How Innergate Artists Make Hard Techno Kicks (feat. LS41)
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- Опубліковано 24 лют 2024
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Ever wondered how popular artists work with their music? In this long session, Sam from LS41 hard techno duo shows the Ableton project of their most popular track. This is a hard techno production Ableton video, but you can remake this in any other DAW.
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![How CARV Makes HARDSTYLE TECHNO [+Samples]](/img/n.gif)
Hard/industrial techno sample + Serum preset pack:
www.dr1lmusic.com/htr
Get your copy of Rave Techno Reinforcement Vol. 1 Serum preset pack:
www.dr1lmusic.com/rtr
For Highpass automations on Kicks i Use Simplon Filter From Pro Q, it cuts at 5hz on the lowest point.
dude a lot of wisdom in this video pretty fckin like.. rly respect it when artists talk that open about their work
ps: this is hands down the best hard techno kick tutorial out there
Videos about how Toxic Machinery does their stuff would be crazy!!
This is awesome. Shoutout to LS41 and Marcin for providing this to the community. Really good video
Thanks man! We appreciate that
Thank you! Was fun :)
Congrats on this video Marcin ! Very instructive and helpful. Shoutout to LS41 for his explanations on this insane kick
Thank you for watching =)
We need more LS41 videos!
Maybe someday :)
Thank you for this!
amazing video, thank you for making it !
This is one of best videos out there man
Thank you! Amazing!
Enjoyed it thoroughly. Thanks guys!
Amazing tutorial
This is EXACTLY the video I was hoping for. Thank you so much.
thank you for this amazing video and thank LS41 ⚙🔥🔥
thank you for this amazing session, really good tips guys :D
ty for this guys , we rly need it ! Best duo boy band :D 🥳🥳
Wow, very cool Video :D great insight from pros. Wish i could meet people like them
In person, i would have so much fun just watching them playing around :)
awesome video thanks a lot for this mate
you should really look into bochka, very interesting sound. look into the 96noisia label and artist like Aldes, Sorenga, Parapher, Likikon, Cekta and d.k.oxy
Fire bro keep up the great work ⛓️ ❤️🔥
Thanks man!
OOH this looks big! Perfect video for a sunday
Yeah, that's why I uploaded it so early haha
Great explanations, well done ❤
Thank you!
Thank you so much for the free content! You're one of the best hard techno teachers on UA-cam 🔥🚀
Thank you, I will keep up the good work :D
Thanks a ton! It's amazing to be able to peek into how the pros work. I think it's easier to make great sounds than to explain the making of those great sounds, but Sam did a great job. Again, thanks Marcin!
Thanks, I tried my best ❤
We're happy the video is understandable despite the complexity of the remix project :)
best channel for techno production at this point, keep up the great work! Would also love to see tutorials that go more into the Birmingham direction of sound & groove (e.g. Regis, Jk Flesh, Uvb, etc etc) if you are into this kind of music as well.
So far, I have an already long list of hard/industrial producers people would like to see on my channel. But I also have gotten a few dark/hypnotic techno suggestions :)
so i was right and you did what i said...good work!
pls more videos like this
LS41 shouldn't be my only guests indeed :D
Great Video. Very informative. Took my kicks to another level for sure 🙂
Good to hear 8)
very nice
Thanks!
mega tutorial, dobrze widzieć w Polsce zainteresowanie tego typu muzyką 💯 going strong
poland stronk
Hello just wanted to say man keep up your videos are on fire. I'm just a beginner who is trying to understand all the basic of techno production and when I see your videos your explanations are perfect you explain every move you do and why it is done. I love LS41I like their production it's a chance that you can habe them. I understood some thing but I'm gonna save some money and buy a course from you just listenin to you I know you have amazing knowledge in music production
Thank you for your appreciation and good luck with your productions in the future =)
Holy fuck LS41 no way, been wishing they would do an insight!!!
Dreams come true sometimes xD
@@MarcinRajski-
Basically, basically, basically, clipping.
Basically clipping
and don't forget to clip at the end.
Awesome, would love to see more content from them. Percussion + sampling / groove techniques? Especially turning that into a track vs loop. As in, how is variation added or "call and response" flowing with whatever other voices are in the composition? Thanks.
Good suggestions, as I wouldn't like to have every guest talk about the kick drums only
Easily in my top 3 breakdown video's and dives into Hard Techno Kicks, briljant
Thank you! :)
yessur
Nice to see people their workflow and how it reminds me of mine back in the days :D
Only worked with FL studio back then to create all the sounds and samples, build the track and export all tracks to .wav files and import all into cubase to mix it..
Only had a shitty pc and fl studio kept on crashing when overloading my cpu with all those heavy plugins..
DAW software was not at the point where it is today:p
If i listen back to things that sounded out of this world in 2008 on yamaha hs80m monitors now sound like layers of crap on a surroundsystem that costs more as that pair of monitors :D
Not everything has changed since your prime - FL Studio still likes to crash! :D
Fuck yes Basimilus Iteritas 🤘😤
And they didn't share the project file
Thank you for the video ❤ exactly what i was searching for 🙏
Could you please explain to me why the bass is on stereo and it is still ok? I dont get that point because literally EVERYONE tells you ALWAYS to put your bass on mono...
Well the bass is in mono. Everything under 100hz is mono, but everything above is stereo. With the Imager from Ozone, you can individualy manipulate the stereo Image of 4 or more individual bands :)
@@shmam7523 thank you 🙏
Everyone seems to tell you to always put bass sounds in mono, because bass sounds have low frequencies. So the question should rather be "should the low frequencies be always in mono?" instead of "should the bass sounds be always in mono?".
Back in the days, having low-end in mono was more or less necessary, because with stereo low-end, a vinyl record was probably unplayable due to the needle constantly jumping out.
Today, deciding whether the low-end is in mono or in stereo is a creative choice. Some tracks by BSLS or KRTM have low-end in stereo, and this give a more industrial feeling to the track. What is today important is whether the low-end is still solid once you play such a stereo mix in mono. If in mono the bass is gone, then your track is again, unplayable - but this time on club sound systems (very often a sub speaker is a mono speaker).
As a summary: having low-end/bass on stereo is fine as long as the mono mix is still heavy and solid.
Thanks for this tutorial but I'd like to be sure of one thing, the creation of the basic kick is not revealed is it? It's only the process steps but there's no sound design of the kick? Thanks a lot though
No, the "basic kick" creation is not covered here :)
Awesome video Marcin and LS41!
I do have a question: how is the sample kick being made? If it’s from a sample pack; which sample pack is it?
It’s hard finding a heavy sample kick like you guys used in this video. If you guys have recommendations for good sample packs for industrial, that would help a lot!
LS41 often use the Basilimus Iteritas analog module to make their own fat kick sounds. For us, digital mortals, what is left is kick drum layering for that powerful sound :)
@@MarcinRajski-the BIA is actually a digital drum voice. But yeah it packs a lot of punch…
Any kick from the randomer sample pack will do just fine!
@@strangerting7818 it does indeed hehe
@@MarcinRajski-that's also a vst version of the basilimus iteritas, I'll also try it
AMAZING VIDEIO PLS TAKE DKOXY or RAXELLER FOR THE NEXT TUTORIAL!!❤
Notes taken
Could you bring someone of the schranz scene?
Any favorite names? :)
@@MarcinRajski- O.B.I, SlugoS, Mental Crush, Instigator, Svetec, Barboza, Buchecha, Sepromatiq, Psychodrums... 🤩
agreed! svetec or triptykh on here would be awesome
@@orangutanorangutan@marcinrajski I second this, O.B.I
So they don't use just 2-3 layers of kicks but a lot lot of layers, all filled with longs distortions process. The point is that they already done everything in this project so is quite difficult to follow everything. So I would ask you, may you try to recreate in a video, or more video, the full process from scratch?
We might do some tutorials in the future, if you want. Making a kick from scratch, it might just be a very long Video haha
@@shmam7523 Yes would be great, even if it will be a long video, you can cut in some parts, btw would very interesting so we can follow very well all your process.
@@laeshmusic3173 Would you like to watch Sam and Lukas from LS41 to make such a kick from scratch? I'm asking because I can try to copy/remake their approach in kick sound design (which can result in a more digestive, structured video), but I understand if you wish to see them doing that instead of me :D
@@MarcinRajski- I though was another video collab with you and them,btw for me if you will make a similar approach would be great anyway. Important for me is learning new approach that I can use in my tracks.I guess you can make a poll, so the community can decide. Imho a tutorial of a kick from scratch, a kick made with all these layers can be interesting, but these are my 2 cents, you may try to make a poll, so you can see the reactions.
@@shmam7523 yes that would be very helpful!
"we dont believe in rumble kicks"
but your starting sample was kind of a rumble.. it was sample of kick with reverby tail
I meant Rumble as in the rumble bass :) But yea, this sample does have a low reverb tail.
And i know what you ment. Many delayed kicks hitting after and after.. just breaking you ballz
@@joni.sirvio8867 all good brother 🖤
I got a quick question. is it recommended to use the drum rack and a midi track for your Kicks or would you guys recommend using an audio kick? ?
Doesn’t matter
For layering or having a more organized project, I prefer using Drum Rack for that.
@@adr1xmusicdoes matter a bit to avoid phasing issues, Wanton explains this well in his masterclass
Using audio is better that way
what's the advantage? @@user-ht7dm4cs3x