Відео

Germans know how to sing! Exellente!

ouch being told by Callas, "Please no comments because if you were up here you wouldnt like it" lol I'd just cry after tbh lol

Interpretacija

Kraljica ppp!!!❤

I would have loved Callas as Eboli. This scene would have been ideal for her!!

She herself said she lacked some fire and temperament which is true but not HERE. This is amazing coming from her.

Μαριάνα😅😅😅

Wie hat sie diese unausgesetzten Blödheiten nur ausgehalten?

Again more lies she was addicted to drugs

There are no words that can adaquitely describe my love for the perfection of Caballe's voice. When she sings she transforms the aria with he unbelievable ability to to create fluctuations of tone, volume, and almost inaudible heartbreaking pianissimo. Her technical skills are excellant, and create interest within the notes themselves. Her way of approaching an aria was always filled with vocal expression making it unique as though you had never heard it sung before. Yet she had vocal power that was like a Tsunami. The last duet of Andrea Chaniere that she sang with Pavarotti was incredibly powerful, each giving their all, but as equals. The volume was literally stupendous but never harsh or shrill or desperate. Corelli was known for trying to outdo those that he sang with, and most were aware that he might do something to top them. This B5 made the Earths tectonic plates move, and Corelli could not do anything to top her. Brava!!

This is glorious. Just recall that Callas held her high e flat in Aida for 18 seconds. Unimaginable.

un vero uccellino,fenomenalek

One of the great loves of my life. Love this photo of "Bernie"'s reaction.

She out-divaed them all !

Definitely autotune

Unerreicht !!!!

The wonderful voice of “the friar” at 0.33 belongs to Paul Plishka. What on earth is Bernstein’s photo doing here? He had zero to do with this Met performance!

The interviewer was an idiot

Tuvo una voz " orecchiabile " hermoso timbre. Además su belleza ayudó mucho !!!!!

She had such power and control. I understand her miracle daughter has similar skill. Perhaps she may usurp her mothers diva crown just yet. I love when her pianissimo sounds like a tiny shockwave fluttering in the air. To see her performance in the windstorm she seemed immortal.

This masterclass is hoe I learned this aria.

Don Carlo per favore🎉

unreal.. those top notes.. never heard anything like that

Acuto sforgato at its best!

I agree 100% Such voice control! She breezes through these high notes! BRAVA Ingeborg🎉❤❤

Stop breaking into my homes to spray your crap like a jealous territorial twat.

9:36

I totally agree. One of the greatest of all time. Transports you into another world. Huge pity that this recording is relatively little known.

In the picture there’s Bernstein. It’s another concert with Salome

very elegant voice and manner

Ну наконец- то❤❤❤❤. Необыкновенная ритмическая четкость оркестра, вы только послушайте !

If he sang like this in front of me, I would have crossed him to Hades and back a thousand times. It's not hard to imagine how both Charon and Cerberus were lured by this Orpheus...

Hard to believe that she sang this opera the very first time in the same week that she sang Wagner's Brünnhilde in Die Walküre!

h o w

I had the pleasure of singing with the late Ms Nadler many years after this wonderful class. She was a lot of fun to work with and it was undoubtedly a "voice and a half", a very powerful and fairly flexible mezzo. But she was never really at home on the top of her range and Eboli is notoriously tricky because it was actually composed by Verdi for one mezzo (Rosine Bloch) and then when plans changed, finished off with a very different singer, Pauline Gueymard-Lauters, in mind. That explains the divergent characters and tessiture of the the "Veil song", clearly for a lighter, more flexible voice (Bloch) and "O Don Fatale" for a far more powerful and dramatic instrument (Gueymard). Not that Sheila would have ever done the role on stage-- the voice was just too short on top and she always billed herself as a contralto. But isn't Ms Callas amazing! Even with the remains of her voice, and close to the end of her career/life, she could summon up the many facets of Eboli's mercurial character.

Meraviglia!

... Well, ...She certainly told him ! 😀

¡Que gran artista! Creo que no se le ha prodigado aún el reconocimiento debido a María Ewing. Sólo piensen en: Cherubino, Carmen, Dido, Salomé, Donna Elvira y Rosina.....de excepción, de referencia, con magia vocal y actoral..... roles tan dispares y tan bien realizados. Aquí, en Dido te hace olvidar de todo, es de una entrega y sensibilidad estilistica además, que lo vives!❤

Está música es perfecta.Maria y Bellini, genios.

Excelente ❤

"It's not my aria." Every aria is her aria.

Unbelievable!!

É trade market sua voz.

She just pierces the heart!!!

Quick word of an advice: you need to get some earmuffs when he's going for the longest note.

As charming as this clip is, I feel it also gives insight to the basis of her technique which was genius. We can hear she isn't opening up and singing super loud but rather she is keeping everything small and controlled which is like a spring board to then sing big in the same way - hence the dramatica coluratura label.. seems like singers today don't have control over their instruments the same way,,

Wao !

3:36 3:48

Caballe , Corelli e Cesare Siepi. Come avrà fatto il teatro a non crollare a seguito degli acuti dei protagonisti e delle ovazioni del pubblico. Serate magiche.

Superb. I have never heard a better rendition-never. Thank you so much for sharing this beauty with the rest of us.🙏🏼