GinjahNinjah9 Honestly this probably one of the worst synths to buy if you want to learn synthesis. All the parameters are behind many layers of complex menus. Try a bass station or microbrute.
@@dark3rthanshadows That's pretty much the point. Jacob Collier is amazing, but there was nothing particularly special about what he did there. It's just the pentatonic scale.
Honestly think it might ruin the magic, this was born out of the limitations they had places on them at the time. But hey they’re both amazing so for all I know they could do something better with more
@dylan foley I think it's more our perception of his choices. It's easier for most people to follow his groove when he's confined by this limitation, but his note choices still imply all sorts of stuff that even educated musicians have trouble following at the speed he can dish it out at.
Jacob's face at 5:48 sums up why anybody should pursue music in any form. His pure joy from the back and forth with Larnell as well as his obvious epiphany to continue the riff that Larnell started is so cool. It represents how music should be and how much more fun it is when you have a greater understanding of all its components. Great video.
"Why anybody should pursue music in any form" Thank you for this. I often feel disheartened when I see people of this skill level jamming. But you're right, we shall pursue to have our own moments like this. I'm gonna go play guitar
@@juanquiroga8933 I believe it's built upon Sus chords with the 4th, 7th and 9th, which may sound difficult but only consists in a major triad played a whole-step below the note in the bassline. For example, when you play G (note) in the Left Hand and F major (F,A,C) in the Right Hand. This kinda chord is very good for outside progressions like this because it doesn't have the third (major or minor), which makes it easier to follow random patterns and get an awesome sound. So, in this case, he is doing fifth progressions (just like somebody said above) in whole steps, and then getting back to C groove. He starts in A on the first progression, then play the same a half-step below in the second one, and then a half-step above, in the third. I'll try to illustrate that writing hands apart: 1° Progression: LH(notes only): A, D, G, C, F, Bb RH(major triads): G, C, F, Bb, Eb(inverted), Ab(inverted) goes back to the C groove. 2° Progression: LH: G#, C#, F#, B, E, A RH: F#, B, E, A, D, G 3° Progression: LH: A#, D#, G#, C#, F#, B RH: G#, C#, F#, B, E, A He uses some inversions sometimes because of controller's size but, thats it. Hope I could help somebody understand it. 👍
the one at 2:14 is: R.H : GBD - GCE - FAC -F(Bb)D - G(Bb)Eb - Ab(C)Eb L.H : A C G C F Bb The one at 2:19 is: R.H : Gb(Bb)Db - Gb(B)Eb - E(Ab)C - A(Db)F - AD(F#) - GBD L.H : Ab Db Gb B E A And finally, the one at 2:24: R.H : Ab(C)Eb - G(Bb)DF - Gb(Bb)Db - Gb(B)Eb - E(Ab)CD - A(C#)E L.H : Bb Eb Ab Db Gb B Jacob is essentially playing progressions that go up fourths using mostly sus chords, with a couple exceptions. I only used parentheses to make it look more orderly, otherwise they mean nothing special.
You can call me crazy but this is my favourite Jacob Collier performance. Spontaneous, funky, playful, fun and the constraints of the setup created a sense of contained energy desiring escape.
I love when he starts getting really far out with polyrhythms and weird subdivisions, like at 2:35. Seems like he's testing how far he can push Larnell without losing the groove.
Man that shit happens! I used to jam alone or with friends in my backyard and many times I heard sounds from the neighbors or from the streets that fits the bpm, it's crazy, I think music connects everything
@@benjaminzuniga9643 yes or when youre humming a Melody or playing some instruments wich harmonizes with external sounds like Cars spamming on brakes and stuff like that!!
It's always so weird to see musicians like casually multi-tasking, doing other things when they are playing. It's kinda like driving. When I first learned stick shift, it felt like it took all my brain power to no like stall the car. Before long I could drive, eat, shift gears and steer with my knee on the underside of the steering wheel. Like logically I know that must be what's going on in their heads but, it seems so kinda magical that like patterns of rhythm and melody can make such emotionally compelling things from such simple building blocks. Blows my mind every time.
Holy crap. There were parts where they played the same thing over and over, but they kinda desynced. I thought ... wtf? Until I saw Jacobs big smile and realized, they aren't improvising pitch, they are improvising rythm. And they aren't out of sync at all, they are just way over my head. Wtf, never experienced that before. Very humbling. Having such talent among us brings me to tears.
The more I learn about theory, the mote amazing this jam gets every time I watch it. Jacob is undoubtedly throwing out everything he can to mess with the timing at will knowing hes with one of the very small few who can follow on the fly
@@alemutasa6189I say the time or the timing? Do you not know about things like syncopation, rhythm, phrasing, or even that two licks don't need to start and end in the same spots or where you'd expect them to or lock onto the best exactly the same? I don't know if you've ever actually jammed before, but usually one guy can't go avante garde with their melody and expect everyone else to read their mind. Your buddy in the basement isn't going to adjust their beat to the keys part at 2:35 in less than ten seconds like lewis does, he's going to stop playing and think. The keys part gets extremely wonky to count.... In 4/4.
@@lukes9192 I don't care what you said about time or timing, I care about the "throw everything they have at each other and messing with each other knowing that they'll both manage" idiocy. They may be doing continuous quintuplets over syncopated septuplets or polyrythms that go over an x amout of bars, doesn't matter, it's virtually impossible to be lost in a 4/4 jam, so they're not "throwing stuff at each other", they're jamming and they're having fun, definitely not pushing anybody's understanding of what's going on since the jam is in fucking 4/4. Why americans need to find competition in everything? As I said, fucking chill, they're not giving medals away all the time, sometimes people just want to have fun and express themselves. Oh yeah, I've played drums for twenty years and I've been jamming with lots of people since my first drum kit every week 😉
@@alemutasa6189 who said competition? You're the one trying to feel smarter than me over a comment I made two years ago lol, you're the one claiming to 'jam every week for 20 years' (right dude) and I'm making it a competition for saying that Collier is clearly throwing in difficult rhythms with someone who can handle it? Read very carefully: I didn't say he's trying to mess up Larnell, I didn't say it's a fucking guitar hero battle, I said he's trying to mess with the timing with someone who can handle it. As in it is a PRIVILEGE to team up with somebody who can just sync up to anything on the fly in an improv, improv WELL, not just maintaining a four beat while Collier does anything else, out of nowhere without really knowing the other player. If you're a remotely serious musician in a genre that utilizes any of that crazy stuff you said, you definitely know that you need to be conscious of the people around you and play what the jam can realistically handle, or you're a loser who kills it. Collier has a lot of colleagues that are all world musicians, I'm sure he can do this all the time, it's still cool for people who aren't- including you- to watch that kind of artistry, because it is a very modern, cohesive jam, and no doubt very difficult to pull off from scratch, because Collier is famously creative and complex, and never plays the same thing twice I'm over here appreciating this video, and you're being a tool. You don't know the colloquial difference between timing and time signature so you wanted to be tool and compete with me while I'm over here enjoying that jam. You don't like that you didn't and still don't understand what I'm saying so you wanna up the douche bag anti. You must be so fun to improv with lol. I'm sure you are a very agreeable person who has never once gotten lost ever because once you counted to four for the first time it's impossible for a rhythm to be difficult unless it's in an obscure signature. I'm sure someone can throw all the big words you wanted to use at you in a jam and you'd ACCENT those triplets and rhythms, not just play a basic ass four beat over it or get lost. Well, that, or you're not as cultured and talented as you expect. We all know that musicians with no humility are always the best ones. If you're really saying that, for example, that section I highlighted is basic improv, and that kind of staggering, wobbly beat he played under it is a basic idea anybody would've done because it's in four, then I call BS. The fact that he isn't getting lost isn't the impressive part, it's that Collier is changing up his rhythm every couple bars and Larnell is moving with it and changing his rhythms under it and complementing it very, very well. That's impressive even for all world musicians. Idk if you're just not picking up on what's going on, or if you're the most pretentious person on the planet, but it's not impressive. What do you want me to say, good for you??
@@alemutasa6189I'm sorry but I don't even think that's true. A basic 4/4 is easy to jam to. But polyrhythms and weird timings can very easily throw off your count if you aren't paying attention.
I love how the crowd was bobbing less and less and they went. It started sinking in that these guys are REAL artists and could go on for hours because they love creating music more than they love the ooohs and ahhhs. They're literally communicating. Music is so amazing!
@@theanarkiddie4569 Chief? Aight. If you haven't been in a musical situation that caused you to bob your head for more than 10 minutes, you haven't lived yet, bruh.
This is true. And that any existing Larnell Lewis footage recorded since this upload actually captures his capability to manifest himself physically across different time zones to play drums whilst still simultaneously jamming here.
Jacob is testing larnell on his talent of keeping time. I love how he is trying to push on what he can get away with, but at the same time larnell is still keeping the groove and the time going. Midi drums are a different demon and to keep the pocket so good as larnell is doing it is a testament of his skill
I'm glad you posted your angle on this!! I really liked my spot being sandwiched between Jacob and Larnell, but it didn't make for nearly as nice of a video as yours did haha :p
@@jazzupthattriad1257 hahahaha this person is SO talented and above all of us that he's on UA-cam letting us know so SURELY he must be as great as he perceives himself to be, because if he wasn't, what he's attempting to do, would be actually quite pathetic, to the point that I'd feel sorry for him. Or, I just think this proves that you have to be smart to understand what Jacob does, and this guy isn't. He doesn't get it, so he's disguising himself to be smart to hide his shame of being INCREDIBLY inept and stupid. Again, it's sad either way.
THEY NEED TO COLLABORATE MORE. I love these two musicians so much and the grooves they could create together with full-fledged instruments and time.... oh buddy
The relationship between the musicians and their tools in conjunction with their musical communication and adaptability makes for some incredible moments
You have to admit it's beautiful when two people freestyle each with something in their head just playing but actually reacting to one another. I don't know. Music is beautiful
I want to be half as good at anything as Jacob is at music. Must feel so free of restraint of anything. Just think and do without interruption. It’s the only way you can be this insanely good.
Jacob always looks like the kid who woke up late at the sleep over.
hahaha lets make it 2.
Or 3...
Haha I disrupted the count! What now suckers?
thats the reason why there is WAR. others decline to choose unity. :)) what now? but still, peace to you man.
Cant relate strict parents
That Yamaha keyboard must be surprised that it can make those melody itself
I love this comment. XD
Not really a LOT of this sounds like a church groove
Do you by chance know the name of the board?
@@foursevnnn yamaha reface cs (an amzing starting synth. cheap, ease of use, and infinite sounds)
GinjahNinjah9 Honestly this probably one of the worst synths to buy if you want to learn synthesis. All the parameters are behind many layers of complex menus. Try a bass station or microbrute.
4:12 God joins the jam.
6:02
Actually sounds exactly like the samples God used in his first album
5:47 when Jacob continued that idea, that was crazy
Came down here to write the exact same comment. Crazy quick and creative reaction!
As you can see we all lost it at that part lol
how is that even possible... he took it so fast
Larnell also with the crazy hi hat after that
@@JACK-gi8kd It does say Jacob Collier in the title, that's all you want to know ;)
jamming with another musician is the most intimate and incredible experience I have ever experienced. It's life justifying
Oliver Seddon when ur chemistry with another musician clicks like this that’s better than anything i’ve ever experienced
Music as something life justifying? Sounds like a depression...
Nowhy ahh shut up you internet goblin
@@devindevine6887 don't tell me what to do! Your depression is nothing special...
Here have a song: Little Eskimo Jesus - lonely tears
Oliver Seddon Yass thank u. Someone that understands
This is something serious man .....
ooo reis buralarda seni gormek cok iyi geldi
U think
Whats scary is that they weren’t even serious....
alla allaa
For real tho they mashed that shit like it was everyday thing. Incredible!
5:48 How Jacob was able to finish that line on the spot was pretty cool.. talk about being in the moment...
@Aiden Walker your asnwer it's on the same level of "how did that guy finished that equation= eh it's just numbers that he counted" ....
@@dark3rthanshadows that's pretty much the point
One of those things that sounds really cool and fits the moment idk it seems like a great crowd pleaser rather than anything crazy though
It's just talent and can be improve, if you're into music and stuff you should be able to do that! :)
@@dark3rthanshadows
That's pretty much the point. Jacob Collier is amazing, but there was nothing particularly special about what he did there. It's just the pentatonic scale.
I feel like we're owed a jam of these two with Jacob on a proper keyboard and Larnell on an actual drum kit
Honestly think it might ruin the magic, this was born out of the limitations they had places on them at the time. But hey they’re both amazing so for all I know they could do something better with more
Snarky puppy check it out
How do you make Jacob Collier funkier? Give him less possibilities 😆This is fire
dylan foley are you the Irish fiddler?
Oops sorry, different dylan
Lol he's too privileged to reach his full potential.
dylan foley so wise
@dylan foley I think it's more our perception of his choices. It's easier for most people to follow his groove when he's confined by this limitation, but his note choices still imply all sorts of stuff that even educated musicians have trouble following at the speed he can dish it out at.
5:47 Jacob proves once again that he's just a fucking legend
Jokes in live jams are very welcome!
8:00 although unintentional, those walkie talkie sounds actually add to the vibe
Facts, wtf?
SuperMaDBrothers underrated comment
Like gainsbourg brad mehldau
Dude I was thinking the same thing
For suuuure
5:31 I'm convinced that this is one of the all time greatest moments in music
I've watched it so many times and still have this goofy grin on my face
Absolutely wholeheartedly agree.
Jacob's face at 5:48 sums up why anybody should pursue music in any form. His pure joy from the back and forth with Larnell as well as his obvious epiphany to continue the riff that Larnell started is so cool. It represents how music should be and how much more fun it is when you have a greater understanding of all its components. Great video.
"Why anybody should pursue music in any form"
Thank you for this. I often feel disheartened when I see people of this skill level jamming. But you're right, we shall pursue to have our own moments like this. I'm gonna go play guitar
@@TRusher22 hope you're still pursuing:))
@@TRusher22 GIVE US AN UPDATE RUSHER ARE YOU STILL PURSUING?
That's exactly the moment I was looking for lol
@@TRusher22 are you doing the pursuing
5:03 I love the sound of the cirlce of fifths
he made some giant steps there
CubedRouteOfPi bruh
My favourite comment
2:12 - 2:28 WOW the chords progression is on point
ChrisTitof972 SOMEONE PLS HELP ME TO UNDERSTAND THAT COMPLEX SHIT
Sounds like some cool-voiced cycle fifth progressions
So silly how nice they sound
@@juanquiroga8933 I believe it's built upon Sus chords with the 4th, 7th and 9th, which may sound difficult but only consists in a major triad played a whole-step below the note in the bassline. For example, when you play G (note) in the Left Hand and F major (F,A,C) in the Right Hand. This kinda chord is very good for outside progressions like this because it doesn't have the third (major or minor), which makes it easier to follow random patterns and get an awesome sound.
So, in this case, he is doing fifth progressions (just like somebody said above) in whole steps, and then getting back to C groove. He starts in A on the first progression, then play the same a half-step below in the second one, and then a half-step above, in the third.
I'll try to illustrate that writing hands apart:
1° Progression:
LH(notes only): A, D, G, C, F, Bb
RH(major triads): G, C, F, Bb, Eb(inverted), Ab(inverted)
goes back to the C groove.
2° Progression:
LH: G#, C#, F#, B, E, A
RH: F#, B, E, A, D, G
3° Progression:
LH: A#, D#, G#, C#, F#, B
RH: G#, C#, F#, B, E, A
He uses some inversions sometimes because of controller's size but, thats it. Hope I could help somebody understand it. 👍
the one at 2:14 is:
R.H : GBD - GCE - FAC -F(Bb)D - G(Bb)Eb - Ab(C)Eb
L.H : A C G C F Bb
The one at 2:19 is:
R.H : Gb(Bb)Db - Gb(B)Eb - E(Ab)C - A(Db)F - AD(F#) - GBD
L.H : Ab Db Gb B E A
And finally, the one at 2:24:
R.H : Ab(C)Eb - G(Bb)DF - Gb(Bb)Db - Gb(B)Eb - E(Ab)CD - A(C#)E
L.H : Bb Eb Ab Db Gb B
Jacob is essentially playing progressions that go up fourths using mostly sus chords, with a couple exceptions.
I only used parentheses to make it look more orderly, otherwise they mean nothing special.
You can call me crazy but this is my favourite Jacob Collier performance. Spontaneous, funky, playful, fun and the constraints of the setup created a sense of contained energy desiring escape.
I agree
“Limitations breed creativity.”
Yep , feel the same...nothing beats a spontaneous groovy improvisation like that!
Agreed, this is imo absolutely up there his best stuff. I keep listening to this over and over again. (and the drummer was awesome too)
you're crazy
This is the only way humans should be aloud to communicate.
Notice the hypocracy yet???
Especially since you can't even spell allowed
That was either a pun or bad spelling
Gonna add a not r/wooosh comment
Is this a pun
I love when he starts getting really far out with polyrhythms and weird subdivisions, like at 2:35. Seems like he's testing how far he can push Larnell without losing the groove.
OMGclueless that would definitely mess me up hahaha but he stayed straight on the 1 never missing it
syncopation/swing is the term here I think? really cool interaction without words
I can't believe Jacob is pushing Larnell rhythmically, that's insane.
He gave him the half no head shake like reel it in buddy, come back down to the real world where people breath air lol!
Dude larnell Lewis plays for snarky puppy he can handle whatever Collier gives him
7:30 when you're staying too long in the level and the timer is running out...
No one's gonna mention that at 4:12 they pause for a beat and something in the background slams in time??
Man that shit happens! I used to jam alone or with friends in my backyard and many times I heard sounds from the neighbors or from the streets that fits the bpm, it's crazy, I think music connects everything
@@benjaminzuniga9643 Ifkr!
@@benjaminzuniga9643 yes or when youre humming a Melody or playing some instruments wich harmonizes with external sounds like Cars spamming on brakes and stuff like that!!
I think that's a delay effect on the drum sample?
@@ggdk2865 no, if you listen closely it comes from far off. It's almost like a door slamming
The kid above Jacob's right shoulder is in another fucking dimension.
Love it
Or maybe he's just high
thas not u bich
correct
@@yahyagannour8486 way to be redundant
Larnell is a beast
David Sullivan he's also as nice and down to earth as he is skilled. he's definitely a beast!
He performed a clinic at Utah PAS this year and he’s an absolutely incredible guy
Jacob went through more musical ideas in this 10 min video than I go through in a year lmao
I love how happy that girl on the right gets while hearing them play
She's a great musician herself too
@@MiguelAldanotes who is she? and waht does she play? :o
@@mmmHardstyle Rachel Ohnsman I believe. Check out her song "beautiful stranger"
It's always so weird to see musicians like casually multi-tasking, doing other things when they are playing. It's kinda like driving. When I first learned stick shift, it felt like it took all my brain power to no like stall the car. Before long I could drive, eat, shift gears and steer with my knee on the underside of the steering wheel. Like logically I know that must be what's going on in their heads but, it seems so kinda magical that like patterns of rhythm and melody can make such emotionally compelling things from such simple building blocks.
Blows my mind every time.
That is cool and all, but drive safe hahaha...
Please don't steer with your damn knee.
You're an irresponsible person.
Good drivers and musicians will understand. Well put
You’re a danger to everyone around you
5:48 gotta love the amount of practice Jacob collier puts, he literally matched larnell’s notes on the spot. Love to hear it
When the audience stops moving their head, you know you're going too deep into jazz mode and gotta dial it back
The mysterious quintuplet groove that came and went sometime in the middle was too cool to die so quickly
Somewhere around the 9 minute mark they start to transition from playing music to playing around the music that isn't there for most of us mortals
So much coolness. The Vulf Hat adds to the groove, for sure.
H Mohr oh my gosh!!!!
Very Vulfpeckish👍
*accidentally creates new mario soundtrack*
Bro this is fucking funny 🤣
5:48 they passed the vibe to each other so hard I got goosebumps
Two perfect examples of improvisers: Accept every offer, and make your partner look good.
I jammed along with this by holding my guitar with the volume off and just listening
I love how they collectively fuck with the time as much as possible. So damn groovy.
When two superior beings communicate in the language of music, and all we can do is sit back and say, "yeah, i can tell they're saying something"
Larnell Lewis is one of the best living drummers. Of course when you squad him up with Collier it's gonna be an absolute jam sesh.
I like the part from 0:00-10:39
10:40 kinda ruined it for me
Great job, so original!
That's the whole video silly goose!
@@jackcollins2568 r/wooosh
@@nikelodeon6852 gay
i loved watching the uncertain headbobs in the background lmao
I believe that is exactly what Jacobs going for
😆
2:15 that folk in red is not ready to be hit by some *chords* I love 'em.
that was my reaction as well xddd
8:56 I love how they go into a quasi amen break kind of feel, so groovy
3:04 (whisper)Seriously professional💯
Imagine how this could have been if Larnell had an actual kit and Jacob had a full size keyboard.
Anytime I start feeling a little bit good about my musical improv abilities, I come back to this video to be put right back in my place.
Holy crap. There were parts where they played the same thing over and over, but they kinda desynced. I thought ... wtf? Until I saw Jacobs big smile and realized, they aren't improvising pitch, they are improvising rythm. And they aren't out of sync at all, they are just way over my head. Wtf, never experienced that before. Very humbling. Having such talent among us brings me to tears.
polyrhythms! i struggle with those 😔
4:31 - 4:44, such a tasty little melodic groove
The more I learn about theory, the mote amazing this jam gets every time I watch it. Jacob is undoubtedly throwing out everything he can to mess with the timing at will knowing hes with one of the very small few who can follow on the fly
Dude, that was a 4/4 jam session from start to finish. Chill
@@alemutasa6189I say the time or the timing? Do you not know about things like syncopation, rhythm, phrasing, or even that two licks don't need to start and end in the same spots or where you'd expect them to or lock onto the best exactly the same? I don't know if you've ever actually jammed before, but usually one guy can't go avante garde with their melody and expect everyone else to read their mind. Your buddy in the basement isn't going to adjust their beat to the keys part at 2:35 in less than ten seconds like lewis does, he's going to stop playing and think. The keys part gets extremely wonky to count.... In 4/4.
@@lukes9192 I don't care what you said about time or timing, I care about the "throw everything they have at each other and messing with each other knowing that they'll both manage" idiocy. They may be doing continuous quintuplets over syncopated septuplets or polyrythms that go over an x amout of bars, doesn't matter, it's virtually impossible to be lost in a 4/4 jam, so they're not "throwing stuff at each other", they're jamming and they're having fun, definitely not pushing anybody's understanding of what's going on since the jam is in fucking 4/4. Why americans need to find competition in everything? As I said, fucking chill, they're not giving medals away all the time, sometimes people just want to have fun and express themselves. Oh yeah, I've played drums for twenty years and I've been jamming with lots of people since my first drum kit every week 😉
@@alemutasa6189 who said competition? You're the one trying to feel smarter than me over a comment I made two years ago lol, you're the one claiming to 'jam every week for 20 years' (right dude) and I'm making it a competition for saying that Collier is clearly throwing in difficult rhythms with someone who can handle it? Read very carefully: I didn't say he's trying to mess up Larnell, I didn't say it's a fucking guitar hero battle, I said he's trying to mess with the timing with someone who can handle it. As in it is a PRIVILEGE to team up with somebody who can just sync up to anything on the fly in an improv, improv WELL, not just maintaining a four beat while Collier does anything else, out of nowhere without really knowing the other player. If you're a remotely serious musician in a genre that utilizes any of that crazy stuff you said, you definitely know that you need to be conscious of the people around you and play what the jam can realistically handle, or you're a loser who kills it. Collier has a lot of colleagues that are all world musicians, I'm sure he can do this all the time, it's still cool for people who aren't- including you- to watch that kind of artistry, because it is a very modern, cohesive jam, and no doubt very difficult to pull off from scratch, because Collier is famously creative and complex, and never plays the same thing twice
I'm over here appreciating this video, and you're being a tool. You don't know the colloquial difference between timing and time signature so you wanted to be tool and compete with me while I'm over here enjoying that jam. You don't like that you didn't and still don't understand what I'm saying so you wanna up the douche bag anti. You must be so fun to improv with lol. I'm sure you are a very agreeable person who has never once gotten lost ever because once you counted to four for the first time it's impossible for a rhythm to be difficult unless it's in an obscure signature. I'm sure someone can throw all the big words you wanted to use at you in a jam and you'd ACCENT those triplets and rhythms, not just play a basic ass four beat over it or get lost. Well, that, or you're not as cultured and talented as you expect. We all know that musicians with no humility are always the best ones. If you're really saying that, for example, that section I highlighted is basic improv, and that kind of staggering, wobbly beat he played under it is a basic idea anybody would've done because it's in four, then I call BS. The fact that he isn't getting lost isn't the impressive part, it's that Collier is changing up his rhythm every couple bars and Larnell is moving with it and changing his rhythms under it and complementing it very, very well. That's impressive even for all world musicians. Idk if you're just not picking up on what's going on, or if you're the most pretentious person on the planet, but it's not impressive. What do you want me to say, good for you??
@@alemutasa6189I'm sorry but I don't even think that's true. A basic 4/4 is easy to jam to. But polyrhythms and weird timings can very easily throw off your count if you aren't paying attention.
I love how the crowd was bobbing less and less and they went. It started sinking in that these guys are REAL artists and could go on for hours because they love creating music more than they love the ooohs and ahhhs. They're literally communicating. Music is so amazing!
Uh, chief, I think it’s just that bobbing your head for 10 minutes would give you a headache
@@theanarkiddie4569 Chief? Aight. If you haven't been in a musical situation that caused you to bob your head for more than 10 minutes, you haven't lived yet, bruh.
@@toryhigh8107 agreed
5:38 Jacob completing for Larnell 5:48 Larnell filling in for Jacob....🤭 such a fun interaction
Legend says this never stopped.....
This is true. And that any existing Larnell Lewis footage recorded since this upload actually captures his capability to manifest himself physically across different time zones to play drums whilst still simultaneously jamming here.
No need to apologize for the battery. I'm happy to have seen any of this!
2:59 is so dirty... good grief
this guy has groove built in his DNA
ChrisTitof972 called Dilla
3:30 it disintegrates while larnell holds a steady pulse on his left hand. Then at 3:55 it's seamlessly back. Great stuff
Jacob is testing larnell on his talent of keeping time. I love how he is trying to push on what he can get away with, but at the same time larnell is still keeping the groove and the time going. Midi drums are a different demon and to keep the pocket so good as larnell is doing it is a testament of his skill
5:38 to 5:50 gets me every time
Ba
nana
Man I wish Larnell was on a kit so bad, it would be too good
We'll always have We Like it Here.
Yeah, Larnell was definitely handicapped by his instrument.
Two prodigies showing that raw talent and tons of practice will always exceed any perceived limitations imposed by the instrument. *blown away*
I'm glad you posted your angle on this!! I really liked my spot being sandwiched between Jacob and Larnell, but it didn't make for nearly as nice of a video as yours did haha :p
Aleef Mehdi Im glad you got the whole thing though. you going next year?
Miguel Aldahondo hoping to! How about you?
Aleef Mehdi on the same page if I save up ill definitely try
Arturo Senni Jealousy is bad my friend
@@jazzupthattriad1257 hahahaha this person is SO talented and above all of us that he's on UA-cam letting us know so SURELY he must be as great as he perceives himself to be, because if he wasn't, what he's attempting to do, would be actually quite pathetic, to the point that I'd feel sorry for him.
Or, I just think this proves that you have to be smart to understand what Jacob does, and this guy isn't. He doesn't get it, so he's disguising himself to be smart to hide his shame of being INCREDIBLY inept and stupid.
Again, it's sad either way.
Omg. How can two individuals have such music chemistry, such sync!! Pure magic
5:55 *head bobbing intensifies*
it's a tradition to watch this once in a while
Already so many years old this vid...to me it was new...and a treat!! Thanks so much. these guys should do something in music lol ;-)
the ability Jacob has to completely manipulate and change the feel of the jam is so magical
After five years, still one of the greatest uploads to UA-cam! Masters of their craft just having fun
THEY NEED TO COLLABORATE MORE. I love these two musicians so much and the grooves they could create together with full-fledged instruments and time.... oh buddy
The relationship between the musicians and their tools in conjunction with their musical communication and adaptability makes for some incredible moments
I like how the little vocal noises from the group around and from the musicians add to the vibe
5:47 just amazing. OMG
Wow glad i stumbled upon this. Great conversation between 2 great musicians.
Keep coming back to this video to be musically bewildered and amazed
watching this gave me so much life. I want to learn a section or two in this and play it at church.
You have to admit it's beautiful when two people freestyle each with something in their head just playing but actually reacting to one another. I don't know. Music is beautiful
I could listen to this all night long!
There is too much talent and hard work between these two, it really shows when you love what you do.
THE GUY WITH THE VULF HAT
Thanks bro
Thanks bro
Thanks bro
Thanks bro
Thanks bro
Larnell Lewis is an incredible drummer and one of the coolest guys I’ve ever met. He did a clinic for us at PAS in Utah and it was insane
All of their smiles are priceless.
When they start laying behind the beat at around 2:40 I about died. THATS how you’re supposed to stay behind the beat
The amount of material here is outrageous. Sick upload good sir 👍🏽
It doesn’t get much better than two musicians who are great at what they do jamming out.
3:20 that octave shift was smoooth
If Larnell had a real kit he would go absolutely insane and would have made this even better. Also the dude behind Jacob has a Vulfpeck hat on
Larnell caught cheating on Cory with the new hot little college cuttie.
This is the best quality I've heard or seen this moment in. Spectacular.
I just got lucky that i got to be so close lol
The level of satisfaction to hearing this is the same as scratching that spot on my back I can’t reach. Except that spot is in my ear.
I know jacob this jacob that, lol , good electro drum playing there man wow . Props to you sir.
Larnell Lewis, a beast on his own right behind the kit
The best drummer with one of the best pianists of this century how much more could u need
Probably my favorite video on UA-cam.
I keep coming back to this video
That both were feeling it. Amazing🙌🙌🙌
05:56 sounds like Mario entering the pipe :v
Lol, yeah.
😂 Lmao
5:47 holy shit I just came out my ears
AH man, that was great! i felt jacob was on fire then pulled back n the beats are kickin up, n right before it ended it was blending magically.
Man I respect both of this two so much, when I first watched it a while ago I had no idea it was larnell lewis so surprised when I rewatched it
I want to be half as good at anything as Jacob is at music. Must feel so free of restraint of anything. Just think and do without interruption. It’s the only way you can be this insanely good.
Watching this in 2020 like THESE PPL ARENT DISTANCING
Two of my favourite musicians doing their thing
such amazing uses of timing
Two musical geniuses at work🤌🏾
10:09 in 1.25 🔥🔥
Daaaang, sweet
Larnell looks so young here! Great to see a couple of such brilliant musicians jamming like this with a lucky bunch of folks soaking it all up.....
made me tear up out of sheer awe.