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Joshua Fortuna
United States
Приєднався 30 кві 2017
DZO KOOP Filter Review +DIY Anamorphic filter!
Learn more about the filter system from @DZOFILM's website: www.dzofilm.com/products/koop/
CAMERA KIT:
Red Komodo + DZO Octopus RF-PL
DZO Vespid Primes
SmallHD Indie 7 + Komodo Control
Bebob Micro 150Wh Gold Mount
Wooden Camera Top Handle
Wooden Camera Baseplate
SOCIAL:
joshuafortuna
WORK:
www.joshuafortuna.com
www.ps-swoon.com
www.vimeo.com/646620619
VIDEO CHAPTERS:
0:00 Coffee Film
0:45 Introduction
1:00 KOOP Filter System
1:43 Initial Thoughts
3:30 DIY Anamophic
6:04 Sample Footage
7:45 DIY Measurements
8:01 Outro
CAMERA KIT:
Red Komodo + DZO Octopus RF-PL
DZO Vespid Primes
SmallHD Indie 7 + Komodo Control
Bebob Micro 150Wh Gold Mount
Wooden Camera Top Handle
Wooden Camera Baseplate
SOCIAL:
joshuafortuna
WORK:
www.joshuafortuna.com
www.ps-swoon.com
www.vimeo.com/646620619
VIDEO CHAPTERS:
0:00 Coffee Film
0:45 Introduction
1:00 KOOP Filter System
1:43 Initial Thoughts
3:30 DIY Anamophic
6:04 Sample Footage
7:45 DIY Measurements
8:01 Outro
Переглядів: 1 413
Відео
DZO Vespid Review (VS Sigma Cine Primes)
Переглядів 14 тис.Рік тому
Here's a quick overview of my new set of DZO Vespid Primes and my thought process that led me here. Along with my ramblings, I have a quick comparison with the Sigma Cine Primes. CAMERA KIT: Red Komodo DZO Octopus RF-PL DZO Vespid Primes SmallHD Indie 7 Komodo Control Bebob Micro 150Wh Gold Mount Wooden Camera Top Handle Wooden Camera Baseplate SOCIAL: Joshua: joshuafortuna // jos...
Diffusion Filter Test - RED Komodo
Переглядів 2,2 тис.2 роки тому
Diffusion filters. Love them or hate them, we need to understand them. I compared Black Pro-Mist, Black Satin, and Hollywood Black Magic at 1/4 strength to understand the differences. CAMERA KIT: Red Komodo Kippertie Revolva Atlas Orion 40mm SmallHD Indie 7 Komodo Control Bebob Micro 150Wh Gold Mount Wooden Camera Top Handle Wooden Camera Baseplate SOCIAL: joshuafortuna instagram....
NiSi IRND Cinema Filter Review
Переглядів 6 тис.3 роки тому
This is my side-by-side comparison of the NiSi Cinema filters. I am mainly testing to see the color shift accuracy (2:32). NiSi Filters on B&H: www.bhphotovideo.com/c/produc... NiSi Website: nisiopticsusa.com Bright Tangerine Misfit Atom: www.bhphotovideo.com/c/produc... My production company: Fort Lion Studio www.fortlionstudio.com
Quarantine Coffee
Переглядів 3834 роки тому
Stuck in the apartment during the shelter-in-place, my morning routine has not changed too much.
V-Log LUT Teaser
Переглядів 1334 роки тому
A preview of the Rec709 LUT in my new line of Panasonic V-Log LUTs coming soon. joshuafortuna.com joshuafortuna@me.com joshuafortuna
Welcome To Me.
Переглядів 2115 років тому
Hello. This is the first step of a UA-cam journey. I have no goals, no expectations, no direction. Let's see how it goes. The Gear Used: • Panasonic GH5 • Atomos Shogun Inferno • Aputure 120D • Aputure MX • Rode NTG2 • Zoom h5
2018 Reel
Переглядів 2285 років тому
A collection of work shot for my production company Fort Lion Studio over the course of 2018. All scenes were proudly shot on the Panasonic GH5. Website: www.fortlionstdio.com Instagram: fortlionstudio Email: hello@fortlionstudio.com
Anita. // GH5 + Sigma Art + Ronin M
Переглядів 6 тис.7 років тому
Hardware • Panasonic GH5 • Metabones XL .64x • Sigma Art 35mm ƒ/1.4 • Sigma Art 50mm ƒ/1.4 • DJI Ronin M Software: • Shot in V-Log L • Graded with FilmConvert
Nightlife - GH5 + Metabones XL + Sigma Cine 18-35
Переглядів 2,2 тис.7 років тому
A quick test for the 18-35mm Sigma Cinema Zoom that I got from BorrowLenses.com. The cinema zoom suffers from the same set backs as the photo version. Needing to press in the dial of the Metabones XL so the image will translate over to the camera. Also, with the XL there's some vignetting that occurs at around 18-19mm and looks crazy with the IBIS. Shot in V-Log L Graded with FilmConvert
I got the dzofilm tango love it
great vid bro thanks a ton!
I wish we could have seen an example of your anamorphic DIY BOKEHDIRTYLENSIIFILTERVINYETI rear filter
hey! i do right here: ua-cam.com/video/hXU9DJyl4zw/v-deo.htmlsi=0A3GWmyx9PEviK2D
The Sigma's look incredible!
Why this annoying music so loud?
because it’s turned up too much, duh.
Huge fan of the interchangeable mount idea. Torn of the IQ though. In some images I had the imagination you did have different focus points - which made it look like the sigmas has less contrast while the focus was only on the back. (50mm I think?
Ok, I wanna know how you made that anamorphic thing for the back a d see footage of that
thanks for the video! could you share more info about the rear filters? would be curious about use those myself
already made a video on it! here you go ua-cam.com/video/hXU9DJyl4zw/v-deo.htmlsi=czISLmrwlFL3s-Fx
Waiting for your next video! What's happening in your world?
Hi! Are you using a tilta mirage mattebox? I'm afraid that this lens may vignette on FF. Do you have any experience on this topic?
I haven't used that matte box in particular, but if you're using it as a 4x5" filter, then you should be fine. Even the round 95mm filter shouldn't vignette. The DZOs have a front diameter of 77m inner thread, so it seems like you'd have a decent amount of room. MAYBE some vignetting on the 16mm? Again, this is an educated guess! I hope this helps!
@@JoshuaFortuna I totally meant 16mm :) I completely missed that, sorry! Are you using 16mm on FF with mattebox? Thanks!
@@motionpikczer Yeah, I use the Bright Tangerine Misfit Atom with NO vignetting. I saw that the Mirage comes with a circular 95mm version, and that’s what I think may vignette
Man, did I want to watch the entire video, but I just couldn‘t because of the loud psychedelic music... sorry
great video straight to the point. Quick question might sound stupid but if you use one of these does it cut out the IR pollution people speak about ? I have one nisi 3 stop IR ND for my matte box and trying to figure out if i need that pesky ICE IR cut filter ? Thanks
not stupid at all. this does cut out IR pollution as well! so as you add more ND, the blacks don’t turn red
Great video! if you own 8 Vespids, are we supposed to buy 8 Koop kits to adapt all of them? Obviously you snap on a single filter on each lens, but it still needs 8 magnetic mounts, no?
thank you! it comes with three magnetic mounts, so you’d have to buy 5 more mounts separately.
I'm in Dallas let's work 💪🏾
I really wanna hear what you have to say and it sounds fantastic I like the Intel that you’re giving but I can’t stand that looped background music that keeps playing like I feel like I’m in an elevator drop it and I’ll be happy to to subscribe you don’t need it your voice any information you’re giving is perfect without all that crap
thank you! tbh, i hate listening to myself so much i threw music up and didn’t even hit a playback. i’m getting over it and have more videos coming soon with better volumes. i hope you come back!
That BGM is too loud 😒
yup
lens selection based on color on housing - the pro way.
when the build, price, and glass characteristics become negligible, you have to bring in other factors 🤷🏽♂️
Hey Joshua! Great video! 🙂. Quick question, do you know what kind of Sigma Cine Lenses you were using in this video? Was it the “FF High Speed Cine Primes” or the “FF Classic Cine Primes”? 😊.
Thank you! I was using the original high speed cine primes.
@@JoshuaFortuna No problem! Ahhh okay, cool! Thanks man 🙂🙂.
Such a rock solid set 🤌🏻 I’ve got the 35 for my Komodo too, and will be looking to get the 21 and 90 too. It’s funny as my background in graphic design too and it definitely subconsciously impacting my decision too 😅 Interesting to see it stacked against the sigma too! I actually prefer the slightly less sharp look of them and into the touch of chromatic aberration too surprisingly 😅 gives it character I feel. Love the vids man, keep ‘em comin! 👊🏻
Yo! I'm looking into cine lenses as well, I also come from a graphic design background and I had the same thought about the Meike lenses!! I remember telling myself If I do go ahead and get a few lenses from that set, I'll have to wrap or paint the red lol
i’ve thought about painting the yellow engravings white on the DZO set!
Good!!
Nice work! Saw that DZO posted this too! Congrats <3
thank you! yeah, that was really cool to see!
oof out of focus 😭 glad you achieved it in the end though. The HW black magic are my go to
🤷🏽♂️ when you play the role of DP, AC, Director, Writer, & Producer…something’s bound to mess up.
@@JoshuaFortuna I’m just teasing mate, great video - hope you make more 🤠
Which one is your favorite for the “cinematic film look”?
In my personal opinion, I would choose either the Black Magic or the Black Satin if you have a cinema camera with great dynamic range. Black Pro Mist if you’re on a mirrorless/hybrid camera. You’d typically want all of that information in the waveform with some blooming in the highlights.
brother - just found you - instantly followed when you said 'background in design, don't want to think about mcdonalds every lens swap.' I FEEL THE SAME WAY. Also, born and raised Dallas so we should link up and shoot some content!
Hi, Joshua, just want to see how the DZO perform compared to the Meike FF Prime.
could you do a video about the oval bokeh mod you did to the rear of lens? looks like its magnetic too!!
Wow if you don't familiar with Meike, you should've just skip it.
Dude, nothing wrong with your choice of DZO but holy crap, your reasoning for throwing out the Mieke was.....nuts. But cool vid.
Hahah, honestly the “look” between the lenses is pretty dang close (I slightly preferred the DZO), so coming down to the physical design was next on the list. Check out Spenser Sakurai’s comparison it’s apples and apples…so to speak.
Decent test. I'd also reccomend trying out the 1/8th strength in either tiffen or Schneider. Would love to see another video like this with spherical lenses as well.
I guess it's question of colors/opinions i do think meike very beautiful and some people told me same, when i used it . (the design)
Hey Joshua. Great video! This is unrelated, but how do you get your film grain to stay in your videos? I find that UA-cam typically denoises all the grain that I add in post.
Thank you! I don’t recall my settings exactly, but I’m pretty sure it’s a 4K (4096x2048) ProRes 422 export.
Thank you SO very much for this, extremely helpful and to the point!
sigma cine prime are just a rehouse photo lens i hate the look so boring the vespid are similar to the arri ultra prime
Do you have an example footage of the DIY anamorphic add on?
really !, you just skipped a set of lens only because it reminds you of Macdonald, boy ! what a cinematographer ! can't believe i was gonna subscribe to this channel !
duuuuuude pls. the background music is waaayyy tooooo loud, especially when i'm hearing it with headphones. quality amazing keep up the good work. (P.S. -25db works like a charm for me depending on the loudness of the beat)
I’m not gonna fight you on that, haha. I hate the way I sound so much that listening to it over and over kiiillllls me. BUT I will take that into consideration for the next video. I appreciate the feedback and support 👊🏽
Love the film grain! The mix is a bit off though, try turning down the background music next time ;)
Thanks for the appreciation and the notes. I’ll work on that for the next one.
I'm surprised by how well the DZO did in this example. Thanks for sharing.
Seriously! 🙏🏽
You got me thinking hard. Appreciate your work.
Very good information. I really appreciate your mentioning how one could modify the look with various rear filters in PL mount. Many people don't mention these kinds of little details! Thanks!
I think the claim for "vintage" is the minor barrel distortion at the wider focal length and chromatic abberation + slightly soft when stopped down.. but I'm completely with you, they're modern enough for sure! Nice studio setup btw!
Love the video man!! Checked out your website too, work is amazing!
Thank you very much! I’m glad you enjoyed
I already own a pair of DZOFILM Pictor Zooms and I like them quite a lot, so the Vespid Primes are probably going to be my next investment in the lens category. Thanks for comparing them to the Sigmas, although I feel it would have been a fairer comparison at T4 since the Vespids only open up to T2.1 and the Sigmas go to T1.5, but that's nitpicking I guess.
I could see that T/4 would have been more fair to the lenses, but it would be less realistic to the viewer. 4 out 5 times these lenses will be shot wide open, so I wanted to show them at that state…while obviously keeping it even at T/2.1.
@@JoshuaFortuna Very true. Fortunately, even wide open the DZOs look mostly pleasing. 😄
Design aspect of lens are very important to me too! Now I know why I lean towards Vespid than Meike haha Love to see more of your review on them!
I’m glad I’m not the only one! 🤣
Nice review!
Hey thanks!
Nice review, Im looking into buying new lenses and I think I might buy the Dzo Vespid or Dzo Pictor Zooms
I think between those two it comes down to picking between versatility (Pictor) or a stop of light at T/2.1 (Vespid).
Looks beautiful I particularly like the against light source renditions compared to meike lineup but it's really a shame that all dzo prime skyrocket 300€ in the last week (22/07/2022) because now instead of choosing between both for look, economies come into equation...
Oh yeah, that is pretty unfortunate. Luckily with DZO, you can buy a set with a price break and receive a lens case
Would love to see some footage with that diy anamorphic filter!
That’s coming very soon!
lens kit looks beautiful!! recently bought the nisi filters thanks to your other video! Love them so much more over my old vnd!!!
Oh wow! It’s great to hear that you like them so much. I appreciate the support 🤙🏽