Відео

Unfortunately, there's no internal recording inside the M2S, just like the M2. The Lark Max does have recording but it's similar size to the DJI Mic so probably not a good fit if you want smaller!

@AnotherCameraChannel does M2 has this feature of internal recording?

@AnotherCameraChannel and thanks a lot to answer quickly 😍

No problem! No, only the Lark Max has internal recording. The latest wireless mics with internal recording I know of are: DJI Mic 2 (32 bit) Rode Wireless Pro (32 bit) Hollyland Lark Max (24 bit) They are all similar size, so I guess the recording part of the design must be quite big :(

It’s strong! I don’t think it’s possible it would fall off unless you physically pull on it!

nope

Thanks for taking a look, Blaine :)

❤️

Thank you so much! :)

Congratulations, you’re gonna love it! Did you go for the Cine kit or with the reflectors?

Thank you :) Still going strong!

@@AnotherCameraChannel Was a user of the ATEM 1m/e 4k in a fly pack for 10+ years. Was going to upgrade last year to a constellation 2m/e for the scaler inputs. But ended up going with an ATEM Extreme Mini SDI ISO because it was on sale and offered similar (and more) flexibility with outputs comparable to my old 1m/e. Built a neat 3ru flypack around it with the same sliding drawer, a blackmagic hyperdeck mini, 2x2 multiview, webpresenter HD and a neat custom patch panel on the rear. Combind with a built in 12v 4a power supply, 5 port switch and a couple of blackmagic bidirectional adaptors, gives me a rig with total 6 sdi+2 hdmi inputs and 2 sdi+2 hdmi outputs. Networking between components and for livebstreaming. Tried to design the rig to be as portable and flexible as possible as my work flow has generally been with SDI cameras.) So far working well for over a year I hope to make a video about it at some point. I still have the 1m/e rig. Would like to keep it as a backup rig but the main reason I had to bench it is because it did not play nice with PTZ cams I started using, thanks to its very strict and non-scalable inputs. I did invest in another little mixer however this year for backup and small run and gun productions. The AVMatrix Shark S4.

What’s wrong? 🤔

@@AnotherCameraChannel you cant make decent cuts. Fresnels by design allow a tungsten unit to be cut and controlled.

The new Pyro series is actually the same, 4K over HDMI with SDI still limited to 1080.

@AnotherCameraChannel Hmm, would the Cosmo C1 be a better option then? Since I believe it has a supplier option

​​ @michaelfrymus Just checked another review for you. C1 is still HD only, the TX has HDMI in, SDI in, and an SDI loop Out. But only the SDI signal comes out of the SDI loop out, not HDMI. From what I gather it's only a 1TX, 1 RX system and I don't see anyone mentioning it working with the Hollyview app which the Mars and Pyro systems benefit from. Unfortunately, if you're looking for 4K over SDI I don't believe Hollyland make this yet.

@@AnotherCameraChannel yeah, just saw another video talking about that. Looks like I'll have to stick with HDMI. Then again, most often I'd be using a tablet to view. The issue in having now is speed. My current camera is HDMI out. My monitor has HDMI in/out, and SDI in/out. So, if I want the fastest transmission and best quality, seems as though I'll need to plug HDMI from camera to transmitter, and then out to the monitor? - If that's the case, then I might swap to the Pyro H. If I plug camera to monitor via HDMI and out to transmitter via HDMI or SDI and the speed doesn't change much, I might as well just keep what I ordered.

@@michaelfrymus Yeah Pyro H seems like the best option then, and it's also the cheapest of the Pyro Line, but is the only device with USB-C power options which is a nice bonus. I have a review of all the Pyros including the Pyro 7 on this channel also if you wanted to see that.

Hahah yes yes this is my niche :) Thanks for stopping by!

80C Bare Cob: 5,600K 1m 6,502 lux /604 fc 120d II Bare Cob: 5,500K 4700 lux @1m I’m guessing though the 120d’s beam angle could be wider and less concentrated? 80C is a better choice though, CRMX, 1800K-20000K, GM shift etc. 120ds aren’t made anymore. ✌️

@@AnotherCameraChannel Could to know cuz I am selling my 120t to get this instead.

@@BYCWELL wow a 120T! That’s old school Aputure right there!!

@@AnotherCameraChannel I think he wanted to type 120d not 120t 😂

I feel you, it would be great if it was cheaper, but those CRMX chips and other fancy parts ain’t cheap I guess.

3x Inifinibar PB12s through an 8x8 :)

@@AnotherCameraChannelthat’s a beautiful effect!

@ thanks :) I’ve been trying to do some more interesting setups for the product hero shots

This 80C's output is only slightly less than the aputure 300x in terms of lux and foot candles so a 150C would presumably have significantly more output than a 300x so it's pretty remarkable how efficient they've gotten.

​@@daleelliott7390 it has a narrower angle

🤩🥹

It’s crazy what a quick google search or stroll thru b&w can do for us curious minds

exactly!

That was my initial thought. Then I remembered that the 1200x BLAIR had a higher output than the 1200d. So, I guess I'll wait wait until I see output numbers. If it's less than 2/3 the output of the 300c in white and RGB, then it's not worth it in my book.

@@SimplestUsernamethe 60x is $420retail. this is a much better upgrade for only 180 more

@@B-Moye or you could just get the Aputure amaran 300c for less sure it’s bigger but it’s also more powerful, without the spot feature that the 60x has it’s not much of a comparison or draw for me.

@lemnisgate8809 the 300C has no CRMX, no DMX. :( And when I turned them on side by side, the colours aren’t the same which was interesting. The Storm line up is superior for sure, if you need the features it provides. I personally need CRMX now in my work, I didn’t buy more 300Cs for this reason. I believe the 300C is still brighter but it’s not built like the 80c. No IP rating etc etc Tools for different jobs :) But I’m sure there’ll be some middle sized fixtures in STORM which will beat out the 300C even in output. 👍

Probably the cost of CRMX alone is like 100$ so I think it’s reasonably priced, but of course I do wish the price could be lower though!

I believe that’s the idea, Mitch has alluded to that before, we didn’t try it though as we didn’t want to scratch anything accidentally.

Yes it does. As long as the barn doors are not on the CF12, the foam can be rearranged inside the case to make the 1000c with the CF12 mounted fit inside of the case.

Thank you Mitch :)

Yes! It works very well

Woahhh, no way, only 2020?! I must have gotten it pretty soon after launch because I swear it feels old to me now 😅 Time flies... I blame COVID

NGL I feel like the 60d/60x have been out for forever😂😂

@ yeah I also think because they come from a time with no DMX, no CRMX included they automatically are considered older than a lot of the other products. If they had them, even just wired DMX then they’d feel less old

Hahah right right! To be fair, I had the only set of lights in the country and they arrived one day before I picked them up to shoot the video and then I had to give them back straight away for other people to go play with them. But very true, we do get things pretty quick here in Korea as we're only a small sea away from China :)

Can't wait for that then! Thank you!

But you are more cute! 🥰