I know this is an older video, but you seem like a very intelligent person that enjoys discussion. I hope you take the time to read my comment, as it may serve to give some additional context to this song. Kyo, the lead singer, has written the lyrics of this song from the perspective of someone awaiting their imminent execution on death row. Think of it as a story in various parts. First Act (1:20) : He examines his prison cell, trying to see if he can look outside. He first imagines himself as the clouds above (it's clear that the cell has a view of the sky). Depression overcomes him and he gives up on this, wishing instead that he could simply forget what has led him here. Second Act (2:34) : Kyo decides that to sleep, he must put aside the idea of tomorrow and his execution; this night belongs to him. He knows though that the emotions of those who are now calling for his death will soon have his body, and even the proof of his existence will likely be stripped from him. Embracing the inevitability of it, he sleeps and welcomes tomorrow. Third Act (3:21) : I see this section as a dream sequence. He brings up the image of the book Dogra Magra, in which a character with amnesia wakes in a hospital, and is told that they've committed murder. He imagines himself as the protagonist, in bliss, forgetting what he's done. It ends with him seeing himself standing on a stage, surrounded by those that want him dead. He makes a statement, that this is where the truth lies, as he thinks of the small part of him which still wishes to stay alive. The sound of the persecutors around him changing from emotional to callous. Fourth Act (4:26) : It seems here that he wakes before the sun rises, and he vows, that he will accept the retribution for what he's done as if it were carved into his flesh, hoping that this last stand is enough to prove that he existed in the first place. As time slowly ticks on though, he looks on to his death, which he likens to the Vajra ( an item of pure absolute) being lit by the moon. The darkness maddens him because he can't tell how much time has past, and he imagines himself turning into a wolf to escape. Anger overtakes him and he imagines the violence he could inflict on his persecutors if he were free, as if he were a vampire sucking the blood from their necks. He thinks of these people all happy to watch him die, turning into a crowd of demons. He then speaks to the fact that this has happened before, and that those who call for punishment secretly do it because there's a part in all humans that wants the excuse to hurt someone. A fact that nobody wants to speak because it's offensive to the ear. (This whole section is essentially him going through the five stages of grief while he waits for the sun to rise) Fifth Act (5:54): The time has come, and he is to atone for his sins through execution. It's at this moment the image of the bomb shows on the screen, and he makes wild noises like a baby, or a tortured soul, crying the word "Vinushka" or "deceiver". He then wraps the cord over his neck and assumes the pose of Jesus on the cross, possibly symbolizing that his death was merely a sacrifice to suppress the need of others to harm each other. He looks down on them in death and sees them all coming together, burying his bones, while the image of the 13 stairs of the gallows is brought up. The persecutors revel in his death, clapping their hands together as if some victory has been won. As he looks onto them, he can't help but think of what a sad sight it is. Sixth Act: The chorus begins again, rehashing his thoughts during the Fourth Act. We're again fed the image of his death, and he reconfirms that it is his own evil that led to this. Although all of this is written as a narrative, it's really just a very intriguing way to dissect the human experience. It looks into the pain that we're capable of inflicting on each other, and the truths that we're willing to ignore, while drawing parallels to Japan in WWII and the controversial use of the atomic bomb. There's quite a few people who look at the bombing of Hiroshima and Nagasaki as less of a way to end the war, and more as a punishment to Japan, and a show of power to the rest of the world. I think Kyo either shares this view, or at least wants to portray it in this song. I should mention as well that the cover art for the album this song comes from (Uroboros) is heavily inspired by the art on King Crimson's Lizard, a band I'm sure you know well, that also has a few songs regarding the atomic bomb. All in all, I genuinely think that this is one of the best prog songs ever written, but it's sadly heavily overlooked because of it's country of origin, the metal elements, and the theatrics of the band.
IMO. He tends to absorb and reciprocate energy from the crowd in the past. He always has. So when he does it now, it feels good since they’ve kept their band going strong for so many years. The lyrics when he does it is a bonus for me. I’m big on the lyrics’ many interpretations.
Definitely check out more, but steer away from the music videos. People often recommend them because they’re shocking and gross, but I feel like that just keeps the reactor from fully enjoying the band. Also, always watch the live versions rather than the studio versions. I can confidently say that Dir en grey is always better live. Also, they’ve done countless genres. Their earlier music is much more poppy and accessible, songs from their album Arche are more atmospheric, etc. They have something for everyone, whether that be disturbing or gorey or heart-wrenchingly sad. The singer, Kyo, is incredible, truly the best performer I’ve ever seen. Earlier in their career, he’d rip at the sides of his mouth till it bleeds, scratch at his chest, all sorts of things.
The music video for this one, in particular, is actually worth checking out. It's not exactly PG, but it couldn't be with the subject matter. I think they did that one very tastefully. One of the few I almost prefer the video except hearing Kyo's vocals live.
I see no one really gave a clear answer to the, "here lies the truth" line and it's actually been answered in many of their interviews. As a band dir en grey has had two very defined goals in their post vk works and it's, bringing attention to the things people don't want to look to, inspect, or reflect on (the pains of truth) and the other being the proof of existence being in the nature of life and death. Death itself being a marker that a life was lived no matter how long or short it may be it is of value. I think that reaction to hearing "here lies the truth" is acknowledged by many fans and of course with this song being so emotional people have very strong responses to the subject matter and hearing that is almost affirming that we are together for this truth. Emotions are extremely heavy in this song, i think it resonates with the many and that's simply a good moment to connect and have a way to have the audience let out those pent up emotions as well.
Try Macabre the Tabula rasa ver, or the world of mercy studio ver. Both are great. I think is a great idea to compare live with their studio ver of vinushka, there are two versions though.
@@deanwolfechannel I am not Chile. Lol. But I would pick "Ware Yami Tote" for a different side and sound. Edited: I can't post the link as it will delete my comment. Thanks.
I'm not entirely sure how true it is, it's been my interpretation alone after all, but in regards to the "Here lies the truth" reaction I figure it's to do with the fact that they're taking about the atomic bomb dropped on Japan. The thought of the truth, accompanied by Kyo's presence results in the cacophony of voices
my interpretation has always been that that line in particular gets such a response as the song is outwardly a condemnation of war, and in particular the bombings of the very people he's performing for.
@@DilutedFaith I think the answer is much more trivial, everytime Kyo screams any of the lines it's followed by audience singing next lines or as in this case just screaming, since there are no lyrics after. People are just hyped.
The music was awesome. There were times early on I felt the singing didn't match the music though. Towards the middle and end it did for the most part. 3 out of 5 🦈 bites.
@@lartranslation6929 nope, it is not insane. Just some has a point. But, he can also watch the original video privately if he does not want to react to it.
I know this is an older video, but you seem like a very intelligent person that enjoys discussion. I hope you take the time to read my comment, as it may serve to give some additional context to this song.
Kyo, the lead singer, has written the lyrics of this song from the perspective of someone awaiting their imminent execution on death row. Think of it as a story in various parts.
First Act (1:20) : He examines his prison cell, trying to see if he can look outside. He first imagines himself as the clouds above (it's clear that the cell has a view of the sky). Depression overcomes him and he gives up on this, wishing instead that he could simply forget what has led him here.
Second Act (2:34) : Kyo decides that to sleep, he must put aside the idea of tomorrow and his execution; this night belongs to him. He knows though that the emotions of those who are now calling for his death will soon have his body, and even the proof of his existence will likely be stripped from him. Embracing the inevitability of it, he sleeps and welcomes tomorrow.
Third Act (3:21) : I see this section as a dream sequence. He brings up the image of the book Dogra Magra, in which a character with amnesia wakes in a hospital, and is told that they've committed murder. He imagines himself as the protagonist, in bliss, forgetting what he's done. It ends with him seeing himself standing on a stage, surrounded by those that want him dead. He makes a statement, that this is where the truth lies, as he thinks of the small part of him which still wishes to stay alive. The sound of the persecutors around him changing from emotional to callous.
Fourth Act (4:26) : It seems here that he wakes before the sun rises, and he vows, that he will accept the retribution for what he's done as if it were carved into his flesh, hoping that this last stand is enough to prove that he existed in the first place. As time slowly ticks on though, he looks on to his death, which he likens to the Vajra ( an item of pure absolute) being lit by the moon. The darkness maddens him because he can't tell how much time has past, and he imagines himself turning into a wolf to escape. Anger overtakes him and he imagines the violence he could inflict on his persecutors if he were free, as if he were a vampire sucking the blood from their necks. He thinks of these people all happy to watch him die, turning into a crowd of demons. He then speaks to the fact that this has happened before, and that those who call for punishment secretly do it because there's a part in all humans that wants the excuse to hurt someone. A fact that nobody wants to speak because it's offensive to the ear.
(This whole section is essentially him going through the five stages of grief while he waits for the sun to rise)
Fifth Act (5:54): The time has come, and he is to atone for his sins through execution. It's at this moment the image of the bomb shows on the screen, and he makes wild noises like a baby, or a tortured soul, crying the word "Vinushka" or "deceiver". He then wraps the cord over his neck and assumes the pose of Jesus on the cross, possibly symbolizing that his death was merely a sacrifice to suppress the need of others to harm each other. He looks down on them in death and sees them all coming together, burying his bones, while the image of the 13 stairs of the gallows is brought up. The persecutors revel in his death, clapping their hands together as if some victory has been won. As he looks onto them, he can't help but think of what a sad sight it is.
Sixth Act: The chorus begins again, rehashing his thoughts during the Fourth Act. We're again fed the image of his death, and he reconfirms that it is his own evil that led to this.
Although all of this is written as a narrative, it's really just a very intriguing way to dissect the human experience. It looks into the pain that we're capable of inflicting on each other, and the truths that we're willing to ignore, while drawing parallels to Japan in WWII and the controversial use of the atomic bomb. There's quite a few people who look at the bombing of Hiroshima and Nagasaki as less of a way to end the war, and more as a punishment to Japan, and a show of power to the rest of the world. I think Kyo either shares this view, or at least wants to portray it in this song. I should mention as well that the cover art for the album this song comes from (Uroboros) is heavily inspired by the art on King Crimson's Lizard, a band I'm sure you know well, that also has a few songs regarding the atomic bomb.
All in all, I genuinely think that this is one of the best prog songs ever written, but it's sadly heavily overlooked because of it's country of origin, the metal elements, and the theatrics of the band.
It may gain more recognition more over time. Great music lives forever really. thanks for this post, awesome!
@@deanwolfechannel Even if it doesn't, I'm happy to be alive to have experienced it. Thank you for taking the time to experience it with us.
Male, female, old, young, growls, screams, mimicking instruments!!! This vocalist can do anything! Wowzerz! 😲
Man, vocal genius, so theatrical and creative. Deep cultural angst, was hard watching imagery of the bomb dropping. Good drummer.
Dir En Grey is some WILD avant-garde stuff... certainly interested in hearing more of your thoughts on this group.
Dir en Grey is one of legend visual kei band
I recommend react them in Live version because of stage presence.
I was impressed with the live film
Is so beautiful ¡¡¡¡¡ 🤩🤩🤩🤩🤩🤩🥰🥰🥰🥰🥰🥰 i wanna cry 🤧🤧😭😭😭
IMO.
He tends to absorb and reciprocate energy from the crowd in the past. He always has.
So when he does it now, it feels good since they’ve kept their band going strong for so many years. The lyrics when he does it is a bonus for me.
I’m big on the lyrics’ many interpretations.
Definitely check out more, but steer away from the music videos. People often recommend them because they’re shocking and gross, but I feel like that just keeps the reactor from fully enjoying the band.
Also, always watch the live versions rather than the studio versions. I can confidently say that Dir en grey is always better live.
Also, they’ve done countless genres. Their earlier music is much more poppy and accessible, songs from their album Arche are more atmospheric, etc. They have something for everyone, whether that be disturbing or gorey or heart-wrenchingly sad. The singer, Kyo, is incredible, truly the best performer I’ve ever seen. Earlier in their career, he’d rip at the sides of his mouth till it bleeds, scratch at his chest, all sorts of things.
yes, I'm grateful to learn of this band. They are so unique and the singer is especially intense.
The music video for this one, in particular, is actually worth checking out. It's not exactly PG, but it couldn't be with the subject matter. I think they did that one very tastefully. One of the few I almost prefer the video except hearing Kyo's vocals live.
i agree 100% people reccomend the MV's just for the shock value. The live performances is where their talent shines
I see no one really gave a clear answer to the, "here lies the truth" line and it's actually been answered in many of their interviews. As a band dir en grey has had two very defined goals in their post vk works and it's, bringing attention to the things people don't want to look to, inspect, or reflect on (the pains of truth) and the other being the proof of existence being in the nature of life and death. Death itself being a marker that a life was lived no matter how long or short it may be it is of value.
I think that reaction to hearing "here lies the truth" is acknowledged by many fans and of course with this song being so emotional people have very strong responses to the subject matter and hearing that is almost affirming that we are together for this truth. Emotions are extremely heavy in this song, i think it resonates with the many and that's simply a good moment to connect and have a way to have the audience let out those pent up emotions as well.
So much more to music than seen on the surface. Lots going on here for sure
Try Macabre the Tabula rasa ver, or the world of mercy studio ver. Both are great.
I think is a great idea to compare live with their studio ver of vinushka, there are two versions though.
Plese react to more Dir en Grey. You won a suscriber from Chile.
Hello Chile! Pick a song for me?
@@deanwolfechannel I am not Chile. Lol. But I would pick "Ware Yami Tote" for a different side and sound.
Edited: I can't post the link as it will delete my comment.
Thanks.
The video is out of sinc with the music I was just watching it on another react, plus I've watch it enough times, and never get tired of it.
that happens. cheers.
I'm not entirely sure how true it is, it's been my interpretation alone after all, but in regards to the "Here lies the truth" reaction I figure it's to do with the fact that they're taking about the atomic bomb dropped on Japan. The thought of the truth, accompanied by Kyo's presence results in the cacophony of voices
my interpretation has always been that that line in particular gets such a response as the song is outwardly a condemnation of war, and in particular the bombings of the very people he's performing for.
@@DilutedFaith I think the answer is much more trivial, everytime Kyo screams any of the lines it's followed by audience singing next lines or as in this case just screaming, since there are no lyrics after. People are just hyped.
The music was awesome.
There were times early on I felt the singing didn't match the music though. Towards the middle and end it did for the most part.
3 out of 5 🦈 bites.
Oh yeah Dir and Grey are GREAT. Why the live version tho?? 🤣 Should do the studio version
Because that live is badass
Because Diru live is always badass
I agree they good live but I really think they're better to start off with in studio.
are u insane?^^
@@lartranslation6929 nope, it is not insane. Just some has a point. But, he can also watch the original video privately if he does not want to react to it.
Not for me.
it's pretty different. I wanna hear more though, and a studio version of this to compare
One song, is not enough to make you throw the towel.