BONUS! Streamers and Punches - You Gotta Hear This! - Ep. 3.5 feat. Troy Baker
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- Опубліковано 3 тра 2021
- Bonus episode 3.5 in which Troy and I off-topic from what I'd planned (romantic comedies!) and solely talk about the technical craft of early film scoring. Namely, streamers and punches!
Don't forget to follow @troybaker
Also: / troybakerva
Edited by Dallas Crane
Me!
/ awintory
/ awintory
/ a.wintory
www.austinwintory.com
I would love an entire show of just Austin telling stories and teaching something.
Yes, it's called the You Gotta Heat This podcast.
Is it weird I would gladly listen to them discussing the old Hollywood studio system for at least another hour and half? Like that subject is fascinating
Yes!!
I loved every single episode so far. These conversations are fantastic. Thank you Austin and Troy!
Man this was so interesting, such an amazing process for when things needed to be done in the pre-digital era. You are a wealth of knowledge Mr. Wintory.
As someone that stopped playing clarinet on high school, these videos really make me miss and still puts me in awe of the culture
I do love how the analog informs the digital. I have training in AVID Media Composer. My professors made sure we know WHY Media Composer is the way it is and what makes Media Composer so consistent.
Now you got me wondering what kind of stuff gets cut from Play, Watch, Listen!
Bonus half episode? Awesome!
I just love how austin explains everything with examples. I'm learning more about the film industry here than I did in music school. Thank you !
I discovered your work through PWL and then also fell in love with the game makers podcasts you host. I've very little knowledge of music but all of the content you produce is such an enjoyable experience regardless! I recently got the pathless and your score for it is by far my favourite so far, thanks for all you do Austin!
Loved the editing on this
😁
Every episode of this spin-off has been extraordinary and unique. I don’t know if there’s anything like this on UA-cam.
I played Violin and Trumpet from the ages of 4 and 8 respectively until college, but I picked up the guitar last year during quarantine now that I graduated college and had much more free time (studied Physics and Computer Science). I’m also a software engineer with an interest in pursuing positions in the games industry, with an intense interest in film. I always wanted to hear more of Austin’s insight in PWL, since most of what Alanah and Mike have to say is what I already have a professional background and formal education in.
I think Troy is the perfect guest on this show as someone with an extensive background in music AND film, but not necessarily score composition.
You're so awesome.
Wow I was so worried that we weren't going to get that animation story, haha.
Troy is absolutely right. I have seen how this is done. But I never knew how it is called, and how it actually works.
So I learned something and it was fascinating.
Striping is my absolute favorite method of scoring. All of my favorite composers do it and it seems like a great method.
Being on covid-time right now (France is still in full lock-down mode these days), I listen to these videos as podcast while working on a personal animated music video. I believe that Troy and Austin are the best people to listen to while doing 3D graphics makes me feel like an old lady knitting by the fire and listening to the "men's" stories of the world in the background. It's both incredibly informative and perfectly soothing at the same time. Thank you so much for sharing these conversations. It is the best!
So cool to get this information. I didn’t know about streamers and punches until now, but I always wondered how scoring those kinds of musical accents to reflect what was happening on film was done. So now I know! It just goes to show how technology has advanced the process where I can literally click a button in Logic or Sibelius to add a video and score to it with absolute precision thanks to new innovations, but it just makes you that much more impressed with how it was done before. Thanks for bringing this information to light!
The comment about movies and TV being more commercial now made me lol because it’s so true and I hear the comment from friends sometimes. There are definitely more artistically driven shows and movies today than ever.
Punching also works with cigarette burns (there's a very... uhm... "red" John Carpenter Masters of Horror episode of that exact title). 🙂
Let’s go fellas!!!
Troy's back to normal lol
damm it! Not even ten minutes in and I'm hyped more than when I saw a bonus episode!! Feeding on their conversations everywhere.. Just learning more and so freaking fun!
Thank you Austin and Troy for yet another amazing show!
Kudos to your editor 💖
😁
Very interesting 👍
Thanks for putting these out regularily Austin. Been going through a tough breakup, no job (I’m a video producer), and to top the whole thing off, we’ve got this whole global pandemic thing going on. But these videos put a much needed smile to the face, and ears, of this amateur musician. Best wishes!
So sorry to hear about this brutal period of time but it's very valuable to me to know that I'm helping even a little
@@awintory Oh definitely! Been playing the piano for relaxation, and also been using your Abzu score as a backdrop for Headspace meditation. Also a great score on its own of course! Just love the synth pad layered behind the instruments, and did you also mix the chorus to remove some of the highs, giving it a low-pass waterlike quality? Anyways, love your work, looking forward to every new album!
I actually thought this was going to be about Twitch but I'm so glad it wasn't.
Great. Great subject to bring up on tomorrow nights family gathering and get attention then become the family's nerd and never get a girl.
Thnx guys❤❤❤
This series is just awesome, 😄
New York's filled with anachronistic tenements :P
I'd finally sat down and watched "Up In The Air" over the weekend because y'all discussed it in the previous episode, and really enjoyed it!
One question I've had in mind since watching it is what your thoughts are on using Licensed music in film. In your opinion, are there any examples of where the use of a popular song makes more sense in a pivotal scene than using the original score, or perhaps even outshines the original score of a movie?
There are many facets of this to examine and debate, I'm sure, but I just thought you'd have an interesting opinion on it.
Regardless, if you read this, thank you for taking the time to and for making more content. I'm really loving this series!
FORREST GUMP is a masterclass of perfect song placement dancing back and forth with perfect score. There are countless others. Sometimes there's nothing better than the exact right song
You Gotta Hear This : Episode 3.5 - Reference List :
* Striping & Comping !
* Streamers & Punchers !
* Brass / Winds / Strings / Percussion / Voice / Electronic
* Hans Zimmer - Music Composer
* The Lost Art of Conducting to Streamers and Punching ( ! ) - Quote - Austin Wintory
* Moviola - Device - Allows Film Editor to view the film while Editing - Invented by Iwan Serrurier in 1929
* Kenneth Hall - Music Editor ( Jerry Goldsmith’s among many other great masters ) Passed away in 2006
* Jerry Goldsmith - Music Composer & Conductor - (1929-2004)
* Star Trek : The Motion Picture - Film - 1979 - Dir Robert Wise - Music Composer Jerry Goldsmith
* The Looney Tunes Show - Animated Sitcom - Cartoon Network
* Carl W. Stalling - Music Composer and Arranger - (1891-1972)
* Singin’ in the Rain - Film - 1952 - Dir and Choreographed by Gene Kelly - Music Composer and Writer Arthur Freed and Nacio Herb Brown
* Gene Kelly - Actor - (1912-1996)
* Debby Reynolds - Actress - (1932-2016)
* Metro-Goldwyn-Mayer - American Media Company (MGM)
* Rodgers and Hammerstein - Duo Music Composers - Richard Rodgers (1902-1979) & Oscar Hammerstein II (1895-1960)
* West Side Story - Film - 1961 - Dir Robert Wise & Jerome Robbins - Music Composers Sid Ramin & Irwin Kostal ( Original Broadway Production ) Garth Edwin Sutherland ( 50Th Anniversary Score )
* Wonderful World of Mickey Mouse - Animated Streaming Tv Series - 2020 - Disney Television Animation - Disney+
* Christopher Willis - Music Composer
* Disney Animation Studio
* Warner Bros Animation Studio
* Bugs Bunny - Animated Cartoon Character - 1930s - Created by Leon Schlesinger Productions - Voice by Mel Blanc
* Trash Truck - Computer Animated Streaming Tv show - Co Produced by Glen Keane ( Walt Disney Animation Studio Legend )
* Howdy Doody - American Children Tv Program - 1947-1960 - Created and Produced by E. Roger Muir
* Jonny Carson - American Television Host, Comedian, Writer & Producer - (1925-2005)
* Chuck Connors - Actor, Writer Basketball and Baseball Player - (1921-1992)
* Rod Sterling - Screenwriter, Playwright, Producer, Narrator ( The Twilight Zone ) - (1924-1975) - Angry Young Man of Hollywood
* Errol Flynn - Actor - (1909-1959)
* Douglas Fairbanks - Actor, Screenwriter, Director, Producer - (1883-1939)
* Franklin James Schaffner - Film, Tv and Stage Director - (1920-1989)
* Planet of The Apes Film - Dir Franklin J Schaffer - Music Composer Jerry Goldsmith
* Steven Spielberg - Film Director, Screenwriter and Producer
* Martin Scorsese - Film Director, Screenwriter and Producer
* Francis Ford Coppola - Film Director, Screenwriter and Producer
* George Lucas - Film Director, Screenwriter and Producer
* Brian de Palma - Film Director, Screenwriter and Producer
* The Kid Stays in the Picture - Autobiography Book - 1994 - Robert Evans
* The Kid Stays in the Picture - Documentary - 2016 - Dir Nanette Burstein & Brett Morgen
Thanks for this Great 3.5 Episode ! Super interesting ! Take Care.
Since you mentioned you’ve only heard of striping in terms of orchestral music, here’s some computer nerd reading for when you’re bored- en.m.wikipedia.org/wiki/Data_striping
So... Make'em Laugh was a ripoff from Be a Clown, which wasn't used with the original lyrics who knows why, since all other songs were. Donald O'Connor HAD to do something extraordinaire to make it his own performance, and he did. He was that talented. The coreography was done to match the song, and he nailed it.
Also, those time tables was how I was taught to edit soundtracks in college. From that you can see how much of an industry veteran my teacher was. Great musician, pretty meh as a teacher, but I was right to see his classes for what he was trying to say, and not for what he actually said.
okay. striping i understand now. starring is also a word i know from films. Ah! so THAT is where this stars and stripes thing originates from?
Cool!
- Your fellow european ;)
This is off-topic but I'm really curious to hear your opinion on some anime soundtracks Austin. I'm not into anime that much, but I recently started watching Attack on Titan based on a friend's recommendation and I can't believe how good the music sounds! If I was a betting man, I'd say you're not into anime either but I really think you'll enjoy the AOT soundtrack!
There's a deep well of anime music I don't know very well but I've heard bits of AOT and there's some awesome stuff. Generally everything I've heard of Yoko Kanno has always been impressively forward-looking and of course, Joe Hisaishi has written some astounding scores for Ghibli. But I'm not an expert
14:15 Does anyone know what episode of this is us Troy is talking about? Would love to see it. Thanks!!!!!
Why cut this? All of it should be in originally.
The fact that you're watching it shows we didn't cut it :)
The purple-pink burnt subtitles/word definitions aren't very legible :/ thank you for adding them though
goddamit, missed first comment by 3 minutes
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