After seing thousands of videos I can really tell you are the best clay thrower sir. You have the best shapes and harmony between curves. Hope you Will continue.
I feel the different deapths of this glazing. I think they are beautiful. The darker areas look like plants under water then there is the top layers. I agree that more exspression of blue on the larger pot would be nice. With a house with many plants against a wall like people are doing these days , oh my gosh these would be stunning. You are so on to something with your technique here. YAY! love it!
Yet another enjoyable video, thank you so much, and may I add that your English is perfectly articulated and thank you for using it. Being old and hard of hearing I turned on the "subtitles" option. I don´t know if you realise just how bad this automated option is? Some errors are easy for a native English speaker to decipher, eg. kill=kiln, part=pot, clays=glaze, glue=blue, radian = red iron, but for the life of me I cannot fathom the following, at 6:20 minutes into the video: "the floating fluid that old fault creations have made"..Can you interpret this for me, please (and for any other deaf people, or those for whom English is not their native tongue).
Thanks for taking us through the whole process. I wonder how they would have turned out in a reduction firing.Also I wonder how belt dressing would work as an adhesive for re-glazing. Belt dressing is used to make fan belts more grippy.
I move reduction fire but I do not (yet) have my own gas- or wood fire kiln for it. Also, the glazes I use in electric are all formulated for cone 6 and although it is possible to do cone 6 reduction the glazes I love the most for reduction is all cone 10 :-)
Perhaps you could lightly etch/sandblast the shiny surface of the tall vase to make it easier for the re -glazing to stick to the already glazed surface ? Thanks for your generosity in sharing the good and the bad !
Even though you are not sure if you like the result i think taking a chance you will see areas that work realy well i often glaze without test tiles i get a lot of failures i also get good results too thanks really enjoyed watching and i love the way you work thanks
Art is subjective, what one thinks is ugly, another loves. The tall vase looks like a camo covered hand grenade to me, lol I cringed when you added the iron oxide, and then again when you added the ash glaze; I don't like the "browns". I don't think either of the vases is a fail, just not to my taste, maybe not to yours, but someone will think they're perfect. I love that you are willing to play, to have fun, and that you are willing to say "this isn't what I wanted". Life lesson in there somewhere, lol Thank you for sharing with us. Take care, be well
I like the idea of using Maganese Dioxide instead of Red Iron Oxide. Is it a one to one exchange? Do poste your recipe for Floating Blue with Maganese, please.
Jag tycker inte att du misslyckats. Jag tycker båda är vackra. Men jag vet hur det är när man tänkt sig en sak och så ser de inte ut som man tänkt. Då blir man besviken. Men som du sa. Ställer man undan dem ett tag så kanske man gillar dem sen. Det har jag varit med om flera gånger. Tack för att du fortsätter att inspirera och uppmuntra till att testa.
Jeg synes heller ikke krukkerne er myslykket. Den mindste af dem er helt fantastisk og den store har noget spændende gemt derinde bag det lidt matte udseende. Jeg tror, det er en af dem, man lige skal gå og kigge lidt på og pludselig ser man alt det spændende! ;)
After seing thousands of videos I can really tell you are the best clay thrower sir. You have the best shapes and harmony between curves. Hope you Will continue.
Thanks a lot. But I feel very far from being the best. But I try my best :-)
I feel the different deapths of this glazing. I think they are beautiful. The darker areas look like plants under water then there is the top layers. I agree that more exspression of blue on the larger pot would be nice. With a house with many plants against a wall like people are doing these days , oh my gosh these would be stunning. You are so on to something with your technique here. YAY! love it!
Thank you! Cheers!
Lovely RAKU LOOK! BEAUTIFUL
Thank you 😊
We learned so much from you again! Thank you for sharing your journey!
Thank you ❤️😎
I do enjoy it thanks for spend time make it very helpful for beginners. ❤ keep going!
You’re welcome 😊
I love both of them ❤
Thanks :-)
Thank you for another GREAT video :)
My pleasure! :-)
Yet another enjoyable video, thank you so much, and may I add that your English is perfectly articulated and thank you for using it. Being old and hard of hearing I turned on the "subtitles" option. I don´t know if you realise just how bad this automated option is? Some errors are easy for a native English speaker to decipher, eg. kill=kiln, part=pot, clays=glaze, glue=blue, radian = red iron, but for the life of me I cannot fathom the following, at 6:20 minutes into the video: "the floating fluid that old fault creations have made"..Can you interpret this for me, please (and for any other deaf people, or those for whom English is not their native tongue).
Thanks :-)
I think the subtitles should have been:
"the floating blue that OldForge creations have made"
Thank you I learn from you
Thanks
Thanks 🙏
Thank you for sharing! You are amazing!
Thanks a lot ❤️
They are Great. Don't change it
I dont intend
It makes them interesting ❤
🙏
Thanks for taking us through the whole process. I wonder how they would have turned out in a reduction firing.Also I wonder how belt dressing would work as an adhesive for re-glazing. Belt dressing is used to make fan belts more grippy.
I move reduction fire but I do not (yet) have my own gas- or wood fire kiln for it. Also, the glazes I use in electric are all formulated for cone 6 and although it is possible to do cone 6 reduction the glazes I love the most for reduction is all cone 10 :-)
Perhaps you could lightly etch/sandblast the shiny surface of the tall vase to make it easier for the re -glazing to stick to the already glazed surface ?
Thanks for your generosity in sharing the good and the bad !
Thanks. I never tried that but interesting idea :-)
Even though you are not sure if you like the result i think taking a chance you will see areas that work realy well i often glaze without test tiles i get a lot of failures i also get good results too thanks really enjoyed watching and i love the way you work thanks
Thanks a lot ❤️🙏
Amazing
🙏
Art is subjective, what one thinks is ugly, another loves. The tall vase looks like a camo covered hand grenade to me, lol I cringed when you added the iron oxide, and then again when you added the ash glaze; I don't like the "browns". I don't think either of the vases is a fail, just not to my taste, maybe not to yours, but someone will think they're perfect. I love that you are willing to play, to have fun, and that you are willing to say "this isn't what I wanted". Life lesson in there somewhere, lol Thank you for sharing with us. Take care, be well
Thank you so much ❤️🙏
I think these pots came out OK. More green is visible
Ok
I like the idea of using Maganese Dioxide instead of Red Iron Oxide. Is it a one to one exchange? Do poste your recipe for Floating Blue with Maganese, please.
The Floating Blue I use is very close to this: glazy.org/recipes/77013
@@deMibPottery Thank you, I'll try that next time I mix it up :)
Jag tycker inte att du misslyckats. Jag tycker båda är vackra. Men jag vet hur det är när man tänkt sig en sak och så ser de inte ut som man tänkt. Då blir man besviken. Men som du sa. Ställer man undan dem ett tag så kanske man gillar dem sen. Det har jag varit med om flera gånger. Tack för att du fortsätter att inspirera och uppmuntra till att testa.
Mange tak ❤️🙏
Jeg synes heller ikke krukkerne er myslykket. Den mindste af dem er helt fantastisk og den store har noget spændende gemt derinde bag det lidt matte udseende. Jeg tror, det er en af dem, man lige skal gå og kigge lidt på og pludselig ser man alt det spændende! ;)
Tusind tak ❤️🙏
It looks like camaflouge
Sort of
Your Kiln must be very big?
190 liter