I’m a old lady now but at the beginning of the song when Slash comes in I can still do the dance moves that Axl did in the original video. Some things never get too old!
@@kasiagirl4708 ::: only 68?? Awww, ur still just a lil baby 😋 still so young! No wonder you still got the slithery Axl moves 🎶😊🎶 I appreciate ur reply and I hope hope you are doing great at 68! 🥰
@Ben Dover yet after a short time they can still fill a stadium today compared to other bands from that era. The hole GnR left will never be matched. Too bad they couldn't work shit out early 2000s and got more greatness recorded.
tá loco , Axl...que voz! É incrível, principalmente depois do solo principal...where do we go...where do we go now? Pra mim o Axl já teve a melhor voz do mundo, em extensão e em variabilidade. O Axl pdoia cantar qualquer coisa. Hj , não mais. Porém, deixou o legado dele. Feliz de quem reconhece e valoriza.
@@marcostravioli457 realmente acho q ele deveria ficar onde está, mas se ele quiser, ele consegue ainda fazer uma voz incrível. Como no ac/dc. Mas não é bom. Acho q ele se arrepende meia hora dps do show.
Right!? And it more or less never ends until the song does, from solo start to end of song Slash is taking no orders... Sweet Child will be played at my funeral one day.
Sei que muita gente não gosta da voz do Axl, ele forçou muito e foi realmente muito irritante com ela em diversas ocasiões, mas são em gravações como essas que eu valorizo o bom cantor que ele sempre foi. Muito bom!!!
I remember hearing Appetite for Destruction the first time and thinking "I have never heard anything like this before!" Hyperbole I know but it left a mark for sure. I can also remember my wife and I (very young 20 somethings) driving back to Vandenberg AFB from Santa Maria CA and hearing "Knocking on Heaven's Door" on the radio for the first time and looking at each other and saying "Is that Guns and Roses?". LOL, great times!
I've heard this song so much that I got tired of it over the years. But now I've heard this I renewed my appreciation for it. It really is an incredibly well composed song, even as a demo. I always find it so interesting how songs evolve.
This was an accidental thing where the two guitarists were just trying out stuff and Axl came in with the idea. They were just messing around and slash even thought it was too happy if a riff but Axl really enjoyed the idea.
@@PowuhToSeven The intro riff is actually a good practice for looping in a scale, which I what I believe they were doing. The original riff was much simpler though.
I always loved how Slash's guitar sounds like it was weeping. The lyrics still get to me, almost forty years on. I can never really get tired of this song. Hearing the rough take is like hearing it again for the first time.
Did you check out some of the other earliest versions of the song, Vinicius? Please do. They're so interesting. They came even before this one of course. I love hearing the songs evolve too.
I love the beginning of this. It sounds distant in the beginning, which makes me think of someone remembering something - like a memory coming to you, lol. Like what your thoughts of someone might sound like. I don't know. it just has a cool sound to it. Really dig it. And I love this picture of them. Love their looks at that show. Especially Izzy and Duff's, lol! Axl didn't bring that kilt back for a while after that, lol. Looks cool over his leathers.
Brilliant the Les Paul & top hat made Slash look like “not just another LA guitar player.” There was the perfect image of the band, Slash along side Axl Rose.
@@spencerdobkin9479 you talking their sound? Or popularity? Not sure how anyone could say they were at their peak - soundwise - in 1989, when they played only 4 shows that year.
I think Axls vocals and the band peaked in 88-89 from an energy and peformance standpoint. They were perfecting everything in 86-87. To me Ritz 88 is the absolute peak. They were amazing from 90 to 93 as well.
Not surprising, because a substantial part of a guitarist's tone is in their hands/touch/technique. But a good guitar can certainly have a substantial effect as well! Not sure if Slash was using his Les Paul or the BC Rich Warlock shown in this photo... however, of that is/was an original US-made BC Rich, it's probably equipped with DiMarzio pickups, which would really make that guitar sing! Still: could be that Les Paul? I don't know.
The producers of the Dirty Harry movie The Dead Pool had a rock singer character in the movie, so they got rights to a song by an unknown local Hollywood band. Guess what song Jim Carrey is miming to....
Caraca não sabia que o axl de fato conseguia cantar que nem a gravação original😅😅 o que chegava mais próximo é o Ritz de 88, não sei pq com os anos ele foi colocando cada vez mais drive que acaba tirando um pouco do brilho da música
Se ele cantou no estudio é por que consegue kkk, mas deve ser difícil pra ele nessa época, por que ele n tinha tecnica, então usava os drives pesados no chou pra disfarçar
This is one of those songs where each member is completely critical to the success of the song. It's obvious to notice Axl's and Slash's contributions. But it took me some time to realize what really makes this song work, and not just some sappy ballad, is the other three. Duff and Steven are pumping blood through this song, keeping it grooving rather than static. And Izzy is the attitude-glue that makes the guitar so different from a typical radio ballad. It had all the beauty of the rock ballad, but all the attitude of five nasty guys. Perfect!
It sounds like a complete version already, they just had to polish certain parts and speed it up, but it still sounds great for being a cassette tape transfer
All Studios were using Digital PCM multi track recorders since 1981. So in fact all music since 1981 has not only been multi-tracked recorded to Digital recorders, but also mastered to Digital Tape. Since this technology never reached the mass consumer until the Multi channel Audio Interfaces started to appear past the year 2000 we lost out on this technology. By 1986 if flash media was cheap we would of had digital music players already by then ( with digital files). The problem is nothing was built for the masses for distribution ( Internet, computers) , so basically the consumer got CD's and Digital Laser Disc. Do technically all pro music since 1981 has been recorded, mixed then finalized to Digital PCM tapes. So since 1981 the mass consumer has been lied about the audio they have been listening to. The Sony multi track Digital tape recorders where the main units used for Professional studios.
Thank god they switch the solo for a more simple one cause it was hard enough trying to figure out the solo on the record can’t imagine trying to learn this solo
This was done after they got signed to Geffen if I am not mistaken ... I could be, but I believe this song was not written until after they got signed.
Damn the producer didn't have a whole lot of work to do on that. What a lot of people failed to realize is after the fact it's easy to have clear hindsight as far as bands go but before certain groundbreaking bands like Nirvana like guns and roses and so forth there wasn't a Nirvana or G&R before them so they were very groundbreaking in their style and sounds. People can talk about how Neal Peart play certain time signatures and rolls that aren't that hard to emulate but what you gotta understand is nobody played that right-hand ride cymbal pattern that he does in spirit of the radio among other tunes and his time signatures the rolls and so forth nobody really didn't like that until he did. Just because people can emulate some things, before the originator made certain things their own it didn't exist in that manner per se.
Não há informações confiáveis sobre o quanto o vocalista Axl Rose, da banda Guns N' Roses, pesa ou quantos quilos ele ganhou ou perdeu ao longo do tempo. O peso de uma pessoa pode mudar por uma variedade de razões, incluindo fatores genéticos, dieta e exercício, bem como possíveis problemas de saúde.
Thanks to Mr. Clink to help theses guys make it to turn one o' the best music in the world! The right bpm, the rights notes at the second (and the last) solo of Slash, for all the magic of de producing!
I question the timing of this "demo" I've waych Slash talk on the Gibson website he said the intro was a finger exercise he did but Axl wanted to write a song to it which they wrote in studio. The where do we go now was literally because they got to that part of the song and were "where do we go now. This recording is of an already completed recorded song not a demo.
A demo is every studio take before the release of the album or single version, not necesarily an unfinished or complete version of the song but any version, even a part of it.
@@revwillyg6450 Are you serious? Even the bridges, the chorus, fills, even the percussion is 90% identical! No way anyone can come up with all these identical details on their own. If they improved the flow of the song so be it they did it and took the song in a new direction. However the Music industry int the 1980's was very tight so Studios and producers shared content back and forth on their Digital PCM multi track tapes. Yes the entire music industry has been using Multi track digital recording since 1981 and everyone has been fooled by this fact, we could of had Digital music players by at least 1986!!!!. The Sony Digital PCM 24 track digital recorders were $150,000 each unit in 1981. So this whole thing about "Analog"' is complete and utter BULLSHIT since 1981. These machines were 48khz, and the masters were also put on these Digital PCM tapes. So if the Studio Masters from 1981-1992 were recorded as 48khz this whole "Digital" Audio debacle needs to be exposed for the scam of delaying Digital music for decades!!
@@tlibitoc'mon y'all. I love gnr but Dmaj to Cmaj to Gmaj, and the chorus riff are not exactly genius songwriting that couldn't have been thought of by more than one person.
Es porque al hacerlo, le da una intensidad más ruda a los rifts pesados, y a su vez, un sonido más dulce, melancólico y a veces atmosféricos a las baladas. :D
I’m a old lady now but at the beginning of the song when Slash comes in I can still do the dance moves that Axl did in the original video. Some things never get too old!
How old?
🎶🤔🏝😊🎶
I'm 45
@@WhatInTheActual I’ve got quite a few years on you….I’m 68
@@kasiagirl4708 ::: only 68?? Awww, ur still just a lil baby 😋 still so young! No wonder you still got the slithery Axl moves 🎶😊🎶 I appreciate ur reply and I hope hope you are doing great at 68! 🥰
Wtf Im 43 and am still beyond you all in thinking: it was way better before and basically everything sucks today
@@WhatInTheActual I’m 68
The way the band formed, how they wrote this whole album... These guys were pure magic.
And now the rest of their stuff sounds like the muppets
Yeah, they definitely stole elements of this song! That’s magic…
@Ben Dover Nobody needs another band who simply doesn't know when to quit.
@Ben Dover yet after a short time they can still fill a stadium today compared to other bands from that era.
The hole GnR left will never be matched.
Too bad they couldn't work shit out early 2000s and got more greatness recorded.
@@infinidominion😁😅
Young axl has a nice clean voice thanks for the upload
Honestly one of the greatest bands, albums, lead vocalist, lead guitarist of all time. Every song on this album is a absolute banger.
Totally agreed!
Agreed!
Not to forget the bass. Too good
tá loco , Axl...que voz! É incrível, principalmente depois do solo principal...where do we go...where do we go now? Pra mim o Axl já teve a melhor voz do mundo, em extensão e em variabilidade. O Axl pdoia cantar qualquer coisa. Hj , não mais. Porém, deixou o legado dele. Feliz de quem reconhece e valoriza.
Disso tudo, nunca entendi pq ele forçava tanto a voz ao vivo.
Ele cantando no ac/dc mostra q não é bem assim. Tá velho, mas não morto.
@@marcostravioli457 realmente acho q ele deveria ficar onde está, mas se ele quiser, ele consegue ainda fazer uma voz incrível. Como no ac/dc. Mas não é bom. Acho q ele se arrepende meia hora dps do show.
Kkkkkkkk n conhece o dio
Calma jovem emocionado eim...
Izzy s rhythms and Steven Adlers swinging drums were a major component of the chemistry of GnR.
Steven playing his distinctive snare sound back of the beat was awesome in this
I always loved the bass line in this song
Duff is a beast
For me, it's even better than the main guitar riff.
@@batmangonzalez2998 that's arguably tho...as much as I love the bassline
Loved rocket queen even more.
I was a guitar player who eventually learned the bass. I learned this song and couldn't believe how good Duff is. Duff was GNR as much as slash
Duff's bass is fantastic too!! The whole band was great, great to hear... It took me back to the good old days of rock and roll...
And one of the greatest guitar solos of all time is born
For me, in its final form the solo is the best in music history. There might be more complicated solos but Slash’s fits so perfectly with the song.
Right!? And it more or less never ends until the song does, from solo start to end of song Slash is taking no orders... Sweet Child will be played at my funeral one day.
@@ypvsypvsGreat choice 😊
still better than all music has been realeased the last 20 years.
Pffft. You're not looking hard enough.
If you weren’t alive or “aware” in 1987-8 it’s hard to understand how big this song was or how much airplay it got
Sei que muita gente não gosta da voz do Axl, ele forçou muito e foi realmente muito irritante com ela em diversas ocasiões, mas são em gravações como essas que eu valorizo o bom cantor que ele sempre foi. Muito bom!!!
I remember hearing Appetite for Destruction the first time and thinking "I have never heard anything like this before!" Hyperbole I know but it left a mark for sure. I can also remember my wife and I (very young 20 somethings) driving back to Vandenberg AFB from Santa Maria CA and hearing "Knocking on Heaven's Door" on the radio for the first time and looking at each other and saying "Is that Guns and Roses?". LOL, great times!
raw talent. Man did he have a voice back then.
I've heard this song so much that I got tired of it over the years. But now I've heard this I renewed my appreciation for it. It really is an incredibly well composed song, even as a demo. I always find it so interesting how songs evolve.
This was an accidental thing where the two guitarists were just trying out stuff and Axl came in with the idea. They were just messing around and slash even thought it was too happy if a riff but Axl really enjoyed the idea.
@@PowuhToSeven The intro riff is actually a good practice for looping in a scale, which I what I believe they were doing. The original riff was much simpler though.
I always loved how Slash's guitar sounds like it was weeping. The lyrics still get to me, almost forty years on. I can never really get tired of this song. Hearing the rough take is like hearing it again for the first time.
It’s well composed by a different band
ua-cam.com/video/YA2P-0D2yds/v-deo.html
Did you check out some of the other earliest versions of the song, Vinicius? Please do. They're so interesting. They came even before this one of course. I love hearing the songs evolve too.
Axl Rose He was a spectacular singer.
Now he's just a bloated POS
One of the most beautiful overplayed songs ever haha
I love the beginning of this. It sounds distant in the beginning, which makes me think of someone remembering something - like a memory coming to you, lol. Like what your thoughts of someone might sound like. I don't know. it just has a cool sound to it. Really dig it. And I love this picture of them. Love their looks at that show. Especially Izzy and Duff's, lol! Axl didn't bring that kilt back for a while after that, lol. Looks cool over his leathers.
Axel had really good clean voice in early days.
The greatest band of their time.
of all time in their prime
Maaano q voz é essa ? Q coisa mais linda de se ouvir !
Ver o grande Slash sem a cartola e sem a les paul é incrível e o Axl é show
Brilliant the Les Paul & top hat made Slash look like “not just another LA guitar player.”
There was the perfect image of the band, Slash along side Axl Rose.
Um sonho..... Demais a voz do Axl..... Realmente surreal...
Incrível
Perfect so happy to find this today . Both versions demo & studio pure gems ! My fav 😂 band !
interesting how the solo evolved
i wonder if it was the producers choice to change it
Bro slashs legato run in this is even crazy than the studio version
I wish they would have left the guitare part at 5:36 in the album version
@@alphaomega5896 yea and 87
I'm so glad they made it. What a great band.
They were really at their best in 1986. Still raw, but obviously on the verge of putting it all together.
I think 88-89 was their peak.
@@spencerdobkin9479 you talking their sound? Or popularity? Not sure how anyone could say they were at their peak - soundwise - in 1989, when they played only 4 shows that year.
I think Axls vocals and the band peaked in 88-89 from an energy and peformance standpoint. They were perfecting everything in 86-87. To me Ritz 88 is the absolute peak. They were amazing from 90 to 93 as well.
Imagine all the greatness of GNR, plus the unselfishness of Def Leppard...
Fuxk no
I love gnr so much my dad loves gnr so am thankful for acknowledging his taste in music am a 04liner 😊
Its cool hear slash having close to the same tone that was on afd
He probably had the custom LP clone already, one of the best guitars ever made for a musician according to "guitar tone experts"
Not surprising, because a substantial part of a guitarist's tone is in their hands/touch/technique. But a good guitar can certainly have a substantial effect as well! Not sure if Slash was using his Les Paul or the BC Rich Warlock shown in this photo... however, of that is/was an original US-made BC Rich, it's probably equipped with DiMarzio pickups, which would really make that guitar sing! Still: could be that Les Paul? I don't know.
Truly one of the greatest bands ever this album was magical they were really in a awesome grove!!
Pretty much fully formed. Just needed to be recorded with a bit of finesse and the rest is history
Thanks for the upload. It's crazy to think no one knew this song when this was recorded.
It’s not as crazy as you think, we knew of it here in Australia. Guns ‘n’ Roses ripped off one of our best artists for this song.
The producers of the Dirty Harry movie The Dead Pool had a rock singer character in the movie, so they got rights to a song by an unknown local Hollywood band. Guess what song Jim Carrey is miming to....
Now I think about it, it was actually Welcome to the Jungle
Oh well.
Slash is sensational
I’ve got to be the number one fan of this recording
Here’s another take
ua-cam.com/video/YA2P-0D2yds/v-deo.html
Muito boa essa banda, tomara que faça muito sucesso.
Já fez, e muito !
Kkkkkkkk só faz sucesso há mais de 30 anos, Man! Kkkkkk
@@deanveebet3495 o cara tá suando kk
Seu desejo se realizou a 35 anos atrás e perdura até hoje!
😜👍😉
As pessoas são tão burras atualmente que não conseguem interpretar uma frase irônica. Tempos sombrios esses!
This might be the greatest thing I have ever heard.
fuck yeah
My all time favorite rock love song I will sing this for my next wife for a special wedding
What did you sing for the first one(s)? 😂
Fuck your wife
Incrível, magnífico, esplêndido
I think this will be a hit someday...Mark my words...
Agreed
ua-cam.com/video/YA2P-0D2yds/v-deo.html
This is actually one the most iconic songs in the world
That's cool seeing Slash playing that Red WarlocK rather then the Les Paul he always plays. 🤘
Shit, I thought that was Lita Ford with dark hair!😂
Wow! Linda canción! .. Cuando Slash usaba las Bc Rich, tengo la misma roja... slds!
I still say they were trying to work on how to end this song, and they just stumbled onto the "Where Do We Go" chant.
That's something that Ive read and heard many times before already and it's true
Caraca não sabia que o axl de fato conseguia cantar que nem a gravação original😅😅 o que chegava mais próximo é o Ritz de 88, não sei pq com os anos ele foi colocando cada vez mais drive que acaba tirando um pouco do brilho da música
Sim,ela sem drive e tão boa
Se ele cantou no estudio é por que consegue kkk, mas deve ser difícil pra ele nessa época, por que ele n tinha tecnica, então usava os drives pesados no chou pra disfarçar
@@edersonsapperasbu2905 tem drive aí po, só que não tanto, da mais destaque pra voz limpa dele
@@edersonsapperasbu2905o que e drive?
@@MsAarns e aquela voz rasgada q ele usava antigamente,e uma técnica
i think i like the bass line more than the rhythm guitar in this song
Best version
The best vocal ever.
Not even close
There is no such thing as best vocal/vocalist. Favourite is the word
How fucking good are this band man. Just unbelievable
Glad they ended up speeding the song up a little. Man! …Axel set the bar!
This is one of those songs where each member is completely critical to the success of the song. It's obvious to notice Axl's and Slash's contributions. But it took me some time to realize what really makes this song work, and not just some sappy ballad, is the other three. Duff and Steven are pumping blood through this song, keeping it grooving rather than static. And Izzy is the attitude-glue that makes the guitar so different from a typical radio ballad. It had all the beauty of the rock ballad, but all the attitude of five nasty guys. Perfect!
Incredible chemistry between the two
Thank you so much for sharing this, I am now your latest follower (-:
Awesome! Thank you!
This is the best example of how a Producer works.. definetly Mike Clink did a great job on AFD
Is it just me or does the low quality really fit the song.
Jfc the solos are great despite the bad recording and Axls vocals are really great too
Ok, so Slash with a Warlock guitar looks like something from another dimension we’re not supposed to see-
It sounds like a complete version already, they just had to polish certain parts and speed it up, but it still sounds great for being a cassette tape transfer
All Studios were using Digital PCM multi track recorders since 1981. So in fact all music since 1981 has not only been multi-tracked recorded to Digital recorders, but also mastered to Digital Tape. Since this technology never reached the mass consumer until the Multi channel Audio Interfaces started to appear past the year 2000 we lost out on this technology. By 1986 if flash media was cheap we would of had digital music players already by then ( with digital files). The problem is nothing was built for the masses for distribution ( Internet, computers) , so basically the consumer got CD's and Digital Laser Disc. Do technically all pro music since 1981 has been recorded, mixed then finalized to Digital PCM tapes. So since 1981 the mass consumer has been lied about the audio they have been listening to. The Sony multi track Digital tape recorders where the main units used for Professional studios.
Nice demo, very promising band
Always a fan!
Slash has the best solos. They beat the fast thrashy shit any day of the week and I love the fast shit.
How much can u hear Zakks influence, always thought Zakk was a viking version of slash lol
@@jyejye1077 slash existed before he ever knew who wild was
Thank god they switch the solo for a more simple one cause it was hard enough trying to figure out the solo on the record can’t imagine trying to learn this solo
I like this production better than the record as far as energy, effects and rawness. Wonder if West produced this demo?
This was done after they got signed to Geffen if I am not mistaken ... I could be, but I believe this song was not written until after they got signed.
Quero ouvir de novo, bem que ti avisou que ia cair
this version of the solo is gassss
wow this sounds like i just went back in time. wow.
Thats a nice cover of Unpublished Critics
É A COISA MAIS LINDA DO MUNDOOOO ❤❤❤
Axl never sounded this good live. Saw them twice, back in the day. Similar...but his voice was erratic at best.
Damn the producer didn't have a whole lot of work to do on that. What a lot of people failed to realize is after the fact it's easy to have clear hindsight as far as bands go but before certain groundbreaking bands like Nirvana like guns and roses and so forth there wasn't a Nirvana or G&R before them so they were very groundbreaking in their style and sounds. People can talk about how Neal Peart play certain time signatures and rolls that aren't that hard to emulate but what you gotta understand is nobody played that right-hand ride cymbal pattern that he does in spirit of the radio among other tunes and his time signatures the rolls and so forth nobody really didn't like that until he did. Just because people can emulate some things, before the originator made certain things their own it didn't exist in that manner per se.
Cool haven't heard this
Essa ta com uma qualidade muito boa!
Bad recording but great performance
So raw but excellent
Awesome first time hearing tis Axl isGODSZZ !!!
Great photo !
Não há informações confiáveis sobre o quanto o vocalista Axl Rose, da banda Guns N' Roses, pesa ou quantos quilos ele ganhou ou perdeu ao longo do tempo. O peso de uma pessoa pode mudar por uma variedade de razões, incluindo fatores genéticos, dieta e exercício, bem como possíveis problemas de saúde.
They were young.
Thanks to Mr. Clink to help theses guys make it to turn one o' the best music in the world! The right bpm, the rights notes at the second (and the last) solo of Slash, for all the magic of de producing!
SLASH IS CRAZY
Superb 💙👍🤘🤘🤘🤘🤘🎸🎸🎸🎸🎸
this is legend song..from gnr ..🔥
I question the timing of this "demo" I've waych Slash talk on the Gibson website he said the intro was a finger exercise he did but Axl wanted to write a song to it which they wrote in studio. The where do we go now was literally because they got to that part of the song and were "where do we go now. This recording is of an already completed recorded song not a demo.
It's a demo studio version, they were playing song live before they even got a record contract!
A demo is every studio take before the release of the album or single version, not necesarily an unfinished or complete version of the song but any version, even a part of it.
I dont think you grasp what a 'demo' of a song is.
pure magic
why i don't even saw this video
Thanks ! We can heard evolutive guitar tracks !!! But I prefer album session...
GNFNR IS GOAT!!
🤘😎
O cara tinha um voz surreal mano
Is Derek Frigo in this pic?
Altra pagina di storia assoluta ❤❤ ❤❤ ❤
Quando axel encontrou naldo Benny e pediu dicas de canto
KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK
Seria top se achar esse show em video aq no youtubis
Não é gravação de show, é uma Demo .
Una meravella
He didn't start singing like this until well after Illusion is my take on this post.
They had this down for a while then.. sounds almost the same. Everything's good
seems like everything sounds a bit softer but it could just be me. probably isn't. ❤
This demo sounds like what GNR AFD could’ve sounded like in an alternate universe
Slash’s opening was all his own, but the band definitely used Unpublished Critics by Australian Crawl as a template for Sweet Child.
Similar progression, but it wouldn't win a lawsuit I bet🤷♂️
@@revwillyg6450 Are you serious? Even the bridges, the chorus, fills, even the percussion is 90% identical! No way anyone can come up with all these identical details on their own. If they improved the flow of the song so be it they did it and took the song in a new direction. However the Music industry int the 1980's was very tight so Studios and producers shared content back and forth on their Digital PCM multi track tapes. Yes the entire music industry has been using Multi track digital recording since 1981 and everyone has been fooled by this fact, we could of had Digital music players by at least 1986!!!!. The Sony Digital PCM 24 track digital recorders were $150,000 each unit in 1981. So this whole thing about "Analog"' is complete and utter BULLSHIT since 1981. These machines were 48khz, and the masters were also put on these Digital PCM tapes. So if the Studio Masters from 1981-1992 were recorded as 48khz this whole "Digital" Audio debacle needs to be exposed for the scam of delaying Digital music for decades!!
Not the only song they copied either!
@@danfuerthgillis4483yes, I'm serious lol. Settle down, Beavis
@@tlibitoc'mon y'all. I love gnr but Dmaj to Cmaj to Gmaj, and the chorus riff are not exactly genius songwriting that couldn't have been thought of by more than one person.
Por qué GN'R bajó un semi tono en todas sus canciones?
Es porque al hacerlo, le da una intensidad más ruda a los rifts pesados, y a su vez, un sonido más dulce, melancólico y a veces atmosféricos a las baladas. :D
@@charlyemanuelruizvargas5777 si y porque estaba de moda en esa época
Signature
Y a parte de todo lo anterior las voces como la de axel se aprovechan para no !matar su caudal se lucen mas
Easier to sing and most people do that notice