This is the Minolta MC W ROKKOR HH - 35mm f/1.8 Chapter 46

Timecodes
00:00 - Intro
12:05 - 2nd Intro
29:22 - History
02:18:21 - The lenses and Codes Explained
02:21:08 - PAUSE HERE
02:42:21 - The lens of trend
03:29:04 - Examples.
A lens with a creamy D.O.F. with low vignetting and distortion, sharp over the entire frame at f/4, bokeh not totally round when wide open.
Want to build a trio of Minolta's prime lenses? Consider this one plus two more legendary lenses referred to inside the video.
In this chapter, I bring to you Minolta's timeline.
Interesting elements - images (like camera body with NPHDCO logo) were found, however, reproduction was strictly prohibited.
In my examples, I tried my best within 02:30 to reproduce what the bokeh and D.O.F. will look like if your copy is a f/2.8 or f/4.
A set of photos @f/5.6 comes first, then, variations of f/1.8 to 2.8, & f/4 with fixed focus, and last are video examples focusing from far to near at the mentioned variations.
Screen capture from Camera Wiki and other graphics or illustrations with no intention of infringing Copyrights.
The following link led you to Minolta's 50th-anniversary PDF booklet:
tabikaseki.jp/minoltajidai02.html
Music: Today and Tomorrow from AlisiaBeats‪@ZarazTube‬
Space Chillout from penguinmusic‪@ZarazTube‬
鏡頭具有奶油般的景深、低暗角，並且在全開時散景不完全圓形。
f/4 時整個畫面失真度低且銳利。
如果您正在尋找一組美能達的定焦鏡頭，請考慮在包中添加這款和另外兩枚傳奇鏡頭。
在本章中，我將向您介紹美能達的時間表。在歷史研究過程中，發現了有趣的元素 - 影像（例如帶有 NPHDCO 標誌的相機機身）和腳本，但這些內容是嚴格禁止複製的。
在我的範例中，我盡力在 02:30 內重現散景和景深。看起來就像您的副本是 f/2.8 或 f/4。
第一組照片@f/5.6，遵循f/1.8、2.8和f/4的變化，具有固定焦距和從遠到近的焦距。

[@seoulrydr]

I like the near and far comparisons for each image. tyvm for the video!

[@red_code]

Thanks for the comment.

[@mikepxg6406]

So much great information. very good production. Thank you.

[@red_code]

You welcome.

[@mrjoldo]

Its one of my favorite lenses! thanks for the video.

[@red_code]

You welcome.

[@BabyChupppa]

Music source please 03:31.

[@red_code]

Pixabay music, Author AlisiaBeats, music, Today and Tomorrow.🙂

[@BabyChupppa]

❤​@@red_code