
Thank you! Do you use serial compression live? If so, how do you set the two compressors' settings? I use serial compression in the studio, but I've had issues with feedback and bleed in live situations.
Sometimes using two compressors in a row (serial compression) can be helpful because each compressor with different settings (attack/release, knee & ratio) can "grab" the signal lightly and within each compressor's "sweet spot" without going overboard on each. The downside is that you can overdo it and run into feedback or high noise floor issues. Just remember when you're doing that, less is more, and your ratios are actually MULTIPLYING rather than adding together.
Nice beard.
Whats the desk there?
D live
@@stevenadams-o9k Cheers thanks