When he walked up the minor scale and descended on the major scale in the same position... that alone sounded totally country to me. Really cool insight!
@@danieldonato Hey Danny, do you always ascend minor and descend major or do you mix and match to taste? I notice the notes in the scales resolve differently whether you ascend vs descend. I bought your pathways book btw!!
I know this comment is old but when he went back down in the major, it didn’t look like the major pent that in used to. I though for major pent you shift down the fret board, placing your pinky on the root note, then play the same patter to give you the minor pentatonic of that root note..
@@RussC123 I think the pentatonic major scale you’re referring to is the relative major (so, if you were screwing around with the E minor pentatonic, and then shifted up to the relative major you would be in G major. I think what the guy in the video is doing is going back and forth between parallel majors and minors. So, in E, playing the E minor scale AND the E major scale. Hope that helps, my dude.
@@mertman1 you can do that but what he's doing is using the shape that's a step back from the first major pentatonic position mixed over the minor one position.
I’m visualizing the overlay between major and minor as I’m playing my way up the fretboard. And I think I’ve got it now, finally! I’ve been playing since 1982 and you just open the door for me! This lesson took me to a whole new level of playing. I appreciate the effort you put into making this video. Thanks👍
I'm really grateful for your video, this really opened my eyes to country playing. I've been playing blues and rock for a long time and wanted to start crossing over into country and this video was insightful. Excellent playing and instruction!
Subscribed... He is a masterpiece of conciseness and warmth. Never talks down and is not too overbearing on the skill, even though he is bloody good. Oh well, back to another 10,000 hours of kerplunking practice
I just recently became a fan of Daniel a couple months ago - I truly believe this kid is going to be one of those musician's musician ...Like a Danny Gatton if you will?!.. His obvious work and practice aside, he's also one of those types w/a fantastic players voice (w/some high-lonesome qualities) that most are without. Your well described "masterpiece of conciseness" is what I'd refer to as a touch of an "old soul", of which here again most are without, but this kid just seems to have it!!.. Can't wait to see him live -
A truly marvelous lesson. I honestly expected to be bored to tears at the revelation of 'its major versus minor pentatonics', but the way you delved into that really made great sense, particularly overlaying of major and minor in the same position rather than thinking of the relative majos and minors. Yes more challenging but so much better for mixing the two flavors and mastering the fretboard. Kudos. Aloha.
Wow, so practical and simple. I have already mapped out the major and minor pentatonic shapes that are next to each other and will practice combining them a little each day. Thanks so much! I’ve also noticed that you can get a similar effect by playing in the Dorian mode and occasionally bending up to the major 3rd. Dorian + major 3rd has the notes of the major and minor pentatonic added together.
The insight about memorization versus understanding is spot on. That first blues lick you play is pure BB King who always has a lot more "country" in him than people might think. Great lesson - thank you.
Love his clean tone on this video. His playing is very precise and he doesn't have to cover up sloppy playing by hitting the distortion button. I predict a bright future for this young man in the years to come. Watch out Albert....he's gaining on you. :~)
Wow, amazing. I've been looking for some help like this for many many years. I can't tell you how much this clip has meant to me. Profound and heartfelt thanks.
This is a great insight! I’m trying to combine it with the two-string pentatonic shapes approach I got from a Dweezil Zappa workshop, and it makes the differences really visible.
What a great example mixing major and minor as an oreo. I’m staying with first position of each so I don’t confuse myself too terribly. Good video thanks
So far I’ve done the first and second position overlaying minor and major working my way up to fretboard. I had to go look at a piece of property with a friend of mine. But I’m back on the guitar now. I’ll have this thing figured out before the new year! Thanks
This guy is no joke. I’ve watched him play with the Don Kelley Band at Roberts many many times. Even at a young age he was one of the top two or three best pickers on broadway for my money. Although picker is a gross understatement.
AGREED - this kid is fantastic and has some sort of "ol-soul" about himself!?.. It's going to be a fun life getting to hear and listen to this fellow age as a player!.. He simply one of the best imo...
Dude I watched this video when it came it when I was in college and I had no clue what the hell was going on with the major minor positions up and down the neck but I really get it now. Late to the party but damn, also being able to slow down videos now is really helping a lot. Damn be sure to keep a fire extinguisher near by in case the rosewood goes up in flames.
Thanks for the tutorial but I think you might want to rethink your view of the blues. B B King, Eric Clapton, Matt Schofield just to name a few mixing major and minor pentatonic.
In country style, the composition could be something like this: "Twelve hours Four years straight.... That 's how i made my way Now I'm a cosmic country boy It seems four hands on my guitar But its only me Passing through all the styles Its only me shacking the neck guitar Yes, ' i am the Donato Star"
A few queries: I’m a bassist and a pianist and have been playing since I was 9 and 4 respectively (I’m 26), but I recently got into guitar. I bought myself a Gibson L-50 when I decided to get into the instrument at the end of last year and three days ago, as a birthday gift, my parents gave me a D-28, made 1981. I’ve been trying to cultivate a country sound, but it does sound extremely bluesy and when I lean more heavily into major with faster picking patterns it sounds like bluegrass, not country. Your advice is very electric specific, what advice would you give on this issue regarding acoustic guitars, both flat and arch topped? Also, this is all very lead-solo oriented. Do you have any advice for getting a country rhythm sound, using more complex harmony, it seems that once I start doing anything more “advanced” than basic triadic harmony (maybe a sus4 on the I) in root position or using chord progressions that are more interesting than basic variations on the I-V-vi-IV (like replacing the vi with bVII) or a I-vi-IV-V it loses it’s country character, even basic substitutions like bII7 for V or the use of dominant 7th chords in general completely de-countrifies the music. I want to make interesting music so I’m wondering whether anyone here has any advice about retaining harmonic complexity within the country music idiom?
I’m going to be spending a few days learning this. Well actually a few months. How about the style of Robin Ford. What does he do with the pentatonic to make it sound a little like jazz?
If you listen carefully to how BB king, Buddy guy and Hendrix plays the blues, They are combining the minor and major pentatonic scales. That's make the blues sound,, Blues is not just minor pentatonic men,
Here’s the trick: if you’re playing in minor and wanna switch to major play the next position over the same position. To switch from major to minor you do the opposite. Let’s say I’m playing pattern 1 in Am, (starting at the 5th fret low E) if I wanna switch to major I’ll be playing pattern 2 of the Am scale but in the same position. Now you’re in major. If you’re instead playing the first pattern of the major A pentatonic scale and want to switch to minor play the 5th pattern in the same position you’re at. From minor to major: move one pattern up but remain in the same position. From major to minor: move one pattern down but remain in the same position.
Isn’t that the same as walking down three frets and playing the first position over the same chord progression? Is that what you’re saying? So if you’re in the key of A walk down to F# and play the same scale pattern?
@@lonnyhandwork422 It was ment to be kinda light joke, and it was my gateway to playing those styles in jams and bands i was in, of course it´s not ideal or final solution for playing those styles. I watched that video you linked, nice lesson on major blues, Thank you. Cheers.
When he walked up the minor scale and descended on the major scale in the same position... that alone sounded totally country to me. Really cool insight!
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective
@@danieldonato Hey Danny, do you always ascend minor and descend major or do you mix and match to taste? I notice the notes in the scales resolve differently whether you ascend vs descend. I bought your pathways book btw!!
I know this comment is old but when he went back down in the major, it didn’t look like the major pent that in used to. I though for major pent you shift down the fret board, placing your pinky on the root note, then play the same patter to give you the minor pentatonic of that root note..
@@RussC123 I think the pentatonic major scale you’re referring to is the relative major (so, if you were screwing around with the E minor pentatonic, and then shifted up to the relative major you would be in G major.
I think what the guy in the video is doing is going back and forth between parallel majors and minors. So, in E, playing the E minor scale AND the E major scale.
Hope that helps, my dude.
@@weggiemiller41 Thanks man! Yes that’s actually really helpful 👍🏻👍🏻
“Or 15 minutes into st Stephen by the dead” I’m a fan of this kid now he said the right thing
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I’ve taken a skype lesson with this man and the concept he explains towards the end he calls “Proximity Pentatonics” and it absolutely 100% works!
John Mayer has a bit on it too, somewhere on YT.
Hey is he playing up G minor pentatonic the down G major pentatonic?
@@mertman1 you can do that but what he's doing is using the shape that's a step back from the first major pentatonic position mixed over the minor one position.
Thanks
Sorry to hit you up one more time but it is not the relative major correct .
Wait... All I had to do was skip prom and I could have played like that? Talk about a wasted night.
Great lesson. Thanks!
I’m visualizing the overlay between major and minor as I’m playing my way up the fretboard. And I think I’ve got it now, finally!
I’ve been playing since 1982 and you just open the door for me! This lesson took me to a whole new level of playing. I appreciate the effort you put into making this video.
Thanks👍
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I'm really grateful for your video, this really opened my eyes to country playing. I've been playing blues and rock for a long time and wanted to start crossing over into country and this video was insightful. Excellent playing and instruction!
Subscribed... He is a masterpiece of conciseness and warmth. Never talks down and is not too overbearing on the skill, even though he is bloody good.
Oh well, back to another 10,000 hours of kerplunking practice
I just recently became a fan of Daniel a couple months ago - I truly believe this kid is going to be one of those musician's musician ...Like a Danny Gatton if you will?!.. His obvious work and practice aside, he's also one of those types w/a fantastic players voice (w/some high-lonesome qualities) that most are without. Your well described "masterpiece of conciseness" is what I'd refer to as a touch of an "old soul", of which here again most are without, but this kid just seems to have it!!.. Can't wait to see him live -
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective
A truly marvelous lesson. I honestly expected to be bored to tears at the revelation of 'its major versus minor pentatonics', but the way you delved into that really made great sense, particularly overlaying of major and minor in the same position rather than thinking of the relative majos and minors. Yes more challenging but so much better for mixing the two flavors and mastering the fretboard. Kudos. Aloha.
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective
This is a great guitar lesson. I've been sharing it with a lot of my guitar students. Thanks Daniel and Reverb.
As one of those students, I agree!
Wow, so practical and simple. I have already mapped out the major and minor pentatonic shapes that are next to each other and will practice combining them a little each day. Thanks so much!
I’ve also noticed that you can get a similar effect by playing in the Dorian mode and occasionally bending up to the major 3rd.
Dorian + major 3rd has the notes of the major and minor pentatonic added together.
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective
Thanks for the lesson Daniel, best lesson I've seen that links the two worlds in a direct way for most intermediate+- level guitarists.
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Your, no space in between, was the country. Your very intelligent and capable.
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This guy could easily be Andy's son
Amazing right? I thought the same thing David
Andy Partridge?
@@jcrossley3 nah, Andy from this channel
He plays with a pick...
Bossu Metaljon oh I thought Andy from toy story
Very eloquently explained and deftly presented 😎🎸✅
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The insight about memorization versus understanding is spot on. That first blues lick you play is pure BB King who always has a lot more "country" in him than people might think. Great lesson - thank you.
Well the bb box is just the major box in the minor position so it fits perfectly with what he is saying 😊
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Love his clean tone on this video. His playing is very precise and he doesn't have to cover up sloppy playing by hitting the distortion button. I predict a bright future for this young man in the years to come.
Watch out Albert....he's gaining on you. :~)
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective #cosmiccountry yeeeeeehaw
Wow, amazing. I've been looking for some help like this for many many years. I can't tell you how much this clip has meant to me. Profound and heartfelt thanks.
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective
This is a great insight! I’m trying to combine it with the two-string pentatonic shapes approach I got from a Dweezil Zappa workshop, and it makes the differences really visible.
Could be the son of Sigourney Weaver
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Nice call
@@danieldonato I did, great playing 👍🏼
This was actually an incredibly insightful lesson.
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I've been struggling to get the major pentatonics engrained in my playing, this was really helpful
Dude! You crushed it. Nice work.
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Man I love this sound. Addictive
Thanks for the scale mixing tip, it works with so much common country and blues progressions, that opened a completely new way for me! :)
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What a great example mixing major and minor as an oreo. I’m staying with first position of each so I don’t confuse myself too terribly. Good video thanks
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Excellent instructional video! I’m seeing the overlay between minor and major.
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective #cosmiccountry
So far I’ve done the first and second position overlaying minor and major working my way up to fretboard. I had to go look at a piece of property with a friend of mine. But I’m back on the guitar now. I’ll have this thing figured out before the new year!
Thanks
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Yet lots of older blues mixes major and minor. I think B.B. King used both as well. I think what makes it country is more elusive and complicated.
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This guy is no joke. I’ve watched him play with the Don Kelley Band at Roberts many many times. Even at a young age he was one of the top two or three best pickers on broadway for my money. Although picker is a gross understatement.
AGREED - this kid is fantastic and has some sort of "ol-soul" about himself!?.. It's going to be a fun life getting to hear and listen to this fellow age as a player!.. He simply one of the best imo...
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective #cosmiccountry
Saw him perform at NAMM with Albert Lee
Damn this is what Tom Holland got up to while Sony and Disney were feuding
What does that mean?
Zach Rowe lol I was just thinking this
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Alright that was extremely helpful and I’m not anywhere near my guitar! Awesome explanation
Dude I watched this video when it came it when I was in college and I had no clue what the hell was going on with the major minor positions up and down the neck but I really get it now. Late to the party but damn, also being able to slow down videos now is really helping a lot. Damn be sure to keep a fire extinguisher near by in case the rosewood goes up in flames.
The minor major demonstration is really helpful
Great tips thanks Daniel.
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Thanks for the tutorial but I think you might want to rethink your view of the blues. B B King, Eric Clapton, Matt Schofield just to name a few mixing major and minor pentatonic.
Lol randomly throws “I didn’t go to prom in high school”
prom is for dorks
He said it to express that he spent all his time as a kid playing guitar... instead of going to prom
steveanders86 or he was just a puss
@@STP_Fantasma or he was just focused.
Jan Hauck nah just a puss 🤷♂️
Have you seen anything about blues and the neutral third? hear between the lines has a pretty good video on the concept.
This guy guitars! No seriously, I've seen him in person--dude is a beast.
Fantastic lesson Daniel. Thanks!
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Are they remaking “Crossroads”?
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Awesome lesson. Thank you.
Daniel you really rock on guitar. Glad to hear of your love for Dicky Betts ,!
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In country style, the composition could be something like this:
"Twelve hours
Four years straight....
That 's how i made my way
Now I'm a cosmic country boy
It seems four hands on my guitar
But its only me
Passing through all the styles
Its only me
shacking the neck guitar
Yes, ' i am the Donato Star"
Keep videos of Daniel coming.
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Hi ! great lesson, can you please send the positions of the magor and minor with alink?
I don't know who you are but let me tell you this was one of the best explanation videos that I have ever seen wanna be my friend? 😂
It's so simple! Now all I have to do is practice 12 hours a day for a year. (I'm waaaaay past prom)
@Rage Theatre2020 Maybe for you.
0:50 Like Mr Donato I only need 4380 hours of practice. I'm that good👍
lolllllll I hope you enjoyed the video!!! danieldonato.com/cosmic-collective #cosmiccountry
Wow... that was a brilliant lesson. Thanks
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D.D., thanks man. That was awesome
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This guy is amazing
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A few queries:
I’m a bassist and a pianist and have been playing since I was 9 and 4 respectively (I’m 26), but I recently got into guitar. I bought myself a Gibson L-50 when I decided to get into the instrument at the end of last year and three days ago, as a birthday gift, my parents gave me a D-28, made 1981. I’ve been trying to cultivate a country sound, but it does sound extremely bluesy and when I lean more heavily into major with faster picking patterns it sounds like bluegrass, not country. Your advice is very electric specific, what advice would you give on this issue regarding acoustic guitars, both flat and arch topped?
Also, this is all very lead-solo oriented. Do you have any advice for getting a country rhythm sound, using more complex harmony, it seems that once I start doing anything more “advanced” than basic triadic harmony (maybe a sus4 on the I) in root position or using chord progressions that are more interesting than basic variations on the I-V-vi-IV (like replacing the vi with bVII) or a I-vi-IV-V it loses it’s country character, even basic substitutions like bII7 for V or the use of dominant 7th chords in general completely de-countrifies the music. I want to make interesting music so I’m wondering whether anyone here has any advice about retaining harmonic complexity within the country music idiom?
Terrific, and it seems the same lesson would apply to voice.
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That was dope bro 😎
Gifted instructor
Nice Lesson
Outstanding! Great playing, great explanation.
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I’m going to be spending a few days learning this. Well actually a few months.
How about the style of Robin Ford. What does he do with the pentatonic to make it sound a little like jazz?
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I did get it down! It was a great lesson, appreciate it!
Man this guys so good
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Quote of the day "Oreos up together which isn't a verb, but it is right now"!
@@danieldonato your awesome
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wow you’re an amazing teacher thank you!
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beautiful explained
Smart dude, thanks for the lesson!
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damm man you seem to be a great teacher, you make it easily understandable
very cool and helpful
Outstanding playing
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Incredible
Should've just moved your min pentaonic shape down two frets and gone to prom.
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@333jas he went to prom.. lol
If you listen carefully to how BB king, Buddy guy and Hendrix plays the blues, They are combining the minor and major pentatonic scales. That's make the blues sound,, Blues is not just minor pentatonic men,
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Excellent. Thank you for sharing.👍
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Nice playing! What about Hendrix Red House, where he goes back and force between major and minor (and plays together sometimes)?
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Very young Christopher Walken
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This vid is a gem
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Listen to the Intro of red house by Jimi Hendrix,, That is the Perfect example of Combining the Minor and Major Pentatonic scales in Blues,,
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Sounds easy in theory. Difficult in practice. But practice makes perfect
'Oreos together'. Great!
Great lesson
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Oreos.
Awesome man thank you !
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top ! j'aime beaucoup cette chemise rayée
Good job young man
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Help me out. You are playing G min pentatonic the coming down on G major pentatonic?
So combine major and minor pentatonic in the same position ?
his dead pan is mazing. great lesson too
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Wow pretty mind awakening. I have a headache though. 😎🤠
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I wonder what's the colour of that tele..... Seafoam green or Surf green...
You are just great, incredible Daniel
Outstanding!
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So you’re playing in the minor scale also hitting some of the major notes of the key your are playing in?
Playing 2nd position over the top of the 1st position.
Here’s the trick: if you’re playing in minor and wanna switch to major play the next position over the same position.
To switch from major to minor you do the opposite.
Let’s say I’m playing pattern 1 in Am, (starting at the 5th fret low E) if I wanna switch to major I’ll be playing pattern 2 of the Am scale but in the same position. Now you’re in major.
If you’re instead playing the first pattern of the major A pentatonic scale and want to switch to minor play the 5th pattern in the same position you’re at.
From minor to major: move one pattern up but remain in the same position.
From major to minor: move one pattern down but remain in the same position.
@@Alex-dr6or perfect!
@@Alex-dr6or so if I'm in 2nd position of Am, I would play the 1st position in the same spot to change to major?
Isn’t that the same as walking down three frets and playing the first position over the same chord progression? Is that what you’re saying? So if you’re in the key of A walk down to F# and play the same scale pattern?
Blues - minor, Country - major
Done...
Marshallbluesrock Except this isn’t true at all. Extremely common in blues to lean on the minor third.
ua-cam.com/video/oO-QNxno6Oo/v-deo.html
@@lonnyhandwork422 It was ment to be kinda light joke, and it was my gateway to playing those styles in jams and bands i was in, of course it´s not ideal or final solution for playing those styles. I watched that video you linked, nice lesson on major blues, Thank you. Cheers.
Marshallbluesrock Cheers!
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Brilliant
I pray that someone like this young person keeps rock and roll afloat and maybe bring it back to how rock used to Rock!
Muito bom , show
12 hours a day jesus! Fair play
Thanks for having Tom Hollands longer brother teach us!
What hair products do you use?
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Very interesting !
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Somebody, please, take him to prom. He deserves it!
Damn good.
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What Grateful Dead song did he mention? St Stephen 15 mins into it?
just look up st stephen dead
Big Boss the good version is 5-6 minuets Long. Not more than 15. And there's probably 10000 live versions
Zane McGahee the best version I’ve heard, and the most popular is on live/dead