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Elisabeth Schwarzkopf descends from heaven to sing a trill (with Hopf and Karajan)
Die Meistersinger von Nürnberg (1868)
Music-drama in III acts with music and libretto by Richard Wagner
Above is an excerpt from the third act's fifth scene, starting in Walther's prize song: “Morgenlich leuchtend im rosigen Schein” (Shining in the rosy light of morning) up until Eva's phrase: “Keiner wie du so hold zu werben weiss!” (No one can woo as graciously as you!). Walther is sung by Hans Hopf, Eva by Elisabeth Schwarzkopf and Hans Sachs by Otto Edelmann. The performance was recorded between the 27th of July and the 24th of August, 1951 at the Festspielhaus of Bayreuth, Germany. Conducting was Herbert von Karajan with the Chor und Orchester der Bayreuther Festspiele.
Wikipedia, the free encyclopedia describes the big scene before the above excerpt and the excerpt itself as such:
“...The prize contest begins. Beckmesser attempts to sing the verses that he had obtained from Sachs. However, he garbles the words (Morgen ich leuchte) and fails to fit them to an appropriate melody, and ends up singing so clumsily that the crowd laughs him off. Before storming off in anger, he yells that the song was not even his: Hans Sachs tricked him into singing it. The crowd is confused. How could the great Hans Sachs have written such a bad song? Sachs tells them that the song is not his own, and also that it is in fact a beautiful song which the masters will love when they hear it sung correctly. To prove this, he calls a witness: Walther. The people are so curious about the song (correctly worded as The prize contest begins. Beckmesser attempts to sing the verses that he had obtained from Sachs. However, he garbles the words (Morgen ich leuchte) and fails to fit them to an appropriate melody, and ends up singing so clumsily that the crowd laughs him off. Before storming off in anger, he yells that the song was not even his: Hans Sachs tricked him into singing it. The crowd is confused. How could the great Hans Sachs have written such a bad song? Sachs tells them that the song is not his own, and also that it is in fact a beautiful song which the masters will love when they hear it sung correctly. To prove this, he calls a witness: Walther. The people are so curious about the song (correctly worded as Morgenlich leuchtend im rosigen Schein) that they allow Walther to sing it, and everyone is won over in spite of its novelty.) that they allow Walther to sing it, and everyone is won over in spite of its novelty.”
For more, go to: en.wikipedia.org/wiki/Die_Meistersinger_von_N%C3%BCrnberg
And for the libretto in both English and German, go to:
urashev.com/opera/Die_Meistersinger_von_Nürnberg_libretto_English_German
[DISCLAIMER]: I do not own any of the material that I share on this channel and nor do I pretend to. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that otherwise might be infringing. NO COPYRIGHT INFRINGEMENT INTENDED.
Переглядів: 855

Відео

Marina Rebeka, the greatest legato of our times. (Charpentier: Depuis le jour)
Переглядів 4,2 тис.4 роки тому
LOUISE (1900) Roman-musicale in four acts by Gustave Charpentier. Above is the famous aria “Depuis le jour... où je me suis donée! ” sung by the soprano role of Louise in the beginning of the third act. Louise sings of her bliss and satisfaction with her new existence just outside of Paris - with her lover Julien, whom she truly adores. Louise is sung by Marina Rebeka, and conducting is Michael...
Maria Callas EXPLODES above everyone in Bellini's gorgeous ensemble (Mexico, 1952)
Переглядів 13 тис.4 роки тому
I puritani (1834) Opera in three acts by Vincenzo Bellini. *The composer's final piece Above, is the sublime ensemble 'Oh! vieni al tempio...' from the third scene of the first act of the opera. Maria Callas is Elvira, Giuseppe di Stefano is Arturo and Piero Campolonghi is Riccardo. This performance took place on the eve of May 29th, 1952 at the Palacio de Bellas Artes in Mexico City, Mexico an...
Ultra-prime Renee Fleming creates the effect of crying in trills in her Comtesse de Folleville
Переглядів 2,2 тис.5 років тому
Il viaggio a Reims (1825) dramma-giocoso by Gioachino Rossini Excerpt: ''Partir o ciel, desio!'' from Act I, scene II In this performance, Renee Fleming sings the Countess Folleville, while Maddalena is Catherine Wyn-Rogers, Antonio is Bruno Caproni, Don Prudenzio is Jeremy White, Madame Cortese is Montserrat Caballé, Baron Trombonok is Andrew Shore and Modestina is Glenys Groves. This performa...
Callas the comedienne pokes fun at Callas the tragedienne
Переглядів 9185 років тому
Il Turco in Italia (1814) opera-buffa in two acts by Gioachino Rossini Act I, Scene 1: 'No, mia vita, mia tesoro' [Donna Fiorilla] - Maria Callas [Don Geronio] - Franco Calabrese Conducting was the great Gianandrea Gavazzeni with the Orchestra e Coro del Teatro alla Scala di Milano. Producing was Walter Legge for EMI, and the recording sessions took place between the 31st of August to the 8th o...
Very early Birgit Nilsson sings a resplendent Ariadne in Swedish (1949)
Переглядів 1,6 тис.5 років тому
Ariadne auf Naxos (1916) Prologue and opera by German composer Richard Strauss. In these excerpts from the opera (The first scene of Ariadne 'Wo war ich?' and her aria 'Es gibt ein reich'), Ariadne is shown abandoned by her former lover, Theseus, on the desert island of Naxos, with no company other than the nymphs Naiad, Dryad, and Echo. Ariadne bewails her fate, mourns her lost love, and longs...
Lucia Popp's blooming purity and exquisite lyricism in a Straussian lied
Переглядів 4265 років тому
Morgen! Op.27 N°4 The last in a set of four lieds composed by Richard Strauss in 1894 with text by John Henry Mackay. In this recording, soprano Lucia Popp sings and pianist Irwin Gage accompanies her. Excerpt from a live recording in London on the 8th of July, 1991 (2 years before Lucia's tragic death due to a cancerous brain tumor). The history of the piece - from Wikipedia, the free encycolp...
Young Joan Sutherland executes a C6 trill in her gorgeous Rodelinda
Переглядів 1,1 тис.5 років тому
*Note the high trill Joan executes upon a C6 in 5:37. RODELINDA, Regina de' Longobardi (1725) opera-seria in III acts by Georg Friedrich Händel 00:00 || Ombre, piante, urne funeste! 06:09 || ...Morrai sì, l'empia tua testa In the excerpt above ("Ombre, piante, urne funeste!...Morrai sì, l'empia tua testa") Rodelinda and Flavio, her son, arrive to lay flowers at his memorial. She weeps at her hu...
Marina Rebeka blasts a huge D6 in Norma's trio [LIVE]
Переглядів 1,9 тис.5 років тому
*Recording courtesy of Lohengrin O: ua-cam.com/channels/9zMwroIFJgIxuigmwljLBg.html NORMA (1831) tragedia-lirica in two acts by Vincenzo Bellini to libretto by Felice Romani. Above, is the scene and trio of the Act I finale (Perfido... Or Basti!). The trio consists of Norma (Marina Rebeka), Adalgisa (Anna Gorvachova) and Pollione (Sergio Escobar). Conducting was Fabrizio Maria Carminati with th...
One of the greatest piano recordings of all time (Richter; Miroirs by Ravel)
Переглядів 9 тис.5 років тому
MIROIRS (1904-5) five-movement suite for solo piano by French impressionistic composer Maurice Ravel. Here, the suite is masterfully played by Soviet pianist Sviatoslav Richter in Prage, Czech Republic as a part of a recital that took place on the 6th of February, 1965. 00:00 || 1. Noctuelles 04:46 || 2. Oiseaux tristes 08:21 || 3. Une barque sur l'océan 14:00 || 4. Alborada del gracioso 20:28 ...
Oralia Dominguez's infinite chest voice and Latin heat (El amor Brujo: M. de Falla)
Переглядів 1,8 тис.5 років тому
EL AMOR BRUJO (1915) Orcehstral and vocal Gitanería by Spanish composer Manuel de Falla. Excerpts from Wikipedia, the free encyclopedia (en.wikipedia.org): "After the original performance of the work as a Gitanería was unsuccessful, Falla revised the work by cutting its length, enlarging the orchestration, removing the dialogue and reducing the vocal part to three short songs for mezzo-soprano....
Vittorio Gui's absolute genius and bewitching conducting in Medea, 1953.
Переглядів 6165 років тому
MEDEA (1797) Opéra comique in three acts by Luigi Cherubini. Above, are the three and only instrumental overtures and introductions in the opera. The three of them, in my opinion, are absolute masterpieces of the musical history. In this recording, conducting is the maestro Vittorio Gui with the Orchestra del Teatro Comunale di Firenze e Maggio Musicale Fiorentino. It was recorded on the 7th of...
Maria Callas, the ultimate mythological tragedienne (Medea, 1953)
Переглядів 3,1 тис.5 років тому
MEDEA (1797) Opéra comique in three acts by Luigi Cherubini. Above, is Medea's act aria 'Del fiero duol'. At the temple, Medea is preparing to kill her children out of anger at Jason's cheating marriage to Creon's daughter; Glauce. In this aria, Medea goes as far as raising the spear with which she shall stab her children - but before laying the spear into them, she fell into thoughts of mercy ...
Itzhak Perlman and Kathleen Battle's delightfulness in Bach
Переглядів 3625 років тому
ICH BIN VERGNÜGT MIT MEINEM GLÜCKE, BWV 84 Church-cantata by Johann Sebastian Bach. The first performance, was probably performed on 9 February 1727. Above, is the 3rd movement of the cantata, Ich esse mit Freuden mein weniges Brot und gönne dem Nächsten von Herzen das Seine. Here is a small synopsis of the movement, taken from Wikipedia, the free encyclopedia: "...The second aria, "Ich esse mi...
Maria Callas' gargantuan and full force D6 alongside Simionato and del Monaco
Переглядів 2,9 тис.5 років тому
NORMA (1831) tragedia-lirica in two acts by Vincenzo Bellini to libretto by Felice Romani. Above, is the scene and trio of the Act I finale (Perfido... Or Basti!). The trio consists of Norma (Mdm. Callas), Adalgisa (Mdm. Simionato) and Pollione (Mr. del Monaco). Here is a short synopsis of the scene, quoted from Wikipedia: "here follow angry exchanges among the three, Norma declaring Pollione t...
Maria Callas' effortless legato as Giulia (O nume tutelar - Best sound)
Переглядів 1,5 тис.5 років тому
Maria Callas' effortless legato as Giulia (O nume tutelar - Best sound)
Joan Sutherland executes a messa di voce trill (Romantic French Arias, 1970)
Переглядів 2,8 тис.5 років тому
Joan Sutherland executes a messa di voce trill (Romantic French Arias, 1970)
The excitement and flaming passion of opera (Callas, di Stefano - Lucia di Lammermoor)
Переглядів 6265 років тому
The excitement and flaming passion of opera (Callas, di Stefano - Lucia di Lammermoor)
Teresa Berganza's rich chest voice and Spanish exuberance in de Falla's masterpiece (1957)
Переглядів 2685 років тому
Teresa Berganza's rich chest voice and Spanish exuberance in de Falla's masterpiece (1957)
M. Caballé's opulent voice in a 23-second pianissimo phrase (Don Carlo, 1969)
Переглядів 2,9 тис.5 років тому
M. Caballé's opulent voice in a 23-second pianissimo phrase (Don Carlo, 1969)
Elisabeth Schwarzkopf, The Empress of vocal purity, colors and interpretation
Переглядів 5105 років тому
Elisabeth Schwarzkopf, The Empress of vocal purity, colors and interpretation
A glorious Christmas with Jessye Norman's glorious voice
Переглядів 1,1 тис.5 років тому
A glorious Christmas with Jessye Norman's glorious voice
Montserrat Caballé's spiritual variazione in Händel's sensuous Cleopatra
Переглядів 8215 років тому
Montserrat Caballé's spiritual variazione in Händel's sensuous Cleopatra
Happy 95th birthday Maria Callas, La divina assoluta del mondo
Переглядів 1 тис.5 років тому
Happy 95th birthday Maria Callas, La divina assoluta del mondo
Martha Mödl's deep and cavernous voice as Ulrica (Köln, 1951)
Переглядів 3,3 тис.5 років тому
Martha Mödl's deep and cavernous voice as Ulrica (Köln, 1951)
Ebe Stignani's painful (straziante) Azucena, casting La Scala under her spell
Переглядів 3,7 тис.5 років тому
Ebe Stignani's painful (straziante) Azucena, casting La Scala under her spell
[RARE] Maria Callas vocalizing with her poodle, Djedda (1968)
Переглядів 9 тис.5 років тому
[RARE] Maria Callas vocalizing with her poodle, Djedda (1968)
Dinu Lipatti's vibrant use of rubato, glissando and rapid fire fingerwork in Ravel's masterpiece
Переглядів 7255 років тому
Dinu Lipatti's vibrant use of rubato, glissando and rapid fire fingerwork in Ravel's masterpiece
Joan Sutherland's poignant and elegant Alcina
Переглядів 3555 років тому
Joan Sutherland's poignant and elegant Alcina
Happy 219th birthday, Maestro Vincenzo Bellini
Переглядів 1335 років тому
Happy 219th birthday, Maestro Vincenzo Bellini

КОМЕНТАРІ

  • @andreaguarino8207
    @andreaguarino8207 День тому

    In the picture there’s Bernstein. It’s another concert with Salome

  • @paulchomnycky1712
    @paulchomnycky1712 8 днів тому

    very elegant voice and manner

  • @kastorskyk70
    @kastorskyk70 29 днів тому

    Ну наконец- то❤❤❤❤. Необыкновенная ритмическая четкость оркестра, вы только послушайте !

  • @justanotherbohemian3827
    @justanotherbohemian3827 Місяць тому

    If he sang like this in front of me, I would have crossed him to Hades and back a thousand times. It's not hard to imagine how both Charon and Cerberus were lured by this Orpheus...

  • @Shahrdad
    @Shahrdad Місяць тому

    Hard to believe that she sang this opera the very first time in the same week that she sang Wagner's Brünnhilde in Die Walküre!

  • @_darth_sand_
    @_darth_sand_ Місяць тому

    h o w

  • @Barbingant
    @Barbingant Місяць тому

    I had the pleasure of singing with the late Ms Nadler many years after this wonderful class. She was a lot of fun to work with and it was undoubtedly a "voice and a half", a very powerful and fairly flexible mezzo. But she was never really at home on the top of her range and Eboli is notoriously tricky because it was actually composed by Verdi for one mezzo (Rosine Bloch) and then when plans changed, finished off with a very different singer, Pauline Gueymard-Lauters, in mind. That explains the divergent characters and tessiture of the the "Veil song", clearly for a lighter, more flexible voice (Bloch) and "O Don Fatale" for a far more powerful and dramatic instrument (Gueymard). Not that Sheila would have ever done the role on stage-- the voice was just too short on top and she always billed herself as a contralto. But isn't Ms Callas amazing! Even with the remains of her voice, and close to the end of her career/life, she could summon up the many facets of Eboli's mercurial character.

  • @alessandrabielli5412
    @alessandrabielli5412 2 місяці тому

    Meraviglia!

  • @mrpaulweaver
    @mrpaulweaver 2 місяці тому

    ... Well, ...She certainly told him ! 😀

  • @lucasdebevec8581
    @lucasdebevec8581 2 місяці тому

    ¡Que gran artista! Creo que no se le ha prodigado aún el reconocimiento debido a María Ewing. Sólo piensen en: Cherubino, Carmen, Dido, Salomé, Donna Elvira y Rosina.....de excepción, de referencia, con magia vocal y actoral..... roles tan dispares y tan bien realizados. Aquí, en Dido te hace olvidar de todo, es de una entrega y sensibilidad estilistica además, que lo vives!❤

  • @franciscochueca9086
    @franciscochueca9086 2 місяці тому

    Está música es perfecta.Maria y Bellini, genios.

  • @AnaLuiza-rl9ee
    @AnaLuiza-rl9ee 2 місяці тому

    Excelente ❤

  • @BellaFirenze
    @BellaFirenze 2 місяці тому

    "It's not my aria." Every aria is her aria.

  • @platocat620
    @platocat620 2 місяці тому

    Unbelievable!!

  • @ivanscotton6163
    @ivanscotton6163 2 місяці тому

    É trade market sua voz.

  • @jowr2000
    @jowr2000 2 місяці тому

    She just pierces the heart!!!

  • @jameskreidler9443
    @jameskreidler9443 2 місяці тому

    Quick word of an advice: you need to get some earmuffs when he's going for the longest note.

  • @hodgrix
    @hodgrix 3 місяці тому

    As charming as this clip is, I feel it also gives insight to the basis of her technique which was genius. We can hear she isn't opening up and singing super loud but rather she is keeping everything small and controlled which is like a spring board to then sing big in the same way - hence the dramatica coluratura label.. seems like singers today don't have control over their instruments the same way,,

  • @dhiemart32
    @dhiemart32 3 місяці тому

    Wao !

  • @user-ni1ei9ij5w
    @user-ni1ei9ij5w 3 місяці тому

    Это круто!!!!!!

  • @giovic9802
    @giovic9802 4 місяці тому

    3:36 3:48

  • @lz43p15
    @lz43p15 4 місяці тому

    Caballe , Corelli e Cesare Siepi. Come avrà fatto il teatro a non crollare a seguito degli acuti dei protagonisti e delle ovazioni del pubblico. Serate magiche.

  • @kaari2271
    @kaari2271 4 місяці тому

    Superb. I have never heard a better rendition-never. Thank you so much for sharing this beauty with the rest of us.🙏🏼

  • @michaelkazich4605
    @michaelkazich4605 4 місяці тому

    The finest version I've ever heard

  • @magicmagic3173
    @magicmagic3173 4 місяці тому

    Adorata Maria Callas ❤️

  • @user-jz9tm2zr2i
    @user-jz9tm2zr2i 4 місяці тому

    quelle voix magnifique, une telle emotion ! merveilleuse Maria Ewing

  • @kayla_laexfemmedenh
    @kayla_laexfemmedenh 5 місяців тому

    She have different voices in every language she spoke, greek, english, italian, french

  • @maestroclassico5801
    @maestroclassico5801 5 місяців тому

    I now realize conductor Molinari-Pradelli sped up the tempo just a tad to the end. I wonder if this had been prearranged with Caballe? Some conductors slow it up to flaunt the "Verdi tragic chords" ....which would've made it harder for MC to do this!

  • @justinsummers1757
    @justinsummers1757 5 місяців тому

    Montserrat Caballé is the original Diva. She's always been my favorite soprano!

  • @ghpianochannel1561
    @ghpianochannel1561 5 місяців тому

    She’s not hitting a high note at 2:52 but oddly there’s an overtone that makes it sound like she is

  • @maestroclassico5801
    @maestroclassico5801 5 місяців тому

    Verdi himself would've stood up and cheered!

  • @davidhandel5894
    @davidhandel5894 5 місяців тому

    crystal shattering

  • @demonclownpancakevampire
    @demonclownpancakevampire 6 місяців тому

    That freakin sent shivers down my spin

  • @motovun1961
    @motovun1961 6 місяців тому

    I wish she had stopped performing on time. She didn't need the money or the embarrassment of coming on stage with a zimmer frame (walker) under her dress and croaking. So very very sad. I spent a fortune on tickets and truly wanted to leave, I was so disappointed. She destroyed her image.

  • @chaiter1
    @chaiter1 6 місяців тому

    Who sings the role of the the supposed Charles V ?

  • @mga2899
    @mga2899 6 місяців тому

    Lenny was pleased.

  • @AlfonsoSegundo791
    @AlfonsoSegundo791 6 місяців тому

    Qué chorro de voz. Me recuerda un tifón que azotó mi barco en los mares del Sur.

  • @jmaya-sevilla9476
    @jmaya-sevilla9476 6 місяців тому

    MARAVILLOSA ❤

  • @flannerymonaghan-morris4825
    @flannerymonaghan-morris4825 7 місяців тому

    Maria’s speaking voice is very soothing…deep & commanding, but still soft and feminine. She does speak English here with a curious mixture of accents-Greek/Italian/British with a hint of American. This isn’t surprising considering that she was born in the U.S. and lived there until she was 13 and then moved to Greece where she received her musical education and spent a good chunk of her adult life in the UK and in Italy.

  • @joanrogers9297
    @joanrogers9297 7 місяців тому

    Am I imagining the pitch and breath issues?

  • @zdravkoblagov1353
    @zdravkoblagov1353 7 місяців тому

    E' il miglior mezzosoprano che avevamo!!!

  • @scottgarbo1288
    @scottgarbo1288 7 місяців тому

    What an amazing woman and artist. Simply a powerhouse on all fronts. ❤

  • @Grossknecht55
    @Grossknecht55 7 місяців тому

    This incredible ease with which she can reach the highest notes... I can't think of anyone that even comes close. Certainly one of the most beautiful soprano voices of all time.

    • @clyneheretic
      @clyneheretic 7 місяців тому

      Along with Karola Agay.

    • @minakanushi0099
      @minakanushi0099 5 місяців тому

      There are people with easier access to even higher notes than her, but when talking about both the technique and the timbre then no one comes close to her. Her timbre is priceless, the most beautiful timbre among all Color Sop

  • @laurentamadeus6963
    @laurentamadeus6963 8 місяців тому

    It's Fantastic !!!

  • @loboestepario2424
    @loboestepario2424 8 місяців тому

    I read in the comments about "the girl": Sheila Nadler (RIP) was already 30 here. By the age of 30 Callas was already giving masterclasses in singing.

  • @stevens5541
    @stevens5541 8 місяців тому

    That's just a a noise...it's not singing

  • @arkleston3299
    @arkleston3299 8 місяців тому

    What a smart elegant lady! She had an intellect that matched her talent.

  • @olimstorytelling6011
    @olimstorytelling6011 8 місяців тому

    I forgot to breath when she got high 🤣🤣🤣😂😂😂😂………What a powerful singer wow

  • @BellaFirenze
    @BellaFirenze 8 місяців тому

    It’s one of music history’s greatest virtuosic outbursts. I was seated in the Grand Tier and sweat the note flew over my head. An incredible feat which I will never forget.

  • @carlosjavierguzman1509
    @carlosjavierguzman1509 8 місяців тому

    An intuitive prodige, a natural genius!