Wonderful concerto. Thank you so much for allowing us all to discover these gem's. In 1774 Antonio Tozzi was appointed court choirmaster in Munich, where he performed the opera Orfeo ed Euridice. However, he soon had to leave the city and return to Italy, as the affair between the composer and Countess Seefeld came to light. About this scandal, Leopold Mozart wrote a letter to his wife commenting: "You must tell everyone the story between Tozzi and Countess Seefeld, so that people will understand that Italians (competing with our son Amadeus) are scoundrels everywhere".
He's got a great voice, but the constant c. 200-cent vocal vibrato (equivalent to a whole-step trill on every long note) wouldn't have been used at the time this music was written. If the instrumentalists are performing in historically informed manner, the vocalist should do so as well.
@@kartoffelsalatxxx93 not really. Actually we do know quite well what was considered 'good practice' at that age because they wrote many treaties about that. That is what forms the basis of historically informed musical performance that has flourished since the 1970s: we have sources directly from the period (treatise writing was very popular throughout the XVII and XVIII centuries). Said that, I don't find Behle's singing particularly overdoing in vibrato.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Wonderful concerto. Thank you so much for allowing us all to discover these gem's. In 1774 Antonio Tozzi was appointed court choirmaster in Munich, where he performed the opera Orfeo ed Euridice. However, he soon had to leave the city and return to Italy, as the affair between the composer and Countess Seefeld came to light. About this scandal, Leopold Mozart wrote a letter to his wife commenting: "You must tell everyone the story between Tozzi and Countess Seefeld, so that people will understand that Italians (competing with our son Amadeus) are scoundrels everywhere".
Un régal avec ces instruments anciens et ces airs classiques interprétés avec conviction par Daniel Behle!
Superb virtuosity....intense.....BRAVI TUTTI from Acapulco!
Most interesting thing in the Tozzi is the timpani playing during the cadenza.
Thank you - i wrote this cadenza 😊
😇😇😇
❤
Wow that was excellent!
Baroque rocks!!! 🤘🤘🤘
On comprend que Max lui ait préféré Juan Sancho après l'enregistrement sur disque d'Artaserse. C'est poussif, maladroit et pas très musical
He's got a great voice, but the constant c. 200-cent vocal vibrato (equivalent to a whole-step trill on every long note) wouldn't have been used at the time this music was written. If the instrumentalists are performing in historically informed manner, the vocalist should do so as well.
You must be 300 years old, that you know, how they sung at the time of this music. Such a strange and wrong thinking. Nowbody knows the right way...
@@kartoffelsalatxxx93 not really. Actually we do know quite well what was considered 'good practice' at that age because they wrote many treaties about that. That is what forms the basis of historically informed musical performance that has flourished since the 1970s: we have sources directly from the period (treatise writing was very popular throughout the XVII and XVIII centuries).
Said that, I don't find Behle's singing particularly overdoing in vibrato.