It’s like an answer to a question you didn’t know you had- “what if Lobos had lived and written Prelude #1 200 years earlier” Genius and beautiful performance👌
Interesting, especially some of the comments. I think Villa Lobos would approve simply because improvisation plays a huge part in Brazilian music. I think you have still captured the essence. Well done😀👍why not I say
I enjoyed listening to this as a compelling variation from the original, that is, following the same outline as the original, aside from the addition of the lower notes from 7th & 8th strings, but with modifications in the B section. Here is where you employed a bit of genius, adding on the other chord notes in the A major and A minor, whereas in the original, there only single notes defining major and minor modes. Personally, I missed hearing the staccato chords pivoting off of the G/B harmonic at the 12th fret. The tempo of this prelude is tricky, play it too slowly and it takes on a dirge effect, too quickly and the whole thing gets frenetic, but clocking in at nearly 5 minutes, the song is full minute longer than the classic version as played by Julian Bream, due to the increased time given to the B section. Just my two cents, I would rather hear your interpretation at 6 minutes with a slower tempo in the A section then hear the A section rushed to fit around your customized B section. Tone and execution are remarkable, with excellent articulation on every note!
This was quite good. However, I still like Segovia's version sightly better.... (Sorry!) There are a few places where he seems to play it with a little more feeling. But then...he was...Andres Segovia! Don't get me wrong, this was QUITE good! (Better than I can play it!). 👍 👌
The guitarist's melodic improvisation takes the listener on a journey through different emotions and moods.
Really did not expect to love this but I do. So many new colors and surprises.
Une interprétation qui réinvente la pièce! Bravo! Magnifique!
A gift I hadn’t asked for. What a delightful surprise. Deeply appreciated.
Lovely. I like your dramatic and romantic improvisation, lovely.
It’s like an answer to a question you didn’t know you had- “what if Lobos had lived and written Prelude #1 200 years earlier” Genius and beautiful performance👌
I suspect they would be awed! ❤️😎
Ich habe mir dieses Meisterwerk nun zwei Stunden lang immer wiederholt angehört. Ich bin absolut verzaubert. Bravo ❤
Interpretazione intensa e fresca. Bravo! 👏
F A N T A S T I C 👏👏👏
Interesting, especially some of the comments. I think Villa Lobos would approve simply because improvisation plays a huge part in Brazilian music. I think you have still captured the essence. Well done😀👍why not I say
Masterfully and marvelously played sir. Bravo.
So schön ❤🔥
So refreshing!
A beautiful rendition! Bravo!
Thank you ❤
Nice sounding instrument
Great playing! ❤
2:22 bravoo😍
that's a sick ass guitar right there
I do like the speed. Less of a dirge. Superb playing.
Master guitarist
1:45😍🔥
También creo que no es un Villa Lobos original, pero tiene un sonido magnífico. Felicitaciones!!!!
can someone provide the tuning of this instrument? I don't think it's standard
I have tuned the guitar like this: contra B, C#, F#, B, e, a, c#‘, f#‘.
So it is a F# tuning with a dominant and subdominant base.
Wish Lobos could hear this. I suspect he'd like it.
Is that a new edition?
I enjoyed listening to this as a compelling variation from the original, that is, following the same outline as the original, aside from the addition of the lower notes from 7th & 8th strings, but with modifications in the B section. Here is where you employed a bit of genius, adding on the other chord notes in the A major and A minor, whereas in the original, there only single notes defining major and minor modes. Personally, I missed hearing the staccato chords pivoting off of the G/B harmonic at the 12th fret. The tempo of this prelude is tricky, play it too slowly and it takes on a dirge effect, too quickly and the whole thing gets frenetic, but clocking in at nearly 5 minutes, the song is full minute longer than the classic version as played by Julian Bream, due to the increased time given to the B section. Just my two cents, I would rather hear your interpretation at 6 minutes with a slower tempo in the A section then hear the A section rushed to fit around your customized B section. Tone and execution are remarkable, with excellent articulation on every note!
The stats say the width at the nut = 52mm. I don't think that's correct. Typically an 8-string is around 70mm.
59mm at nut
Very well played, but quite different, isn’t it?
Holy moly, that low note is BEEFY!
✔✔✔✔✔✔
Звучит красиво. Но это не Вилла-Лобос...
А что же?
@@Randomchel227 фантазия на тему
Bro, learn to stop your bass strings, not nice when bass is still ringing into a new chord
This was quite good.
However, I still like Segovia's version sightly better.... (Sorry!)
There are a few places where he seems to play it with a little more feeling.
But then...he was...Andres Segovia!
Don't get me wrong, this was QUITE good!
(Better than I can play it!). 👍 👌
It’s not for me…
Not a fan - I’ll stick with the original.
hah
why is this the top comment????
Don't liked me...🤷