I work for Roland and this video is what I would show dealers. It's a fantastic demo that's about the pedal, not the player. Gives a great idea of its sound and I like how you highlight what the parameter knob does. The rest of the features can be read online, but mostly we want to hear it. Great job!
Thanks for taking the time to leave such a kind and encouraging comment, Frank. It's very appreciated. All the best to you. More to come from me from the Boss stable. Cheers. :)
Hi Frank - it seems like you are the Product expert? Got one question. I read about the option to use the Loopfunction and the delay in the same time. Does it mean you can use the looper in conjunction with a delay mode (sending the Looper into a delay) or does it running separately - Having a loop and a individual delay?
Frank Martin Hi Frank... I don’t understand what Boss was thinking with the design of the Ducking delay. That’s my normal go-to sound and this is nothing like what I need from Ducking. It sounds like you can only have a ramp into the repeats no matter where the Param knob is set? I’d want an instant kick into the delay the moment I stop playing... with this implementation there’s way too much dead air before it kicks in. Is there something I’m missing here?
@@BrettKingman I love my old DD-20 but it's not the quietest pedal around. Reviewers always omit the noise issue - the reason pedals mostly went out of style in the late 70s and early 80s. They came back in and they would advertise low noise. Now the market is flooded with shamefully hissy delays like the GFI System Orca. What about this pedal? VERY IMPORTANT.
And i just purchased a Digitech Time Bender because of Leon lol I reckon a DD200 and the Time Bender would cover all of the delays i could want until the end of time without me repeating myself once. I'd appreciate any feedback.. ... I'll show myself and my Dad-puns out..
Just traded in my DD-8 to buy a DD-200 off a guy for 150 pounds!! he basically bought it from new and never got around to using it! been sat on a shelve! offered it to me! and I could't resist. no regrets! I LOVE this unit!! getting all sorts of sounds out of it! its a very inspiring pedal
Nicely done, exactly what a demo should be. No conversation and sales pitch, just a very straight forward walk through various settings on the device to get an idea of what this actually sounds like. As for the delay engine, the BOSS DD-200 does sound good, just the sort of platform I've been looking for. Many thanks for posting.
I've recently got one - it's absolutely fantastic. One thing is that it's worth getting an external foot control pedal - I use it to 'hold' the echo (e.g. you can hold a chord whilst continuing to play over it) it's actually keyboard sustain pedal but feels so natural to use with the DD-200
I’ve been on a delay quest for years, buying and selling to find the right one for me. I’ve owned in the past 18 months; nemesis, echo system, free the tone future factory, timeline and now this. Honestly, this is my favourite one I’ve used for the price, sound and immediacy. You’ve done a great job showing it here. It’s a killer pedal.
Great, albeit brief, walk through of just a very few tonal effects of this pedal. This only scratches the surface of all that it can do. Thank you. I have spent hours exploring this pedal.
Remember when everyone was telling TC electronic to make a Flashback x2? That's cause this idea is awesome and I'm glad a company finally did it. Boss always kills it with delay products
Max delay time is 5 seconds if anyone is wondering. Fantastic sounds! My only gripe is the lack of a Dual Parallel mode, but it's a keeper nonetheless. Thank you Brett for the sweet demo, and thanks to Roland BOSS for another great delay!
Nice as always Brett. It's kinda like a DD-500-lite. Sounds fantastic. Boss has really answered-the-bell, with their recent offerings. Loving the new Waza Craft stuff, & currently using The DD-500 (which I love).
Love this video, I’ve been looking out for demos of this pedal and this is the first one I’ve found. Planning to get this pedal on day one, it fits the bill perfectly for a multi-purpose delay for a small board I’m assembling. Tera Echo seems to be the hidden gem here. Shimmer I can do without, but Boss shines as always in the Digital, Analog and Tape realms. Drum is a nice surprise also, it’ll let me leave my Catalinbread Echorec at home. Boss seem to have done a great job here, can’t wait to try this out for myself.
I have seen may videos about DD200 and DD500 and nobody talks about changing delays or changing presets, I want to know what happen if you play with one nice ambient shimmering sweet long delay and you need to change to another patch or presser or change your memory bank to another one either pressing the switch or via MIDI. Does your last ambient shimmering sweet long delay still there until vanish with the delay decay and mix your sound with the new patch, or that delay cuts abruptly off and is replaced with the new delay?? I guess it is called carryover.
hi, I've owned the DD-200 for a few weeks now. The delay decay will carry over when you switch patches. I'm unsure if there's a way to change that, as I've not tried. Personally I like it.
I want to know if the pitch changes when the delay speed is changed on the standard effect? I'm looking for a clean delay that pitch ramps and self oscillates.
When I want to know what a pedal sounds like, I ALWAYS come to you Brett! I only want one Delay for "now", and I can't decide between the DD-8, the DD-200, and the Keely Halo. What your 7 cents (inflation, you know :) ) on my three choices?
Don't sell the Dig just add the DD200, I never sell anything I buy, cause when I am in the market for equipment it is to stay in my studio forever, I always buy things for the long run, these are tools for creativity, I wouldn't let any of my equipment go, EVER.
Great sounds -- that tera was quite impressive! -- and I like the fact that everything is easily accessed without diving into digital menus. When you're on stage and the inspiration strikes, you don't want to be buried in your pedalboard. You want to grab the sound you're looking for and start playing. I also think that in real life, 4 presets is a sufficient number. I've used a DD7 for years and all I'm wishing for is 2 presets. So 4 would be great. I figure that if you really need a different delay preset for every single song, maybe you should put away the pedals and work on your playing.
So then, for Tera Echo, _Param_ is essentially the _S-Time_ knob, and Feedback, Tone and E Level are all their one-to-one equivalents as on the TE-2? I guess what I'm asking is, how complete/faithful is the Tera Echo implementation in the DD-200 compared to the original TE-2? More to the point, could I (should I) sell my almost new TE-2 and vintage MiJ DD-3, and buy a DD-200 to replace them??
409 / 5 000 Résultats de traduction hi Brett! ...thank you again for the video and videos..! I am very happy to have found this pedal because I was looking for ergonomics and a precise sound for example for 80's style digital delays ...and I think I'm not the only one to have desperately sought the RV200 for engagement and marriage ..! ... so what do you think of my idea to quickly get the GFI skylar I think they could get along well ..? ...and also be very good with modulation flange or chorus boss like the dimension ... the skylar seems cool to me in the demonstration that you made ... sober luminous interesting with screen and small size ... do you have one opinion for on its associations?
I want this delay so badly, but I’m honestly waiting to buy this until they hopefully release the RV-200 and I can have RV-200 and DD-200 side by side. Cmon guys. Make it already!
Bret can you explain you cables at the back is one going to a different amp I’m having trouble my friend I’m a green horn learning thanks BrettTim from London canada
Good sounds, but pretty disappointed in the Ducking. Maybe there are more parameters to tweak, but it sounded like the transition between ducked and delay was just too abrupt. I'm a Ducking delay on all the time kinda guy, and from what I heard, this just won't do. The TC Flashback has the best ducking feature for my purposes, but this Boss has more fun sounds. But without a great Duck, it's not going to find a home on my board.
Thank you again Brett!! OK....This is NOT an easy question to answer but if ANYBODY KNOWS.....you do friend. I would LOVE to know your opinion of a stereo delay pedal that has VERY EASY ACCESS to memory slots/presets and does all the epic pads and shimmer mixed delays for ambient playing. I also love the "freeze" type of ability some incorporate. Sorry man!!! I know this ain't easy but....by the way, this pedal ain't too shabby dude! Thank you as always Brett. Bless you and yours bro. Price is not an issue....Fran
Great demo, but I’ve noticed almost everyone who reviews this pedal uses modulation far too much, which is great if you want to make it sound beautiful and pleasant but not so great when you want to hear the delays by themselves for more subtle or practical applications. At least we can say that this pedal does ambient pretty well
Have a DD-500, am not a fan of the menu diving and alright sounding (IMHO) delays out of the box. If you're a fan of cutting digital delay i guess this pedal is for you
Though I just got a DD-200, I would still very much appreciate having a DD-500! I keep wondering if these boxes might drive down prices for the 500 series, what do you think? I've seen prices for the DD-7 steadily slope downward this past year. The lack of editor software for this 200 series is a let down, I agree with you about the functionality being greater with the 500's. Cheers!
@@MeatyController The DD-200 is smaller, quicker to get results and less to go wrong. The prices should go down for the 200 series when they are not the latest thing any more and I suppose the 500 might get cheaper eventually. However, the low value of the UK pound is making all imports more expensive at the moment.:)
Is it just me or just a few effects are really creating an stereo image? For example the pattern delay and tera echo really sounds like a wide stereo sound but most of them sounded more like dual mono to me.
@@imaseeker100 Well, I am fine with one cable coming into a stereo pedal. Andy Timmons takes a single FX send from main amp into stereo pedals then into RX return of main and second amp. I am more interested on the actual delay repeats, the should be "distributed" among L/R rather than sending exactly the same repeats on each L/R. Mono Guitar with Stereo FX sounds is what I was really asking.
@@Javier-qk7ms I have a left(mono) and right jack in both my Send and Returns on my Fender Rumble Studio 40 bass amp(4 jacks in total).I'm thinking of buying this pedal.. what way would I cable it up to get stereo (or dual Mono emulating stereo) from just this amp?...Do I plug one cable into the left send from my Amp to input on the pedal,then 2 cables from each of the outputs on pedals to left and right on the return on amp?(3 cables total).or do I have to put an extra cable coming from the right on my Amps send to the second input on the pedal?.(4 cables total) Ps:It's a digital modelling amp that has built in effects pedals like distortion and modulation etc..Most of the delays and all reverbs are in mono except a couple of stereo delay effects..this is why I want this and other pedals so I can get stereo reverb and delay etc for ambient bass tones etc..
@@patrickr6505 I am not sure what people mean with "Dual Mono emulating Stereo". But for your amp I would first ask this: Does it already include some nice sounding stereo FX? If the answer is yes then I would use 2 Send cables to keep stereo sounds you like from the amp, I would dare calling it "Stereo Send". Otherwise I would only use a single cable from send (a mono send ?) into the stereo pedal then 2 cables back to return (stereo return?). For example maybe you like built in stereo modulation sounds but not the delays/reverbs, using 4 cables you send your "already stereo" sound into stereo pedal and have both combined.
I think now I get what people mean dual mono emulating stereo, I think they mean spliting a mono signal. To me mono input > stereo pedal > stereo output is just another variation of a stereo rig, as I said think of Andy Timmons, I was inspired by his rig to use a single Preamp pedal into stereo pedals into a stereo power amp. I get the ping pongs, I get the stereo modulation, I like it. i just did not want to go thru the potential problems of using two individual amps, to me a single preamp into a stereo power amp made it so easy and avoided the frustration of problem solving along the way. And that stereo Rumble Studio 40 is gonna help avoid potential issues (ground loops, phase mismatch), I would only add for me the stereo sound is better when the speakers are apart from each other but that should sound nice anyway, and it woud also make it easy to have Wet-Dy with one send-return thru pedal for wet and the other send-return pair just a cable for dry. Edit: The key is that the pedal is really distributing the repetitions among left and rigth other wise it does not create the feel of space of stereo sound.
Although you have a tone knob on the DD-200 it has a quite dark sound. Not as clear as other digital delays, unfortunatly. I have listened to various videos on UA-cam and it is the case with all of them! For me a big disadvantage.
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I work for Roland and this video is what I would show dealers. It's a fantastic demo that's about the pedal, not the player. Gives a great idea of its sound and I like how you highlight what the parameter knob does. The rest of the features can be read online, but mostly we want to hear it. Great job!
Thanks for taking the time to leave such a kind and encouraging comment, Frank. It's very appreciated. All the best to you. More to come from me from the Boss stable. Cheers. :)
Hi Frank - it seems like you are the Product expert? Got one question. I read about the option to use the Loopfunction and the delay in the same time. Does it mean you can use the looper in conjunction with a delay mode (sending the Looper into a delay) or does it running separately - Having a loop and a individual delay?
Frank Martin Hi Frank... I don’t understand what Boss was thinking with the design of the Ducking delay. That’s my normal go-to sound and this is nothing like what I need from Ducking. It sounds like you can only have a ramp into the repeats no matter where the Param knob is set? I’d want an instant kick into the delay the moment I stop playing... with this implementation there’s way too much dead air before it kicks in. Is there something I’m missing here?
YES WE , i WANT TO HEAR THE PEDAL , NO THE RWSULT OG GENETICS AND THOUSANDS OF HOURS PRACTICING.
@@BrettKingman I love my old DD-20 but it's not the quietest pedal around. Reviewers always omit the noise issue - the reason pedals mostly went out of style in the late 70s and early 80s. They came back in and they would advertise low noise. Now the market is flooded with shamefully hissy delays like the GFI System Orca. What about this pedal? VERY IMPORTANT.
The true heir to the mighty DD-20! Loved that pad echo.
Exquisite
Ha ha leon just purchased this pedal on the account of you funny
And i just purchased a Digitech Time Bender because of Leon lol
I reckon a DD200 and the Time Bender would cover all of the delays i could want until the end of time without me repeating myself once.
I'd appreciate any feedback..
... I'll show myself and my Dad-puns out..
@@mattgilbert7347-Do you still like the Time Bender?
Just traded in my DD-8 to buy a DD-200 off a guy for 150 pounds!! he basically bought it from new and never got around to using it! been sat on a shelve! offered it to me! and I could't resist. no regrets! I LOVE this unit!! getting all sorts of sounds out of it! its a very inspiring pedal
This is what every pedal demo should be
Nicely done, exactly what a demo should be. No conversation and sales pitch, just a very straight forward walk through various settings on the device to get an idea of what this actually sounds like. As for the delay engine, the BOSS DD-200 does sound good, just the sort of platform I've been looking for. Many thanks for posting.
I've recently got one - it's absolutely fantastic. One thing is that it's worth getting an external foot control pedal - I use it to 'hold' the echo (e.g. you can hold a chord whilst continuing to play over it) it's actually keyboard sustain pedal but feels so natural to use with the DD-200
I gota external footswitch. By boss. How do i set it up for sustain tbe note infinite
I’ve been on a delay quest for years, buying and selling to find the right one for me. I’ve owned in the past 18 months; nemesis, echo system, free the tone future factory, timeline and now this. Honestly, this is my favourite one I’ve used for the price, sound and immediacy. You’ve done a great job showing it here. It’s a killer pedal.
Great, albeit brief, walk through of just a very few tonal effects of this pedal. This only scratches the surface of all that it can do. Thank you. I have spent hours exploring this pedal.
*Your demos, Your tone is always A+....!!! Thank you*
Remember when everyone was telling TC electronic to make a Flashback x2? That's cause this idea is awesome and I'm glad a company finally did it. Boss always kills it with delay products
This things sounds really really good! Way better than I expected!
Thank you for doing your demo in stereo!
Yes, I think this is the one that better demonstrates it. Is it just me or the stereo spread of the DD-200 is actually better than the big DD-500?
Great demo. The ending portion of the video sounds gorgeous, sublime, stunning (whatever other word you'd want to use)
I'm in the market for a new delay, and this video helped me to decide which one to get. Thanks!!
Hi Brett, great demo- with all the conversation required mate.
Max delay time is 5 seconds if anyone is wondering. Fantastic sounds! My only gripe is the lack of a Dual Parallel mode, but it's a keeper nonetheless. Thank you Brett for the sweet demo, and thanks to Roland BOSS for another great delay!
I was wondering about that. I've been trying to to do that with 2 pedals but ran into phase issues
This is a very fantastic demo of this great brand new BOSS pedal. Great job !!! Brett Kingman demos rock !!!
Nice as always Brett. It's kinda like a DD-500-lite. Sounds fantastic. Boss has really answered-the-bell, with their recent offerings. Loving the new Waza Craft stuff, & currently using The DD-500 (which I love).
As well as their X series of drive, distortion, compressor, and now noise suppressor/gate pedals. Some seriously cool tech going on inside those.
I traded a diamond memory lane jr for one of these a month ago. Definitely worth it!
mine will be here Monday very excited . awesome demo
William Winn Where did you order from?
@@ChaitanyaRamachandran Amazon, i just Received it. its so good
Very cool... has a kind of retro 70's look to the cabinet but some serious tech inside the box!
Great demo !!!!! Boss is killing it lately.
Okay, the last chord totally got me.
Whup! There goes the Tera Echo! Unmistakable.
We need an A/B shootout with this and the Nemesis Delay. May the best affordable mega-delay win.
Love this video, I’ve been looking out for demos of this pedal and this is the first one I’ve found. Planning to get this pedal on day one, it fits the bill perfectly for a multi-purpose delay for a small board I’m assembling. Tera Echo seems to be the hidden gem here. Shimmer I can do without, but Boss shines as always in the Digital, Analog and Tape realms. Drum is a nice surprise also, it’ll let me leave my Catalinbread Echorec at home. Boss seem to have done a great job here, can’t wait to try this out for myself.
Excellent demo, and a great pedal. Really thinking about picking one up for myself. Cheers, sir.
Wow an actual delay unit that sounds original!
Beautiful demo.Well done.
A joy to listen to. Your video convinced me to get one
I have seen may videos about DD200 and DD500 and nobody talks about changing delays or changing presets, I want to know what happen if you play with one nice ambient shimmering sweet long delay and you need to change to another patch or presser or change your memory bank to another one either pressing the switch or via MIDI. Does your last ambient shimmering sweet long delay still there until vanish with the delay decay and mix your sound with the new patch, or that delay cuts abruptly off and is replaced with the new delay??
I guess it is called carryover.
hi, I've owned the DD-200 for a few weeks now. The delay decay will carry over when you switch patches. I'm unsure if there's a way to change that, as I've not tried. Personally I like it.
just now seeing this. Great video!
I want to know if the pitch changes when the delay speed is changed on the standard effect? I'm looking for a clean delay that pitch ramps and self oscillates.
Pre ordered mine 😍
When I want to know what a pedal sounds like, I ALWAYS come to you Brett!
I only want one Delay for "now", and I can't decide between the DD-8, the DD-200, and the Keely Halo.
What your 7 cents (inflation, you know :) ) on my three choices?
Sounds amazing Brett!
BRETT i AM HAPPY TO HAVE DISCOVER YOUR DEMOS.
Sound great like the Strymon Timeline!!
great work, so much so i just bought one for myself 😬🤗
Thank you Brett for giving me my first REAL look at the DD-200. Will sell the DIG and get this.
Then you buy the dig again
Don't sell the Dig just add the DD200, I never sell anything I buy, cause when I am in the market for equipment it is to stay in my studio forever, I always buy things for the long run, these are tools for creativity, I wouldn't let any of my equipment go, EVER.
@@savanaviolenta Totally agree wish I hadnt sold the El Cap even though im happy with the TL
As always, an honest review from Mr. Kingman
Nice sampling of what the pedal does without showing off.
Boss DD-200 ftw!
Great sounds -- that tera was quite impressive! -- and I like the fact that everything is easily accessed without diving into digital menus. When you're on stage and the inspiration strikes, you don't want to be buried in your pedalboard. You want to grab the sound you're looking for and start playing. I also think that in real life, 4 presets is a sufficient number. I've used a DD7 for years and all I'm wishing for is 2 presets. So 4 would be great. I figure that if you really need a different delay preset for every single song, maybe you should put away the pedals and work on your playing.
Fantastic demo. many thanks.
I wait for the MD 200 😉
So then, for Tera Echo, _Param_ is essentially the _S-Time_ knob, and Feedback, Tone and E Level are all their one-to-one equivalents as on the TE-2?
I guess what I'm asking is, how complete/faithful is the Tera Echo implementation in the DD-200 compared to the original TE-2?
More to the point, could I (should I) sell my almost new TE-2 and vintage MiJ DD-3, and buy a DD-200 to replace them??
I'm sold.
Is there no true ping pong (panning back & forth L & R) digital delay setting? I only heard it bounce back and forth on the pattern setting....
I see.i see.i like DD8 .and D D3T !!!!! Best .buys
Great demo Brett ! Not a fan of the brand in general but this Boss delay sounds amazing
409 / 5 000
Résultats de traduction
hi Brett! ...thank you again for the video and videos..! I am very happy to have found this pedal because I was looking for ergonomics and a precise sound for example for 80's style digital delays
...and I think I'm not the only one to have desperately sought the RV200 for engagement and marriage ..!
... so what do you think of my idea to quickly get the GFI skylar I think they could get along well ..?
...and also be very good with modulation flange or chorus boss like the dimension ... the skylar seems cool to me in the demonstration that you made ... sober luminous interesting with screen and small size ... do you have one opinion for on its associations?
Do any of the modes pitch shift the delays when adjusting the time knob like a legit analog delay?
You can hear the pitch changing when Brett changes the Time parameter
Did you notice any distortion or lack of headroom when using the delay after gain?
what tuning did you play this in?
Could you shoot this against your Timefactor if you still have it? I’m interested to see how it’s held up against the newer delays.
I want this delay so badly, but I’m honestly waiting to buy this until they hopefully release the RV-200 and I can have RV-200 and DD-200 side by side. Cmon guys. Make it already!
But DD-200 + RV-500 is peak atmosphere
@@lmg1033 Probably. I just hoped for the compact version.
@@briantost7125 oh right it would be pretty great
Bret can you explain you cables at the back is one going to a different amp I’m having trouble my friend I’m a green horn learning thanks BrettTim from London canada
Good sounds, but pretty disappointed in the Ducking. Maybe there are more parameters to tweak, but it sounded like the transition between ducked and delay was just too abrupt. I'm a Ducking delay on all the time kinda guy, and from what I heard, this just won't do. The TC Flashback has the best ducking feature for my purposes, but this Boss has more fun sounds. But without a great Duck, it's not going to find a home on my board.
Is there a way to adjust the modulation speed? I was just wondering because I only see a modulation depth knob.
Thank you again Brett!! OK....This is NOT an easy question to answer but if ANYBODY KNOWS.....you do friend. I would LOVE to know your opinion of a stereo delay pedal that has VERY EASY ACCESS to memory slots/presets and does all the epic pads and shimmer mixed delays for ambient playing. I also love the "freeze" type of ability some incorporate. Sorry man!!! I know this ain't easy but....by the way, this pedal ain't too shabby dude! Thank you as always Brett. Bless you and yours bro. Price is not an issue....Fran
That was so relaxing...
Great demo, but I’ve noticed almost everyone who reviews this pedal uses modulation far too much, which is great if you want to make it sound beautiful and pleasant but not so great when you want to hear the delays by themselves for more subtle or practical applications. At least we can say that this pedal does ambient pretty well
Pad echo is a great new delay for this
Love this. Brett, are you going to go through the entirety of the 200 series?
Thanks, Seth. Yes, that's the plan. Thanks for watching.
$249 from what I'm hearing in the articles. I'll get one for sure.
Starts with the Terra Echo... My kind of demo
Have a DD-500, am not a fan of the menu diving and alright sounding (IMHO) delays out of the box. If you're a fan of cutting digital delay i guess this pedal is for you
500th like
To bad it's not a review of the DD-500, I feel like I'd've won something. 😂
Clean looking and straight forward to use but with what appears to be a huge variety. Worth switching from my alter ego and MM(hazarai) 🤔
Why?
I preordered one. Very high fidelity.
Fantastic. Hope that they´ll release an RV 200 too.
If they do, DD200 and RV200 is what I will buy for sure.
My thoughts when I saw first time the 200 Series.
Can you get just the wet signal out of this pedal?
Reminds me of the Morley echo/delay pedals from back in the day
Is there a kill dry or 100% wet function?
I just read a review, it's missing....
Is it possibile to have, like the TC, quarter delay at left and dotted eigth at right?
Can you run two delays in parallel mono? And something like a strymon fav switch option would be over the top
Fun pedal but I think I'll stick with Specular Tempus best delay/reverb I've had.. very hard to beat.
Is it possible to get any sounds out of the Specular Tempus that are not worship music or ambient sounding?
Absolutely !!! But best with 2 amps it is an amazing pedal. But very expensive :-(
Any links to a good GFI Spec Temp vid?
I will buy both ;)
Can this do a quarter note and dotted eighth at the same time?
shaweet the bird frets. only one makes those 😎
Sold. Didn't like the DD500 and the limited functionality of DD7, DD8 but for this I'm going straight away, this and RV6.
If they eventually make an RV-200, I'm buying it the first day it's for sale.
This or the Nux duotime?
Only 4 presets? Is there more thru Midi?
Love the demo! Just a wee question - can this pedal do full 100% wet mix? Cheers
ok i am 1:40 in and I WANT ONE!!!!
super device !!!
Great demo! Can you do a demo of all the Boss 200 series?
Thanks. Yes, coming up!
Can it run two modes at the same time/one patch?
The DD-500 can with the right programming
WHERE IS THE DISTORTION PEDAL?
Sounds great but I think the DD-500 is better value at the moment and with the greater functionality too.
Though I just got a DD-200, I would still very much appreciate having a DD-500! I keep wondering if these boxes might drive down prices for the 500 series, what do you think? I've seen prices for the DD-7 steadily slope downward this past year. The lack of editor software for this 200 series is a let down, I agree with you about the functionality being greater with the 500's. Cheers!
@@MeatyController The DD-200 is smaller, quicker to get results and less to go wrong. The prices should go down for the 200 series when they are not the latest thing any more and I suppose the 500 might get cheaper eventually. However, the low value of the UK pound is making all imports more expensive at the moment.:)
Is it just me or just a few effects are really creating an stereo image? For example the pattern delay and tera echo really sounds like a wide stereo sound but most of them sounded more like dual mono to me.
My question as well. The pedal must be emulating stereo? If you have one guitar cable plugged into your pedal chain you've got mono (not the disease).
@@imaseeker100 Well, I am fine with one cable coming into a stereo pedal. Andy Timmons takes a single FX send from main amp into stereo pedals then into RX return of main and second amp. I am more interested on the actual delay repeats, the should be "distributed" among L/R rather than sending exactly the same repeats on each L/R. Mono Guitar with Stereo FX sounds is what I was really asking.
@@Javier-qk7ms I have a left(mono) and right jack in both my Send and Returns on my Fender Rumble Studio 40 bass amp(4 jacks in total).I'm thinking of buying this pedal.. what way would I cable it up to get stereo (or dual Mono emulating stereo) from just this amp?...Do I plug one cable into the left send from my Amp to input on the pedal,then 2 cables from each of the outputs on pedals to left and right on the return on amp?(3 cables total).or do I have to put an extra cable coming from the right on my Amps send to the second input on the pedal?.(4 cables total)
Ps:It's a digital modelling amp that has built in effects pedals like distortion and modulation etc..Most of the delays and all reverbs are in mono except a couple of stereo delay effects..this is why I want this and other pedals so I can get stereo reverb and delay etc for ambient bass tones etc..
@@patrickr6505 I am not sure what people mean with "Dual Mono emulating Stereo". But for your amp I would first ask this: Does it already include some nice sounding stereo FX? If the answer is yes then I would use 2 Send cables to keep stereo sounds you like from the amp, I would dare calling it "Stereo Send". Otherwise I would only use a single cable from send (a mono send ?) into the stereo pedal then 2 cables back to return (stereo return?). For example maybe you like built in stereo modulation sounds but not the delays/reverbs, using 4 cables you send your "already stereo" sound into stereo pedal and have both combined.
I think now I get what people mean dual mono emulating stereo, I think they mean spliting a mono signal. To me mono input > stereo pedal > stereo output is just another variation of a stereo rig, as I said think of Andy Timmons, I was inspired by his rig to use a single Preamp pedal into stereo pedals into a stereo power amp. I get the ping pongs, I get the stereo modulation, I like it. i just did not want to go thru the potential problems of using two individual amps, to me a single preamp into a stereo power amp made it so easy and avoided the frustration of problem solving along the way. And that stereo Rumble Studio 40 is gonna help avoid potential issues (ground loops, phase mismatch), I would only add for me the stereo sound is better when the speakers are apart from each other but that should sound nice anyway, and it woud also make it easy to have Wet-Dy with one send-return thru pedal for wet and the other send-return pair just a cable for dry. Edit: The key is that the pedal is really distributing the repetitions among left and rigth other wise it does not create the feel of space of stereo sound.
How are you getting it to ping pong
better than eventide h9?
Analog dry through
Although you have a tone knob on the DD-200 it has a quite dark sound. Not as clear as other digital delays, unfortunatly. I have listened to various videos on UA-cam and it is the case with all of them! For me a big disadvantage.
Check out Leon Todd
Why why is the time control so slow just like the DD 500
On DD500 when you push the knob and roll it pushed, you'v got faster step, I assume that 200 series use the same feature, didn't check
@@robertprokes2678 Happy with the timeline
Eric Filsinger good for you nerd
@@Ottophil GFYS
More on the tape setting please
Does anybody know if this has the hold function like the boss tera echo has please ?
Yes
Only 4 presets, no dual parallel mode, no kill dry... They crippled it to protect the sales of the DD-500.
Seems to be like that.
Darn!
GGGGGREAT!!!
I can't imagine what use these duh duh duh sounds are good for.