Cinema Tools
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Nikon Z Codecs Tested (N-Raw vs ProRes RAW vs H265)
#nikonZ6iii #nikonz8 #nikonz9 #nlog #n-raw #proresraw
Check our blog for a detailed post:
www.cinematools.co/blog/best-codec-for-nikon
In this video, we compare all the codecs available on Nikon Z6 III, Z8, and Z9 cameras to see the differences and determine the best. We compare Nikon's N-RAW to ProRes RAW to ProRes 422 and H265. The video was filmed with Nikon Z6 III camera but the same principle applies to Z8 and Z9.
Music from #Uppbeat (free for Creators!):uppbeat.io/t/light-prism/dreamland
License code: D0H9X6WE40OULQ92
Переглядів: 573

Відео

Nikon Z6 III vs Nikon Z8 Video Quality
Переглядів 3,4 тис.Місяць тому
#nikonz6iii #nikonz8 #z6iiivsz8 #nikonnlog #nlog #nikonzseries You can support the channel by checking out our store at Cinematools.co 00:00 - sharpness 01:06 iso 01:42 latitude 02:30 color 03:02 cinema tools Watch the Nikon Z6 III video quality here ua-cam.com/video/Ge2XGzsvv0Y/v-deo.html Watch Nikon Z6 III vs Sony FX3 here ua-cam.com/video/2Uz0pJvveoA/v-deo.html Nikon Z6 III vs Nikon Z8 Video...
Nikon Z6 III Vs Panasonic S5 II Video Quality
Переглядів 7 тис.2 місяці тому
#nikonz6iii #panasonics5ii #nikonvspanasonic #nikonz6iiivideo #nlogvsvlog #nikonn-raw #n-rawvideo Watch the Nikon Z6 III video quality here ua-cam.com/video/Ge2XGzsvv0Y/v-deo.html Watch Nikon Z6 III vs Sony FX3 here ua-cam.com/video/2Uz0pJvveoA/v-deo.html Nikon Z6 III vs Panasonic S5 II Video Quality (Sharpness, Color, Noise) In this video, we compare the video quality of the Nikon Z6 III and P...
Nikon Z6 III vs Sony FX3 Video Quality
Переглядів 20 тис.3 місяці тому
Graded with www.cinematools.co/nikon-nlog In this video, we compare the video quality of the Nikon Z6 III and Sony FX3. We compare sharpness, detail, noise, dynamic range, and color. Both cameras are amazing at shooting video, but key differences are highlighted in the video. Watch our previous video for a dedicated Nikon Z6 III video quality evaluation You can support the channel by checking o...
Nikon Z6 III Video Quality (Detail, 6k, N-Raw, Color, Stabilization and more)
Переглядів 3 тис.4 місяці тому
Graded with Cinema Tools LUTs www.cinematools.co/nikon-nlog In this video, we test the latest Nikon Z6 III video quality. We test the sharpness and detail of 6k and 4k modes, Nikon N-Raw versus Apple Prores and H265, ISO and low light performance, video stabilization, color rendition, and more. 00:00 - Sample footage 00:58 - 6k vs 4k 01:41 - N-Raw vs ProRes vs H265 02:04 - Compression 02:37 - B...
Choosing the best codec for Sony A7S III, FX3, FX30, A6700, ZV-E1
Переглядів 3 тис.8 місяців тому
#xavc #fx3 #codec #a7sIII #slog3 In this video, we’re testing all available 10-bit codecs to the newest line of Sony cameras (A7C II, A7CR, A7S III, FX3, FX30, A6700, ZV-E1). We’re testing XAVS S, XAVS HS, and XAVS S-I with static and dynamic scenes for banding and artifacts. The camera is set to S-Log3 and normalized to REC 709 color space using Base LUT. XAVS S 8-bit is included as a point of...
Best Film Emulation Plugin (Kodak 2383, Dehancer, Filmbox, and more)
Переглядів 23 тис.11 місяців тому
Check out our shop at www.cinematools.co/shop In this video, we compare some of the most popular film emulation methods. For this test, we filmed scenes with a Sony A7S III camera in S-Log3 processed with Rec709 LUT, Kodak 2383 LUT, Cinema Tools Film LUT, Juan's Melara Film Unlimited Power Grade, Film Convert, Dehancer, and Filmbox. We look at the color, grain, and halation emulation quality. #...
Nikon ZF vs Nikon Z8 Video Quality (Sharpness, Color, Noise)
Переглядів 16 тис.Рік тому
Graded with www.cinematools.co/nlog-z9 In this video, we compare the video quality of the Nikon Z8 to the Nikon ZF. Even though the Nikon ZF is aimed at photographers with its retro design, it still packs some impressive features such as internal 10bit and N-Log recording, as well as 4K 60P mode. Both cameras were set to H265 in UHD. Music from #Uppbeat (free for Creators!): uppbeat.io/t/mounta...
Sony ZV-E1 Video Stabilization (In-camera vs Post, Native vs Third-Party lenses)
Переглядів 2,2 тис.Рік тому
In this video, we test all available stabilization modes on the Sony ZV-E1. The same principles can be applied to all the current Sony camera line-ups, although larger models will have better in-camera stabilization. We test each in-camera stabilization mode against stabilization in post using Gyroflow. We also test native Sony lenses against third-party Sigma lenses to see how much they affect...
Nikon Z8 Video Quality (Sharpness, 8k, N-Raw, Color, Compression)
Переглядів 18 тис.Рік тому
Graded with www.cinematools.co/nlog-z9 In this video, we compare the Nikon Z8 recording modes and video quality. We test how different resolution modes compare with each other (8K vs 4k) The difference between ProRes HQ, Nikon N-Raw, and H265 codecs. The color quality between different picture profiles and Nikon Nlog. 00:00 - 8k detail 00:40 - N-Raw vs ProRes color 01:18 - compression H265 vs N...
Panasonic S5 II Video Color Profiles Compared
Переглядів 6 тис.Рік тому
Our own Panasonic S5 II LUTs are available here www.cinematools.co/vlog-s5 In this video, we compare various color profiles for Panasonic S5 II. The profiles being used in this video are Standard, Flat, Like 709, Cinelike D, Cinelike V, and Vlog.
Panasonic S5 II vs Sony A7 IV Video Quality
Переглядів 6 тис.Рік тому
Both cameras are graded with Cinema Tools LUTs, which you can purchase here www.cinematools.co/shop 00:00 - natural color 00:52 - mixed color 01:44 - compression 01:56 - stabilization 02:56 - detail We compared the video quality of the newly released Panasonic S5 II to Sony A7 IV. We are comparing color, compression, stabilization, and detail. You can't go wrong with any of these cameras in ter...
Film Emulation Halation Compared
Переглядів 1,9 тис.Рік тому
In this video, we compare different film plugins that allow emulating film halation to determine which one looks the most organic. The software used is Davinci Resolve Halation OFX Plugin, Video Village Filmbox, and Dehancer Pro. The footage is from Sony A7S III and Sony A7C cameras. #filmlook #filmemulation #filmbox #dehancer #a7c #a7siii #halation #slog3 #slog2 #lut
Sony A7C Film Look LUT
Переглядів 1 тис.Рік тому
Sony A7C Film Look LUT
Nikon Z6/Z7 Nlog LUTs by Cinema Tools
Переглядів 2,6 тис.2 роки тому
Nikon Z6/Z7 Nlog LUTs by Cinema Tools
Best Slog3 LUTs Compared (S709, Phantom, Leeming, ACES, Alexa Color)
Переглядів 17 тис.2 роки тому
Best Slog3 LUTs Compared (S709, Phantom, Leeming, ACES, Alexa Color)
Sony A7S III Gyro Stabilization
Переглядів 6 тис.2 роки тому
Sony A7S III Gyro Stabilization
Nikon Z9 Nlog LUTs
Переглядів 3,1 тис.2 роки тому
Nikon Z9 Nlog LUTs
Nikon Z9 Video Quality (8k, UHD, Detail, Compression, Color)
Переглядів 6 тис.2 роки тому
Nikon Z9 Video Quality (8k, UHD, Detail, Compression, Color)
Nikon Z Nlog LUTs
Переглядів 17 тис.2 роки тому
Nikon Z Nlog LUTs
Sony A7S III vs Sony A7 III For Video
Переглядів 1,7 тис.3 роки тому
Sony A7S III vs Sony A7 III For Video
Sony A7S III The best looking skin tone
Переглядів 8 тис.3 роки тому
Sony A7S III The best looking skin tone

КОМЕНТАРІ

  • @douglasmatosarias72
    @douglasmatosarias72 14 годин тому

    I would like a video like this for S5ii/s5iix and gh7.

    • @cinematools
      @cinematools 11 годин тому

      We will not likely get to that soon, but the same principle applies to other cameras.

  • @FarAwayFate
    @FarAwayFate День тому

    So for storage saving you better shoot 6k NRAW "normal" than 4k NRAW "high".

    • @cinematools
      @cinematools 17 годин тому

      Yes, and for quality reasons. 4K RAW modes have many image artifacts, so it's better to use ProRes HQ or even H265 in 4 K.

  • @m.i.andersen8167
    @m.i.andersen8167 День тому

    Thanks for a great test!😃

  • @cinematools
    @cinematools День тому

    6K Hires JPG from the first test are available here drive.google.com/drive/folders/1Q1quj8fL28fTyki08unXjwMTKgHastT1?usp=sharing

  • @androidpopjr
    @androidpopjr День тому

    Do you see much of a difference between nraw high or normal?

    • @cinematools
      @cinematools День тому

      Yes, when it's scaled up the N-RAW Normal fine-detail appears mushy. It is not noticeable when looking at full-screen images.

    • @cinematools
      @cinematools День тому

      We uploaded hires images on Google Drive drive.google.com/drive/folders/1Q1quj8fL28fTyki08unXjwMTKgHastT1?usp=sharing

  • @norfolknonsense7578
    @norfolknonsense7578 День тому

    Very interesting test!

  • @johnpaulporitz
    @johnpaulporitz День тому

    Interesting the slight color shifts between codecs. Were you adding grain with the LUT at the end? Thank you for the testing.

    • @cinematools
      @cinematools День тому

      Yes, there's a slight difference between the codecs. ProRes HQ and H265 look identical. Grain and halation were added to the film emulation LUT examples. Thanks for watching.

    • @johnpaulporitz
      @johnpaulporitz День тому

      @@cinematools Which codec did you prefer most in terms of color shift?

    • @cinematools
      @cinematools День тому

      @@johnpaulporitz, do you mean for the final test or in general? The blue shift in N-RAW is likely caused by how Resolve handles the codec. You can see it with out-of-gamut colors with strong blue light sources. It's not an issue in most cases and I prefer it over ProRes RAW because of the size and native support in Resolve. If I don't need the highest quality I choose H265. It's small and easy to grade even though it's 4:2:0.

  • @saulbecerra5830
    @saulbecerra5830 День тому

    Great vid! I’ll have to rewatch again not great at retaining info lol 😂

    • @cinematools
      @cinematools День тому

      We have a blog post in the description with the screengrabs. UA-cam compression makes it harder to spot the difference.

  • @russellwright9961
    @russellwright9961 День тому

    Thanks for this test!! I will be investing in the Z6III and the Z8 at some point...

    • @cinematools
      @cinematools День тому

      Thanks for watching. Both are great cameras.

    • @russellwright9961
      @russellwright9961 День тому

      @@cinematools No problem, thanks for your input!

  • @cinematic_monkey
    @cinematic_monkey 2 дні тому

    FIlmbox kills it.

  • @bobtronic73
    @bobtronic73 2 дні тому

    Thanks for the comparison. It confirms my findings. I tried out most of these emulations and Filmbox is my favorite. Dehancer really screws colors.

    • @cinematools
      @cinematools 2 дні тому

      Glad you found it useful. Filmbox works right out of the box, and the halation is on a different level than other plugins/methods.

  • @MrTeddy97470
    @MrTeddy97470 2 дні тому

    Can you make the same video with the Z8 and FX3 ?

    • @cinematools
      @cinematools 2 дні тому

      You can watch the Z6 III vs Z8 video on our channel ua-cam.com/video/ch2it-dVRi0/v-deo.html Z8 has better DR and is more detailed in 8k mode. FX3 has a slight edge in shadow latitude over Z8.

  • @pyroBlastM
    @pyroBlastM 3 дні тому

    Can I ask you if you use one of these luts like lemming can you still use a more creative lut on top? Or will it mess things up?

    • @cinematools
      @cinematools 2 дні тому

      If a creative LUT meant for REC709 material, then yes you can use it.

  • @slows728
    @slows728 11 днів тому

    I have both since their launch. The IBIS is so much better on the S5II, Sony is not even close. I sometimes even wonder if Sony has IBIS when I use the camera while walking ... The S5II has Open Gate and for me at least it is a big point ! Fine details are much better on the A7IV in 4K, and even compared to the 6K S5II, there is something unatural about the detail rendition of the S5II, especially when the footage is not correctly exposed. It is not only because Sony has 30MP, the old S5 and S1 have more or less the same 4K quality than the A7IV, I'd say the S5 and S1 have even better detail processing than the A7IV because there is less hiden noise reduction in low light. However If you use external RAW the video quality of the S5II is excellent. I think colors SOOC nicer on the Lumix, but like on the A7III, I use my own PP settings and both camera are very close, I even prefer the output of the Sony sometimes. And I don't know how to explain but I find the output of the Sony nicer, like if the overall rendering looks rounder, this is just my opinion but I think Lumix has a flatter rendering.

  • @madphotography6119
    @madphotography6119 11 днів тому

    Can i apply this luts on my 8bit internal Flat Profile or custom 8bit Flat profile?

    • @cinematools
      @cinematools 11 днів тому

      The LUTs are made for N-Log. Flat is basically a REC709 profile with reduced contrast and saturation, so it won't work.

    • @madphotography6119
      @madphotography6119 9 днів тому

      @@cinematoolsthanks

  • @advjmneto
    @advjmneto 16 днів тому

    Hello, the sample footage (00:00-00:58) has filmed with ProRes or Raw, 6k or 4k? Thank you for this excellent video.

    • @cinematools
      @cinematools 16 днів тому

      Thank you. Most are in N-RAW Normal 6K, but a couple of clips are in H265.

  • @juliep.
    @juliep. 17 днів тому

    At 4:05, would you have any images of the Z8 in this studio configuration? (for comparison with the Z6III, for example)

    • @cinematools
      @cinematools 17 днів тому

      We have a dedicated Z6 III vs Z8 video, which covers color too ua-cam.com/video/ch2it-dVRi0/v-deo.htmlsi=WoB8NrIVjxPBo4tb

  • @loudmotion5639
    @loudmotion5639 18 днів тому

    The noise pattern is just insane tho..every shadows even on a pretty normal daily light shots...why is that? and its huge squares of noise. I read about the noise flickering and it seems to be true!

    • @cinematools
      @cinematools 17 днів тому

      How do you judge exposure? The view assist curve is pretty steep, so if you use that to set your exposure, there's a high chance you'll underexpose. I recommend using waveforms and zebras without view assist.

  • @splicekitty
    @splicekitty 21 день тому

    The 800 base iso with n-log was bothering me in my tests because I could see noise in the blacks. So I shot PR Raw in SDR at 100 iso and then switched the footage to n-log after importing into FCP. It looked the same but without the noise. Is that a sensible workaround or am I missing something?

    • @cinematools
      @cinematools 21 день тому

      Overexposing the sensor helps a lot. I don't use view assist because it's terrible; I tend to look at the waveform in N-Log. Also, you can film in N-Log at ISO 200. It redistributes the dynamic range differently but should be cleaner.

    • @splicekitty
      @splicekitty 20 днів тому

      @@cinematools Thanks.

  • @DennisSchmitz
    @DennisSchmitz 22 дні тому

    Cinema Tools and Filmbox look neck and neck to me. The others are quite awful in comparison for lots of different reasons.

  • @matafilms
    @matafilms 23 дні тому

    Film Convert still wins.

  • @marin_real_estate_photography
    @marin_real_estate_photography 25 днів тому

    While I appreciate the video, something seems off about the sharpness tests. If my S5IIX had that poor of detail as the one you used, I would have returned it / sold it a long time ago. I find 6K and 4K to be quite sharp. Also, it appears that in the lattitude tests, the S5II was sharper than the Z6 III. Maybe one lens has better sharpness at closer focus distances than the other?

    • @cinematools
      @cinematools 24 дні тому

      For sharpness tests, the lenses were stopped down to either F5.6 or F8, can't check the metadata now. The latitude tests were wide open to F4 at close distances, so it's likely a focus issue. Panasonic S5 6K is sharp, it's just less sharp compared to the Z6 III in N-RAW. 4K is softer on Panasonic and corresponds to other tests we've done with the camera.

  • @JBurroughs17
    @JBurroughs17 25 днів тому

    I don't know what the lens settings were, but the sharpness test here seems like something is up. The 6k should be MUCH sharper than what is depicted here.

  • @CHILL3435
    @CHILL3435 26 днів тому

    For the night shot, Dehancer looked better than Filmbox as it looked the Most balanced out of them all. For the first shot, Filmbox took the cake. The one with the red dressed girl, the Kodak film emulation seemed to fit the mood than Filmbox.

  • @CHILL3435
    @CHILL3435 26 днів тому

    Even the base Rec709 looks absolutely beautiful compared to the other film emulations.

  • @brandnaqua
    @brandnaqua 28 днів тому

    you have quite a small channel right now, but ooo this content is so good!!! thank you!

  • @TomOhle1
    @TomOhle1 Місяць тому

    Probably worth mentioning that the gyro stabilization causes a crop into your video and you have to use Sony catalyst. Sony shooter for many years and this annoys the heck out of me. From these tests and to my eyes the Nikon has better stabilization without requiring the gyro stabilization crop and additional post production step :) One other criticism of the Nikon, the lack of dual card slot recording is the biggest issue IMHO. In the plus column Nikon have been very good with firmware updates compared to Sony. Leaked firmware on z8/z9 shows that they are releasing firmware with shutter angle and false color. One big negative on the z8/z9 for me relative to a7s3 is that audio amps are not as good on the z8. Good but not Panasonic good IMHO. Have you compared z8 to z6iii in this regard?

    • @cinematools
      @cinematools Місяць тому

      Nikon's electronic VR also crops into video. I believe Sony's active stabilization with native lenses can be almost as good. Also, you don't need to use Catalyst anymore. Gyroflow stabilization is as good but the workflow is a breeze compared to the gyroflow.

    • @TomOhle1
      @TomOhle1 Місяць тому

      @@cinematools That's incorrect in my experience. Sony has an electronic stabilization and it has gyro stabilization that can only be applied through Sony Catalyst. The problem is that to get an equivalent stabilization effect of say the Canon R5ii , Z8, Lumix S5ii on just native stabilization on Sony, you need to go to active steady shot + estabilization + gyro. Particularly with wide angle lenses it's very noticeable. Yes they all take some crop. The sony just takes a substantially bigger one. Want to reduce focus breathing because many of the GMaster lenses are not optically corrected for breathing? Then you need to enable breathing correction - this gives another crop. In other words, to get the same quality of shot that you'd get on say Nikon or Lumix systems with their more optically breathing corrected primes, you have to take a much bigger crop. Want to shoot animorphic? Both NIkon and Sony suck cause neither provides desqueeze in camera but more importantly the lack of opengate capability means that you don't have as much height available to you in your frame so you have to stand back further. Ironically in my experience, the Lumix (for 24p/30p 4k footage) is the more versatile. The Sony has nice specs, until you use it in the real world and realize that most of the breathing compensation and active steady shot already crop into your frame more agressively.

    • @cinematools
      @cinematools Місяць тому

      @@TomOhle1, you don't need to enable stabilization for gyro stabilization to work. In most cases, I keep the crop around 110%, which is lower than in-body stabilization. Nikon has pretty good stabilization, but I prefer flexibility in post-production. I don't shoot anamorphic, so it's not a problem for me.

    • @TomOhle1
      @TomOhle1 Місяць тому

      @@cinematools that’s right you don’t need to enable e-stabilization with gyro . The problem is that native stabilization with say a Lumix s5iix is already so much better than the Sony that to match the quality you need to run active steady shot. Now you just applied a 10% crop. Using the 24mm GM or 35mm GM? Turn on breathing compensation… another crop. Yes it is a choice to do this in post, your quite right. However I do think it’s important for folks interested in the emount ecosystem to be aware that to get similar quality to other systems you usually (in my experience anyway) need to jump through extra workflow steps and/or be ok with the crop. The Lumix (personal favorite) is not perfect either. 4k60 is cropped to apsc :/ and there is some rolling shutter, but I prefer working with vlog the most for my tastes (personal preferences). I don’t particularly like NLog but LOVE what Nikon have done with Red LUTS. I also really like Sonys s cinetone. But those things are subjective :). In any case you have a new subscriber and I think your videos are excellent. I hope that my response is not interpreted as critical but instead as just subjective opinionated feedback from a new subscriber :) keep up the great work.

    • @cinematools
      @cinematools Місяць тому

      @@TomOhle1 thank you. No, not at all. I enjoy a healthy discussion.

  • @capital1st439
    @capital1st439 Місяць тому

    I didn't seen any difference on this shitty quality of vodeo

  • @smileinurhand
    @smileinurhand Місяць тому

    Good Making. Gret samples!! Nikon is renowned for its photography capabilities, but its video performance could be improved. A Sony cropped sensor A6700 performs comparably to the Nikon Z6ii.

  • @ekphotography
    @ekphotography Місяць тому

    Videos is old but maybe you might answer, been watching a lot of color management tutorials and many say let Davinci handle it but when I do it adds a 709 conversion automatically and when I want to use Filmbox it looks terrible. So should I not do any color management , leave my Sony cine slog3 and apply Filmbox and or any luts and then do a cst out with a rec709A ? I am On Mac by the way and apparently rec709 A is the way to go. Thanks for any suggestions. But when using davinci color management, all my power grades or Filmbox look like garbage unless I start with straight Slog3cine and no conversion LUT.

    • @cinematools
      @cinematools Місяць тому

      Yes, you're doing double conversion if you use color management in Resolve. You need to bypass it and use Log material directly in Filmbox.

    • @ekphotography
      @ekphotography Місяць тому

      @@cinematools Thanks, Yes I figure that was the case. Thanks

  • @joshkiddfilms1295
    @joshkiddfilms1295 Місяць тому

    Always enjoy these videos. I own both the z8 and the z63, and honestly really enjoy shooting on both of them. I do wish Nikon would try and address the underexposure flicker/noise performance. I understand how it needs to be shot and ETTR and all that, but because the view assist adds exposure and isn't super accurate, trying to use the z63 with its LCD, its kind of a terrible experience. Often I find myself just viewing the log without view assist.

    • @cinematools
      @cinematools Місяць тому

      Same here. I trained myself to judge exposure based on N-Log image with the waveform monitor enabled.

  • @gaarax0x
    @gaarax0x Місяць тому

    Nikon Z6iii is a hybrid camera. Should've compared it to the Sony A74

  • @TheCriticalSystem
    @TheCriticalSystem Місяць тому

    Thank you for this video clear and to the point. can we record externally? if yes is nvme a better choice due to its high speed?

    • @cinematools
      @cinematools Місяць тому

      Thanks for watching. Yes, you can use an external recorder with it. I am not sure if Atomos supports nvme but SSD speeds should be enough for 6k 60

  • @loudmotion5639
    @loudmotion5639 Місяць тому

    4 years old camera vs several months old camera,,damn Nikon are definitely really late to the game :/ also that lattitude definitely shows who is the real winner. Its kinda sad as I wanted to see NIkon shine but the initial reviews where already showing how bad the dynamic range was, also i was surprised that the roll off was better on the fx3, always thought new nikons with raw had an edge. Also does z6iii have 6k120? @0.24

    • @cinematools
      @cinematools Місяць тому

      Thanks for pointing this out, that's a mistake. It's 4k 120P

  • @photography8298
    @photography8298 Місяць тому

    اريد الشراء والدفع بالجنيه المصري وهلى ملائم للتصوير الزفاف والافراح

  • @ErikWerlin
    @ErikWerlin Місяць тому

    For the dynamic range test would the Nikon perform better if using N-raw and N-log vs using h.265 10bit?

    • @cinematools
      @cinematools Місяць тому

      There's no difference. We tested all available codecs on the Nikon and the DR is the same across all of them. We will write a blog post about it.

  • @Valerossi0
    @Valerossi0 Місяць тому

    What are the better photo capabilities of the z6III compared to the s5II?

    • @cinematools
      @cinematools Місяць тому

      Better resolution, better autofocus, better color (subjective).

    • @Valerossi0
      @Valerossi0 Місяць тому

      @@cinematools both 24mp? Lumix has live view composite, high res mode and even in hand held 96mp, pre burst on raw 30fps so 1.5sec of frames is already captured before pressing. real time lut so you can already shoot on the colors you like, and even edit or make lots in the labs app and send them to camera etc. I think the s5II is pretty loaded on photo functions :). I don't know about the Nikon or what functions it has

  • @facu_eze_peralta
    @facu_eze_peralta Місяць тому

    I'll get for sure the nikon Z6III.

  • @iClevre
    @iClevre Місяць тому

    Did you use the same lens on both? Because that’s kinda important lol

    • @cinematools
      @cinematools Місяць тому

      It's not. All modern lenses have the same MTF at f5.6-f8

    • @Picmo-u6t
      @Picmo-u6t 9 днів тому

      @@cinematools you shpuld use the same lens to be fair.

  • @genin69
    @genin69 Місяць тому

    I would rather go buy 2 Nikon z6 iii cameras than pay that ridiculous amount for the Sony

  • @Jawad.1
    @Jawad.1 Місяць тому

    Really well compared...! I'm subscribing 💯

  • @Jawad.1
    @Jawad.1 Місяць тому

    You did not mention the most important thing that affects Sharpness and color fringing: The lenses that you used to test the camera. Otherwise, a good comparison, overall...!!!

    • @cinematools
      @cinematools Місяць тому

      Thanks. The sharpness tests are filmed at f5.6-f8 with modern lenses, which have the same MFT when stopped down.

  • @AlpacaDiaries
    @AlpacaDiaries Місяць тому

    Dehancer has that very weird bleached look, like you messed up with the curves tool. I started noticing whenever I used it and thought I was going crazy. Turns out I was right. Also the grain just sucks

  • @JH-tm9nv
    @JH-tm9nv Місяць тому

    Cant decide if i wanna upgrade my z6 to this or not... The underexposed values seems like it might be an issue.

    • @cinematools
      @cinematools Місяць тому

      It's not an issue in most scenarios. You just need to be careful when exposing but it's true for all modern cameras.

  • @redletterdayspnw
    @redletterdayspnw Місяць тому

    The under exposure test is shocking. Wouldn’t have guessed there would be such a huge difference between the two. What’s your professional take on the issues with the Z6III in that regard? Do you think that’s something that can be fixed via firmware, or a tragic oversight with this partially stacked sensor technology?

    • @cinematools
      @cinematools Місяць тому

      Yes, it is consistent with other cameras that we tested. It's not terrible but worse than other cameras on the market today. To mitigate the issue, it's best to keep the exposure at base or slightly overexposed even in low-light conditions. Higher ISO values and overexposing the sensor are better than lower ISOs and underexposing. Noise reduction can also help when dealing with undeexposure

  • @cinematools
    @cinematools Місяць тому

    Graded with www.cinematools.co/nikon-nlog

  • @kevintalks5618
    @kevintalks5618 Місяць тому

    A comparison with the S5iiX would have been better with SSD ProRes HQ or ProRes raw, BRAW vs N-Raw.

  • @mr.ramtech
    @mr.ramtech 2 місяці тому

    Do you have a link to download the raw footage so I have have play with. Looking to buy this camera

  • @abhisheknarayandhyani731
    @abhisheknarayandhyani731 2 місяці тому

    Which lenses have you used...?

    • @cinematools
      @cinematools 2 місяці тому

      Sigma 28-70 2.8 on S5 II and Nikon 28-75 2.8

    • @abhisheknarayandhyani731
      @abhisheknarayandhyani731 2 місяці тому

      @cinematools i know sigma art series is very good but you should have used native glass for lumix as well for the fair comparison anyways great video...

    • @cinematools
      @cinematools 2 місяці тому

      @@abhisheknarayandhyani731@ abhisheknarayandhyani731 the MTF is the same at F5.6-F8 for modern lenses, which we used for sharpness tests.

  • @fumickey
    @fumickey 2 місяці тому

    SONYはRAWもjpgも色が駄目 レンズの性能もイマイチです 12年使ってきましたがNIKONに乗り換えて「今まで何だったんだー」と後悔しています