I bought the Strike Pro SE and decided to create my dream machine with a few splitters. I like to ride with both my right and left hands so I mirrored the ride and used one of the 14" cymbals as my left ride. Also mirrored my HH with an old rack mounted HH on my right side, left foot opens and closes both HH's. I also mirrored a crash, turning it into two. Finally, I stole the sound from the floor tom rim and bought a 9" splash and reassigned that signal to the splash and chose a splash I liked. Worked like a charm. All I had to buy were the splitters, two Lemon 12" cymbals and a Lemon splash, and in return I got two rides, two HH's, four crashes, and a splash, and sound wise all it cost me was the floor tom rim. I call that a Bargain, the best I ever had. It's an absolute monster.
The only thing that i dont really agree with is the comment about over compensating when it comes to the strike pro se. Ive owned it since it first came out, and i truly enjoy it. That being said, its not even a quarter of the size of my acoustic kit. Im a firm believer in everything on my kit is a specific note. Every drum, every cymbal, every block and cowbell. You don't hit the stage with a 2 string guitar, why would you look at precusion instruments any differently
Not much info regarding pad quality and if they have been improved. The pads are known to fail after a time with the wires breaking etc. A bit risky using for live gigs.
These two are about as exciting as a wet wednesday in Grimsby.
They need to show people playing faster like 600bpm because us speed metal people find out the hard way the retrigger parameter needs a minus value.
I bought the Strike Pro SE and decided to create my dream machine with a few splitters. I like to ride with both my right and left hands so I mirrored the ride and used one of the 14" cymbals as my left ride. Also mirrored my HH with an old rack mounted HH on my right side, left foot opens and closes both HH's. I also mirrored a crash, turning it into two. Finally, I stole the sound from the floor tom rim and bought a 9" splash and reassigned that signal to the splash and chose a splash I liked. Worked like a charm. All I had to buy were the splitters, two Lemon 12" cymbals and a Lemon splash, and in return I got two rides, two HH's, four crashes, and a splash, and sound wise all it cost me was the floor tom rim. I call that a Bargain, the best I ever had. It's an absolute monster.
Your wife *still* l left you tho, so....🤷♂️
The only thing that i dont really agree with is the comment about over compensating when it comes to the strike pro se. Ive owned it since it first came out, and i truly enjoy it. That being said, its not even a quarter of the size of my acoustic kit. Im a firm believer in everything on my kit is a specific note. Every drum, every cymbal, every block and cowbell. You don't hit the stage with a 2 string guitar, why would you look at precusion instruments any differently
Its stupid that the Crimson doesn't come with a kick pedal.
Not much info regarding pad quality and if they have been improved. The pads are known to fail after a time with the wires breaking etc. A bit risky using for live gigs.
Listen to them squirming, trying to "explain " why not getting a foot pedal included with the crimson mesh is a "good" thing ..🙄..pathetic 🤦♂️
Totally bypassed, nitro, Surge, command..pretty pointless video really 🙄