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Baritone Rock Singing Warm Up
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- Опубліковано 12 сер 2024
- Baritone Rock Singing Warm Up
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0:00 Introduction
0:58 Descending Five Note Scale
2:32 Descending then Ascending Scale
5:38 Trill Exercise up to the Break (the Secondo PassaggIo)
9:14 Singing Over the Break, from the top down.
10:18 Singing Over the Break, descending/ascending/descending
12:02 Singing Over the Break, stepwise Lip Trill
14:15 Singing Over the Break, stepwise with vowels.
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Hey Jeff ! First of all thank you for all your videos, I use them everyday, they are just great :) I am practicing the zone of the passagio these days and I have one question : Is it normal that the transition flows and my voice seems to mix nice when I lip trill but as soon as I try to do the same exercice with vowels, it is much harder to smothen out the change of register ? Thanks a lot !
Exactly!!!! The lip trill makes the zona di passaggio much easier and when you go on to a solid vowel, it can be more challenging. Try to focus on the feeling of connection and adduction (closure of the vocal fold) while you're lip trilling through the zona di passaggio. When you switch to vowels, focus on the physical feeling and work towards making it feel the same, even if it sounds a bit odd at first. With practice, you'll gain more release and the tone quality will match.
Great work! Great question! I answered here, but I'm going to talk about this in Questions from Comments 40!
Jeff
Rolka RULEZ.
I've noticed such a huge difference in my voice after following your exercises for the past 6ish months. Great work! Thanks!
Hello @Chris Cole! Awesome! Thanks for watching! I'm glad that the videos are helping! Keep up the great practice and keep me up to date on your singing!
Jeff
Another banger; perfect prep for getting up to G's and A's safely. Thank you again Jeff.
You're welcome! Thanks for watching and subscribing!
Jeff
You rule, Jeff. Thanks for the warm up help!!
This is incredibly helpful and inspirational! Thank You !
Are you doing a tenor version too? Id really love something more rock oriented right now. Also let me say i appreciate all your hard work jeff thank you!
Yes! I am doing it, but I have baritenor on the production schedule first. Thanks for your kind words! I appreciate you appreciating me! If you feel like it, send a message via my website www.jeffrolka.com and tell me a bit more about what you mean by 'rock oriented' and I'll give it some thought as I start planning that video.
Best!
Jeff
You are the king of Baritone warmups, Jeff! Great video, as always
Thank you so much for that! Thanks for watching!
Jeff
The most useful warm up for me so far: ever! You and Geoff Castollucie are my demigods after a long hiatus from singing. It even improves my technique as a wind player. Singing and rhythm are the basis for everything.
E like Hay, O like No, A like Father and U like You very good to put in the video. Simplicity and Awareness of good technique awesome! Aside: Finally getting that Vibrato, Formant and Resonance! It just comes like magic with practice. What's happening is on a cellular level in the brain through repeated training(its practicing everyday that matters). Finally, Range is C2-G4, what am I? I LOVE JEFF ROLKA TRAINING!
Awesome and very useful, as usual - thank you for your time and dedication to making us all better vocalists, Jeff :)
Excellent! You're welcome! Enjoy the video and the channel in general! Thanks for watching!
Jeff
Jeff, I use this warm up constantly, thank you so much. It's just what my voice needs
You're very welcome!
I'm waiting for the same version, only for the tenor)
It's happening, but I'm doing baritenor first. Should still be useful!
Best!
Jeff
Well it's February 2023 and the start of the third year of my degree in music, majoring in vocal studies.
So I am getting back into doing my regular vocal exercises which includes this wonderful vidéo.
Thanks Jeff.
Wonderful! Have fun with your degree too! Lovely to be able to spend that time so focused!
@@JeffRolka
Thanks !
I have lots of F#4 and G4 and even A4 notes to sing in my performance pieces. I end up shouting during rehearsals unfortunately to get these top notes.
Great warm up, I like the pacing. Really helps the area in my voice I'm working on. Thanks Jeff!
Excellent! Thanks for watching and subscribing! Enjoy!
Jeff
About time, Jeff! Excited about this one! Thank you for putting this together. Rock on!
You're welcome! Enjoy!
Jeff
This is life changing.
Hey man, been following you for a while. Thanks for joining me today with my daily practice! Appreciate it.
You're welcome! Thank you for joining me here!
Best,
Jeff
Amazing! you truly know "when,what,how,"! best regards and thank you so much! I'll definitely check out the course.
They say your warm up will determine your performance. Thanks a lot, Jeff! Now I can't get into chest voice. Every thing sounds high pitched. Crap! Oh well. It's a novelty for my audience. Mainly they respect me for my voice-wise progress and 3+ octave tessatura.
First done - and like it a lot. It's exact the range I have to master in singing my own songs ... thank you very much
Wonderful! Thanks for watching and subscribing! I appreciate it!
Best,
Jeff
Interesting 👏👏👏
I use your tenor warm up almost everyday ! Thanks for such a wonderful job you do 👍
You're welcome! Thank you for watching, subscribing, and singing along!
All the best!
Jeff
Jeff, please make a video on the tenor version and full range of rock warm ups. Thankyou. You're an amazing person.
Thank you! I'm on it! Thanks for watching!
Best,
Jeff
One of my favorites ! Thanks Jeff !
This is a great video for the song I’m trying to learn rn thanks so much for making these!
Excellent! Enjoy!
Jeff
Thanks Jeff Rolka! This rocks
Thank you so much for this, Jeff!
You're welcome!
Jeff
Love the combo with staccato and the legato ones Jeff, I think they are good exs for in real life action and good practice! This was very good, I also do many of the videos humming to save my vocal cords which Ive heard is good. I will email you some of my fav ones you've done and maybe you can do a new mix with those? Looking forward to the baritenor too like u wrote down here! Once again thanks for all! //D
Awesome! Love how you're using the practices! Thanks again for watching and thanks for subscribing! I'll have to do some humming vocalizations soon. I haven't done a lot with that.
Best!
Jeff
Woo!! I'm excited for this!
Brilliant! Thanks for watching and subscribing! Let me know how it works out for you!
Best!
Jeff
Hi Jeff! On the last exercise should I attack the high notes full voice or let my voice go into falsetto? Also, is it normal to get some scratchyness in the back of the throat from this? Thank You for the great Video!
Happy to help. No, your voice shouldn't be scratchy, and as for the tops notes, neither. The goal is to use cricothyroid dominant singing voice.
This warm up is awesome. I wonder why he reuploaded it from yesterday
Thank you for that! Thanks for watching and thanks for subscribing too! I reuploaded it because two viewers mentioned that it was out of tune when they were playing along with the video. Turns out I had the frame rate wrong in Final Cut Pro when I imported it, effectively slowing it down slightly. If you have that version in your history, you can still use it, it's in tune with itself, but it's not A=440. This rereleased version is A=440. There are some arguments to be made for slightly adjusting 'A' for vocal practice when it comes to the secondo passaggio, because most of our voices don't conform to A=440 so it's usually in between notes on the piano. Not that it needs to be right on a pitch, but it would be helpful in teaching for sure!
Thanks again!
Jeff
Hi Jeff, hoping you can answer this, but would this also be considered a full range warm up too?
Been awhile since I released this one, but my naming conventions for the channel would suggest that this is not a full range warm up.
Hi Jeff! On the last exercise I have trouble bringing my head voice up to the higher notes without flipping falsetto or belting. How do you recommend I work up to this?
I'd work on the registration event. It may be that you're pushing it too high before trying to switch.
awesome!
Thanks for watching and subscribing! Thanks for that!!
Enjoy!
Jeff
Jeff would you do a livestream vocal warm up with me? Would you charge to do 10 min demo, you could pitch your channel and profession.
If we could do it live in person, we could just go for it. Not sure how it would work under the current circumstances. I think you've sent emails to me before, send one over and let me know what you're thinking.
Best,
Jeff
Hi, Jeff! Love your videos, they are absolutely fantastic and this one in particular is exactly what I need. My issue though (being a beginner) is that I'm not sure if I'm doing things right when going into the zone of the passaggio and above. I can't seem to be able to "lift" my voice up to that point without feeling a lot of strain in my neck/throat and even then, it comes out all crackly and trembly; I don't know how to engage these registers, essentially. I feel as if I end up pushing a lot of air into my throat and I try to regulate it around my trachea. My question is: Is it correct to continue with this particular exercise and just switch to head voice when I can't push anymore and through exercise I will naturally figure out how to engage the higher register? Or is there something else I should work on?
Thank you and have a wonderful day!
Thank you! Thanks for watching and thanks for subscribing! Great question. It's great that you're a beginner and realizing that there must be something going on. That strain is the feeling of 'pulling chest' and there are others ways to sing high notes. When you do that, you're not actually changing registers, hence all the cracking and trembly sounds. There are two immediately available resources you can use. One is here:
ua-cam.com/play/PL2mQP7sE6PHgDZbHwHzRwUf-HOWec-fgq.html
And if you need something even more step-by-step and specific, the other is about to be released on my new website! It'll be just a few weeks more. If you want to get the info, subscribe to my newsletter at www.jeffrolka.com
Great question! I hope that helps!
Jeff
@@JeffRolka Thanks a lot for taking the time to reply, Jeff! I will definitely have a look and follow your advice; I love the way you explain yourself in your videos and your sort of casual/laid-back attitude :)
Hi Jeff🖐️
I've been practicing with your videos for a long time and I've just recommended your channel to a lot of my friends and they simply loved the content, so a huge thank you.
I have a question that's been baffling me. To give a background, with a lot of practice I've expanded my range to D2-F4. But when I siren through my range, I can go up to around G5 (sounds shrill, but not too breathy) and there's an apparent gap around A4-C5 which my voice skips. That higher area feels very underdeveloped and unable to hit correct pitches. What is that part of my voice? Is it what true head voice is? How can I practice on connecting my current range to that higher one and being able to sing melodies with it?
I hope I explained it understandably enough. Best wishes ✌🏻
Thanks for watching and thanks for sharing my work with others! It really helps and I appreciate it!
Sirening is a way to allow ourselves to transition over multiple registration events. We can do that with vowels, but when we try to 'place' or 'hit' a note, we almost always carry too much vocal fold engagement to allow them to re-configure properly. That gap that you're hearing is most likely the registration event from cricothyroid dominant singing (head voice) into the falsetto range. The vocal folds separate and dampen slightly in that register. The gap is undeveloped coordination, which can be remedied with practice and good technique!
Best,
Jeff
Superb! Lately I've been working on squillo with my vocal coach (opera obviously) .. do you have pointers to help?
Hello Skyler Morgan, thanks for your comment and question.
I would first defer to your coach and their thoughts on the matter. They would know your voice best and guide you most effectively. While I am not familiar with your singing, one thought that I would offer is to be familiar with the various ways that squillo is discussed. Opera or classicaly trained vocalists will use that term, but it can also be referred to as singer's formant or mask resonance. One of my favourite exercises in working with the singer's formant is the ng sound. Your teacher will almost certainly be familiar with it, if they haven't already had you practicing it.
That being said, properly developing that resonance relies on good overall engagement and vowel production. If that isn't well established in your thyroarytenoid dominant singing voice, results elsewhere in your range will be sporadic at best.
Keep it up! Great question!
Jeff
Great video. Is there any way you could do the same thing in more guitar-centric keys/scales? Eb major is more of a keyboard 🎹 key. I’m a guitarist/singer and most of my songs are in E minor or A major or D major or E 7th. Just your basic guitar keys. Thanks 🙏
Thanks for watching and thanks for subscribing. I may start off in E-flat from time to time, but each scale as I proceed through the exercises changes keys. So I do actually do A major, D major, and E major, but there's no mixolydian mode or dominant sevenths in this video. If you like, I could do a video that only does those keys. That might be kind of interesting.
Best,
Jeff
@@JeffRolka That’s kind of what I thought (you go through all the keys). I guess I just got thrown off by the the mention of the Eb major. Sorry. My bad.
I’ve said this before, your videos are SO helpful. Practicing along with them has given me so much more confidence in my vocal ability. You see, I am self taught (and have no earthly idea what the heck I am doing;-). So, working with your videos and going through the scales has strengthened parts of my voice that I never knew I even had. Thank you again. 🙏
Yay I’m the 21st viewer my lucky number!
hm. I thought you were the First Last viewer.
Confusing isn't it? Perhaps the Last First Last viewer? Maybe the First Last First viewer? I could go either way.
Jeff
@@JeffRolka Haha!
I emailed you and never got a response 😭
Hello! Sorry to hear that! It's possible that it was filtered, as sometimes happens. You might have to try again here: www.jeffrolka.com/connect-2
I look forward to hearing from you, should you decide to try again!
Best,
Jeff
:)
No, I will not, all my musical life we hear tenors cause rec engeneers are lazy, its harder for them to record and mix deeper voices. No I have a deep male voice and I aint gonna sissy up. Love your lessons.
Right on! Thanks for watching and thanks for playing along! Enjoy the channel!
Best,
Jeff
@@JeffRolka U the man!!
We we we
All the way home!
Thanks for watching and thanks for subscribing!
Jeff