Warning...... this material is cerebral, expressive, and damn generously offered. thanks carlo. this is some ultimate material to learn how to play through changes, connect arpeggios and the like. great job, and oh yeah.... excellent taste
I'm just learning music theory on my own, so I may be way off here! But since this goes from C (I) to Gm -> C7 -> Fmaj7, isn't that basically a secondary ii-V ? As in the Gm->C7 is a ii->V secondary to the Fmaj7 it resolves to. I think it makes more sense to think of it that way, as Gm7 and C7 have the Bb in there, which isn't diatonic to C major, but it is diatonic to F major.
It could be called 6-(5-1-4) -7-3-...back to 6. where 5-1-4 is a major 2-5-1 for F and 7-3-6 is a minor 2-5-1 for A You can practice major 2-5-1 and minor 2-5-1 in the same loop, very cool. ;o)
i think this is the chords to Sunny. Sing it not a 2 5 1 in Am but its nice. yes, if you chuck in a g for 2 beats and then c it is sunny would be a Bmb7 too
seems more like Sunny or If You Want Me To Stay. Doing straight minor 2-5-1 doesn't seem to do it justice. Gotta invoke Sly and the Family Stone xD I can't help it on the bassline but to quote the rhythm of that tune
hey man! There are two 2-5-1. the first chord is the Key = Amin, and after the progressions: 1) Gmin-C7-Fmaj7 ....resolve in the root of F 2) Bm-E7-Amin .....repeat again
Bm7b5 has B-D-F-A notes and Am has A-C-E notes, all of which are in the Key of Am. E7 has E-G#-B-D notes, so G# is the outside note, but of course such outside notes are very common in blues and jazz.
![[ #1 ] Smooth Jazz Backing Track 2-5-1-6 in C Major, 80 bpm](http://i.ytimg.com/vi/xddke3goe0o/mqdefault.jpg)
Very cool jam to practice with the rhythm here is choppy love it.
this is playful and flavorful keep up the inspired work!
This is a very well put together jam, i'm impressed..... has the best "smooth feel" to it.....thank you....
I loved jamming to this beat!
bruh
Love jamming on this track with my sax and guitar!
Awesome track
BEST BACKING TRACK ON UA-cam!!! (not even joking) this is amazing, Great job!
Warning...... this material is cerebral, expressive, and damn generously offered.
thanks carlo. this is some ultimate material to learn how to play through changes, connect arpeggios and the like.
great job, and oh yeah.... excellent taste
This is more i-vii-III-VI-ii-V than 2-5-1 but never mind, it's very funky. Well done, I'm going to use that idea. Thanks a lot!!
I'm just learning music theory on my own, so I may be way off here! But since this goes from C (I) to Gm -> C7 -> Fmaj7, isn't that basically a secondary ii-V ? As in the Gm->C7 is a ii->V secondary to the Fmaj7 it resolves to. I think it makes more sense to think of it that way, as Gm7 and C7 have the Bb in there, which isn't diatonic to C major, but it is diatonic to F major.
Great track with the right amount of bass! This is the chord progression to “Sunny”
Sunny / Just the Two of Us / Samurai / Bounce ... lot of tunes here ;o)
BEST JAM TRACK SOOOOOO FARRRR
Hi!
do you have this track without bass?
btw it's an amazing track bro
I loved jamming to this! Thank You!!
Great backing track!! Thanks for share it 👍
dude!, so helpful and smooth!, really thank you
Great sound . beautifull !
great you gave the chords thumbs up
Very nice groove !!
Awesome BT here. Subscribed already👍👍👍👍👍
LUIS MI LOVEEE
Great to practice to! Any chance of posting this without the bass track? Would love to use it for groove practice!
Base fantastica!!
Very funky!
Very nice
This could be called 6-2-5-1, with the (Gm, C7, Fmaj7) functioning as the 6.
It could be called 6-(5-1-4) -7-3-...back to 6.
where 5-1-4 is a major 2-5-1 for F
and 7-3-6 is a minor 2-5-1 for A
You can practice major 2-5-1 and minor 2-5-1 in the same loop, very cool.
;o)
there are actually 2x[2 5 1]s here. it starts in Am, then changes to a 2 5 1 in Fmajor, then goes back to 2 5 1 in Am
@@davidchavanel1715 yes!
Don’t think they care…
Thank you so much
This had me moving, nice Jazz groove
Thank you! Can you make a smooth jazz track like this for minor 251?
i think this is the chords to Sunny. Sing it
not a 2 5 1 in Am but its nice. yes, if you chuck in a g for 2 beats and then c it is sunny
would be a Bmb7 too
cool man its a soud beautfull
Nice!
July 4th BBQ vibes
preeeetty much sunny =)
;)
F#m9 | Em-5 - A7 | Dmaj7 | G#min-5 - C#+5,+9 | for alto sax
Tanks🤙🏻
Sweet.. wish it went thru all the keys
this is my instrumental EP ua-cam.com/video/UOxiapHwJWo/v-deo.html
hope you enjoy !
What the chord is? I want to know. Very need the answer about this chord exactly. Anyone who know exactly, please help me to answer. Thank you before
Kevin Thennedy key a minor from trumpet bob
Am7 Gm7 C7 Fmaj7 Bm7b5 E7
seems more like Sunny or If You Want Me To Stay. Doing straight minor 2-5-1 doesn't seem to do it justice. Gotta invoke Sly and the Family Stone xD I can't help it on the bassline but to quote the rhythm of that tune
Ɀ amen!!
how is "bm4" xD sorry im a noob
sorry, I means ..add the 4th to B minor
;)
Not 2-5-1…
bol
How do you make a B minor 4 chord on guitar?
This isn't 2-5-1, in Amin that would be Bm, E, Am.... this sounds like Am, C, F, Bm, E7
hey man! There are two 2-5-1.
the first chord is the Key = Amin,
and after the progressions:
1) Gmin-C7-Fmaj7 ....resolve in the root of F
2) Bm-E7-Amin .....repeat again
,
Nice groove, thanks! Btw, 2-5-1 in the key of Am would be a Bdim-Em-Am.
BA Gorimus B-7b5, E7, Am
Bm7b5 has B-D-F-A notes and Am has A-C-E notes, all of which are in the Key of Am. E7 has E-G#-B-D notes, so G# is the outside note, but of course such outside notes are very common in blues and jazz.
Great backing track!! Thanks for share it 👍