Відео

Mil gracias

Hall Dorothy Jones Charles Davis Kimberly

Bellissima interpretazione e splendida registrazione, "Vedeste? Vedemmo", uno dei cori d'opera piu' belli di sempre.

❤

This was Marriner's second Requiem I believe. He recorded an interesting version during the mid-70s for Argo (later Decca), with more operatic soloists (Cotrubas, Watts, Tear, Shirley-Quirk) and used a different edition of the score. It's okay, but I find that the Philips sound is far superior and the soloists are more appropriate for the repertoire (especially Sylvia McNair, with her stunning crystal-clear tone). This recording was also dedicated to Raymond Koster, the first bassist of the Academy, who had passed away, which I think was also a very beautiful and unique sentiment.

1:58:16 finale

Es la mejor interpretación que escuche hasta ahora.. habre escuchado unas 20.

A little bit too fast in my opinion, there is no time enough to enjoy the fugue at Kyrie for example. But then again, just my opinion. I dont deny the high quality of the interpreters for sure! And I love the level of the piano they achieved.

is that Christian bale?

11:53

Insurpassable !!!!

Thank you 🙏

👏👏 Although Sills is truly wonderful as Anna, it is Verrett who is AMAZING! Verrett set the bar very high as Giovanna. Wish Sills and Verrett had recorded the Donizetti Queen trilogy together.👏👏👏

Bravo ❤

It probably is the best sung Roberto Devereaux. Beverly Sills was one of a kind singer. Mackeras's leadership was very dramatic - you didn't need to see them with your eyes; you saw them with your ears.

2 Of my ALL time Favorite Sopranos: Farrell and Sills...They are/were the BEST in their vocal categories .

Tiene tanta fuerza en los contrastes como una honda calma en el lacrimosa. Es una de las mejores grabaciones del Requiem de Mozart. Gracias

To me this is THE BEST version of Devereux. Sills is just the most incredible Elisabetta I have ever seen ❤❤❤

Beverly Sills is perhaps a little light vocally for Elisabetta but she sure sings the hell out of her and is riveting from start to end.

Love this rendition, Beverly Sills extraordinary❤

32:22

No show offs, just an honest playing trying to achieve a balanced period performance with modern means. The gaps between movements are longer so the listener gets space to digest one movement before attacking the next one.

Class tells.

I like it, the best

Actually I owned this LP years ago & it was recorded in, I believe 1955. Siepi did record it again in 1959 also with Corena as Leporello. Excerpts of this recording I have as well which has both Birgit Nilsson & Leontyne Price & is well worth hearing. Siepi, IMO, was the definitive GIOVANNI of his time although some may prefer George London whose instrument & approach to the character are very different. I admire London as well, especially in the final scene where his powerful timbre is most appropriate but otherwise personally prefer Siepi‘s more lyric but equally sonorous instrument. Simply boils down to being a matter of taste.

Loveing it ❤😊

De très loin l'enregistrement que je préfère. Je n'y reviendrai pas, m'en étant expliqué hier dans la version de Thielemann au Festival de Salzbourg.

It's the best. you know it the minute it starts. your mind flies.

Sills ottima, però aggiunge troppi acuti e note non scritte da Donizetti. D' accordo su variazioni di cose già udite, ma chi caspita si crede??? La compositrice!!! Elisabetta è discreta. Deve essere ESEGUITA DA SOPRANI NON DA MEZZI! TENORE APPENA SUFFICIENTE. La pronuncia di Sills è buona. Gli altri non sanno una parola D'ITALIANO! PESSIMA PRONUNCIA!! Eppure Ceccato dirige benissimo! Perche permette tutti questi acuti? Perché tollera una pronuncia talvolta incomprensibile?!? INCREDIBILE! Io li avrei sbattuti fuori a calci nel sedere questi angloamericani del cavolo! Meno male che non fa nessun taglio come altri direttori imbecilli che si credono più del COMPOSITORE! Ma esisterà una tegistrazione o un' esecuzione live senza tagli e SENZA ACUTI NON SCRITTI??? Mah!

❤

Purchase the Philips boxed Mozart set by The Academy of St Martin in the fields and Neville Mariner. It's the gold standard of Mozart. I don't know if it's available anymore- I bought them when I was in college 20 years ago. Even this recording, although it's by the same orchestra and conductor, is inferior to the official Mozart edition.

This style is a hybrid between the period instrument practice but played with a modern instrument and bow, modern tuning, however achieving the old sound with limited vibrato and light bowing. Short notes and no show off. Some embellishments added but it needs more embellishing on the repeats. That was the purpose of the repeats to give the player a freedom to embellish. Sadly all the virtuosi cellists and violists do the repeats just the same possibly for fear of being criticized . Bach gives us blueprints with no markings of dynamics or speed . This is the pleasure of playing Bach, there is no set way it is the music that counts.

Kore ga, requiem da

Dio Santo !!! Sono incredibiliiiiiiiiiiiiii .....Che cast favoloso !!!

I hadn't realized Abbado was still conducting the Vienna Philharmonic in 2011?! In what else?

Az egyik legnagyobb magyar dirigens...Mozart egyszerűen csodalatos!!!

Anyone feeling the immediate difference in the quality and the style of music written for Sanctus/Benedictus/Agnus Dei?Gosh, I just can’t help but wonder what if Mozart had finished the whole work and died… those parts are clearly not Mozartian, and I just keep on waiting for Communio…

The only BEST version. Heard it since l could walk.

❤🌸🍋🌻🏵🪢🇻🇦✝️🇻🇦🪢🏵🌻🍋🌸❤🌿💮🌼😇🦊🌸🥰⛑✒📃📚🎶🍋🌻🌺🪢🇲🇬🫂🇲🇬🪢🪢🌹🇦🇲⛑🇦🇲🌹🪢🏵🧸🎶🍋🌺🌸🦊🥰❤🇦🇲🪢🇦🇲💮🌼🌿😊🦁🎶🏵🍋🌿🪅🪢🇻🇦🏵🇻🇦🍋🪢🌺🙋‍♂️

Wolff does not sound confident. she sounds retiring, scared of her own voice. I much prefer Sills' singing, it's "in your face".

OMG, so many different variations in video, this is the only one in audio only. Seriously who is going to watch an opera on a tiny screen 25 millimeters across?

Rita Streich was a marvelous Queen of the Night.

Act I 0:00 Ouverture

Sills did a high voltage Bolena!!!

Act I Ouverture 0:02 Cinque... dieci... venti...4:10 Se a caso madama la notte ti chiama 7:23 Se vuol ballare, signor Contino 11:55 La vendetta, oh la vendetta! 15:07 Via resti servita, madama brillante 18:47 Non so più cosa son, cosa faccio 22:37 Cosa sento! tosto andate 28:32 Giovani liete, fiori spargete 34:13 Non più andrai, farfallone amoroso 38:15 Act II Porgi amor qualche ristoro 41:55 Voi che sapete che cosa è amor 50:03 Venite inginocchiatevi 53:24 Susanna or via sortite 59:33 Aprite presto aprite 1:03:27 Esci omai, garzon malnato 1:06:02 Susanna! 1:09:00 Susanna, son morta... 1:10:23 Signori, di fuori son già i suonatori 1:14:12 Ah! Signor, signor! 1:17:09 Voi signor che gusto siete 1:22:31 Act III Crudel! perché finora 1:28:29 Hai già vinta la causa 1:31:41 E Susanna non vien 1:36:46 Dove sono 1:38:14 Riconosci in questo amplesso 1:44:12 Canzonetta sull'aria 1:50:45 Ricevete, o padroncina 1:53:11 Ecco la marcia, andiamo 1:56:45 Act IV L'ho perduta... me meschina 2:02:49 Il capro e la capretta 2:06:48 In quegl'anni in cui val poco 2:11:39 Aprite un po' quegl'occhi 2:16:20 Giunse alfin il momento 2:19:43 Pian pianin le andrò più presso 2:24:23

Non so più cosa son 22:37

IO AMO LA NORMA..Questa poi SUBLIME!!!!

Amazing !!!

Edizione tra le migliori, con un grandioso Fricsay

A good one, but in the complex not of the best versions