Fuji's Ergonomic Schizophrenia (X-T50, GFX 100s II, Kit Lens DOWNGRADE)
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- Опубліковано 25 вер 2024
- Fuji was busy with a bunch of announcements. GFX 100s II, the XT50, a supposed upgrade to their kit lens which has less reach, slower aperture and removed OIS. We'll talk about all those releases, and then dive into Fuji's ergonomic schizophrenia. Why they keep experimenting with different camera layouts every release. It's perplexing and bewildering. Filmed on the camera Fuji wishes they made, Nikon ZF with Nikkor 85mm f1.2 S lens :)
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I agree 100%. To make it even more sensible, in Australia, the X-S20, X-T5, X-H2 and X-T50 all cost the SAME PRICE. Until there's an X-Pro4 with Voigtlaender lenses, I'm on L-mount full-time.
Is this a Tony Northrup video?
He needs help!
Now they're both lost 😢
Not “Toneh” anymore, it’s “Kaseh”.
Yep, ears out of focus. He has become Toneh!
The overlay animations should be blurred too.
Finally someone told the truth about fujifilm's latest releases. It was hard to watch and listen to everyone praise all this bs. Now I'm not alone. Thanks, bro!
Literally how I’ve been feeling about every Fuji release lately
The kit lens was actually invented by cell phone companies, Motorola, I think or maybe it goes clear back to Blackberry. You see, the cell phone companies know that people won't spend $1800 on a cell phone and then $1800 on a camera, so they took action. They sent an agent to the camera companies disguised as an optics expert and called him Reginald. Reginald told them, "Nice looking camera, but it does not take any pictures. How are you going to sell it?"
"Well, " said the camera executives, "We'll just sell them this $4000 lens to go with it."
"I've got a better idea," chimed in the fake optics expert Reginald, "Just melt down a 5 cent pop bottle from the recycle bin, and inject it into a lens mold. Cover it with ten cents worth of plastic and a couple springs and sell it for $100."
"Those pictures will be dark, wavy and horrid!" gasped the camera executives.
"That's the whole idea!" said Reginald. "Now they will HAVE to buy a much better lens for a boatload of money. And be sure to make it so that ONLY your lenses can hook up to your cameras."
"Now we see! Brilliant" said the camera executives.
But little did they know that people would buy those kit lenses and then share pictures and videos made with them and even post them on social media.
Now, the people with cell phones post their stuff side by side, and millions shout in horror:
"We can't buy those camera things! They make horrible pictures. The videos are UNWATCHABLE! Let's buy cell phones instead."
Gone are the days when cameras came with a sharp contrasty nifty-fifty. The kit lens is such an abomination that it has sealed the fate of the camera companies for good, and the cell phone companies sneer at them in derision.
The entire lore, captured here for historical reference. Thank you!
😂 I died @ "SONY science colour"
Kasey has stumbled upon Fugi’s new Right-handed / Left-handed, and anti-Wildlife strategic multi-model plan such that the needs of every potential customer can be met. It’s actually brilliant because some customers didn’t even realize that they needed an anti-wildlife camera!
Hey where is some clarity, no sharpness? And colors of your face are red pink comon
Fuji should stop releasing new bodies and just update these 10 year old lenses
Seriously, how many people buy an XT50 to use it with the kit lens? Most will have other lenses already. Fuji: "They're experimenting so much with their knobs!" (CC classic!)
Still happy with my X-T4. Didn't come with free bananas.
Still happy with the X-T3
@trailzable do you have an Instagram page. Love to see your work.
Happy with xt30ii. Lightweight baby
Feel exactly the same. It's more than good enough for years to come
I've switched to sony FF but miss x-t4 sometimes
11:58 "Sony colour science replication mode" 😂😂
So true. So real and he gives us the internal dialogue in our own heads but afraid to speak it. I think you should expand to vintage and manual focus lenses. Including dare I say it. Leica.
I got a used XT30ii last year and sold it after a week because the ergonomics and grip were so bad. Very happy with Canon now even though I loved the film simulations. Glad more people feel the same way lol
8:58....You can assign a button as a C1 custom mode recall to avoid having to reach to the dial to switch modes. Set up 120p on C1, now you can be in any other mode on the camera and hit C1 recall and the settings instantly load and a yellow C1 shows up to indicate you are in recall mode, hit the same recall button again and go back to whatever mode you were in. Problem solved.
That's exactly how it's done. 👌👍
Sure there is a "way" to switch to back and forth to C1, it does not explain controversial placement of dedicated dial - top LCD could be placed on the left with no harm to its overall functionality (BTW it still doesn't display number of frames left on bigger cards due to 9999 limit). Moreover placement of right side buttons is also just bad - very inconvenient to press. To me even joystick is worse than in my old X-T3. In my opinions, H2 ergonomics is a disaster to wildlife shooters (I'd like to remind that on the very beginning we're not able to use front command dial for ISO). I can't understand how many stupid decisions have been taken last times. I'm with Fujifilm-X for years (switched from Canon FF DSLR), but If have to invest in the whole ecosystem (bodies, lenses, flashes, grips etc.) from the scratch I would probably look at the other brand today, but to be honest no one makes "serious" APS-C body today, I'd probably buy A1/Z8/R5II but Sony ergonomics seems to be best for me.
@@arturdarulewski 9999 limit is non issue, imho. The feature is there when you get closer to your storage limit not to know you have 14,000 shots left on your 1TB card. It also shows you estimated video time which is an incredibly useful feature.
The screen is on the right because there is more space simple as that.
I also have an R5 and switching modes from photo to video is way worse requiring an awkward thumb over to hit the the mode button then back down to info then back up to scroll wheel to select. So no camera is perfect. Fuji is faster for me by a long shot.
The Toneh is next level
Wish I was super rich, I would buy you a GFX100II plus that 500mm 5.6 just to see whatever content you could make with it. 8K medium format wildlife!
Good points on the ergonomics non-continuity.
You have no idea how much Japan needs a temporary alcohol ban, and it's not just for the drunk dude who kept swapping dials and switches all over the place over in Fujifilm.
I just upgraded from the X-T2 to the X-T5 and while I have been mostly happy with my upgrade due to the much faster response speed, the redesigned shutter and the much reduced power consumption, some handling decisions continue to baffle me to this day. They wasted an entire dial just to allow you to switch between still and movie mode, like why? That dial used to be the photometry dial in the X-T2 and I swap between photometry modes way more than I use the movie mode. Now I had to spend a function button just so that I can swap between photometry modes. Setting movie mode as a drive mode item as they did in the X-T2 was way better, or even better, a dedicated record button like many cameras have done. At least they moved the top function button to somewhere an actual human finger can access.
The new 16-50mm confuses me a lot even though I won't be going anywhere near that territory any time soon (already have an 18-135mm main and an 18-55mm f/2.8-4.0 backup) because it just shows Fuji has forgotten what they were supposed to be doing. Is it supposed to be an upgrade of the 16-50mm f/3.5-5.6? The speed increase is great and all, but did the OIS have to be sacrificed? Guess that means they are going all in on IBIS, but what took them so long? It also still doesn't help the older Fuji fans considering the Pro, A, and E lines don't have it and only the newest three T line cameras (4, 5, 50) have it. Is it supposed to succeed the legendary 18-55mm? That's half a stop and 1.1x magnification sacrificed on the telephoto end for 1.1x wider frame. Really not sure the sacrifices were worth it.
Growing up with the Nikon F2, F3, with no autofocus or lens stabilization, you lads don’t know how good you have it today.
I can live no autofocus or ibis, the problem is the price which seems cannibalise their own lineup.
I don't understand the point of the X-T50 either. I think the marketing folks believe they can piggyback on the X100V and X100VI to get sales. I would rather have the X-S20. And, that new lens really confuses me. I have the 18-55 and think I'd still rather have it than the new one. As for the dials, they are becoming an anachronism. On my X-T3 I can completely ignore them by programming other buttons and using the command dials. My big question is, what will the next version of the X-S20 be like? Will that successor come soon? Or, will they cave to the screaming of the fan boys and make the XPro 4 first. For me, it doesn't matter. I'll be using my X-T3 for a while as most other cameras are beyond my budget as a amateur. I would love a used FF body, but even used they're too much. Thanks for your thoughts and some fun. Have a great weekend!
What a waste of a release. X-T50 has the newer sensor, but tiny battery; X-S20 has the larger battery, but older sensor; X-T5 has slower autofocus. Just make one perfect camera, damn.
Hair is amazing
@stasgavrilovru Full credit to the Nikon Zf! 📷🎥
I like hair
Hairy potter
I went to the Fuji x summit yesterday in syd the new 500mm lens was amazing. The crop was insane
What’s really frustrating is that X-H2S has one of the best APSC sensors on the planet for sports & wildlife photo and video, but they put it into a body that works best on tripods for landscape photographers.
Then the X-H2 has the one of the best APSC sensors for landscape photography, and they got the body right too, but they gave it a flip out screen that sucks to use on a tripod.
They can make the best sports & wildlife APSC camera in history if they just put the X-H2S sensor in an X-S20 body with dual card slots and weather sealing. I currently own the X-T4, X-S10, X-E3 and X-T2. I would instantly sell the last 3 and buy an X-S2 with those specs.
I had that thought the other day, an X-S2. The pro version :)
@@cameraconspiracies Make a video about it! Seems like Fuji is making whatever people ask for these days. They’ve just listened to the wrong people so far lol.
I'm perplexed about the kit lens too, f/4.8? no optical stabe? - sure the extra 2mm is nice on the wide end but quite disappointing otherwise.
It's supposed to be used with the newest cameras that all have IBIS. Therefore the lens doesn't need OIS.
F/4.8 is just half a stop darker than f/4 which wasn't very fast either. However the new lens is noticeably lighter and possibly sharper.
@@opalyankaBG IBIS isn't a replacement for lens OIS, they compliment each-other. Especially on the tele end it makes a huge difference, try using the 50-230mm lens with IBIS only and see what I mean :)
@@DigiDriftZone But in the 16-50 range IBIS is a perfectly good replacement. Fuji hasn't stopped putting OIS in long lenses so you're not missing out.
@@opalyankaBG The IBIS is next to useless on Fuji in video, and certainly above about 23mm.
@@DigiDriftZone I'm not even talking about video. IBIS is useful for stills, too.
You're a machine 🤗🥰 spitting out great content!! 💪👌👍👍
Fuji should make a video centric camera, they would call it Fuji X3, or FX3 for short.
when trying to hold your own laugh for the genius improv jokes you are making yourself on the spot doing one takers. You are the Miles Davis of cameravloggingjazzmattaz.
Finally a rant on the confusion of fuji cameras buttonsettup. I use H2s and gfx100s as a nice nature and wildlife combo, why arent the buttons setup exactly the same. No push buttons on the h2s, come on!
That depth of field is Toneh level.
As a Fuji gear user I totally agree on your points and I think the pany s5ii is the way to go for a hybrid camera and as myself I’ve just bought a canon r6ii with the rf28-70mm gosh it weighs like a concrete slab 😮
Hmm, the Panasonic 24-70 f2.8 weights actually more than a RF 24-70 f2.8. So maybe you don't really know what you want?
@@airb1976 I mentioned the rf28-70mm not the 24-70mm and the rf28-70mm weighs 1.4kg whereas the pany zoom weighs 940g!!!
I have to be honest. the Nikon Zf looks absolutely gorgeous.
Ha ha: rumor has it that the first lens for the Nikon Zf is meant to be build as soon as they stop making Zf camera's. That's how Nikon works :)
I completely agree with you, and in one year the fuji xs30 will be having worst specs for more money and that'll be considered as a "great upgrade" lol
thank god the fuji xs20 exist at least, they go it right with this one.
Liked the look on the Nikon today. X-t4 was I heard a stopgap because x-h2 wasn’t ready so it had the video friendlier flip out screen. But the rest of the ergo stuff I take to be experimentation and why not? Less frequent changes on the lefthand side. And not doing wildlife videos I rarely am supporting the lens; I can keep the other hand on the camera.
I got super into MF recently. If you're using manual focus you'd be great with a used 100 or 50. Newest ones have phase detect and are much faster af.
But yeah they're pretty photo centric so video will look the same as FF
The top screen and dials are awesome on the X-H1. Front trigger finger dial is for minute ISO changes. The least amount of menu diving the better.
Every company changes product. If you have a much older camera you might consider an X-T50 in a year or so when the price comes down. It seems like Fuji aren’t going to update that model for a while.
I just want an X-H2s in an X-H1 body, with the flip out screen that also pivots and tilts (I think that was on the X-T4), no one could complain with that. I would also want that last bit of AF improvement that makes it close to perfect which may come in a firmware update for the current models.
They sent us a warning by making the X-S20 left dial default to film simulations. At least that's a custom dial, you get no choice on the X-T50.
what about the Panasonic S9 full frame f8.0 pancake 4k 300 1080 480...960 $1299
That is shaping up to be really really exiting
He will go to town on the fact it has no viewfinder no doubt.
You're right Tony "T" about your unrecognizable background and Fuji cameras, but XT5 and X-S20 are not bad, design-wise.
Right On mate.
I didnt think you'd actually buy that lens 😅 looks great though. Hope you will share the settings used to get the standard profile (i think?) to look that good.
It's log.
Dials are different because these cameras are different. Didn't you noticed all these numbers and letters?) criticising XT, XH and XS for having different disign is an interesting move.
Canon crop cameras had mode dial on the left side for years. But suddenly now it's a problem.
You just made up half of these problems, but hating gets you more attention, yeah?
Congratulations. You are a great philosopher.
You are mentioning low mp sensors but my thought is that nobody probably produces em anymore... the production of sensors probably just goes higher and higher in megapixels and they just stop making the old ones.
Tons of cameras use them, most cinema cameras, Canon's cinema line, Sony A7S III, DJI using them in the pocket 3 and action 4.
It doesn't really matter I guess. They can use pixel binning like on the Sony A7SIII, which actually has a 48MP sensor. Smartphones also do this and I wouldn't be surprised if the DJI sensors are like that too.
@@DiversionScience I don't understand why Sony or DJI don't allow for the full 48MP though. Insta does. It would be best of all worlds then, 48MP for photography, and intelligent pixel binning for video.
@@cameraconspiraciesexactly
@@cameraconspiracies I think it has to do with limitations of the data transfer from the sensor to the main board. The pixel binning in the A7SIII is done by on-sensor electronics, avoiding the transfer of 48MP of sensor data. It probably wouldn't do 120FPS if all that data would need to be moved to memory at that rate, not even talking about the CPU power needed to convert that to 4K video on the fly.
It's clear though that those sensors also have a readout mode for the full MP count. The only reason I can think of not making it all available is the quad-bayer filter, because you can't pixel bin a 48MP sensor with a 48MP bayer filter. At least not without losing control of the de-bayering process.
I don't know what magic Insta360 uses, but I suspect they are either forced to do a full readout, or more likely, they use a quad-bayer and extrapolate their way to "48MP" like a lot of cellphones do.
The video quality of this post is awful. If I bought that camera, I would return it right away. The colour science is a lot worse than Sony. It looks like a cellphone mated with a camera from 2001. I know it was a gift and you want to switch to Nikon and you're trying to like it, but it's just terrible. The audio on the other hand is sublime.
I love my Fuji X-H2, but especially because it's just got more ergonomic regular controls instead of the dedicated shutter/iso dials. Those dials miss too many steps to actually nail the exposure and GET THE SHOT, you'll just put them on C and not use the actual dial anyway.
Can't wait for you to test noct lens. Glorious bokeh
No AF, MF only. So, for video you would have to stop it down to make sure you're in focus. For portraiture this lens would make for a low hit ratio, because, again, no AF. Pointless lens for both scenarios. Maybe landscape photographers would find it useful, but they usually want everything in focus most of the time, so they would stop it down. I don't know, man, I have hard time finding the use case for Noct. Big aperture lenses are a waste without AF.
So…. I search YT for a video on the X-T50 and I’m immediately arrested by the vegetable police for thinking about buying this. I didn’t know you were in the space….❤
The title alone of this video is spot on. Hate the ergos and yes that new lens does not sound appealing at all.
Fuji is the Hello Kitty brand of cameras now
How can i switch from video to photo quickly with the xt50 if the mode dial has become a gimmick for Tiktokers? I might be the only ine that uses the xtxx lineup for airshows but i only want 1 small cameras to do anything for me without thinking too much about it, and the 50 is not the one anymore. I wil just upgrade to the xt30ii or the xs20, if I feel like it
Love the FF look!
Hate it. He should stop down lol
Unfortunately only the 100mp GFX camera's have 4K and only the 100ii has 120fps (in 1080p) It does have 8k though so some cropping is possible. The 100sii does have prores 60fps 4k, as discussed in my latest videos (shameless plug) possibly over usb-c. (ssd is official wording, which could be hdmi). I use the GF250mm lens, and stabilzation is very good for static stuff, but panning is a challenge and a half, very smooth until it's not. Again visible in one of my greatest latest (shameless plugs complete). Side note, here in Japan it's allot easier to get close and clear shots of birds around the water ways.. being from seattle, I feel your plight.
Gotta say, this setup looks bananas, really love the colors and the skin tones.
Did you still shoot this on the bmpcc og? what are you going to do with it now?
Cinematic Kasey era
A video about Fuji shot on Nikon? A camera heckler would be spoilt for choice.
The gfx 100ii would probably be your best bet with gfx video
Talking about Fuji's schizophrenia... The X-T3 and X-T30 mk I don't store WB color shift in film recipes. X-T 30 mk II does save WB color shift, but it also saves *all* shooting settings in Film recipes. Change AF, speed burst, bracketing? That's now saved in your current RECIPE. Not optional. Change recipe? Prepare for everything to chance. Extremely jarring. X-T4 and beyond also let you save WB color shifts in recipes. X-E4 which was released not too far from X-T30 mk II didn't get that massive recipe downgrade I'm pretty sure. But now the X- 50 gets a Film dial, but it's not for recipes, JUST the film sim. I don't want my Classic Chrome based recipe to have the same settings as my Acros recipe. What the hell are you guys even doing?! I still need to set a button to change recipe, so this dial now has zero purpose and can't be changed to anything else. Just a dial without a purpose. And we already have far fewer buttons than we used to in the X-T20. "Upgrades"
PLEASE take over Fuji for a week. They have no direction.
Sounds like Fuji does not know how to use Focus Groups to test layouts and features. Who is their target customer? 🤷
So i guess 4k cctv cameras operate with 8.3 megapixels where as if you want something like 4k 30 you would need 10 megapixels and so on. So yeah, the new medium format cameras should be shooting some sort lf 40k video format. Still doesn't sound good enough.
I'd move to FooJ if they made a full-frame DSLR (or the XPro style viewfinder but with some magic to couple the focussing to whatever lens I put on).
Cmon, Mr. ifilm, you know I'm your only customer.
The Toneh is storing with this one! 😂
I still keep my hopes for moving to Nikon system but the problem is overexposing highlights and red tint and you can clearly see in this video but regarding the matter its all true about Fuji releases
To be fair, the new kit lens is wider (where it makes more of a difference). It has their better/faster linear focus motors. It’s also weather sealed, which the old one wasn’t. Missing OIS is a downer, but all their cameras now have IBIS. I’m not a Fuji shooter anymore, so no skin in the game, but I think it’s a decent upgrade. But the good news is really, it’s a kit lens. If you don’t like it, get body only. Solved it.
You're making excuses for them. IBIS isn't enough in most cases, OIS helps a lot. Lens is slower. My point is that the downsides outweigh any positives for video shooters.
@@cameraconspiracies I don’t have to make excuses for Fuji, nor would I. The X-T50 is a train wreck in my opinion. Vastly over priced with a ridiculous film sim dial instead of an actually useful control. But there is no perfect camera or lens, and there are always trade offs. We are talking about a kit lens. Any serious creator will outgrow a kit lens. This is essentially a low end 24-70 FF equivalent. Do any of the high end pro f/2.8 versions have stab? Not that I am aware of. Not Sony, Tamron, or Sigma anyway. Can’t speak for other systems. Don’t most seriously video shooters also use gimbals? And for those that use primes, as I am led to believe most video folks do, most of those don’t have stab either. I occasionally agree with your takes, but this one I don’t. That’s all there is to it. You don’t have to insult my opinion as “making excuses”. I often think you just look for stuff to shit talk about, to drive clicks and views, but I keep that to myself. Oh, whoops… 😂
@@ericlamont4130 The original was known as the greatest kit lens ever made. Notice how you're talking about the new one as "just a kit lens"? Cause it's crap lol. OIS made a huge difference in the original, and no, not everyone uses a gimbal. Try it one day and you'll see why. Very clunky, cumbersome and annoying to set up.
@@cameraconspiracies as a former Fuji shooter and someone who owned the 18-55 twice, and sold it both times, I just disagree. It was fine, but the sharpness wasn’t there compared to many of Fuji’s other excellent lenses. “Best kit lens ever made” isn’t setting the bar super high, as most of them are rubbish. I’d wager the new one will still beat the pants off the competition. But still be a kit lens with compromises that allow Fuji to sell it as a $400 add-on.
@@ericlamont4130 And you're talking about photography for some reason.
6:30 I wouldn't get the new kit lens but I get why it's designed that way. Weighing 240g is only 85g heavier than the 16mm F2.8 (155g), so it's kinda like bringing this prime but still getting the reach of a 24-75mm FF equivalent standard zoom, especially during travel when photos are usually taken in the day. Combined with the IBIS it will be a very good travel / daytime lens. Just bring a prime, say a 23mm F2 for evenings, the entire kit weighs less than a kilo, and you get stabilised photos and footage all day.
So unless I'm upgrading anything with IBIS, I won't get this lens. But if I was the XT50, I might as well get the lens as a kit and sell the old XT30ii with the 18-55. I haven't seen the image quality reviews yet, but I expect at 16mm will be really good.
You’re missing the point with Fuji. Why is the X100 series, 27mm lens, XT double digit series so popular? Not because they have stellar specs. It’s their compact size. The XT5 although a great cam is bigger than the Sony FF cameras. With the xt50 you have most of what’s in the xt5 but much smaller. And what was the biggest gripe with the X100vi? The lens can’t resolve the 40 mp. Well the new 16-50 did just the that. All Fuji seems to be doing is listening to their customers.
"Black Tonehs" I spit out my green envy smoothie! I hear people complaining about the film sims dial, as if they want to hide they are using them? The X100 VI or the XT-50 scratching my head on which is better, not that I am buying. Fuji now has line of 20 cameras they are selling!
GFX 100 II with 1.53x crop in 8K should be the new wildlife champ. Effectively, the GF 500mm prime becomes a 600mm full-frame equivalent. And then, you can also crop the 8K video. Dare we dream, Kasey will receive this combo one day…
I get a mild sense of design-and-handling anxiety whenever I realize that basically all of these cameras are meant to be operated with the right hand. I hope everyone stsys safe and sound, but what if your right gets incapacitated? No cameras anymore? Or tripod-only operation with the left and a trigger maybe?
Imagine a camera company making 2 models: right handed and a completely mirrored left handed version. Don't laugh.. car manufacturers do this, to sell more cars in overseas markets. Why not cameras, to suit alternate dexterity?!?
@donaldbate3017 True! Even though my ideal would be ambidextrous with fully customizable controls. Either of these solutions: dedicated left and right, or ambi, would increase production costs, the latter probably more so than the former; still, it does seem weird this hasn't been addressed!
I can only agree with everything said here.
well x-h2s for video has perfect dial. Daily work with that and im satisfied. but true, for some big long lanses :D it can be a problem to change setting :D
It's not perfect, it's on the left hand side.
Fuji is lost these days on top of the “never in stock” game they’re playing. Btw …. Rich tone portrait… do it
Like your channel, but you should be a product manager for some camera company. It would have to be the right company so you don’t lose your mind.
I love the FEEL of my XH2S, but i agree with the PASM dial/custom mode thing.
It would be great if they let you hotkey profile changes to one of the MANY programmable buttons on the right side. :\
Thanks!
Thank you!
XT5 w/o stabe…started on Fuji in 2018 w/xt20. Upgraded to Xt5. Strongly considering jumping to Sony…
12 megapixels is my new favorite resolution for video and photography. I love cropping within an inch of my life.
Lol😂
Be careful. When you crop in on that duck on the pond, you will discover that he is made out of Lego blocks. It's the next chapter of, "Birds aren't real".
@@danncorbit3623 I’ve had pixelation with severe crops, but I was surprised how much I could get away with.
While I do like smaller compact cameras, and the XT50 is impressive with the IBIS and the 40mb sensor, it feels like it’s a bit too much like the XT5 but not THAT much more “better” at a painful pricepoint.
The main selling point is it’s a bit smaller than the XT5, and it’s supposed to be the much cheaper option…..but it’s ultimately not that much cheaper AND because it’s the “cheaper” option it’s not weather sealed, and it doesn’t have the impressive new battery life of the XT5 due to physical size.
If they had kept the xt50 with the 26mp sensor with a fast processor, it’d lower the price and be a sort of cheaper compact XH2ii.
Because at this rate, what exactly would an xpro4 offer? An XT50 with a view finder and weather sealing for $1000 more??
I love the pink face mode. Or is there finally some sun in Canada?
I hate Fuji cameras. I bought some Fuji film and was trying to put a roll of Fuji film in m X-T5 later to find out Fuji is using sooner kind of Area 51 technically and you have to put these little plastic cards in the camera to take photos.
XT-50 just looks like Fuji's version of the Canon R7. High megapixel, ibis, and decent kit lens. They're the same price, but the Fuji has more megapixels. I don't see anything wrong with the pricing, honestly. The R7 has more FPS than the XT-50, but I'm always shooting at 15fps on my R7 anyways because my memory card will explode and kill me if I don't.
My fifty mega pickle GFX 50s has 1080p 24 and 1080p 30!!!
I tried to preorder a X-T50, but B&H says they are out of stock unless I can pay in bananas. Big bunches of bananas. This camera is HOT. Better wear gloves or you'll burn your fingers.
Okay your humor made me give you a sub lol
Video looks good!
Fujifilm! Stop treating us like monkeys!
Do you get a 85 t1.2? Looks like it?
Surely asking for a flippy screen and 900fps (that nobody will ever use) on a medium format camera is parody or satire. Or schizophrenia, speaking of.
I'm not responsible for the dimwits that don't see the potential for medium format slow motion glory.
Your ears are out of focus Casey.
Wanna change modes...uhoh my lens mount broke...lol
If you wanted video on medium format, there is the GFX 100ii
How come there was no meeting for this one???!??!1??!?!!!1one!!?!????1?
Your depth of field is so thin that is distracting. Tony Northrup would be proud. "You either die a hero or you live long enough to become the villain."
What if you want to buy and try a different camera and end up getting exactly the same every time? It would be annoying.
If it was good, you would be familiar with it and efficient at your job.
@@cameraconspiracies True. I would never take a new camera to a paid photo shoot without an old trusty backup.
Brilliant 👏
MF as a 100+mp video camera is pointless
Fuji is brilliant but lost! Lack of leadership. They're APS-C team should have learned that f1.4 is as good as the tech will get from a physics vs usability POV. Case in point: the 50mm f1.0 ! Really? If I wanted bulbous FF size and weight- ofc I'd be using Sony! Soo much going for them - but they are soo lost!!
Lot of tonys hiding in the shot today.