Відео

It’s a hard lessons learned but makes a world of difference! Thanks so much for checking it out.

Lmao all my friends know I squeak a lot. Had to leave it in.

Hey! I think for run-and-gun stuff especially weddings it would be wise to invest in the holy trinity 16-35,24-70 and 70-200. I have the tamron 17-28, 28-75 and sony gmaster 70-200 with that combo I was able to film so much stuff. If I were to go back and do it over again I might have waited and saved up a little more to buy the sonys. Theyre just so sharp and super accurate colors. Kind of a boring answer but you really cant of wrong with them. Also recently I have been using the sigma 24-70 and its been really great I think its on par with sonys image but autofocus is not as great as the sonys.

@@codylarosa Thank you for this wonderful response! Would you recommend going with the GM version for the Sony?

FX3 continuously delivers for me

Never heard of it. JK with this setup im not really recording sound. I would have audio engineer use timecode sync if I intended to get sound. Best sound setup I have seen though is with the stock top handle and a mkh50 that setup has truly amazed me.

yes for sure would reccomend running some lens support with the arles. This setup I am typically holding the lens. Matte box is polar pro with vnd but I dont love the VND. The matte box itself is nice though!

I love it! swivel would be nice but I can live without it

Haha there has been times where I wish I could rotate but they are few and I’d rather have a simple tilt!

Come hang out

Glad you liked it! More to come thanks for the sub!

Thanks Hugo!

Appreciate the support!

Don’t get me started on the top handle, fx3 and fx6 top handle drive me crazy

@ the audio is actually so good from it. I’ve tried like 4 different monitor configurations on my fx3 but they all feel awkward because of the top handle lol.

@ what I have been doing is just using a monitor mount right on the flat part. If you send me a message I’ll send me setup

@ that’s what I’ve settled on! I tried really complex setups with like evf style monitor mounts, a rod going across, but ultimately wanted a simpler setup. It can just feel so close to my face when mounted along the flat part of the handle.

Dude that’s a smart idea haha I’ll have to do that next time!

What all would you like to see in it?

mkh50 is the best hands down.

It’s polar pro matte box with VND if I’m being honest I do not like the VND but the Matte box itself is nice

Yes was using ice blue phantom lut here

@codylarosa oh wow I have the same luts, I haven't actually use that specific one yet as I'm learning on how to pick which lut depending on the mood I'm going for. That would actually be a great vid to do, knowing what is the best phantom luts to use for a specific look.

Thanks Ed always inspired by your videos! Hoping we get to hang some day

You can do it bro! What camera are you rocking currently?

Pretty crazy, also works with Spotify to which is fun. Helps when you cant describe the song with actual words.

Heavy but so so worth it.

You definitely can! I’m just not in this instance. If I did I would power it just with a cable though and not the dummy battery.

Wait a second, you saw this on frameset??

The HDMI cable is super short so it can be wrapped around but a cable tie on the camera could tidy it up. Good eye!

The HDMI or DTAP?

Thanks Kye

I think you gotta like his comment haha

fx30 video when?

@ if this gets 12 likes I’ll post one before sunrise.

been down the rabbit hole of complex rigs. a monitor, vmount and nd system is really all you need. glad you liked it!

kickflips and coffee soon?

Good question, with this rig I am usually pulling focus off the barrel so I don't use rails but if I was using it in on a tripod or anything else I'd most likely have some rails and lens support on it. This is about the same weight as a 70-200 which on sonys website they show it on a fx6 with no support so I'm assuming its fine. however its better to be safe than sorry.

@@codylarosa i saw the 70-200 is 2.3lb and the arles is 3.59lb. so thats also a big difference. be safe brother

@@snickernick3651 According to B&H the OG Sony 70-200 is 3.3 lb / 1480 g the new one is 2.3lbs

Thanks so much! Not at the moment I pretty much just bought the cheapest one I could find on amazon. Prism Lens FX looks really nice but is more expensive. I ended up buying two different ones from two different brands and in my opinion they look identical

@@codylarosa Appreciate the reply man! Yes I was looking at the prism lens fx one but seen one for half the price on Amazon so might try that one if there isn’t much difference in it. Cheers👍

oh wow thats a crazy jump, to be honest I havent used them much after this shoot. they do have some very serious CA so if youre okay with the funk I think they are cool. for a paid project I would rent a specific macro lens at this point.

Yes exactly haha I Believe I said that almost word for word. First time working with a model I was like yeah u never want to film one of my friends again 😂 so frustrating when you’re trying to dial in a shot and you hear “what do I do”

I’ve been really liking them, I did some side by sides and they are very close to filmbox but filmbox is much much more expensive. There’s so many luts and I’ve been yet to use all of them. The discord is nice too and Blaine is there to answer any questions about them. Depending on your workflow you can really dial them in with the powergrade or you can just drag and drop one of them and it’s pretty much a final image. Check out Nick Brady too he has made some amazing videos using them. If you have any questions you can DM me on instagram too and I’ll be happy to talk more in depth about them.

They cured my hair loss, so I’d say they’re worth it. 🤷🏼‍♂️

@ bro what 😂

Dude me you and Tony gotta hang! Thanks for always supporting, want the channel to grow as I grow and don’t plan on stopping so should be much more content and hopefully each one slightly better in some way.

could be really cool on some car stuff!

Yeah its great it takes a few elements of stress off of you!

Thanks Juan!

Next addition to scatter?

Dude, you’re funny TODAY 😂 hahaha love ya bro thanks for watching

Are you picking noble beast or good company?

@@codylarosa It's Noble if we're within 20 min of the spot - no contest

come to akron and skate and eat good food with me bro.

I kinda like the funk from the cooked and yes I’m loving the starburst flare its super cool

@@codylarosa what kind of projects would you use the Cookes?

They are for sure high priced but they do beat the arles in a few categories just depends on the scale they're being used at IMO.

@ - ARRI doesn’t show any meaningful advantage over the DZO Arles lenses. For that matter, none of these high-price lens manufacturers do. IMHO, it’s merely Hollywood-gear-nepotism.

I’m glad you liked the test! This is a really good point about their target markets.

Flashlight died so the flare test was basically useless haha but I think the Arles are an incredible pickup for the price