Great video Colton, a = Pentax b = Olympus c = Sony. TBH, really hard the only thing that looks a lot different is the purple drop in the right lower corner I am second guessing everything now...lol Always enjoy the content!
Yeah im in the camp of A= Pentax B= a6400 and C= Olympus.....but any of those can be skewed in any direction.....if i had the file i could tell by the grain lol.
I hope that you realize that One Day - maybe today...maybe in the distant future - but One Day, Responsible Authorities are going to tunnel into this labyrinth of yours and find all this stuff....👀
Really liked this riotous confection you've assaulted my senses with today. I certainly can't discern any meaningful differences (viewing on my smartwatch), never mind making a call on the camera. Interesting, isn't it. See, I don't edit my images (little tweak in MS photos), so they come out warts 'n all. But the difference between the 645 and the shit-box (sorryish) should be apparent despite fiddling? Or not - maybe the differences are always subject / situation sensitive?
@@luzr6613 I certainly expected them to be more obvious than they ended up being. I was pretty surprised by that. At least for a smaller screen. I think in a larger print it would become more obvious due to resolution!
@@ColtonMatocha So, given that you're able to create this, to all intents and purposes, identicality (my new made up word) between the colours of the 645 and 500... how big a print do you have to make before it all starts to break down? For me, i've come to a provisional conclusion that the main problem I have gear-wise is not sensor size, per se, and certainly not the optical quality of my glass, but DR - and that's conditional anyway. The latitude that processing seems to give - what does that say about all the 'colour science' etc that people hang their hats on?
Great video Colton, a = Pentax b = Olympus c = Sony. TBH, really hard the only thing that looks a lot different is the purple drop in the right lower corner I am second guessing everything now...lol
Always enjoy the content!
Thank you! I'm gonna wait to reveal the answer for another week or so, but I will comment again with the answer! Thanks for watching!
You're super close! A= Pentax, B= Sony, C= Olympus
I'd say A is from the Pentax, B the Sony and C the Olympus.
Good guess! I'll comment back in about a week to reveal if you got it right or not!
You got it right! A= Pentax, B= Sony, C= Olympus
Yeah im in the camp of A= Pentax B= a6400 and C= Olympus.....but any of those can be skewed in any direction.....if i had the file i could tell by the grain lol.
Thanks for the guess! I'll wait a week so that people get a chance to guess, but then I'll comment back if you were right or wrong!
You got it right! A= Pentax, B= Sony, C= Olympus
After editing to match colors, I think they are too close to call based on color.
Clarity on C should be Olympus. Guessing A is Pentax.
I'm gonna wait a week or so to tell just in case anyone else watches!
Yeah that's correct! The order is A= Pentax, B= Sony, C= Olympus
I hope that you realize that One Day - maybe today...maybe in the distant future - but One Day, Responsible Authorities are going to tunnel into this labyrinth of yours and find all this stuff....👀
Hahahaha! My safehouse is fully stocked and ready!
Really liked this riotous confection you've assaulted my senses with today. I certainly can't discern any meaningful differences (viewing on my smartwatch), never mind making a call on the camera. Interesting, isn't it. See, I don't edit my images (little tweak in MS photos), so they come out warts 'n all. But the difference between the 645 and the shit-box (sorryish) should be apparent despite fiddling? Or not - maybe the differences are always subject / situation sensitive?
@@luzr6613 I certainly expected them to be more obvious than they ended up being. I was pretty surprised by that. At least for a smaller screen. I think in a larger print it would become more obvious due to resolution!
@@ColtonMatocha So, given that you're able to create this, to all intents and purposes, identicality (my new made up word) between the colours of the 645 and 500... how big a print do you have to make before it all starts to break down? For me, i've come to a provisional conclusion that the main problem I have gear-wise is not sensor size, per se, and certainly not the optical quality of my glass, but DR - and that's conditional anyway. The latitude that processing seems to give - what does that say about all the 'colour science' etc that people hang their hats on?