This works! I've struggled with this and finally found someone on UA-cam that did a great job on showing how to practice speed picking that works! Thank you!
Your videos are so helpful! I know this was put out a long time ago but I've watched many videos and I am always very appreciative of how much you want to help others learn guitar. Great work and thank you very much!
@holleywierd Hey, I think you are referring to my interval videos. You can find all of them in my advanced playlist including videos for 3rds, 4ths, 5ths, 6ths and 7ths. Have fun!! Carl..
These are things that, regardless of implication by any instructor or not, they have learned this in the progress they make and will continue to make thoroughout their musical endeavors. Keep a record of this organizational skill for your efforts no matter what you choose to accomplish.
Add to this the relationship between the left and right hand, dependent upon which is the fret hand and which is the strum hand, and the slow first acquiring speed with familiarity of the objective goal. Learn to teach both the fretting hand and the pick hand the relationship between speed and accurate completion of the playing of the notes and you can, no matter your skill level initially, begin to understand more with your head and hands......it is truly a co ordinated effort between the eyes, the ears, the mind and the body....in relationship to learning new skills of any dexterity level. Begin with the speed that allows you to complete the objective perfectly, some 20 or 30 individual times and then add speed as you accurately complete your familiarization with the skill. Speed comes not from failed attemps, but from slow and gradual successful attempts, remember this in your progress through the rudimentary elements of learning a skill of any sort. but especially in an artistic skill, painting, poetry, and the finer arts come from the number of successes against the 0 failure ratio....... Always number of successes against the 0 failure ratio.......Your progress can truly be measured in this way....you can meter your efforts in this way as to say.....slow enough to succeed every time without failure as you go for progress. You will find this is much slower initially, but in the reality of this, you will learn a skill that most great musicians learn intuitively. Build your self reliant skills to prove that you are truly progressing in sight and sound.
thank you Ms Pettigrew/ I ve been allow to understand that the majority of none teacher taught players do not start slow and add as a teacher of music would require and there are some who succeed because they get good at what they learn. I use Stevie Ray Vaughn as the example. of course Steve Via as the schooled version or joe satriani as two schooled guitarists the degree of versatility is the one factor that may be the only real value beyond the efficiency of practice and perfection eventually you have skills shown to you by the players you play along side or that you are willing to emulate. any guitarist that stay the course of improvement are aware of their benefit and waste factors but the awareness of pertinent time is not a issue. I am appreciative that you bring a training opportunity with you. by no means am l handing others what is best for all guitarist and have a reminder given to me on a local level not to be presumptuous and less wordy on that it can help in its use
i had that same pickup config in my squire strat it sounded pretty good but the fast track 2 had a lot less distortion than i wanted,but the chopper was great for bubbley solos.
This is just superb, I've been looking for "guitar scale finger patterns" for a while now, and I think this has helped. Have you ever come across - Vonizabeth Strumming Magnitude - (should be on google have a look ) ? Ive heard some extraordinary things about it and my friend got excellent success with it.
Thanks! I have a question...Where should our thumb be? I mean, if my thumb is visible when yours isn't, is it a mistake? Or a matter of personal preference?
Consideration should be introduced, in the way of the string size and dexterity is relative to the ease or difficulty of these new lessons for those who, by way of experience, are not adjusted to the dexterity of thick acoustic type strings. It is a far better understanding to realize that the 13 that is on your acoustic guitar is a bite more difficult than the 8 or 9 or 10 and even the 11 so beit that the thicker your strings are the more quick response twitch mode that was easily accomplished on the electric guitar, takes more focus and tap strength initially. It s best to resolve that thicker strings take a more focused effort and in the realm of twitch note efforts....beginning slowly with placement corrections and adaptable strength utilization until your able to twitch like the same as a acoustic/electric. There is, unless its realized first, the idea that you cant do what looks to be simple/easy in tube sight, but in actuality its a relationship between familiarity and the type of guitar your playing on. These are elemental to most experienced guitarists, and to you I nod in approval. Yet to let the novice come to understand some basic considerations may be the difference between who may stay with it and who may give up immediately or in short recourse to not understanding the relationship of one or another consideration that they come upon in the first generation effort towards learning the instrument of choice.
I thought this was another video I have seen before. Which video did you make that talked about different ways to play the scales to where you used thirds I believe it was. Talking about playing in the box but playing only the root and third note and another was just going through it playing random notes from the position up and down? Can't seem to find this one, thanks!
For this being 2009 that’s one good quality camera
This works! I've struggled with this and finally found someone on UA-cam that did a great job on showing how to practice speed picking that works! Thank you!
Your videos are so helpful! I know this was put out a long time ago but I've watched many videos and I am always very appreciative of how much you want to help others learn guitar. Great work and thank you very much!
Thank you very much for all your lessons and efforts! 🙏I am starting now with learning how to play a guitar and I find them extremely useful! ❤
@holleywierd Hey, I think you are referring to my interval videos. You can find all of them in my advanced playlist including videos for 3rds, 4ths, 5ths, 6ths and 7ths. Have fun!! Carl..
GuitarLessons365 faire, p
These are things that, regardless of implication by any instructor or not, they have learned this in the progress they make and will continue to make thoroughout their musical endeavors. Keep a record of this organizational skill for your efforts no matter what you choose to accomplish.
Add to this the relationship between the left and right hand, dependent upon which is the fret hand and which is the strum hand, and the slow first acquiring speed with familiarity of the objective goal. Learn to teach both the fretting hand and the pick hand the relationship between speed and accurate completion of the playing of the notes and you can, no matter your skill level initially, begin to understand more with your head and hands......it is truly a co ordinated effort between the eyes, the ears, the mind and the body....in relationship to learning new skills of any dexterity level. Begin with the speed that allows you to complete the objective perfectly, some 20 or 30 individual times and then add speed as you accurately complete your familiarization with the skill. Speed comes not from failed attemps, but from slow and gradual successful attempts, remember this in your progress through the rudimentary elements of learning a skill of any sort. but especially in an artistic skill, painting, poetry, and the finer arts come from the number of successes against the 0 failure ratio....... Always number of successes against the 0 failure ratio.......Your progress can truly be measured in this way....you can meter your efforts in this way as to say.....slow enough to succeed every time without failure as you go for progress. You will find this is much slower initially, but in the reality of this, you will learn a skill that most great musicians learn intuitively. Build your self reliant skills to prove that you are truly progressing in sight and sound.
thank you Ms Pettigrew/ I ve been allow to understand that the majority of none teacher taught players do not start slow and add as a teacher of music would require and there are some who succeed because they get good at what they learn. I use Stevie Ray Vaughn as the example. of course Steve Via as the schooled version or joe satriani as two schooled guitarists the degree of versatility is the one factor that may be the only real value beyond the efficiency of practice and perfection eventually you have skills shown to you by the players you play along side or that you are willing to emulate. any guitarist that stay the course of improvement are aware of their benefit and waste factors but the awareness of pertinent time is not a issue. I am appreciative that you bring a training opportunity with you.
by no means am l handing others what is best for all guitarist and have a reminder given to me on a local level not to be presumptuous and less wordy on that it can help in its use
+Pettigrew Janice Nice affiliate link
You are an excelent teacher. Regards!!!
i had that same pickup config in my squire strat it sounded pretty good but the fast track 2 had a lot less distortion than i wanted,but the chopper was great for bubbley solos.
Compare how he looks here back in 2009 to a new video from 2017... He hasn't aged one bit.. Must be a vampire...
Totally agree. Only uses artificial lighting too.........hmmm
@@snowyowl1717 Carl: *hisses*
@Dylan Keith Pro trick: Fuck off
@Kian Colton Applies for you as well
FLOATING HAND!!!! :P Great lesson.
This is just superb, I've been looking for "guitar scale finger patterns" for a while now, and I think this has helped. Have you ever come across - Vonizabeth Strumming Magnitude - (should be on google have a look ) ? Ive heard some extraordinary things about it and my friend got excellent success with it.
Nice thanks
nice strat with hot rails, sound very well
Thanks! I have a question...Where should our thumb be? I mean, if my thumb is visible when yours isn't, is it a mistake? Or a matter of personal preference?
Thank you so much!
Consideration should be introduced, in the way of the string size and dexterity is relative to the ease or difficulty of these new lessons for those who, by way of experience, are not adjusted to the dexterity of thick acoustic type strings. It is a far better understanding to realize that the 13 that is on your acoustic guitar is a bite more difficult than the 8 or 9 or 10 and even the 11 so beit that the thicker your strings are the more quick response twitch mode that was easily accomplished on the electric guitar, takes more focus and tap strength initially. It s best to resolve that thicker strings take a more focused effort and in the realm of twitch note efforts....beginning slowly with placement corrections and adaptable strength utilization until your able to twitch like the same as a acoustic/electric. There is, unless its realized first, the idea that you cant do what looks to be simple/easy in tube sight, but in actuality its a relationship between familiarity and the type of guitar your playing on. These are elemental to most experienced guitarists, and to you I nod in approval. Yet to let the novice come to understand some basic considerations may be the difference between who may stay with it and who may give up immediately or in short recourse to not understanding the relationship of one or another consideration that they come upon in the first generation effort towards learning the instrument of choice.
I thought this was another video I have seen before. Which video did you make that talked about different ways to play the scales to where you used thirds I believe it was. Talking about playing in the box but playing only the root and third note and another was just going through it playing random notes from the position up and down? Can't seem to find this one, thanks!
What's the advantage of changing strings with a down stroke as opposed to just doing two ups?
Thank you very much for the reply!
hey great Carl, but did you skip from A Pentatonic to G Major on the 3 and 5 note runs.? Thank you
Thanks for the lessons! How much time a day should I do this? At my first go-around, my hand started cramping around 15 mins.
Thank for lesson
Dat tone!
what pickups are you using in this guitar?
Johnny Ceravolo my arms and a strap, or usually however the guitar fits onto my peg, why?
Texas specials
i've never heard of rolling except when you take the high e and bend it down off the fretboard,please explain!
what the point of the pentagonic? I like strumming relly hurd!
jx592 english please
Lol 'pentagonics', cracked me up
😂😂
You must like sucking bad at guitar too
look keanu reeves!!
My pinky just want to curl than to press string
oh my... i can't do it T_T
Can you do it now?
@@ErrolCe thanks, it's ok now :))
I LOL'd so hard at this comment i almost cried!
U
2 notes per string runs in theory should be similar to 4 notes per string but for me I feel so much faster doing 4 per string than 2 per. .
Brian J probably because your changing strings more when you use 2 note per string rather than 4.
Brian J 3---5-6---8 right?
also keys to the Halo Theme!
Can't use my pinky at all.
Too bad
Good but too much talking
less talk please