I knew the VFX and worldbuilding would be awesome because it's IAN fuggin HUBERT. But what got me were the little poetic touches-the music, the artistic closeups, and the layers and layers of fascinating detail..
I started watching the first minute on my phone, then I went to watch it on the PC, and I said to myself, no, boy, we have to watch this at night on the big TV in the living room, lights off and popcorn. I am fascinated with the art that Ian handles, the dedication and love in each shot.
Same thing I thought. Started on phone then went straight to big tv so I could take it all in. Oh and also with my headphones so it was ported straight to my brain.
That is the right spirit. Good content needs to be consumed the proper way. If your TV is an OLED, there would be nothing more to improve. I like to do the same with horror games, playing them at night with all lights out on the big screen with head phones. Alien Isolation is a blast that way. And I agree fully, Ian's art style and world construction is incredible. Everything seems lived in, very worn and old, basically very believable. I love this style.
If being an artist with one of the most beautiful and unique styles wasn’t enough, you also made such an incredible soundtrack. Tons of love and respect.
Showing a stagnant and bloated Hollywood what you can do with a lean production and a strong vision! The creativity and energy here is top tier. Ian you've slam-dunked it again.
@@mattg-q3z This is a disingenuous argument. It’s a passion project, not a hollywood production. You think it only takes VFX artists to make a film? And do you think they should do that work for free? VFX artists are ALREADY underpaid and you’re saying they should be paid even less?
Okay, the VFX are amazing, especially for someone doing it by himself, but things like writing are NOTICEABLY lacking and I don’t think Ian would deny that. It’s good for an indie films, but he also worked for a decade to make this 20 minute episode, and it works because it’s a passion project but in a professional context there’s a lot to be desired.
@@mattg-q3z ‘geez I said none of that’. Your comment showed incredible ignorance as to how these big budget productions work. I agree that sometimes budgets are bloated but you’re completely ignoring everything that is required to make a production like this.
There really isn’t anything lacking in the writings department. It’s just that Ian and co. has always favored unconventional storytelling, especially the kind that isn’t necessarily fully sequential and in order, clear and concise right away, so you gotta follow along and work things out yourself too. I think the writing is brilliant.
They need to give this guy ALL the moneys for these stories! Completely original. The scope of the 'verse is tremendous! Fresh ideas. Not rehashing crap from everybody's childhood(looking at you Disney, Paramount, almost EVERY movie production company in the last 15 years). Please keep doing what you're doing Ian Hubert. You are a visionary! CAN'T WAIT UNTIL PART 2 DROPS!
This is incredible Ian. It's so visually fertile, layered, inhabited, immersive. It evokes a profound feeling of presence in this world, something that is too often missing in large productions.
Bonkers! Watching a lot of this being created on Patreon and then seeing it in its final form is amazing and overwhelming. Thank you so much for your Patreon! I have learned so much! And you have set a very high bar! Love it completely!
It's rare these days to see scifi which is both unpredictable and wild but still managing to keep things believable in the given context of the story. This series has the same kind of vibe of wonder and curiosity like scifi media usually used to have back when I was younger.
Always MINDBLOWING! Especially the taxi scene. And gotta say, I really loved that last musical piece! This episode also feels the most mature in terms of overall filmmaking
Great sequel Ian. We get to be in Jackie's shoes, clueless to what is happening. TERD is true to form, great comic relief. His concern for Jo in EP 1 is justified. It all hangs together well. And of course the animation is nuts perfect. Thank you.
'Sprawling' is definitely the word that comes to mind when I step into this world. Where large scale and diversity of locations should be the enemy of smaller productions like this, *somehow* Dynamo Dream overcomes it! So what you get is scale PLUS a consistent, detailed, incredibly artistic vision. That's so rare!
so cool to see the final versions of so many of these shots that actually started from scratch on the patreon! also the music was sooooo beautiful! dedouze is so talented man!
In the era of the low span attention and quick videos for lazy audiences, watching your dedication is a breath of fresh air! Keep inspiring ❤ P.s. I absolutly loved the car sequence:) 🔥
I watch these as much for audio as everything else, lots of space given to the soundtrack in every episode. Kinda feels like it works as an old school radio play.
Ian Hubert’s patreon is the greatest blender filmmaking resource I’ve ever found. It’s so fun seeing scenes in this that Ian has been working on for ages. Astonishing what can be done with free software
That is what I keep saying too. I also use this free software to build up an animation career of my own with a show soon to be published. It can't compare to this visual spectacle, but anything animated is a breath of fresh air in the increasingly large ocean of random strangers holding their faces into a camera.
Holy CRAP!! I could watch this a hundred times and still not see everything and then you add fine acting, plot development and world immersion to it all and I've never seen the like. Thanks, Mr. Hubert!
The passion that went into this made me cry. I lost this kind of passion and really struggle to find it again. Thank you. It gives me hope that everything can be possible even if it sounds crazy and no one believes in you.
Tiny in the moment but HUGE in the world building: As Jackie goes up departure ramp into Shade the sign: "Sub umbratatum". This is master level story telling and unmatched visuals. Mindblowing work Ian, truly outstanding.
Yet again, another banger. The small details, the thoughtful worldbuilding, the stellar cinematography, and the countless hundreds of hours spent making this happen. Every scene I am shocked at the level of detail and I cannot imagine how long each scene took.
Jaw on the floor! The production value, sound design, acting, humor. It's all on point. Why has the BBC, Netflix, HBO not been blowing up your phone... Bravo
well i remember hearing he did one of Ed Sheeran's music videos, and was invited to do an episode of Love, Death & Robots on netflix but turned them down. if you had an original series being paid for by patreon like this, would you stop for any studio asking you to work on something else?
@@stirrcrazy2704 acting isn’t merely how one talks. There’s a whole host of features, such as body language, facial expressions, action, etc. No, the acting has never been very good in these. That’s okay, we don’t have to pretend it’s a work of perfection
@@jonathankey6444 I was making a joke, I am well aware that Ian’s wife and friends who film things in his church compound in the woods are not actually professional actors. That being said, I don’t think the quality of their performance was anything close to the weakest link in the production. What is so obviously bad about it to you? Like I work as a visual effects artist, I can pick out some things in this that are clearly lower quality than you’d expect from Hollywood, but not so bad that I felt the need to mention it in responding to this comment. Hell, if we’re comparing these actors to Hollywood I would say they’re on par with half of the stuff that comes out these days. Whoever voiced the taxi can take an academy award for all I care
Can’t believe you keep creating this elaborate mesmerizing story and world just to destroy us every time with a cliffhanger more confusing then the last one, I love your works so much but I fill like a masochist when I finish watching. Why oh why r u doing this to meeeee, and on that note plzzzzz keep going and never stop I neeed more it’s so inspiring and intresting, I have no words.
OHH FUCK YESSS!!! I absolutely LOVE this type of world design and environment from the first ep. So fucking happy you get to show off more of the city here. Everything is so damn unique. Man, the effort that went into every little detail... unreal that this is free
This is going to be looked back on as the thing that changed everything holy shit dude. I LOVE not knowing everything and having to lean in and really use context clues and pick up the pieces. and was that owl faced stick thing at the end just straight up mysticism/supernatural? didn't seem sci fi at all. completely blew my mind. Gonna rewatch again and tell everyone humanly possible to watch this.
Duuuuude!!! This is freaking insane man! The Details everywhere are just so damn good! The whole way through it all just looks so dang real. Cant wait to share this to all my friends and I cant wait to see the Corridor Digital crew take a look at this masterpiece of a part 2! Keep up the amazing work man, Love everything you do!
Have you ever watched something so good that, each time it fades to black, you're afraid it's over and reflexively come closer to your screen in order to catch the curtain when it falls? I just did. Thank you Ian Hubert, each of your release dates have been high points of my life since Salad Mug. It has a few others, but I really wish the series continues until you said ans shown all you have to say and show with it. Damn did I wanted Pete to show up randomly in the tunnels... Oh well.
That runtime! The taxi sequence! Incredible. It's really cool to see all the little moments from Patreon trainings come together for the whole episode.
God damnit Ian, YOU'RE going to be the reason I'm angry all the time if I ever go blind. Thanks for all the hard work and passion you put into these projects.
This. Is. Nuts. You are literally on the same level, and I'd argue higher, as the multi-million dollar studios with near limitless budgets. Cheers mate, this is a masterpiece.
This is just amazing. Feels exactly like the vision of Mega City One in the Judge Dredd comics back in the 80's. Would be a dream for you to build that world Ian. Congratulations on such stunning work.
Wow man, insane quality. This is inspirational. So much incredible detail. I thought the TERD sounded like Captain Disillusion, and it is! Haha, awesome.
amazing. as always. and even more amazing somehow when we find out how he did it! just the quality and... taste... in how the shots are conceived and composed and executed is next level shit that the big boys can learn a shit ton from. there is a kind of authenticity in the cg that somehow most modern movies lack.
This is the most inspiring thing I've seen in a while. Really motivates me to sit down and work on the project I've been putting off. Thank you Ian and team! So incredible.
It felt like I had more time to linger on the details and get a sense of the atmosphere in this episode, which I really appreciate. Incredible work, as always.
I was just looking up your channel to see if anything new had come out! Glad you're back, I can't wait to finish this video. Edit: Finished, holy crap the visuals in this one are so good, especially the taxi sequence. The audio effects are also highly improved since the last episode!
As with the first episode, I have no idea what is going on, but I love this gorgeous, old and worn and slightely mysterious Sci-Fi world. I may not grasp the story yet, but I would easily watch this as a move in the cinemas. And in some way, it's nice to not understand what is going on. It is so entiring in the movie industry, how you are usually treated like a kid, every little details needs to be pointed at your face with a close-up. In real life, you also don't always know what is going on. It's good enough to be on for the ride, and eventually it will come together.
years in, and this never seizes to be mind-blowing. amazing job as always, like, I cannot fathom how this is better than most big budget productions. The worldbuilding, the immaculate designs, attention to detail, craftsmanship, the ingenious tricks and techniques to make this happen with scarce resources, the wit and humor; mmmmmmh everything is just chefs kiss, thank you man!
While watching this the first time there was some feeling I was getting that I couldn't figure out. Then started it again and stopped on the first shot. I think it's a perfect example. Uneven. Dirty. Lived in. Chefs kiss Ian
Oh dark gods of Netflix in the deepest depths of the abyss, please hire Mr Hubert so that we may be blessed with an entire series, amen. This is truly brilliant
Thank you! Of all the filmmakers, you’re the one that always makes me question what’s actually real, and what’s not in your films. I mean, I know that spaceships and future cities aren’t real but, visually, I can’t tell the difference. The way you perfectly integrate CGI and reality is an art you’ve perfected that others just don’t seem to grasp. More (big budget) filmmakers need to understand how you do this.
OK, now I can't wait for the Boat Episode! While I was hooked on the previous episodes, the polish on this one is phenomenal! I'm clearly a kindergartner when it comes to my skill level in Blender and what it is capable of!
This would be incredible work even if it weren't a low-budget one person project! Hope the movie industry is paying attention! Btw: Two-eyes can seem to decide which of his eyes is blind at the 15:45 mark ...
@@notahotshot Probably not. Ian couldn't have done much without the actors he filmed, the composer, those who financed it etc... He did do most of the VFX work and editing after that though so I don't want to take away from the grueling work Ian put into this project.
Truly sensational. I wish universities would incorporate this into their media arts, film, writing, and production courses. What an eye-opening revelation of what can be done for what I imagine is 1/1,000th the budget of a mainstream "Hollywood" film, with such a small (though wildly talented) crew. Something has stagnated in the creative drive and vision of movie makers and story tellers in our time. This is the kind of thing I suspect will reawaken that in many. What a time to be alive, when not only the tools, but the independent creatives and the means to distribute their creations are so accessible. Thrilling. :)
Fun fact: Leading climate scientists recently reported that 12% of global warming can be attributed to Ian Hubert's graphics card 📈🤯 Edit: Love the effect of the faux SSS on the public payphone boxes in the taxi station.
Dude, the amount of talent I just watched condensed in 22 minutes is unreal. I wish all the big budgets went to people like you. I can't get enough of this world you have created
Beyond your immense talent, which is something we are not going to discover now, in these times when almost anything goes, one must feel a great passion for what they do to dedicate so much work to a project. I hope you have enjoyed doing it a lot.
that taxi sequence is unbelievable. insane what you're able to accomplish with the scope you work at.
Sheesh you were NOT joking, that sequence got it's hooks into me 🤠
Oh wow, wasnt expecting to see Ro Ramdin here
god YEAH
This ride will be free. "Because I'm being abducted?' I dunno!
Duuuuude same thoughts
I don't understand why this isn't huge.
The monumental amount of work that was put into this is ...monumental.
I knew the VFX and worldbuilding would be awesome because it's IAN fuggin HUBERT. But what got me were the little poetic touches-the music, the artistic closeups, and the layers and layers of fascinating detail..
Funny enough it's another blender genius, Dedouze that authored the music
those close ups.... the taxi sequence... wtf. How they are doing this with a small team?
Was not expected to see James here, but now I have I am so much happier! =)
@@alxiice Is there dev logs?
This is brilliant, and Tom Cruise said there was no CGI used, amazing!
😂😂😂😂😂
I’m going to watch this again. About ten times. Today.
posy!!.
How lazy.
Ik ook, snap er nog steeds niks van... Maar ziet er super cool uit
I read this with your soothe voice hahah
hey was up posy, great last channel vid still cant get the image of the sun out of my brain
I started watching the first minute on my phone, then I went to watch it on the PC, and I said to myself, no, boy, we have to watch this at night on the big TV in the living room, lights off and popcorn. I am fascinated with the art that Ian handles, the dedication and love in each shot.
Same thing I thought. Started on phone then went straight to big tv so I could take it all in. Oh and also with my headphones so it was ported straight to my brain.
Same! 😂
I did the same.
That is the right spirit. Good content needs to be consumed the proper way. If your TV is an OLED, there would be nothing more to improve. I like to do the same with horror games, playing them at night with all lights out on the big screen with head phones. Alien Isolation is a blast that way.
And I agree fully, Ian's art style and world construction is incredible. Everything seems lived in, very worn and old, basically very believable. I love this style.
What an episode !! Thanks for letting me work on this with your team !
You killed it! The score is beautiful.
Oh damn, you're on it too ! Love your work :)
I loved the music on this one! Really makes it shine. Amazing job!
Great work
If being an artist with one of the most beautiful and unique styles wasn’t enough, you also made such an incredible soundtrack. Tons of love and respect.
12:00 "They're attempting to weaponize tiny salads" ...Ok that caught me off guard, good one. Carry on.
Showing a stagnant and bloated Hollywood what you can do with a lean production and a strong vision! The creativity and energy here is top tier. Ian you've slam-dunked it again.
@@mattg-q3zOkay but this also has taken MANY years to produce.
@@mattg-q3z This is a disingenuous argument. It’s a passion project, not a hollywood production. You think it only takes VFX artists to make a film? And do you think they should do that work for free? VFX artists are ALREADY underpaid and you’re saying they should be paid even less?
Okay, the VFX are amazing, especially for someone doing it by himself, but things like writing are NOTICEABLY lacking and I don’t think Ian would deny that. It’s good for an indie films, but he also worked for a decade to make this 20 minute episode, and it works because it’s a passion project but in a professional context there’s a lot to be desired.
@@mattg-q3z ‘geez I said none of that’. Your comment showed incredible ignorance as to how these big budget productions work. I agree that sometimes budgets are bloated but you’re completely ignoring everything that is required to make a production like this.
There really isn’t anything lacking in the writings department. It’s just that Ian and co. has always favored unconventional storytelling, especially the kind that isn’t necessarily fully sequential and in order, clear and concise right away, so you gotta follow along and work things out yourself too. I think the writing is brilliant.
They need to give this guy ALL the moneys for these stories!
Completely original. The scope of the 'verse is tremendous! Fresh ideas. Not rehashing crap from everybody's childhood(looking at you Disney, Paramount, almost EVERY movie production company in the last 15 years).
Please keep doing what you're doing Ian Hubert. You are a visionary!
CAN'T WAIT UNTIL PART 2 DROPS!
I too love how different this feels.
The world building on display is incredible. Can’t believe this is a UA-cam series free to watch.
This is incredible Ian.
It's so visually fertile, layered, inhabited, immersive. It evokes a profound feeling of presence in this world, something that is too often missing in large productions.
Bonkers! Watching a lot of this being created on Patreon and then seeing it in its final form is amazing and overwhelming. Thank you so much for your Patreon! I have learned so much! And you have set a very high bar! Love it completely!
It's rare these days to see scifi which is both unpredictable and wild but still managing to keep things believable in the given context of the story. This series has the same kind of vibe of wonder and curiosity like scifi media usually used to have back when I was younger.
Nicely spoken, I have the same feeling about this. An old and lived in world, full of the chaos that such a world would have in reality.
Always MINDBLOWING! Especially the taxi scene. And gotta say, I really loved that last musical piece! This episode also feels the most mature in terms of overall filmmaking
It does. I suppose growth should be inevitable, but it's always lovely to see. 🙂
The amount of work in these scenes is so sick, so beautiful
Great sequel Ian. We get to be in Jackie's shoes, clueless to what is happening. TERD is true to form, great comic relief. His concern for Jo in EP 1 is justified. It all hangs together well. And of course the animation is nuts perfect. Thank you.
'Sprawling' is definitely the word that comes to mind when I step into this world. Where large scale and diversity of locations should be the enemy of smaller productions like this, *somehow* Dynamo Dream overcomes it! So what you get is scale PLUS a consistent, detailed, incredibly artistic vision. That's so rare!
so cool to see the final versions of so many of these shots that actually started from scratch on the patreon!
also the music was sooooo beautiful! dedouze is so talented man!
This series is sacred to me. Ian if you are seeing this, know your work is cherished.
In the era of the low span attention and quick videos for lazy audiences, watching your dedication is a breath of fresh air!
Keep inspiring ❤
P.s. I absolutly loved the car sequence:) 🔥
Was 22 minutes late to work today
Captain Disillusion's voice at 10:00 caught me off guard! haha
He plays the same character in Dynamo Dream ep1 pt2: Salad Mug!
He's the best!
@@Luka1180 psst pt1
omg I did not realize that was him!
It's not Captain Disillusion playing that role...it's his intern Alan
9:40 This first person POV blew my mind. This world has so much life and love put into it!
Peak is back, our ian hubert
“You’re OBSESSED with the killer robots!” - that’s a great line! 😂
Gorgeous and wonderful as ever ❤ And great shout getting Luka Hrgović on board!
He makes the entire character he's so good!!!
Isn't he from Slice of Life?
@@brewskiproductionslasvegas Yes!
@@davebrainvfx Thanks, I thought his voice sounded familiar. I love seeing collaborations like this.
That was awesome! The two best SciFi world builders on UA-cam coming together!
Can we talk about how incredible this was and how incredible Dedouze’s soundtrack is?
I watch these as much for audio as everything else, lots of space given to the soundtrack in every episode. Kinda feels like it works as an old school radio play.
Ian Hubert’s patreon is the greatest blender filmmaking resource I’ve ever found. It’s so fun seeing scenes in this that Ian has been working on for ages. Astonishing what can be done with free software
That is what I keep saying too. I also use this free software to build up an animation career of my own with a show soon to be published. It can't compare to this visual spectacle, but anything animated is a breath of fresh air in the increasingly large ocean of random strangers holding their faces into a camera.
Wow, there are so many scenes that I can't even wrap my head around how you pulled it off so well.
That taxi sequence is insane!
Ok the plastic strips on the tram thing sucking in and out as it enters and exits the tunnels is spot on. Brilliant work. Love the taxi sequence too.
Holy CRAP!! I could watch this a hundred times and still not see everything and then you add fine acting, plot development and world immersion to it all and I've never seen the like. Thanks, Mr. Hubert!
"You are in the fortunate position of wanting the same thing we want."
That's an ominous line.
The passion that went into this made me cry. I lost this kind of passion and really struggle to find it again. Thank you. It gives me hope that everything can be possible even if it sounds crazy and no one believes in you.
Airport named after guy named "John Airport" lmao
Wait till you learn about Mr. Frontage, and why so many roads are named after him.
lol! 6:47 for anyone who missed it
had to pause, i was laughing so hard xD
Tiny in the moment but HUGE in the world building: As Jackie goes up departure ramp into Shade the sign: "Sub umbratatum". This is master level story telling and unmatched visuals. Mindblowing work Ian, truly outstanding.
Yet again, another banger. The small details, the thoughtful worldbuilding, the stellar cinematography, and the countless hundreds of hours spent making this happen. Every scene I am shocked at the level of detail and I cannot imagine how long each scene took.
Are you on the Patreon? He builds entire scenes there, hours of work for stuff that is on screen for 10 frames with motion blur. It's insane
Your world keeps getting deeper and richer with each episode. Like a visual 9 course meal. Stellar work 👏
The landing of the carrier at 5:29 is soooo smooth! I just keep rewatching it❤
Yeah, the animation and the way the vehicle "feels" heavy. The audio just works so well with it too.
It's now my new favourite sci-fi carrier landing! 🤗
Jaw on the floor! The production value, sound design, acting, humor. It's all on point. Why has the BBC, Netflix, HBO not been blowing up your phone...
Bravo
well i remember hearing he did one of Ed Sheeran's music videos, and was invited to do an episode of Love, Death & Robots on netflix but turned them down. if you had an original series being paid for by patreon like this, would you stop for any studio asking you to work on something else?
All that except the acting. The acting was quite bad
@@jonathankey6444 clearly you have never met someone from the pacific northwest, this is how we all talk in real life 100% of the time
@@stirrcrazy2704 acting isn’t merely how one talks. There’s a whole host of features, such as body language, facial expressions, action, etc. No, the acting has never been very good in these. That’s okay, we don’t have to pretend it’s a work of perfection
@@jonathankey6444 I was making a joke, I am well aware that Ian’s wife and friends who film things in his church compound in the woods are not actually professional actors.
That being said, I don’t think the quality of their performance was anything close to the weakest link in the production. What is so obviously bad about it to you? Like I work as a visual effects artist, I can pick out some things in this that are clearly lower quality than you’d expect from Hollywood, but not so bad that I felt the need to mention it in responding to this comment. Hell, if we’re comparing these actors to Hollywood I would say they’re on par with half of the stuff that comes out these days. Whoever voiced the taxi can take an academy award for all I care
The subtle goofy comedy sells this entire world for me and makes everything come to life
Can’t believe you keep creating this elaborate mesmerizing story and world just to destroy us every time with a cliffhanger more confusing then the last one, I love your works so much but I fill like a masochist when I finish watching. Why oh why r u doing this to meeeee, and on that note plzzzzz keep going and never stop I neeed more it’s so inspiring and intresting, I have no words.
OHH FUCK YESSS!!! I absolutely LOVE this type of world design and environment from the first ep. So fucking happy you get to show off more of the city here. Everything is so damn unique. Man, the effort that went into every little detail... unreal that this is free
This is going to be looked back on as the thing that changed everything holy shit dude. I LOVE not knowing everything and having to lean in and really use context clues and pick up the pieces. and was that owl faced stick thing at the end just straight up mysticism/supernatural? didn't seem sci fi at all. completely blew my mind. Gonna rewatch again and tell everyone humanly possible to watch this.
Duuuuude!!! This is freaking insane man! The Details everywhere are just so damn good!
The whole way through it all just looks so dang real. Cant wait to share this to all my friends and I cant wait to see the Corridor Digital crew take a look at this masterpiece of a part 2!
Keep up the amazing work man, Love everything you do!
Have you ever watched something so good that, each time it fades to black, you're afraid it's over and reflexively come closer to your screen in order to catch the curtain when it falls? I just did.
Thank you Ian Hubert, each of your release dates have been high points of my life since Salad Mug. It has a few others, but I really wish the series continues until you said ans shown all you have to say and show with it.
Damn did I wanted Pete to show up randomly in the tunnels... Oh well.
That runtime! The taxi sequence! Incredible. It's really cool to see all the little moments from Patreon trainings come together for the whole episode.
Another Ian Hubert masterpiece.
This was fantastic!!
Seeing Ian's movies/videos keeps me motivated to continue to film and complete my movie.
Was not prepared for that!!
This video is much easier to follow that previous Dynamo Dreams. It feels like Ian's skills really turned a corner here. Love it.
God damnit Ian, YOU'RE going to be the reason I'm angry all the time if I ever go blind. Thanks for all the hard work and passion you put into these projects.
This. Is. Nuts. You are literally on the same level, and I'd argue higher, as the multi-million dollar studios with near limitless budgets. Cheers mate, this is a masterpiece.
"It's called Blahtown?" "Yeah. It's a funny story." ........ "Cool!" - made me laugh so much I had to pause the video.
This is just amazing. Feels exactly like the vision of Mega City One in the Judge Dredd comics back in the 80's. Would be a dream for you to build that world Ian. Congratulations on such stunning work.
This has such a unique sense of humor, I love it
that taxi scene is so crazy... I can't believe how good it looks. You keep one upping yourself with every episode.
these episodes are getting better and better, this is defenetly my favorite seiries ever now
Absolutely amazing! The amount of love for the craft that went in to making this is inspiring to say the least.
You’re getting very good at this Ian.
Thank you Raoul!!
Incredible work by everyone involved! Love the eerie atmosphere you create in the mazy complex.
Wow man, insane quality. This is inspirational. So much incredible detail. I thought the TERD sounded like Captain Disillusion, and it is! Haha, awesome.
Can't believe how much quality has been raised after just an episode, good job.
amazing. as always. and even more amazing somehow when we find out how he did it! just the quality and... taste... in how the shots are conceived and composed and executed is next level shit that the big boys can learn a shit ton from. there is a kind of authenticity in the cg that somehow most modern movies lack.
Another home run from the DIY sci-fi master. Excellent work Ian!
06:40 - Haha, i recognize the Luka's voice from Slice of Life! Great movie!
Tremendous work IanHubert.... I hope a studio gives you a grant and project to go forward ...
This is God level CGI
This is the most inspiring thing I've seen in a while. Really motivates me to sit down and work on the project I've been putting off. Thank you Ian and team! So incredible.
Peak series, ian did cook
It felt like I had more time to linger on the details and get a sense of the atmosphere in this episode, which I really appreciate. Incredible work, as always.
I was just looking up your channel to see if anything new had come out! Glad you're back, I can't wait to finish this video.
Edit: Finished, holy crap the visuals in this one are so good, especially the taxi sequence. The audio effects are also highly improved since the last episode!
Honey wake up. Ian Just dropped another episode.
Literally me lmao
are you guys vampires or what? xD
Hahaha he said the thing! Guise! He said the meme! Hahaha thumbs up! Hahaha! Whooaaa hahaha!
As with the first episode, I have no idea what is going on, but I love this gorgeous, old and worn and slightely mysterious Sci-Fi world. I may not grasp the story yet, but I would easily watch this as a move in the cinemas.
And in some way, it's nice to not understand what is going on. It is so entiring in the movie industry, how you are usually treated like a kid, every little details needs to be pointed at your face with a close-up. In real life, you also don't always know what is going on. It's good enough to be on for the ride, and eventually it will come together.
Dude I literally have chills watching this that’s how good the vfx are! Congratulations on this new episode!
years in, and this never seizes to be mind-blowing. amazing job as always, like, I cannot fathom how this is better than most big budget productions. The worldbuilding, the immaculate designs, attention to detail, craftsmanship, the ingenious tricks and techniques to make this happen with scarce resources, the wit and humor; mmmmmmh everything is just chefs kiss, thank you man!
Never thought I would live to see this day.
While watching this the first time there was some feeling I was getting that I couldn't figure out. Then started it again and stopped on the first shot. I think it's a perfect example. Uneven. Dirty. Lived in. Chefs kiss Ian
This is incredible. Getting Blender to look this good is a huge achievement.
Oh dark gods of Netflix in the deepest depths of the abyss, please hire Mr Hubert so that we may be blessed with an entire series, amen.
This is truly brilliant
Top tier execution, natural sounding dialogue, funny, absolutely incredible world building. Go Ian and team!
And the music, oh my god, beautiful.
Natural sounding dialogue? That's an emphatic no
This is what can you do by following 1 minute tutorials from Ian !! Amazing Work for all the Team!!
A surprise 3am release. This is great. Like finding a gold nugget in my bran flakes.
Thank you! Of all the filmmakers, you’re the one that always makes me question what’s actually real, and what’s not in your films. I mean, I know that spaceships and future cities aren’t real but, visually, I can’t tell the difference. The way you perfectly integrate CGI and reality is an art you’ve perfected that others just don’t seem to grasp. More (big budget) filmmakers need to understand how you do this.
You flimed on a boat! Cool!
WE FILMED ON A BOAT!!!!
@@IanHubert2 HE FILMED ON A BOAT!!!!
BOAT FILMING CONFIRMED!!!1!!2!
man this city design is INSANELY DETAILED ian is the god of 1 man band animators
Hell yeah, FinalFinalFinalFinalFinalUghhhFinal came out! Awesome
OK, now I can't wait for the Boat Episode!
While I was hooked on the previous episodes, the polish on this one is phenomenal!
I'm clearly a kindergartner when it comes to my skill level in Blender and what it is capable of!
This would be incredible work even if it weren't a low-budget one person project! Hope the movie industry is paying attention! Btw: Two-eyes can seem to decide which of his eyes is blind at the 15:45 mark ...
Mostly, but a lot of people were involved in one way or another.
Thats why he has 2 eyes
"One person project"
Did you watch the credits roll?
@@notahotshot Probably not. Ian couldn't have done much without the actors he filmed, the composer, those who financed it etc...
He did do most of the VFX work and editing after that though so I don't want to take away from the grueling work Ian put into this project.
Truly sensational. I wish universities would incorporate this into their media arts, film, writing, and production courses. What an eye-opening revelation of what can be done for what I imagine is 1/1,000th the budget of a mainstream "Hollywood" film, with such a small (though wildly talented) crew.
Something has stagnated in the creative drive and vision of movie makers and story tellers in our time. This is the kind of thing I suspect will reawaken that in many.
What a time to be alive, when not only the tools, but the independent creatives and the means to distribute their creations are so accessible. Thrilling. :)
Incredibly good episode. A breakdown video of the burning house scene for patreon would be interesting 19:11
Holy shit this was beautiful!
The set designs and story telling keep getting better and better 🤯
Fun fact: Leading climate scientists recently reported that 12% of global warming can be attributed to Ian Hubert's graphics card 📈🤯
Edit: Love the effect of the faux SSS on the public payphone boxes in the taxi station.
This is giving me strong Titanfall 2 vibes. Love it so much!
I'm happy to be up late for this.
Dude, the amount of talent I just watched condensed in 22 minutes is unreal. I wish all the big budgets went to people like you. I can't get enough of this world you have created
I was watching lazy tutorials, missing this. What a blessing.
I keep audibly gasping at the things you're able to pull off with your small team, Ian... Genuinely breathtaking stuff
Bro, that taxi scene just outstanding!!!
Beyond your immense talent, which is something we are not going to discover now, in these times when almost anything goes, one must feel a great passion for what they do to dedicate so much work to a project. I hope you have enjoyed doing it a lot.
Imagine, what if 4 Ian Huberts work together. Hollywood would be doomed!