I bought the Strike Pro SE and decided to create my dream machine with a few splitters. I like to ride with both my right and left hands so I mirrored the ride and used one of the 14" cymbals as my left ride. Also mirrored my HH with an old rack mounted HH on my right side, left foot opens and closes both HH's. I also mirrored a crash, turning it into two. Finally, I stole the sound from the floor tom rim and bought a 9" splash and reassigned that signal to the splash and chose a splash I liked. Worked like a charm. All I had to buy were the splitters, two Lemon 12" cymbals and a Lemon splash, and in return I got two rides, two HH's, four crashes, and a splash, and sound wise all it cost me was the floor tom rim. I call that a Bargain, the best I ever had. It's an absolute monster.
@@TheD0GGPOUND Not that I know of, it just splits the same signal into two, so they're duplicates. The left HH is the same as the right, only the right one doesn't have any moving parts like a normal HH, but it works the same. Like I don't mind that I have two crashes that sound the same, as long as it sounds good, it's nice to have that crash where I want it to be. It makes the set very versatile. It's a nice electronic drum set but I wouldn't use it for live gigging, too many missed bits from the sound module. If you're going live get a Roland. But for home to play for fun and to keep sharp, it's perfect. And they look like drums, and even though it doesn't seem like that would mean much it does. It just feels like a real set, so it's more fun to play. Cheers.
@robertkees6048 thank you very much for your feedback, that sounds awesome. So in theory, you should be able to signal split on most e kits right ? Also which exact cable do you use for this, if you don't mind sharing the name and or brand so I can look it up thank you 🤘🏼
@@TheD0GGPOUND Now your really asking a lot, it's hard to remember the specifics. BUT I found out about the idea of doing it from a guy here on UA-cam that made a couple videos on how to do it. I'm pretty sure you'll see some questions I asked him, and he was very kind in answering back. I think the answers are contained in these two videos and the comments so I'll post them for you. If that doesn't help let me know, and I may be able to help, but my set is packed up as I'm sanding/painting my living room so it might take a little time. Still I think you'll get what you'll need. Video 1, ua-cam.com/video/vVHsX0seVOc/v-deo.html and the second video is ua-cam.com/video/sLzej92GaE8/v-deo.html. I assume it's the same on other sets, after all it's a digital signal, so why wouldn't you be able to duplicate, or steal the sound from one place (rim) and make any sound you want. But this guy is an expert so he can help I'm sure of it. I'd love to hear how it all works out. Good luck.
The only thing that i dont really agree with is the comment about over compensating when it comes to the strike pro se. Ive owned it since it first came out, and i truly enjoy it. That being said, its not even a quarter of the size of my acoustic kit. Im a firm believer in everything on my kit is a specific note. Every drum, every cymbal, every block and cowbell. You don't hit the stage with a 2 string guitar, why would you look at precusion instruments any differently
Not much info regarding pad quality and if they have been improved. The pads are known to fail after a time with the wires breaking etc. A bit risky using for live gigs.
I bought the Strike Pro SE and decided to create my dream machine with a few splitters. I like to ride with both my right and left hands so I mirrored the ride and used one of the 14" cymbals as my left ride. Also mirrored my HH with an old rack mounted HH on my right side, left foot opens and closes both HH's. I also mirrored a crash, turning it into two. Finally, I stole the sound from the floor tom rim and bought a 9" splash and reassigned that signal to the splash and chose a splash I liked. Worked like a charm. All I had to buy were the splitters, two Lemon 12" cymbals and a Lemon splash, and in return I got two rides, two HH's, four crashes, and a splash, and sound wise all it cost me was the floor tom rim. I call that a Bargain, the best I ever had. It's an absolute monster.
Your wife *still* l left you tho, so....🤷♂️
Did you lose any of the dual zone features for any of the cymbals that you split cables with ?
@@TheD0GGPOUND Not that I know of, it just splits the same signal into two, so they're duplicates. The left HH is the same as the right, only the right one doesn't have any moving parts like a normal HH, but it works the same. Like I don't mind that I have two crashes that sound the same, as long as it sounds good, it's nice to have that crash where I want it to be. It makes the set very versatile. It's a nice electronic drum set but I wouldn't use it for live gigging, too many missed bits from the sound module. If you're going live get a Roland. But for home to play for fun and to keep sharp, it's perfect. And they look like drums, and even though it doesn't seem like that would mean much it does. It just feels like a real set, so it's more fun to play. Cheers.
@robertkees6048 thank you very much for your feedback, that sounds awesome. So in theory, you should be able to signal split on most e kits right ? Also which exact cable do you use for this, if you don't mind sharing the name and or brand so I can look it up thank you 🤘🏼
@@TheD0GGPOUND Now your really asking a lot, it's hard to remember the specifics. BUT I found out about the idea of doing it from a guy here on UA-cam that made a couple videos on how to do it. I'm pretty sure you'll see some questions I asked him, and he was very kind in answering back. I think the answers are contained in these two videos and the comments so I'll post them for you. If that doesn't help let me know, and I may be able to help, but my set is packed up as I'm sanding/painting my living room so it might take a little time. Still I think you'll get what you'll need. Video 1, ua-cam.com/video/vVHsX0seVOc/v-deo.html and the second video is ua-cam.com/video/sLzej92GaE8/v-deo.html. I assume it's the same on other sets, after all it's a digital signal, so why wouldn't you be able to duplicate, or steal the sound from one place (rim) and make any sound you want. But this guy is an expert so he can help I'm sure of it. I'd love to hear how it all works out. Good luck.
The only thing that i dont really agree with is the comment about over compensating when it comes to the strike pro se. Ive owned it since it first came out, and i truly enjoy it. That being said, its not even a quarter of the size of my acoustic kit. Im a firm believer in everything on my kit is a specific note. Every drum, every cymbal, every block and cowbell. You don't hit the stage with a 2 string guitar, why would you look at precusion instruments any differently
These two are about as exciting as a wet wednesday in Grimsby.
They need to show people playing faster like 600bpm because us speed metal people find out the hard way the retrigger parameter needs a minus value.
Not much info regarding pad quality and if they have been improved. The pads are known to fail after a time with the wires breaking etc. A bit risky using for live gigs.
Its stupid that the Crimson doesn't come with a kick pedal.
Listen to them squirming, trying to "explain " why not getting a foot pedal included with the crimson mesh is a "good" thing ..🙄..pathetic 🤦♂️
Totally bypassed, nitro, Surge, command..pretty pointless video really 🙄