ROBERTO DEVEREUX - GAETANO DONIZETTI - 2002 GRUBEROVA,BRUSON

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  • Опубліковано 3 лип 2012
  • DONIZETTI ON FACEBOOK
    / gaetanodonizetticomposer
    Roberto Devereux - Jose Bros
    Elisabetta - Edita Gruberova
    Duca di Nottingham - Renato Bruson
    Sara - Enkelejda Shkosa
    Lord Cecil - Cosmin Ifrim
    Sir Gualtiero Raleigh - In-Sung Sim
    Conductor - Frédéric Chaslin
    Orchestra - Wiener Staatsoper
    Chorus - Wiener Staatsoper

КОМЕНТАРІ • 20

  • @ivoadamek5700
    @ivoadamek5700 11 років тому +1

    užasna Edita..najlepšia

  • @BEVER29
    @BEVER29 12 років тому +1

    Avec un Nottingham de luxe quoique trop vibré; Gruberova se surpasse (elle ose et réussit à 56 ans un mi bécarre certe facultatif mais éléctrisant!). Le reste à l'avenant. Ici nous avons tout; de la reine vindicative à la femme outragée. De la musique et du théâtre!

  • @99pinuccia
    @99pinuccia 11 років тому

    concordo in pieno con te!

  • @Samuel6969ify
    @Samuel6969ify 7 років тому +2

    Che strazio è inascoltabile, rovina i bei ricordi che si avevano di lei.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому

    Ha! You're DELUDED.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому

    Well, OK then. Truce. There are some voices that are not to all tastes. There is only one singer I've heard in my lifetime who was completely free of what you would call flaws - it's Arleen Auger. Perfect pitch, breath control, placement, delivery of coloratura, legato, interval leaps both up and down. Yet. The ones who had definite "quirks" in their singing were the one who provoked the most excitement, and division of opinions.

  • @isaacdavidgiraldomendoza4728
    @isaacdavidgiraldomendoza4728 2 роки тому

    1:25:17

  • @Samuel6969ify
    @Samuel6969ify 11 років тому

    La Caballè resta la migliore in questo ruolo ma ascoltate l'interpretazione della Kabaivanska e resterete sorpresi!

  • @MegaOperafreak
    @MegaOperafreak 11 років тому

    So you're the only one who knows the truth, is that what you're saying? Anyone offered you a recording contract yet?

  • @MegaOperafreak
    @MegaOperafreak 11 років тому +1

    Therefore lies the problem. Everything's a comparison contest with you. La Gruberova doesn't fit within your limited conception of art, where it's only about notes and stylistic approaches, so you trash her. But what do you say when an audience gives her a 10 minute, rapturous standing ovation, as my wife and I heard in Barcelona 2 years ago, after "Al dolce guidami," an event that rarely happens except to the really distinguished artists.

  • @Jameseus18
    @Jameseus18 11 років тому +2

    Oh, Gruberova please retire.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому

    And so Callas never had a reliable top.

    • @BaroneVitellioScarpia1
      @BaroneVitellioScarpia1 2 роки тому

      Callas always had great top notes, unlike Gruberova who has small, screamy, off-pitched and ugly high notes.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому +2

    She was the same in every performance, no matter what opera. Complete opposite of Scotto, who, despite a faulty production of voice, offered a performance. Rysanek had the worst technique of any singer I saw, ever, but her powers as an artist were unbelievable. I've never seen an artist grip and enslave her audience like that one did.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому +1

    Fair enough. A lot of people feel that way.
    Devia is an excellent musician, but she's the dullest, most pallid artist I have ever beheld in a major singer. I saw her over 20 times in various roles and then I gave up. No charm, no star quality, no personality. Zero.

  • @MegaOperafreak
    @MegaOperafreak 11 років тому

    Oh, eres muy gracioso. Como si yo te daría cualquier munición por decir más de lo que tengo. También eres un hipócrita. Usted sigue siendo un "fanboy" adoración acrítica de Sutherland, Hallstein y Callas. ¿Crees que son simplemente perfecto!

  • @BaroneVitellioScarpia1
    @BaroneVitellioScarpia1 2 роки тому

    The worst, without a doubt.