Відео

MOUAI....

Sounds like heaven 😢😊

good job man 🤙

Another perfect rendition! I would love to know the names of the presets for the various parts.

So glad to see a younger person appreciate and pull off the intricacies of Tony's playing and arrangement. I can remember so many times in our band when I was asked to learn old Genesis and I thought I was done with the song and I would just repeat the previous section and then...Nooo. Tony changed the chords again and doesn't play them the same way (inversions) and with different tonics. Made me crazy. But crazy in love!

Nice fingering on the 6ths, not so easy my friend.

Shat my pants when I noticed the mellotron. You lucky man!

When did Tony purchase his 70?

My favourite band of all time : but it's hard to take Tony Ten-Fingers and this .. .. selfish overplaying , and hogging all the frequencies . Poor Steve , intermittently peeking through the curtain while Peter's vocal is smothered : sounding like William Blake being dipped in goo by a manic Vincent Price. Sheesh..

Fantastic!

Hello, can you please give us the organ drawbar settings for this song ad well as other basic nites on how to get the sound, I could use it to recreate it live when performing the song, or if I qanted to use the organ tone on an original piece. I'm sure many of us here as well, would like this information.

8:26 -- sweet! 🌼 Thank you so much for bringing this project into the world.

Great work! Is there a score you can share?

Very nice!

Very good

yeah those octave/5th arpeggios are a simple idea but really really difficult to keep going - I've always found I have to concentrate really hard rather than rely on my fingers to do it for themselves

Beautifully done, and you highlight Tony's wonderful ability to compose and arrange interesting keyboard parts *within* the overall band sound, especially during Ikhnaton. Difficult for you to do with tempo, as you say, listening to yourself AND the playback! I didn't realise that the modulations back to As Sure As Eggs was dropped a whole tone live: I suppose this was so Pete could hit the high notes, similarly to the way Yes dropped a whole tone at the end of live versions of Close to the Edge.

Excellent job! Could you please explain the various settings, so that the ones out there not lucky enough to own a Hammond can try to reproduce the sounds on a VST?

Very beautiful work...! Maybe you could generate a midi file from this...?

Absolutely brilliant!! Thank you

Hi quick question as I'm trying to learn this for a band. The drone on the DX pad that's played throughout the whole song, does it stay on the E during the section after the Koto solo or does it change to the C?

Sounds awesome man, how did you get this organ sound at the beginning?

Had you ever feel that youre in heaven? Because we all felt that when hear your interpretation. Pretty awesome man, absolutely perfect. Greetings from Perú. Long Life Classic Genesis

Sounds like heaven 🔥

Bravo 👍👍👍👏👏👏

Hey Math you showed up in my YT feed. I am a big Genesis fan. Also play keyboards (barely). I think you have done a wonderful job here , and I really respect the time you spent figuring this out and performing it. Rock on my brother

Love it great job. If you don’t mind me asking what Arturia VST did you use to create the lead sound. It sounds spot on great job.

If you get hold of the 'Genesis - Horizons - Live at the Roxy 1973' CD which came out in 2024, you can hear really clearly what Tony was playing on the mellotron at the end of this song (as he's really loud in the soundmix and drowning everyone else out! lol)

I'm only 5:30 into your video and I'm already having a feeling of wonder and admiration. You couldn't have picked a more difficult piece to cover. Not bad, not bad at all, in fact, very impressive. As a fellow keyboardist........my fingers hurt just trying to imagine the countless hours of practice you put in perfecting your skills to play this piece. Holy moly.

You have my admiration for even attempting to play this tune by Banks and you did it so well. What an awesome gear setup.

Très bon boulot

Everything through Leslie speaker! That is very telling for the 'sound'. Thank you!

brilliant i cant stop listning to it im sure tony would be proud of u dude :)

Excellent job. I'm really glad to see each part shown like this of one of my favorite songs. The only thing I'd change is the Mellotron choir. The sound doesn't jump out at you the way it does in the films of Genesis playing it live or the studio recording. This is likely due to the aging of the real Mellotron you appear to be using, and maybe a worn out tape or heads. I found using Gforce's M-Tron Pro the choir sound is closer to the record, and I've seen no evidence the expensive digital Mellotron sounds any better. I had a similar experience the one and only time I play a real Mellotron M400. It sounds liked crap. It was in terrible condition, and the tape & heads no doubt very worn. Made me really appreciate my VST's. Looks cool though. Speaking of my VST's, I replaced my original 1973 Pro Soloist with a VST clone. Very happy with it's replacement. Still has that glorious Pro Soloist sound and aftertouch effects. I'm hearing what sounds like an effects different or something in the organ sound your using, but at times it's also sounding identical depending on where it's used in the song. I think that Hohner Pianet might be the most difficult thing to replicate with a VST, because I haven't seen any decent ones. Only samples, and I think there is a specific fuzz effects pedal or something used which you seem to have too. I have tentative future plans to possibility form a Genesis tribute in the future with a singer if we find the right musicians and a practice room near us. The focus would be more the 80s, but some of the old songs too. I'll be using all VST's like Steve Hackett's band. I pretty much have nearly everything I need at this point. I'd certainly be voting for us to cover Moonlite Knight, Cinema Show medley, In the Cage, etc. Without a doubt I think some of Tony Bank's songs are beyond my ability, but I think I can handle a lot of them still.

❤

Is this from "Genesis Live?" Gabriel's intro sounds familiar.

Incredible!

Nice emulation of the CP I have the instrument and use the IK Multimedia version and that to me really does nail the tone even at the low end I find a lot of plug in VSTs sound too bright for a CP-70/80 even though the trademark piezo sound is there the depth resonance and decay isn’t

Fantástico! Toca muito.

When new video?

Excelente ejecución, me ayudó bastante a conceptualizar la estructura de los teclados que ejecuta Tony Banks. Es verdaderamente impresionante las escalas que se utiliza para armonizar la pieza en especial con la brillante ejecución de la guitarra de Steve Hackett. Valoro tu talento por atreverte a desglosar las diferentes partes de la pieza, no es nada fácil, esto demuestra tu capacidad y destreza de interpretación. Felicidades, saludos desde México.

Evidence Of Autumn and Heathaze would be great to hear.

Amazing!

Great Job! Whats the patch setting on your Arp Pro Soloist?

Superb stuff ... smidge more echo and punch on the drums I feel, but other than that excellent

One of my fave Genesis songs and lovely to hear this ... feel like this could be used to make a fantastic extended version of the original perhaps ...

Hello, I'm struggling to make the arpeggio loop on the bridge assign to a key, I only know how to make it and press play and pause. I have a MODX8+, Is there anyone who can help out? LOVE the video by the way!

nice done, was the sample loop a preset loop in the Emulator 2+?

Salut Math. Je ré-écoutais ton excellent cover et c'est la première fois que je remarque que je ne joue pas les mêmes notes de marimba que toi au début. Moi je fais FA-RE-FA...alors que toi tu fais DO-SOL#-DO...Alors je suis retourné au concert de 87 et Tony semble aussi faire des DO-SOL#-DO. J'ai ensuite constaté que ces DO-SOL#-DO sonnaient en fait comme des FA-RE-FA. Donc Tony et toi vous avez transposé. Je me demandais par curiosité si tu savais pourquoi Tony avait fait ça ? Merci !!!

I don't get how you can decipher everything. It all sounds spot on. Incredible work. You tend to rush a little bit sometimes, can it be/? I know it is difficult if you are not playing with a band at the same time. Do you have a Genesis cover band?